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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EC039 it is the complementary color #E13FC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EC039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EC039 shade: #23C034, #34D247, #45E45A, #56F66D and #67FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EC039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EC039 shade: #1EC039, #0DAE26, #009C13, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EC039 shade: #1EC23A, #2FC21E, #5BC21E, #88C21E and #B4C21E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EC039 shade: #1EC23A, #1EC266, #1EC292, #1EC2BE and #1E9AC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EC039 shade matches the following richer shades: #1EC23A and #0CD42D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EC039 shade: #1EC23A, #30B046, #439E52, #558C5E and #67796A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EC039 shade: #5AC21E, #2FC21E, #1EC23A, #1EC265 and #1EC291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EC039 shade: #137B24, #199E2F, #1EC23A, #2CDE49 and #4FE468

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EC039 shade: #1EC039, #1E86C2 and #C21E45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EC039 shade: #1EC039, #3A1EC2 and #C23A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EC039 shade: #1EC039, #1E86C2, #C21EA7 and #C25A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EC039 shade: #1EC039, #1E55C2, #C21EA7 and #C28C1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

Complementary color

CMYK 0 / 72 / 12 / 12

HEX #E13FC6

RGB 225 63 198

HSL 310, 0.73%, 0.56%

LAB 55.73, 74.74, -36.31

 

CMYK 82 / 0 / 73 / 25

HEX #23C034

RGB 35 192 52

HSL 126.5, 0.69%, 0.45%

LAB 68.24, -64.92, 56.3

 

CMYK 75 / 0 / 66 / 18

HEX #34D247

RGB 52 210 71

HSL 127.22, 0.64%, 0.51%

LAB 74.37, -66.61, 55.5

 

CMYK 70 / 0 / 61 / 11

HEX #45E45A

RGB 69 228 90

HSL 127.92, 0.75%, 0.58%

LAB 80.45, -67.76, 54.38

 

CMYK 65 / 0 / 56 / 4

HEX #56F66D

RGB 86 246 109

HSL 128.63, 0.9%, 0.65%

LAB 86.5, -68.52, 53.12

 

CMYK 60 / 0 / 50 / 0

HEX #67FF80

RGB 103 255 128

HSL 129.87, 1%, 0.7%

LAB 89.84, -65.8, 48.55

 

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

CMYK 93 / 0 / 78 / 32

HEX #0DAE26

RGB 13 174 38

HSL 129.32, 0.86%, 0.37%

LAB 62.08, -62.5, 54.9

 

CMYK 100 / 0 / 88 / 39

HEX #009C13

RGB 0 156 19

HSL 127.31, 1%, 0.31%

LAB 55.91, -59.09, 54.42

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 76 / 0 / 85 / 24

HEX #2FC21E

RGB 47 194 30

HSL 113.78, 0.73%, 0.44%

LAB 68.95, -65.37, 63.7

 

CMYK 53 / 0 / 85 / 24

HEX #5BC21E

RGB 91 194 30

HSL 97.68, 0.73%, 0.44%

LAB 70.11, -55.82, 65.16

 

CMYK 30 / 0 / 85 / 24

HEX #88C21E

RGB 136 194 30

HSL 81.22, 0.73%, 0.44%

LAB 72.17, -40.82, 67.76

 

CMYK 7 / 0 / 85 / 24

HEX #B4C21E

RGB 180 194 30

HSL 65.12, 0.73%, 0.44%

LAB 75.06, -23.05, 71.38

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 85 / 0 / 47 / 24

HEX #1EC266

RGB 30 194 102

HSL 146.34, 0.73%, 0.44%

LAB 69.34, -59.81, 35.21

 

CMYK 85 / 0 / 25 / 24

HEX #1EC292

RGB 30 194 146

HSL 162.44, 0.73%, 0.44%

LAB 70.13, -50.83, 13.11

 

CMYK 85 / 0 / 2 / 24

HEX #1EC2BE

RGB 30 194 190

HSL 178.54, 0.73%, 0.44%

LAB 71.27, -39.08, -9.2

 

CMYK 85 / 21 / 0 / 24

HEX #1E9AC2

RGB 30 154 194

HSL 194.63, 0.73%, 0.44%

LAB 59.23, -18.09, -29.72

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 94 / 0 / 79 / 17

HEX #0CD42D

RGB 12 212 45

HSL 129.9, 0.89%, 0.44%

LAB 74.42, -72.96, 64.62

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 73 / 0 / 60 / 31

HEX #30B046

RGB 48 176 70

HSL 130.31, 0.57%, 0.44%

LAB 63.44, -56.1, 43.67

 

