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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC731 it is the complementary color #E138CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC731 shade: #23C72C, #34D93F, #45EB52, #56FD65 and #67FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC731 shade: #1EC731, #0DB51E, #00A30B, #009100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC731 shade: #1EC831, #39C81E, #66C81E, #94C81E and #C2C81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC731 shade: #1EC831, #1EC85F, #1EC88D, #1EC8BA and #1EA7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC731 shade matches the following richer shades: #1EC831 and #0BDA23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC731 shade: #1EC831, #30B53F, #43A34E, #56905C and #687D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC731 shade: #67C81E, #3AC81E, #1EC82F, #1EC85C and #1EC889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC731 shade: #13801F, #18A428, #1EC831, #2FE043 and #53E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC731 shade: #1EC731, #1E95C8 and #C81E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC731 shade: #1EC731, #2F1EC8 and #C82F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC731 shade: #1EC731, #1E95C8, #C81EB7 and #C8511E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC731 shade: #1EC731, #1E62C8, #C81EB7 and #C8841E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

Complementary color

CMYK 0 / 75 / 8 / 12

HEX #E138CE

RGB 225 56 206

HSL 306.75, 0.74%, 0.55%

LAB 55.37, 77.99, -41.45

 

CMYK 82 / 0 / 78 / 22

HEX #23C72C

RGB 35 199 44

HSL 123.29, 0.7%, 0.46%

LAB 70.45, -67.62, 61.17

 

CMYK 76 / 0 / 71 / 15

HEX #34D93F

RGB 52 217 63

HSL 124, 0.68%, 0.53%

LAB 76.51, -69.54, 60.85

 

CMYK 71 / 0 / 65 / 8

HEX #45EB52

RGB 69 235 82

HSL 124.7, 0.81%, 0.6%

LAB 82.53, -70.88, 60.05

 

CMYK 66 / 0 / 60 / 1

HEX #56FD65

RGB 86 253 101

HSL 125.39, 0.98%, 0.66%

LAB 88.53, -71.8, 58.98

 

CMYK 60 / 0 / 53 / 0

HEX #67FF78

RGB 103 255 120

HSL 126.71, 1%, 0.7%

LAB 89.75, -66.85, 52.13

 

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

CMYK 93 / 0 / 83 / 29

HEX #0DB51E

RGB 13 181 30

HSL 126.07, 0.87%, 0.38%

LAB 64.34, -65.02, 59.37

 

CMYK 100 / 0 / 93 / 36

HEX #00A30B

RGB 0 163 11

HSL 124.05, 1%, 0.32%

LAB 58.24, -61.36, 57.93

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 85 / 0 / 76 / 22

HEX #1EC831

RGB 30 200 49

HSL 126.71, 0.74%, 0.45%

LAB 70.74, -68.07, 59.83

 

CMYK 72 / 0 / 85 / 22

HEX #39C81E

RGB 57 200 30

HSL 110.47, 0.74%, 0.45%

LAB 71.06, -65.6, 65.65

 

CMYK 49 / 0 / 85 / 22

HEX #66C81E

RGB 102 200 30

HSL 94.59, 0.74%, 0.45%

LAB 72.38, -54.85, 67.32

 

CMYK 26 / 0 / 85 / 22

HEX #94C81E

RGB 148 200 30

HSL 78.35, 0.74%, 0.45%

LAB 74.63, -38.88, 70.16

 

CMYK 3 / 0 / 85 / 22

HEX #C2C81E

RGB 194 200 30

HSL 62.12, 0.74%, 0.45%

LAB 77.8, -20.06, 74.09

 

CMYK 85 / 0 / 76 / 22

HEX #1EC831

RGB 30 200 49

HSL 126.71, 0.74%, 0.45%

LAB 70.74, -68.07, 59.83

 

CMYK 85 / 0 / 53 / 22

HEX #1EC85F

RGB 30 200 95

HSL 142.94, 0.74%, 0.45%

LAB 71.15, -62.93, 40.93

 

CMYK 85 / 0 / 30 / 22

HEX #1EC88D

RGB 30 200 141

HSL 159.18, 0.74%, 0.45%

LAB 71.9, -54.31, 18.26

 

CMYK 85 / 0 / 7 / 22

HEX #1EC8BA

RGB 30 200 186

HSL 175.06, 0.74%, 0.45%

LAB 72.98, -42.89, -4.49

 

CMYK 85 / 17 / 0 / 22

HEX #1EA7C8

RGB 30 167 200

HSL 191.65, 0.74%, 0.45%

LAB 63.41, -22.88, -26.62

 

CMYK 85 / 0 / 76 / 22

HEX #1EC831

RGB 30 200 49

HSL 126.71, 0.74%, 0.45%

LAB 70.74, -68.07, 59.83

 

CMYK 95 / 0 / 84 / 15

HEX #0BDA23

RGB 11 218 35

HSL 126.96, 0.9%, 0.45%

LAB 76.27, -75.2, 68.98

 

CMYK 85 / 0 / 76 / 22

HEX #1EC831

RGB 30 200 49

HSL 126.71, 0.74%, 0.45%

LAB 70.74, -68.07, 59.83

 

