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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ECDAD it is the complementary color #E13252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ECDAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ECDAD shade: #23CDA8, #34DFBB, #45F1CE, #56FFE1 and #67FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ECDAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ECDAD shade: #1ECDAD, #0DBB9A, #00A987, #009774 and #008561

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ECDAD shade: #1ECCAC, #1ECC7E, #1ECC4F, #1ECC20 and #4CCC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ECDAD shade: #1ECCAC, #1EBDCC, #1E8ECC, #1E5FCC and #1E31CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ECDAD shade matches the following richer shades: #1ECCAC and #0CDFB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ECDAD shade: #1ECCAC, #31B9A0, #44A694, #579388 and #6A807C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ECDAD shade: #1ECC50, #1ECC7E, #1ECCAC, #1EBECC and #1E8FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ECDAD shade: #148470, #19A88E, #1ECCAC, #33E1C1 and #57E6CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ECDAD shade: #1ECDAD, #211ECC and #CC671E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ECDAD shade: #1ECDAD, #AC1ECC and #CCAC1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ECDAD shade: #1ECDAD, #211ECC, #CC1E3E and #C9CC1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ECDAD shade: #1ECDAD, #551ECC, #CC1E3E and #95CC1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

Complementary color

CMYK 0 / 78 / 64 / 12

HEX #E13252

RGB 225 50 82

HSL 349.03, 0.74%, 0.54%

LAB 50.57, 67.01, 24.98

 

CMYK 83 / 0 / 18 / 20

HEX #23CDA8

RGB 35 205 168

HSL 166.94, 0.71%, 0.47%

LAB 74.09, -49.44, 6.88

 

CMYK 77 / 0 / 16 / 13

HEX #34DFBB

RGB 52 223 187

HSL 167.37, 0.73%, 0.54%

LAB 80.23, -50.46, 5.59

 

CMYK 71 / 0 / 15 / 5

HEX #45F1CE

RGB 69 241 206

HSL 167.79, 0.86%, 0.61%

LAB 86.32, -51.2, 4.41

 

CMYK 66 / 0 / 12 / 0

HEX #56FFE1

RGB 86 255 225

HSL 169.35, 1%, 0.67%

LAB 91.2, -50.06, 1.65

 

CMYK 60 / 0 / 4 / 0

HEX #67FFF4

RGB 103 255 244

HSL 175.66, 1%, 0.7%

LAB 92.1, -42.64, -6.83

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

CMYK 93 / 0 / 18 / 27

HEX #0DBB9A

RGB 13 187 154

HSL 168.62, 0.87%, 0.39%

LAB 67.99, -47.02, 5.69

 

CMYK 100 / 0 / 20 / 34

HEX #00A987

RGB 0 169 135

HSL 167.93, 1%, 0.33%

LAB 61.76, -45.1, 7.26

 

CMYK 100 / 0 / 23 / 41

HEX #009774

RGB 0 151 116

HSL 166.09, 1%, 0.3%

LAB 55.48, -42.66, 9

 

CMYK 100 / 0 / 27 / 48

HEX #008561

RGB 0 133 97

HSL 163.76, 1%, 0.26%

LAB 49.05, -40.15, 10.84

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 85 / 0 / 38 / 20

HEX #1ECC7E

RGB 30 204 126

HSL 153.1, 0.74%, 0.46%

LAB 72.87, -58.93, 27.49

 

CMYK 85 / 0 / 61 / 20

HEX #1ECC4F

RGB 30 204 79

HSL 136.9, 0.74%, 0.46%

LAB 72.25, -66.38, 49.65

 

CMYK 85 / 0 / 84 / 20

HEX #1ECC20

RGB 30 204 32

HSL 120.69, 0.74%, 0.46%

LAB 71.94, -70.25, 65.82

 

CMYK 63 / 0 / 85 / 20

HEX #4CCC1E

RGB 76 204 30

HSL 104.14, 0.74%, 0.46%

LAB 72.77, -63.1, 67.34

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 85 / 7 / 0 / 20

HEX #1EBDCC

RGB 30 189 204

HSL 185.17, 0.74%, 0.46%

LAB 70.2, -32.51, -18.47

 

CMYK 85 / 30 / 0 / 20

HEX #1E8ECC

RGB 30 142 204

HSL 201.38, 0.74%, 0.46%

LAB 56.07, -7.86, -40.29

 

CMYK 85 / 53 / 0 / 20

HEX #1E5FCC

RGB 30 95 204

HSL 217.59, 0.74%, 0.46%

LAB 42.49, 21.21, -62.01

 

CMYK 85 / 76 / 0 / 20

HEX #1E31CC

RGB 30 49 204

HSL 233.45, 0.74%, 0.46%

LAB 31.42, 50.09, -80.16

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 95 / 0 / 17 / 13

HEX #0CDFB8

RGB 12 223 184

HSL 168.91, 0.9%, 0.46%

LAB 79.79, -53.86, 6.5

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 74 / 0 / 14 / 27

HEX #31B9A0

RGB 49 185 160

HSL 168.97, 0.58%, 0.46%

LAB 67.94, -41.61, 2.38

 

