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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EB6AB it is the complementary color #E14954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EB6AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EB6AB shade: #23B6A6, #34C8B9, #45DACC, #56ECDF and #67FEF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EB6AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EB6AB shade: #1EB6AB, #0DA498, #009285, #008072 and #006E5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EB6AB shade: #1DB8AD, #1DB883, #1DB859, #1DB830 and #35B81D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EB6AB shade: #1DB8AD, #1D99B8, #1D70B8, #1D46B8 and #1D1DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EB6AB shade matches the following richer shades: #1DB8AD and #0CC9BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EB6AB shade: #1DB8AD, #2FA69E, #40958F, #518480 and #637271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EB6AB shade: #1DB859, #1DB882, #1DB8AB, #1D9BB8 and #1D72B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EB6AB shade: #12716A, #18948B, #1DB8AD, #24DBCE and #47E1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EB6AB shade: #1EB6AB, #2F1DB8 and #B86D1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EB6AB shade: #1EB6AB, #AB1DB8 and #B8AB1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EB6AB shade: #1EB6AB, #2F1DB8, #B81D2A and #A6B81D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EB6AB shade: #1EB6AB, #5E1DB8, #B81D2A and #77B81D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

Complementary color

CMYK 0 / 68 / 63 / 12

HEX #E14954

RGB 225 73 84

HSL 355.66, 0.72%, 0.58%

LAB 53.4, 59.37, 27.43

 

CMYK 81 / 0 / 9 / 29

HEX #23B6A6

RGB 35 182 166

HSL 173.47, 0.68%, 0.43%

LAB 66.95, -40.19, -2.4

 

CMYK 74 / 0 / 8 / 22

HEX #34C8B9

RGB 52 200 185

HSL 173.92, 0.59%, 0.49%

LAB 73.25, -41.15, -3.52

 

CMYK 68 / 0 / 6 / 15

HEX #45DACC

RGB 69 218 204

HSL 174.36, 0.67%, 0.56%

LAB 79.48, -41.85, -4.52

 

CMYK 64 / 0 / 6 / 7

HEX #56ECDF

RGB 86 236 223

HSL 174.8, 0.8%, 0.63%

LAB 85.65, -42.35, -5.44

 

CMYK 59 / 0 / 5 / 0

HEX #67FEF2

RGB 103 254 242

HSL 175.23, 0.99%, 0.7%

LAB 91.76, -42.7, -6.29

 

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

CMYK 92 / 0 / 7 / 36

HEX #0DA498

RGB 13 164 152

HSL 175.23, 0.85%, 0.35%

LAB 60.7, -37.68, -3.82

 

CMYK 100 / 0 / 9 / 43

HEX #009285

RGB 0 146 133

HSL 174.66, 1%, 0.29%

LAB 54.29, -35.74, -2.44

 

CMYK 100 / 0 / 11 / 50

HEX #008072

RGB 0 128 114

HSL 173.44, 1%, 0.25%

LAB 47.82, -33.24, -0.87

 

CMYK 100 / 0 / 14 / 57

HEX #006E5F

RGB 0 110 95

HSL 171.82, 1%, 0.22%

LAB 41.18, -30.67, 0.78

 

CMYK 84 / 0 / 6 / 28

HEX #1DB8AD

RGB 29 184 173

HSL 175.74, 0.73%, 0.42%

LAB 67.69, -39.58, -5.18

 

CMYK 84 / 0 / 29 / 28

HEX #1DB883

RGB 29 184 131

HSL 159.48, 0.73%, 0.42%

LAB 66.66, -50.48, 16.38

 

CMYK 84 / 0 / 52 / 28

HEX #1DB859

RGB 29 184 89

HSL 143.23, 0.73%, 0.42%

LAB 65.95, -58.6, 37.47

 

CMYK 84 / 0 / 74 / 28

HEX #1DB830

RGB 29 184 48

HSL 127.35, 0.73%, 0.42%

LAB 65.56, -63.45, 54.98

 

CMYK 71 / 0 / 84 / 28

HEX #35B81D

RGB 53 184 29

HSL 110.71, 0.73%, 0.42%

LAB 65.85, -61.31, 61.19

 

