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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ECC2B it is the complementary color #E133D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ECC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ECC2B shade: #23CC26, #34DE39, #45F04C, #56FF5F and #67FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ECC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ECC2B shade: #1ECC2B, #0DBA18, #00A805, #009600 and #008400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ECC2B shade: #1ECC2B, #40CC1E, #6FCC1E, #9ECC1E and #CCCB1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ECC2B shade: #1ECC2B, #1ECC5A, #1ECC89, #1ECCB8 and #1EB1CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ECC2B shade matches the following richer shades: #1ECC2B and #0CDF1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ECC2B shade: #1ECC2B, #31B93C, #44A64C, #57935C and #6A806C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ECC2B shade: #70CC1E, #41CC1E, #1ECC2A, #1ECC58 and #1ECC87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ECC2B shade: #14841C, #19A824, #1ECC2B, #33E140 and #57E662

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ECC2B shade: #1ECC2B, #1E9ECC and #CC1E58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ECC2B shade: #1ECC2B, #2A1ECC and #CC2A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ECC2B shade: #1ECC2B, #1E9ECC, #CC1EC1 and #CC4D1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ECC2B shade: #1ECC2B, #1E6ACC, #CC1EC1 and #CC811E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

Complementary color

CMYK 0 / 77 / 6 / 12

HEX #E133D4

RGB 225 51 212

HSL 304.48, 0.74%, 0.54%

LAB 55.2, 80.22, -45.14

 

CMYK 83 / 0 / 81 / 20

HEX #23CC26

RGB 35 204 38

HSL 121.07, 0.71%, 0.47%

LAB 72.02, -69.46, 64.4

 

CMYK 77 / 0 / 74 / 13

HEX #34DE39

RGB 52 222 57

HSL 121.76, 0.72%, 0.54%

LAB 78.03, -71.53, 64.5

 

CMYK 71 / 0 / 68 / 6

HEX #45F04C

RGB 69 240 76

HSL 122.46, 0.85%, 0.61%

LAB 84.02, -73.02, 63.98

 

CMYK 66 / 0 / 63 / 0

HEX #56FF5F

RGB 86 255 95

HSL 123.2, 1%, 0.67%

LAB 89.08, -73.09, 62.09

 

CMYK 60 / 0 / 55 / 0

HEX #67FF72

RGB 103 255 114

HSL 124.34, 1%, 0.7%

LAB 89.68, -67.59, 54.76

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 93 / 0 / 87 / 27

HEX #0DBA18

RGB 13 186 24

HSL 123.82, 0.87%, 0.39%

LAB 65.96, -66.72, 62.23

 

CMYK 100 / 0 / 97 / 34

HEX #00A805

RGB 0 168 5

HSL 121.79, 1%, 0.33%

LAB 59.9, -62.92, 60.16

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 69 / 0 / 85 / 20

HEX #40CC1E

RGB 64 204 30

HSL 108.28, 0.74%, 0.46%

LAB 72.47, -65.58, 66.96

 

CMYK 46 / 0 / 85 / 20

HEX #6FCC1E

RGB 111 204 30

HSL 92.07, 0.74%, 0.46%

LAB 73.97, -53.6, 68.85

 

CMYK 23 / 0 / 85 / 20

HEX #9ECC1E

RGB 158 204 30

HSL 75.86, 0.74%, 0.46%

LAB 76.4, -36.77, 71.9

 

CMYK 0 / 0 / 85 / 20

HEX #CCCB1E

RGB 204 203 30

HSL 59.66, 0.74%, 0.46%

LAB 79.41, -17.29, 75.74

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC89

RGB 30 204 137

HSL 156.9, 0.74%, 0.46%

LAB 73.07, -56.68, 21.99

 

CMYK 85 / 0 / 10 / 20

HEX #1ECCB8

RGB 30 204 184

HSL 173.1, 0.74%, 0.46%

LAB 74.14, -45.18, -1.7

 

CMYK 85 / 13 / 0 / 20

HEX #1EB1CC

RGB 30 177 204

HSL 189.31, 0.74%, 0.46%

LAB 66.58, -26.63, -23.98

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 95 / 0 / 88 / 13

HEX #0CDF1B

RGB 12 223 27

HSL 124.27, 0.9%, 0.46%

LAB 77.84, -76.85, 72.02

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 74 / 0 / 68 / 27

HEX #31B93C

RGB 49 185 60

HSL 124.85, 0.58%, 0.46%

LAB 66.27, -60.07, 51.2

 