CMYK 58 / 0 / 48 / 38

HEX #439E52

RGB 67 158 82

HSL 129.89, 0.4%, 0.44%

LAB 58.28, -43.72, 31.64

 

CMYK 39 / 0 / 33 / 45

HEX #558C5E

RGB 85 140 94

HSL 129.82, 0.24%, 0.44%

LAB 53.49, -28.45, 19

 

CMYK 15 / 0 / 12 / 53

HEX #67796A

RGB 103 121 106

HSL 130, 0.08%, 0.44%

LAB 49.01, -9.8, 6.01

 

CMYK 54 / 0 / 85 / 24

HEX #5AC21E

RGB 90 194 30

HSL 98.05, 0.73%, 0.44%

LAB 70.07, -56.1, 65.12

 

CMYK 76 / 0 / 85 / 24

HEX #2FC21E

RGB 47 194 30

HSL 113.78, 0.73%, 0.44%

LAB 68.95, -65.37, 63.7

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 85 / 0 / 48 / 24

HEX #1EC265

RGB 30 194 101

HSL 145.98, 0.73%, 0.44%

LAB 69.33, -59.97, 35.7

 

CMYK 85 / 0 / 25 / 24

HEX #1EC291

RGB 30 194 145

HSL 162.07, 0.73%, 0.44%

LAB 70.11, -51.06, 13.62

 

CMYK 85 / 0 / 71 / 52

HEX #137B24

RGB 19 123 36

HSL 129.81, 0.73%, 0.28%

LAB 44.85, -46.2, 38.14

 

CMYK 84 / 0 / 70 / 38

HEX #199E2F

RGB 25 158 47

HSL 129.92, 0.73%, 0.36%

LAB 56.94, -55.87, 46.43

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 80 / 0 / 67 / 13

HEX #2CDE49

RGB 44 222 73

HSL 129.78, 0.73%, 0.52%

LAB 78.03, -71.17, 58.62

 

CMYK 65 / 0 / 54 / 11

HEX #4FE468

RGB 79 228 104

HSL 130.07, 0.73%, 0.6%

LAB 80.82, -64.26, 48.59

 

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

CMYK 85 / 31 / 0 / 24

HEX #1E86C2

RGB 30 134 194

HSL 201.95, 0.73%, 0.44%

LAB 53.19, -6.92, -39.16

 

CMYK 0 / 85 / 64 / 24

HEX #C21E45

RGB 194 30 69

HSL 345.73, 0.73%, 0.44%

LAB 42.5, 62.93, 21.31

 

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

CMYK 70 / 85 / 0 / 24

HEX #3A1EC2

RGB 58 30 194

HSL 250.24, 0.73%, 0.44%

LAB 28.7, 57.78, -78.77

 

CMYK 0 / 70 / 85 / 24

HEX #C23A1E

RGB 194 58 30

HSL 10.24, 0.73%, 0.44%

LAB 45.07, 52.79, 46.4

 

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

CMYK 85 / 31 / 0 / 24

HEX #1E86C2

RGB 30 134 194

HSL 201.95, 0.73%, 0.44%

LAB 53.19, -6.92, -39.16

 

CMYK 0 / 85 / 14 / 24

HEX #C21EA7

RGB 194 30 167

HSL 309.88, 0.73%, 0.44%

LAB 45.89, 72.48, -34.01

 

CMYK 0 / 54 / 85 / 24

HEX #C25A1E

RGB 194 90 30

HSL 21.95, 0.73%, 0.44%

LAB 50.54, 38.34, 51.17

 

CMYK 84 / 0 / 70 / 25

HEX #1EC039

RGB 30 192 57

HSL 130, 0.73%, 0.44%

LAB 68.22, -65.01, 54.38

 

CMYK 85 / 56 / 0 / 24

HEX #1E55C2

RGB 30 85 194

HSL 219.88, 0.73%, 0.44%

LAB 39.02, 23.88, -61.86

 

CMYK 0 / 85 / 14 / 24

HEX #C21EA7

RGB 194 30 167

HSL 309.88, 0.73%, 0.44%

LAB 45.89, 72.48, -34.01

 

CMYK 0 / 28 / 85 / 24

HEX #C28C1E

RGB 194 140 30

HSL 40.24, 0.73%, 0.44%

LAB 61.93, 11.43, 60.87

 

Description

Color code: HEX #1EC039 | qconv.com Color code: HEX #1EC039 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 192 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 192 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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