CMYK 73 / 0 / 65 / 29

HEX #30B53F

RGB 48 181 63

HSL 126.77, 0.58%, 0.45%

LAB 64.99, -58.6, 48.54

 

CMYK 59 / 0 / 52 / 36

HEX #43A34E

RGB 67 163 78

HSL 126.88, 0.42%, 0.45%

LAB 59.83, -46.33, 35.62

 

CMYK 40 / 0 / 36 / 44

HEX #56905C

RGB 86 144 92

HSL 126.21, 0.25%, 0.45%

LAB 54.76, -30.41, 21.84

 

CMYK 17 / 0 / 15 / 51

HEX #687D6A

RGB 104 125 106

HSL 125.71, 0.09%, 0.45%

LAB 50.28, -11.66, 7.83

 

CMYK 49 / 0 / 85 / 22

HEX #67C81E

RGB 103 200 30

HSL 94.24, 0.74%, 0.45%

LAB 72.42, -54.55, 67.37

 

CMYK 71 / 0 / 85 / 22

HEX #3AC81E

RGB 58 200 30

HSL 110.12, 0.74%, 0.45%

LAB 71.08, -65.42, 65.67

 

CMYK 85 / 0 / 77 / 22

HEX #1EC82F

RGB 30 200 47

HSL 126, 0.74%, 0.45%

LAB 70.73, -68.21, 60.48

 

CMYK 85 / 0 / 54 / 22

HEX #1EC85C

RGB 30 200 92

HSL 141.88, 0.74%, 0.45%

LAB 71.12, -63.38, 42.33

 

CMYK 85 / 0 / 32 / 22

HEX #1EC889

RGB 30 200 137

HSL 157.76, 0.74%, 0.45%

LAB 71.82, -55.19, 20.28

 

CMYK 85 / 0 / 76 / 50

HEX #13801F

RGB 19 128 31

HSL 126.61, 0.74%, 0.29%

LAB 46.55, -48.35, 41.98

 

CMYK 85 / 0 / 76 / 36

HEX #18A428

RGB 24 164 40

HSL 126.86, 0.74%, 0.37%

LAB 58.88, -58.48, 51.1

 

CMYK 85 / 0 / 76 / 22

HEX #1EC831

RGB 30 200 49

HSL 126.71, 0.74%, 0.45%

LAB 70.74, -68.07, 59.83

 

CMYK 79 / 0 / 70 / 12

HEX #2FE043

RGB 47 224 67

HSL 126.78, 0.74%, 0.53%

LAB 78.65, -71.98, 61.58

 

CMYK 64 / 0 / 57 / 10

HEX #53E563

RGB 83 229 99

HSL 126.58, 0.74%, 0.61%

LAB 81.17, -64.46, 51.31

 

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

CMYK 85 / 26 / 0 / 22

HEX #1E95C8

RGB 30 149 200

HSL 198, 0.74%, 0.45%

LAB 57.98, -13.25, -35.04

 

CMYK 0 / 85 / 60 / 22

HEX #C81E51

RGB 200 30 81

HSL 342, 0.74%, 0.45%

LAB 43.95, 65.22, 15.95

 

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

CMYK 77 / 85 / 0 / 22

HEX #2F1EC8

RGB 47 30 200

HSL 246, 0.74%, 0.45%

LAB 28.65, 58.8, -82.4

 

CMYK 0 / 77 / 85 / 22

HEX #C82F1E

RGB 200 47 30

HSL 6, 0.74%, 0.45%

LAB 44.81, 58.55, 46.61

 

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

CMYK 85 / 26 / 0 / 22

HEX #1E95C8

RGB 30 149 200

HSL 198, 0.74%, 0.45%

LAB 57.98, -13.25, -35.04

 

CMYK 0 / 85 / 9 / 22

HEX #C81EB7

RGB 200 30 183

HSL 306, 0.74%, 0.45%

LAB 47.79, 75.88, -40.4

 

CMYK 0 / 60 / 85 / 22

HEX #C8511E

RGB 200 81 30

HSL 18, 0.74%, 0.45%

LAB 49.81, 45.02, 50.92

 

CMYK 85 / 0 / 75 / 22

HEX #1EC731

RGB 30 199 49

HSL 126.75, 0.74%, 0.45%

LAB 70.42, -67.77, 59.51

 

CMYK 85 / 51 / 0 / 22

HEX #1E62C8

RGB 30 98 200

HSL 216, 0.74%, 0.45%

LAB 43.04, 17.7, -58.82

 

CMYK 0 / 85 / 9 / 22

HEX #C81EB7

RGB 200 30 183

HSL 306, 0.74%, 0.45%

LAB 47.79, 75.88, -40.4

 

CMYK 0 / 34 / 85 / 22

HEX #C8841E

RGB 200 132 30

HSL 36, 0.74%, 0.45%

LAB 60.67, 18.46, 60.1

 

Description

Color code: HEX #1EC731 | qconv.com Color code: HEX #1EC731 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 199 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 199 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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