CMYK 59 / 0 / 54 / 35

HEX #44A64C

RGB 68 166 76

HSL 124.9, 0.42%, 0.46%

LAB 60.8, -47.55, 37.81

 

CMYK 41 / 0 / 37 / 42

HEX #57935C

RGB 87 147 92

HSL 125, 0.26%, 0.46%

LAB 55.75, -31.51, 23.17

 

CMYK 17 / 0 / 16 / 50

HEX #6A806C

RGB 106 128 108

HSL 125.45, 0.09%, 0.46%

LAB 51.36, -12.18, 8.23

 

CMYK 45 / 0 / 85 / 20

HEX #70CC1E

RGB 112 204 30

HSL 91.72, 0.74%, 0.46%

LAB 74.01, -53.29, 68.91

 

CMYK 68 / 0 / 85 / 20

HEX #41CC1E

RGB 65 204 30

HSL 107.93, 0.74%, 0.46%

LAB 72.5, -65.39, 66.99

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2A

RGB 30 204 42

HSL 124.14, 0.74%, 0.46%

LAB 71.98, -69.71, 63.22

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 85 / 0 / 34 / 20

HEX #1ECC87

RGB 30 204 135

HSL 156.21, 0.74%, 0.46%

LAB 73.03, -57.1, 23

 

CMYK 85 / 0 / 79 / 48

HEX #14841C

RGB 20 132 28

HSL 124.29, 0.74%, 0.3%

LAB 47.92, -49.78, 44.47

 

CMYK 85 / 0 / 79 / 34

HEX #19A824

RGB 25 168 36

HSL 124.62, 0.74%, 0.38%

LAB 60.19, -59.9, 53.76

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 77 / 0 / 72 / 12

HEX #33E140

RGB 51 225 64

HSL 124.48, 0.74%, 0.54%

LAB 79, -72.03, 63.06

 

CMYK 62 / 0 / 57 / 10

HEX #57E662

RGB 87 230 98

HSL 124.62, 0.74%, 0.62%

LAB 81.57, -64.11, 52.25

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 85 / 23 / 0 / 20

HEX #1E9ECC

RGB 30 158 204

HSL 195.86, 0.74%, 0.46%

LAB 60.86, -16.76, -32.8

 

CMYK 0 / 85 / 57 / 20

HEX #CC1E58

RGB 204 30 88

HSL 340, 0.74%, 0.46%

LAB 44.9, 66.7, 13.01

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 79 / 85 / 0 / 20

HEX #2A1ECC

RGB 42 30 204

HSL 244.14, 0.74%, 0.46%

LAB 28.85, 59.7, -84.42

 

CMYK 0 / 79 / 85 / 20

HEX #CC2A1E

RGB 204 42 30

HSL 4.14, 0.74%, 0.46%

LAB 45.06, 61.22, 47.14

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 85 / 23 / 0 / 20

HEX #1E9ECC

RGB 30 158 204

HSL 195.86, 0.74%, 0.46%

LAB 60.86, -16.76, -32.8

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC1

RGB 204 30 193

HSL 303.79, 0.74%, 0.46%

LAB 49.03, 78.06, -44.22

 

CMYK 0 / 62 / 85 / 20

HEX #CC4D1E

RGB 204 77 30

HSL 16.21, 0.74%, 0.46%

LAB 49.78, 48.3, 51.17

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2B

RGB 30 204 43

HSL 124.48, 0.74%, 0.46%

LAB 71.98, -69.65, 62.93

 

CMYK 85 / 48 / 0 / 20

HEX #1E6ACC

RGB 30 106 204

HSL 213.79, 0.74%, 0.46%

LAB 45.56, 14.09, -57.05

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC1

RGB 204 30 193

HSL 303.79, 0.74%, 0.46%

LAB 49.03, 78.06, -44.22

 

CMYK 0 / 37 / 85 / 20

HEX #CC811E

RGB 204 129 30

HSL 34.14, 0.74%, 0.46%

LAB 60.46, 21.83, 60.12

 

Description

Color code: HEX #1ECC2B | qconv.com Color code: HEX #1ECC2B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 204 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 204 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 79 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 79% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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