CMYK 59 / 0 / 11 / 35

HEX #44A694

RGB 68 166 148

HSL 168.98, 0.42%, 0.46%

LAB 62.2, -33.06, 0.75

 

CMYK 41 / 0 / 7 / 42

HEX #579388

RGB 87 147 136

HSL 169, 0.26%, 0.46%

LAB 56.75, -22.23, -0.31

 

CMYK 17 / 0 / 3 / 50

HEX #6A807C

RGB 106 128 124

HSL 169.09, 0.09%, 0.46%

LAB 51.79, -8.83, -0.5

 

CMYK 85 / 0 / 61 / 20

HEX #1ECC50

RGB 30 204 80

HSL 137.24, 0.74%, 0.46%

LAB 72.26, -66.25, 49.22

 

CMYK 85 / 0 / 38 / 20

HEX #1ECC7E

RGB 30 204 126

HSL 153.1, 0.74%, 0.46%

LAB 72.87, -58.93, 27.49

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 85 / 7 / 0 / 20

HEX #1EBECC

RGB 30 190 204

HSL 184.83, 0.74%, 0.46%

LAB 70.5, -32.98, -18.01

 

CMYK 85 / 30 / 0 / 20

HEX #1E8FCC

RGB 30 143 204

HSL 201.03, 0.74%, 0.46%

LAB 56.37, -8.43, -39.83

 

CMYK 85 / 0 / 15 / 48

HEX #148470

RGB 20 132 112

HSL 169.29, 0.74%, 0.3%

LAB 49.28, -34.33, 2.45

 

CMYK 85 / 0 / 15 / 34

HEX #19A88E

RGB 25 168 142

HSL 169.09, 0.74%, 0.38%

LAB 61.8, -41.52, 3.42

 

CMYK 85 / 0 / 16 / 20

HEX #1ECCAC

RGB 30 204 172

HSL 168.97, 0.74%, 0.46%

LAB 73.83, -48.38, 4.34

 

CMYK 77 / 0 / 14 / 12

HEX #33E1C1

RGB 51 225 193

HSL 168.97, 0.74%, 0.54%

LAB 80.96, -49.87, 3.46

 

CMYK 62 / 0 / 11 / 10

HEX #57E6CC

RGB 87 230 204

HSL 169.09, 0.74%, 0.62%

LAB 83.43, -44.37, 1.31

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

CMYK 84 / 85 / 0 / 20

HEX #211ECC

RGB 33 30 204

HSL 241.03, 0.74%, 0.46%

LAB 28.41, 59.34, -85.16

 

CMYK 0 / 50 / 85 / 20

HEX #CC671E

RGB 204 103 30

HSL 25.17, 0.74%, 0.46%

LAB 54.69, 35.68, 55.31

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

CMYK 16 / 85 / 0 / 20

HEX #AC1ECC

RGB 172 30 204

HSL 288.97, 0.74%, 0.46%

LAB 44.32, 74.19, -58.45

 

CMYK 0 / 16 / 85 / 20

HEX #CCAC1E

RGB 204 172 30

HSL 48.97, 0.74%, 0.46%

LAB 71.17, -1.39, 68.98

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

CMYK 84 / 85 / 0 / 20

HEX #211ECC

RGB 33 30 204

HSL 241.03, 0.74%, 0.46%

LAB 28.41, 59.34, -85.16

 

CMYK 0 / 85 / 70 / 20

HEX #CC1E3E

RGB 204 30 62

HSL 348.97, 0.74%, 0.46%

LAB 44.4, 65.23, 28.45

 

CMYK 1 / 0 / 85 / 20

HEX #C9CC1E

RGB 201 204 30

HSL 61.03, 0.74%, 0.46%

LAB 79.44, -19.06, 75.66

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAD

RGB 30 205 173

HSL 169.03, 0.74%, 0.46%

LAB 74.16, -48.54, 4.28

 

CMYK 58 / 85 / 0 / 20

HEX #551ECC

RGB 85 30 204

HSL 258.97, 0.74%, 0.46%

LAB 32.3, 62.66, -78.59

 

CMYK 0 / 85 / 70 / 20

HEX #CC1E3E

RGB 204 30 62

HSL 348.97, 0.74%, 0.46%

LAB 44.4, 65.23, 28.45

 

CMYK 27 / 0 / 85 / 20

HEX #95CC1E

RGB 149 204 30

HSL 78.97, 0.74%, 0.46%

LAB 75.87, -40.27, 71.23

 

Description

Color code: HEX #1ECDAD | qconv.com Color code: HEX #1ECDAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 205 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 205 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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