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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1ECA88 it is the complementary color #E13577. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1ECA88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1ECA88 shade: #23CA83, #34DC96, #45EEA9, #56FFBC and #67FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1ECA88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1ECA88 shade: #1ECA88, #0DB875, #00A662, #00944F and #00823C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1ECA88 shade: #1EC887, #1EC859, #1EC82B, #3FC81E and #6CC81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1ECA88 shade: #1EC887, #1EC8B4, #1EADC8, #1E7FC8 and #1E52C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1ECA88 shade matches the following richer shades: #1EC887 and #0BDA8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1ECA88 shade: #1EC887, #30B582, #43A37E, #56907A and #687D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1ECA88 shade: #1EC829, #1EC856, #1EC884, #1EC8B1 and #1EB1C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1ECA88 shade: #138056, #18A46E, #1EC887, #2FE09C and #53E5AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1ECA88 shade: #1ECA88, #1E40C8 and #C8401E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1ECA88 shade: #1ECA88, #841EC8 and #C8841E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1ECA88 shade: #1ECA88, #1E40C8, #C81E62 and #C8A61E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1ECA88 shade: #1ECA88, #2F1EC8, #C81E62 and #B7C81E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

Complementary color

CMYK 0 / 76 / 47 / 12

HEX #E13577

RGB 225 53 119

HSL 336.98, 0.74%, 0.55%

LAB 51.71, 68.76, 4.17

 

CMYK 83 / 0 / 35 / 21

HEX #23CA83

RGB 35 202 131

HSL 154.49, 0.7%, 0.46%

LAB 72.39, -56.78, 24.24

 

CMYK 76 / 0 / 32 / 14

HEX #34DC96

RGB 52 220 150

HSL 155, 0.71%, 0.53%

LAB 78.53, -57.77, 22.69

 

CMYK 71 / 0 / 29 / 7

HEX #45EEA9

RGB 69 238 169

HSL 155.5, 0.83%, 0.6%

LAB 84.63, -58.45, 21.26

 

CMYK 66 / 0 / 26 / 0

HEX #56FFBC

RGB 86 255 188

HSL 156.21, 1%, 0.67%

LAB 90.38, -58.51, 19.54

 

CMYK 60 / 0 / 19 / 0

HEX #67FFCF

RGB 103 255 207

HSL 161.05, 1%, 0.7%

LAB 91.19, -51.49, 10.99

 

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

CMYK 93 / 0 / 36 / 28

HEX #0DB875

RGB 13 184 117

HSL 156.49, 0.87%, 0.39%

LAB 66.25, -54.6, 23.35

 

CMYK 100 / 0 / 41 / 35

HEX #00A662

RGB 0 166 98

HSL 155.42, 1%, 0.33%

LAB 60.03, -52.55, 25.2

 

CMYK 100 / 0 / 47 / 42

HEX #00944F

RGB 0 148 79

HSL 152.03, 1%, 0.29%

LAB 53.75, -49.83, 27.23

 

CMYK 100 / 0 / 54 / 49

HEX #00823C

RGB 0 130 60

HSL 147.69, 1%, 0.25%

LAB 47.35, -46.9, 29.28

 

CMYK 85 / 0 / 33 / 22

HEX #1EC887

RGB 30 200 135

HSL 157.06, 0.74%, 0.45%

LAB 71.78, -55.62, 21.29

 

CMYK 85 / 0 / 56 / 22

HEX #1EC859

RGB 30 200 89

HSL 140.82, 0.74%, 0.45%

LAB 71.08, -63.8, 43.72

 

CMYK 85 / 0 / 79 / 22

HEX #1EC82B

RGB 30 200 43

HSL 124.59, 0.74%, 0.45%

LAB 70.7, -68.48, 61.71

 

CMYK 69 / 0 / 85 / 22

HEX #3FC81E

RGB 63 200 30

HSL 108.35, 0.74%, 0.45%

LAB 71.19, -64.5, 65.81

 

CMYK 46 / 0 / 85 / 22

HEX #6CC81E

RGB 108 200 30

HSL 92.47, 0.74%, 0.45%

LAB 72.62, -53.01, 67.63

 

CMYK 85 / 0 / 33 / 22

HEX #1EC887

RGB 30 200 135

HSL 157.06, 0.74%, 0.45%

LAB 71.78, -55.62, 21.29

 

CMYK 85 / 0 / 10 / 22

HEX #1EC8B4

RGB 30 200 180

HSL 172.94, 0.74%, 0.45%

LAB 72.81, -44.56, -1.47

 

CMYK 85 / 14 / 0 / 22

HEX #1EADC8

RGB 30 173 200

HSL 189.53, 0.74%, 0.45%

LAB 65.23, -25.94, -23.84

 

CMYK 85 / 37 / 0 / 22

HEX #1E7FC8

RGB 30 127 200

HSL 205.76, 0.74%, 0.45%

LAB 51.41, -0.53, -45.39

 

CMYK 85 / 59 / 0 / 22

HEX #1E52C8

RGB 30 82 200

HSL 221.65, 0.74%, 0.45%

LAB 38.69, 28.18, -65.88

 

CMYK 85 / 0 / 33 / 22

HEX #1EC887

RGB 30 200 135

HSL 157.06, 0.74%, 0.45%

LAB 71.78, -55.62, 21.29

 

