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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EB929 it is the complementary color #E146D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EB929. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EB929 shade: #23B924, #34CB37, #45DD4A, #56EF5D and #67FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EB929. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EB929 shade: #1EB929, #0DA716, #009503, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EB929 shade: #1EB829, #3DB81E, #66B81E, #90B81E and #B8B71E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EB929 shade: #1EB829, #1EB853, #1EB87C, #1EB8A6 and #1EA1B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EB929 shade matches the following richer shades: #1EB829 and #0DCA1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EB929 shade: #1EB829, #2FA738, #419647, #528456 and #637364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EB929 shade: #66B81E, #3DB81E, #1EB828, #1EB851 and #1EB87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EB929 shade: #127119, #189521, #1EB829, #24DB31 and #48E152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EB929 shade: #1EB929, #1E8FB8 and #B81E51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EB929 shade: #1EB929, #281EB8 and #B8281E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EB929 shade: #1EB929, #1E8FB8, #B81EAE and #B8471E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EB929 shade: #1EB929, #1E61B8, #B81EAE and #B8751E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

Complementary color

CMYK 0 / 69 / 5 / 12

HEX #E146D6

RGB 225 70 214

HSL 304.26, 0.72%, 0.58%

LAB 57.31, 74.79, -42.95

 

CMYK 81 / 0 / 81 / 27

HEX #23B924

RGB 35 185 36

HSL 120.4, 0.68%, 0.43%

LAB 65.89, -63.94, 59.23

 

CMYK 74 / 0 / 73 / 20

HEX #34CB37

RGB 52 203 55

HSL 121.19, 0.59%, 0.5%

LAB 72.04, -65.83, 59.17

 

CMYK 69 / 0 / 67 / 13

HEX #45DD4A

RGB 69 221 74

HSL 121.97, 0.69%, 0.57%

LAB 78.15, -67.12, 58.49

 

CMYK 64 / 0 / 61 / 6

HEX #56EF5D

RGB 86 239 93

HSL 122.75, 0.83%, 0.64%

LAB 84.23, -67.98, 57.48

 

CMYK 60 / 0 / 56 / 0

HEX #67FF70

RGB 103 255 112

HSL 123.55, 1%, 0.7%

LAB 89.66, -67.83, 55.63

 

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

CMYK 92 / 0 / 87 / 35

HEX #0DA716

RGB 13 167 22

HSL 123.51, 0.86%, 0.35%

LAB 59.69, -61.38, 57.13

 

CMYK 100 / 0 / 98 / 42

HEX #009503

RGB 0 149 3

HSL 121.21, 1%, 0.29%

LAB 53.49, -57.64, 55.22

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 84 / 0 / 78 / 28

HEX #1EB829

RGB 30 184 41

HSL 124.29, 0.72%, 0.42%

LAB 65.53, -63.88, 57.34

 

CMYK 67 / 0 / 84 / 28

HEX #3DB81E

RGB 61 184 30

HSL 107.92, 0.72%, 0.42%

LAB 66.03, -59.71, 61.17

 

CMYK 45 / 0 / 84 / 28

HEX #66B81E

RGB 102 184 30

HSL 91.95, 0.72%, 0.42%

LAB 67.43, -48.68, 62.95

 

CMYK 22 / 0 / 84 / 28

HEX #90B81E

RGB 144 184 30

HSL 75.58, 0.72%, 0.42%

LAB 69.69, -33.21, 65.8

 

CMYK 0 / 1 / 84 / 28

HEX #B8B71E

RGB 184 183 30

HSL 59.61, 0.72%, 0.42%

LAB 72.33, -15.86, 69.22

 

CMYK 84 / 0 / 78 / 28

HEX #1EB829

RGB 30 184 41

HSL 124.29, 0.72%, 0.42%

LAB 65.53, -63.88, 57.34

 

CMYK 84 / 0 / 55 / 28

HEX #1EB853

RGB 30 184 83

HSL 140.65, 0.72%, 0.42%

LAB 65.89, -59.41, 40.34

 

CMYK 84 / 0 / 33 / 28

HEX #1EB87C

RGB 30 184 124

HSL 156.62, 0.72%, 0.42%

LAB 66.53, -51.96, 19.99

 

CMYK 84 / 0 / 10 / 28

HEX #1EB8A6

RGB 30 184 166

HSL 172.99, 0.72%, 0.42%

LAB 67.51, -41.49, -1.59

 

CMYK 84 / 13 / 0 / 28

HEX #1EA1B8

RGB 30 161 184

HSL 188.96, 0.72%, 0.42%

LAB 60.98, -25.14, -21.4

 

CMYK 84 / 0 / 78 / 28

HEX #1EB829

RGB 30 184 41

HSL 124.29, 0.72%, 0.42%

LAB 65.53, -63.88, 57.34

 

CMYK 94 / 0 / 87 / 21

HEX #0DCA1A

RGB 13 202 26

HSL 124.13, 0.88%, 0.42%

LAB 71.15, -71.11, 66.38

 

CMYK 84 / 0 / 78 / 28

HEX #1EB829

RGB 30 184 41

HSL 124.29, 0.72%, 0.42%

LAB 65.53, -63.88, 57.34

 

