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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EBD45 it is the complementary color #E142BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EBD45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EBD45 shade: #23BD40, #34CF53, #45E166, #56F379 and #67FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EBD45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EBD45 shade: #1EBD45, #0DAB32, #00991F, #00870C and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EBD45 shade: #1EBE45, #22BE1E, #4DBE1E, #78BE1E and #A3BE1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EBD45 shade: #1EBE45, #1EBE70, #1EBE9B, #1EB5BE and #1E8ABE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EBD45 shade matches the following richer shades: #1EBE45 and #0CCF3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EBD45 shade: #1EBE45, #2FAC4E, #419A57, #538860 and #657769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EBD45 shade: #4EBE1E, #23BE1E, #1EBE43, #1EBE6E and #1EBE98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EBD45 shade: #12762B, #189A38, #1EBE45, #27DD54 and #4BE370

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EBD45 shade: #1EBD45, #1E78BE and #BE1E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EBD45 shade: #1EBD45, #431EBE and #BE431E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EBD45 shade: #1EBD45, #1E78BE, #BE1E98 and #BE631E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EBD45 shade: #1EBD45, #1E48BE, #BE1E98 and #BE931E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

Complementary color

CMYK 0 / 71 / 17 / 12

HEX #E142BA

RGB 225 66 186

HSL 314.72, 0.73%, 0.57%

LAB 55.53, 72.09, -29.7

 

CMYK 81 / 0 / 66 / 26

HEX #23BD40

RGB 35 189 64

HSL 131.3, 0.69%, 0.44%

LAB 67.37, -62.87, 50.67

 

CMYK 75 / 0 / 60 / 19

HEX #34CF53

RGB 52 207 83

HSL 132, 0.62%, 0.51%

LAB 73.53, -64.32, 49.43

 

CMYK 69 / 0 / 55 / 12

HEX #45E166

RGB 69 225 102

HSL 132.69, 0.72%, 0.58%

LAB 79.66, -65.28, 48.07

 

CMYK 65 / 0 / 50 / 5

HEX #56F379

RGB 86 243 121

HSL 133.38, 0.87%, 0.65%

LAB 85.74, -65.9, 46.67

 

CMYK 60 / 0 / 45 / 0

HEX #67FF8C

RGB 103 255 140

HSL 134.61, 1%, 0.7%

LAB 90, -64.07, 43.05

 

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

CMYK 92 / 0 / 71 / 33

HEX #0DAB32

RGB 13 171 50

HSL 134.05, 0.86%, 0.36%

LAB 61.17, -60.61, 49.66

 

CMYK 100 / 0 / 80 / 40

HEX #00991F

RGB 0 153 31

HSL 132.16, 1%, 0.3%

LAB 54.95, -57.53, 50.24

 

CMYK 100 / 0 / 91 / 47

HEX #00870C

RGB 0 135 12

HSL 125.33, 1%, 0.26%

LAB 48.7, -53.3, 49.6

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 84 / 0 / 64 / 25

HEX #1EBE45

RGB 30 190 69

HSL 134.63, 0.73%, 0.43%

LAB 67.67, -63.16, 48.86

 

CMYK 82 / 0 / 84 / 25

HEX #22BE1E

RGB 34 190 30

HSL 118.5, 0.73%, 0.43%

LAB 67.47, -65.87, 62.29

 

CMYK 59 / 0 / 84 / 25

HEX #4DBE1E

RGB 77 190 30

HSL 102.38, 0.73%, 0.43%

LAB 68.39, -58.1, 63.45

 

CMYK 37 / 0 / 84 / 25

HEX #78BE1E

RGB 120 190 30

HSL 86.25, 0.73%, 0.43%

LAB 70.12, -44.98, 65.65

 

CMYK 14 / 0 / 84 / 25

HEX #A3BE1E

RGB 163 190 30

HSL 70.13, 0.73%, 0.43%

LAB 72.7, -28.25, 68.89

 

CMYK 84 / 0 / 64 / 25

HEX #1EBE45

RGB 30 190 69

HSL 134.63, 0.73%, 0.43%

LAB 67.67, -63.16, 48.86

 

CMYK 84 / 0 / 41 / 25

HEX #1EBE70

RGB 30 190 112

HSL 150.75, 0.73%, 0.43%

LAB 68.22, -56.62, 28.63

 

CMYK 84 / 0 / 18 / 25

HEX #1EBE9B

RGB 30 190 155

HSL 166.88, 0.73%, 0.43%

LAB 69.09, -46.98, 6.74

 

CMYK 84 / 5 / 0 / 25

HEX #1EB5BE

RGB 30 181 190

HSL 183.38, 0.73%, 0.43%

LAB 67.31, -33.05, -15.14

 

CMYK 84 / 27 / 0 / 25

HEX #1E8ABE

RGB 30 138 190

HSL 199.5, 0.73%, 0.43%

LAB 54.21, -10.69, -35.28

 

CMYK 84 / 0 / 64 / 25

HEX #1EBE45

RGB 30 190 69

HSL 134.63, 0.73%, 0.43%

LAB 67.67, -63.16, 48.86

 

CMYK 94 / 0 / 71 / 19

HEX #0CCF3C

RGB 12 207 60

HSL 134.77, 0.89%, 0.43%

LAB 72.91, -70.4, 58.11

 