CMYK 95 / 0 / 36 / 15

HEX #0BDA8B

RGB 11 218 139

HSL 157.1, 0.9%, 0.45%

LAB 77.33, -62.34, 26.7

 

CMYK 85 / 0 / 33 / 22

HEX #1EC887

RGB 30 200 135

HSL 157.06, 0.74%, 0.45%

LAB 71.78, -55.62, 21.29

 

CMYK 73 / 0 / 28 / 29

HEX #30B582

RGB 48 181 130

HSL 156.99, 0.58%, 0.45%

LAB 65.97, -47.4, 16.02

 

CMYK 59 / 0 / 23 / 36

HEX #43A37E

RGB 67 163 126

HSL 156.88, 0.42%, 0.45%

LAB 60.69, -37.29, 10.9

 

CMYK 40 / 0 / 15 / 44

HEX #56907A

RGB 86 144 122

HSL 157.24, 0.25%, 0.45%

LAB 55.41, -24.31, 5.76

 

CMYK 17 / 0 / 6 / 51

HEX #687D75

RGB 104 125 117

HSL 157.14, 0.09%, 0.45%

LAB 50.56, -9.39, 1.8

 

CMYK 85 / 0 / 80 / 22

HEX #1EC829

RGB 30 200 41

HSL 123.88, 0.74%, 0.45%

LAB 70.69, -68.61, 62.3

 

CMYK 85 / 0 / 57 / 22

HEX #1EC856

RGB 30 200 86

HSL 139.76, 0.74%, 0.45%

LAB 71.05, -64.22, 45.08

 

CMYK 85 / 0 / 34 / 22

HEX #1EC884

RGB 30 200 132

HSL 156, 0.74%, 0.45%

LAB 71.72, -56.26, 22.8

 

CMYK 85 / 0 / 12 / 22

HEX #1EC8B1

RGB 30 200 177

HSL 171.88, 0.74%, 0.45%

LAB 72.73, -45.38, 0.04

 

CMYK 85 / 12 / 0 / 22

HEX #1EB1C8

RGB 30 177 200

HSL 188.12, 0.74%, 0.45%

LAB 66.44, -27.94, -21.99

 

CMYK 85 / 0 / 33 / 50

HEX #138056

RGB 19 128 86

HSL 156.88, 0.74%, 0.29%

LAB 47.3, -39.44, 14.79

 

CMYK 85 / 0 / 33 / 36

HEX #18A46E

RGB 24 164 110

HSL 156.86, 0.74%, 0.37%

LAB 59.77, -47.87, 18.36

 

CMYK 85 / 0 / 33 / 22

HEX #1EC887

RGB 30 200 135

HSL 157.06, 0.74%, 0.45%

LAB 71.78, -55.62, 21.29

 

CMYK 79 / 0 / 30 / 12

HEX #2FE09C

RGB 47 224 156

HSL 156.95, 0.74%, 0.53%

LAB 79.79, -58.56, 21.28

 

CMYK 64 / 0 / 24 / 10

HEX #53E5AD

RGB 83 229 173

HSL 156.99, 0.74%, 0.61%

LAB 82.32, -51.85, 16.02

 

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

CMYK 85 / 68 / 0 / 22

HEX #1E40C8

RGB 30 64 200

HSL 228, 0.74%, 0.45%

LAB 34.22, 39.8, -73.22

 

CMYK 0 / 68 / 85 / 22

HEX #C8401E

RGB 200 64 30

HSL 12, 0.74%, 0.45%

LAB 47.03, 52.44, 48.53

 

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

CMYK 34 / 85 / 0 / 22

HEX #841EC8

RGB 132 30 200

HSL 276, 0.74%, 0.45%

LAB 37.85, 67.28, -66.92

 

CMYK 0 / 34 / 85 / 22

HEX #C8841E

RGB 200 132 30

HSL 36, 0.74%, 0.45%

LAB 60.67, 18.46, 60.1

 

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

CMYK 85 / 68 / 0 / 22

HEX #1E40C8

RGB 30 64 200

HSL 228, 0.74%, 0.45%

LAB 34.22, 39.8, -73.22

 

CMYK 0 / 85 / 51 / 22

HEX #C81E62

RGB 200 30 98

HSL 336, 0.74%, 0.45%

LAB 44.36, 66.42, 5.9

 

CMYK 0 / 17 / 85 / 22

HEX #C8A61E

RGB 200 166 30

HSL 48, 0.74%, 0.45%

LAB 69.22, 0.03, 67.21

 

CMYK 85 / 0 / 33 / 21

HEX #1ECA88

RGB 30 202 136

HSL 156.98, 0.74%, 0.45%

LAB 72.43, -56.15, 21.64

 

CMYK 77 / 85 / 0 / 22

HEX #2F1EC8

RGB 47 30 200

HSL 246, 0.74%, 0.45%

LAB 28.65, 58.8, -82.4

 

CMYK 0 / 85 / 51 / 22

HEX #C81E62

RGB 200 30 98

HSL 336, 0.74%, 0.45%

LAB 44.36, 66.42, 5.9

 

CMYK 9 / 0 / 85 / 22

HEX #B7C81E

RGB 183 200 30

HSL 66, 0.74%, 0.45%

LAB 76.96, -24.71, 73.05

 

Description

Color code: HEX #1ECA88 | qconv.com Color code: HEX #1ECA88 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 202 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 202 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 33 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 33% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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