CMYK 72 / 0 / 66 / 35

HEX #2FA738

RGB 47 167 56

HSL 124.5, 0.56%, 0.42%

LAB 60.36, -54.78, 46.45

 

CMYK 57 / 0 / 53 / 41

HEX #419647

RGB 65 150 71

HSL 124.24, 0.4%, 0.42%

LAB 55.47, -42.62, 33.82

 

CMYK 38 / 0 / 35 / 48

HEX #528456

RGB 82 132 86

HSL 124.8, 0.23%, 0.42%

LAB 50.65, -26.98, 19.67

 

CMYK 14 / 0 / 13 / 55

HEX #637364

RGB 99 115 100

HSL 123.75, 0.07%, 0.42%

LAB 46.76, -9.13, 6.31

 

CMYK 45 / 0 / 84 / 28

HEX #66B81E

RGB 102 184 30

HSL 91.95, 0.72%, 0.42%

LAB 67.43, -48.68, 62.95

 

CMYK 67 / 0 / 84 / 28

HEX #3DB81E

RGB 61 184 30

HSL 107.92, 0.72%, 0.42%

LAB 66.03, -59.71, 61.17

 

CMYK 84 / 0 / 78 / 28

HEX #1EB828

RGB 30 184 40

HSL 123.9, 0.72%, 0.42%

LAB 65.52, -63.94, 57.65

 

CMYK 84 / 0 / 56 / 28

HEX #1EB851

RGB 30 184 81

HSL 139.87, 0.72%, 0.42%

LAB 65.87, -59.69, 41.27

 

CMYK 84 / 0 / 33 / 28

HEX #1EB87B

RGB 30 184 123

HSL 156.23, 0.72%, 0.42%

LAB 66.51, -52.18, 20.5

 

CMYK 84 / 0 / 78 / 56

HEX #127119

RGB 18 113 25

HSL 124.42, 0.73%, 0.26%

LAB 41.23, -44.01, 38.92

 

CMYK 84 / 0 / 78 / 42

HEX #189521

RGB 24 149 33

HSL 124.32, 0.72%, 0.34%

LAB 53.81, -54.35, 48.53

 

CMYK 84 / 0 / 78 / 28

HEX #1EB829

RGB 30 184 41

HSL 124.29, 0.72%, 0.42%

LAB 65.53, -63.88, 57.34

 

CMYK 84 / 0 / 78 / 14

HEX #24DB31

RGB 36 219 49

HSL 124.26, 0.72%, 0.5%

LAB 76.84, -73.05, 65.81

 

CMYK 68 / 0 / 64 / 12

HEX #48E152

RGB 72 225 82

HSL 123.92, 0.72%, 0.58%

LAB 79.52, -67.11, 56.74

 

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

CMYK 84 / 22 / 0 / 28

HEX #1E8FB8

RGB 30 143 184

HSL 195.97, 0.72%, 0.42%

LAB 55.46, -15.63, -29.9

 

CMYK 0 / 84 / 56 / 28

HEX #B81E51

RGB 184 30 81

HSL 340.13, 0.72%, 0.42%

LAB 40.76, 61.03, 11.06

 

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

CMYK 78 / 84 / 0 / 28

HEX #281EB8

RGB 40 30 184

HSL 243.9, 0.72%, 0.42%

LAB 26.28, 53.75, -76.92

 

CMYK 0 / 78 / 84 / 28

HEX #B8281E

RGB 184 40 30

HSL 3.9, 0.72%, 0.42%

LAB 40.9, 55.86, 41.93

 

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

CMYK 84 / 22 / 0 / 28

HEX #1E8FB8

RGB 30 143 184

HSL 195.97, 0.72%, 0.42%

LAB 55.46, -15.63, -29.9

 

CMYK 0 / 84 / 5 / 28

HEX #B81EAE

RGB 184 30 174

HSL 303.9, 0.72%, 0.42%

LAB 44.48, 71.48, -40.51

 

CMYK 0 / 61 / 84 / 28

HEX #B8471E

RGB 184 71 30

HSL 15.97, 0.72%, 0.42%

LAB 45.35, 43.75, 45.97

 

CMYK 84 / 0 / 78 / 27

HEX #1EB929

RGB 30 185 41

HSL 124.26, 0.72%, 0.42%

LAB 65.85, -64.18, 57.65

 

CMYK 84 / 47 / 0 / 28

HEX #1E61B8

RGB 30 97 184

HSL 213.9, 0.72%, 0.42%

LAB 41.67, 12.06, -51.73

 

CMYK 0 / 84 / 5 / 28

HEX #B81EAE

RGB 184 30 174

HSL 303.9, 0.72%, 0.42%

LAB 44.48, 71.48, -40.51

 

CMYK 0 / 36 / 84 / 28

HEX #B8751E

RGB 184 117 30

HSL 33.9, 0.72%, 0.42%

LAB 55.08, 19.7, 54.55

 

Description

Color code: HEX #1EB929 | qconv.com Color code: HEX #1EB929 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 185 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 185 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 78 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 78% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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