CMYK 84 / 0 / 64 / 25

HEX #1EBE45

RGB 30 190 69

HSL 134.63, 0.73%, 0.43%

LAB 67.67, -63.16, 48.86

 

CMYK 73 / 0 / 55 / 33

HEX #2FAC4E

RGB 47 172 78

HSL 134.88, 0.57%, 0.43%

LAB 62.22, -53.79, 38.41

 

CMYK 58 / 0 / 44 / 40

HEX #419A57

RGB 65 154 87

HSL 134.83, 0.41%, 0.43%

LAB 57, -41.75, 27.35

 

CMYK 39 / 0 / 29 / 47

HEX #538860

RGB 83 136 96

HSL 134.72, 0.24%, 0.43%

LAB 52.17, -26.76, 16.06

 

CMYK 15 / 0 / 12 / 53

HEX #657769

RGB 101 119 105

HSL 133.33, 0.08%, 0.43%

LAB 48.24, -9.63, 5.48

 

CMYK 59 / 0 / 84 / 25

HEX #4EBE1E

RGB 78 190 30

HSL 102, 0.73%, 0.43%

LAB 68.42, -57.85, 63.49

 

CMYK 82 / 0 / 84 / 25

HEX #23BE1E

RGB 35 190 30

HSL 118.13, 0.73%, 0.43%

LAB 67.49, -65.76, 62.31

 

CMYK 84 / 0 / 65 / 25

HEX #1EBE43

RGB 30 190 67

HSL 133.88, 0.73%, 0.43%

LAB 67.66, -63.38, 49.7

 

CMYK 84 / 0 / 42 / 25

HEX #1EBE6E

RGB 30 190 110

HSL 150, 0.73%, 0.43%

LAB 68.19, -56.99, 29.63

 

CMYK 84 / 0 / 20 / 25

HEX #1EBE98

RGB 30 190 152

HSL 165.75, 0.73%, 0.43%

LAB 69.02, -47.75, 8.28

 

CMYK 85 / 0 / 64 / 54

HEX #12762B

RGB 18 118 43

HSL 135, 0.74%, 0.27%

LAB 43.15, -43.76, 33.01

 

CMYK 84 / 0 / 64 / 40

HEX #189A38

RGB 24 154 56

HSL 134.77, 0.73%, 0.35%

LAB 55.68, -53.69, 41.13

 

CMYK 84 / 0 / 64 / 25

HEX #1EBE45

RGB 30 190 69

HSL 134.63, 0.73%, 0.43%

LAB 67.67, -63.16, 48.86

 

CMYK 82 / 0 / 62 / 13

HEX #27DD54

RGB 39 221 84

HSL 134.84, 0.73%, 0.51%

LAB 77.75, -70.23, 53.76

 

CMYK 67 / 0 / 51 / 11

HEX #4BE370

RGB 75 227 112

HSL 134.61, 0.73%, 0.59%

LAB 80.52, -63.56, 44.45

 

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

CMYK 84 / 37 / 0 / 25

HEX #1E78BE

RGB 30 120 190

HSL 206.25, 0.73%, 0.43%

LAB 48.79, -0.1, -43.82

 

CMYK 0 / 84 / 71 / 25

HEX #BE1E38

RGB 190 30 56

HSL 350.25, 0.73%, 0.43%

LAB 41.47, 61.18, 27.91

 

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

CMYK 65 / 84 / 0 / 25

HEX #431EBE

RGB 67 30 190

HSL 253.88, 0.73%, 0.43%

LAB 29, 57.36, -75.89

 

CMYK 0 / 65 / 84 / 25

HEX #BE431E

RGB 190 67 30

HSL 13.88, 0.73%, 0.43%

LAB 45.71, 47.73, 46.69

 

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

CMYK 84 / 37 / 0 / 25

HEX #1E78BE

RGB 30 120 190

HSL 206.25, 0.73%, 0.43%

LAB 48.79, -0.1, -43.82

 

CMYK 0 / 84 / 20 / 25

HEX #BE1E98

RGB 190 30 152

HSL 314.25, 0.73%, 0.43%

LAB 44.44, 69.66, -27.36

 

CMYK 0 / 48 / 84 / 25

HEX #BE631E

RGB 190 99 30

HSL 25.88, 0.73%, 0.43%

LAB 51.8, 32.06, 52.02

 

CMYK 84 / 0 / 63 / 26

HEX #1EBD45

RGB 30 189 69

HSL 134.72, 0.73%, 0.43%

LAB 67.35, -62.84, 48.5

 

CMYK 84 / 62 / 0 / 25

HEX #1E48BE

RGB 30 72 190

HSL 224.25, 0.73%, 0.43%

LAB 35.26, 30.91, -65.66

 

CMYK 0 / 84 / 20 / 25

HEX #BE1E98

RGB 190 30 152

HSL 314.25, 0.73%, 0.43%

LAB 44.44, 69.66, -27.36

 

CMYK 0 / 23 / 84 / 25

HEX #BE931E

RGB 190 147 30

HSL 43.88, 0.73%, 0.43%

LAB 63.27, 5.82, 61.83

 

Description

Color code: HEX #1EBD45 | qconv.com Color code: HEX #1EBD45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 189 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 189 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 63 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 63% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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