CMYK 84 / 0 / 6 / 28

HEX #1DB8AD

RGB 29 184 173

HSL 175.74, 0.73%, 0.42%

LAB 67.69, -39.58, -5.18

 

CMYK 84 / 17 / 0 / 28

HEX #1D99B8

RGB 29 153 184

HSL 192, 0.73%, 0.42%

LAB 58.51, -21.08, -25.19

 

CMYK 84 / 39 / 0 / 28

HEX #1D70B8

RGB 29 112 184

HSL 207.87, 0.73%, 0.42%

LAB 46.06, 2.43, -44.71

 

CMYK 84 / 62 / 0 / 28

HEX #1D46B8

RGB 29 70 184

HSL 224.13, 0.73%, 0.42%

LAB 34.19, 29.85, -63.87

 

CMYK 84 / 84 / 0 / 28

HEX #1D1DB8

RGB 29 29 184

HSL 240, 0.73%, 0.42%

LAB 25.57, 53.67, -78.11

 

CMYK 84 / 0 / 6 / 28

HEX #1DB8AD

RGB 29 184 173

HSL 175.74, 0.73%, 0.42%

LAB 67.69, -39.58, -5.18

 

CMYK 94 / 0 / 7 / 21

HEX #0CC9BB

RGB 12 201 187

HSL 175.56, 0.89%, 0.42%

LAB 73.18, -43.94, -4.75

 

CMYK 84 / 0 / 6 / 28

HEX #1DB8AD

RGB 29 184 173

HSL 175.74, 0.73%, 0.42%

LAB 67.69, -39.58, -5.18

 

CMYK 72 / 0 / 5 / 35

HEX #2FA69E

RGB 47 166 158

HSL 175.97, 0.56%, 0.42%

LAB 61.95, -33.82, -5.29

 

CMYK 57 / 0 / 4 / 42

HEX #40958F

RGB 64 149 143

HSL 175.76, 0.4%, 0.42%

LAB 56.65, -26.99, -4.57

 

CMYK 39 / 0 / 3 / 48

HEX #518480

RGB 81 132 128

HSL 175.29, 0.24%, 0.42%

LAB 51.62, -18.06, -3.25

 

CMYK 13 / 0 / 1 / 55

HEX #637271

RGB 99 114 113

HSL 176, 0.07%, 0.42%

LAB 46.82, -5.8, -1.35

 

CMYK 84 / 0 / 52 / 28

HEX #1DB859

RGB 29 184 89

HSL 143.23, 0.73%, 0.42%

LAB 65.95, -58.6, 37.47

 

CMYK 84 / 0 / 29 / 28

HEX #1DB882

RGB 29 184 130

HSL 159.1, 0.73%, 0.42%

LAB 66.64, -50.71, 16.9

 

CMYK 84 / 0 / 7 / 28

HEX #1DB8AB

RGB 29 184 171

HSL 174.97, 0.73%, 0.42%

LAB 67.64, -40.16, -4.16

 

CMYK 84 / 16 / 0 / 28

HEX #1D9BB8

RGB 29 155 184

HSL 191.23, 0.73%, 0.42%

LAB 59.13, -22.13, -24.25

 

CMYK 84 / 38 / 0 / 28

HEX #1D72B8

RGB 29 114 184

HSL 207.1, 0.73%, 0.42%

LAB 46.65, 1.19, -43.76

 

CMYK 84 / 0 / 6 / 56

HEX #12716A

RGB 18 113 106

HSL 175.58, 0.73%, 0.26%

LAB 42.73, -27.34, -3.57

 

CMYK 84 / 0 / 6 / 42

HEX #18948B

RGB 24 148 139

HSL 175.65, 0.72%, 0.34%

LAB 55.32, -33.49, -4.36

 

CMYK 84 / 0 / 6 / 28

HEX #1DB8AD

RGB 29 184 173

HSL 175.74, 0.73%, 0.42%

LAB 67.69, -39.58, -5.18

 

CMYK 84 / 0 / 6 / 14

HEX #24DBCE

RGB 36 219 206

HSL 175.74, 0.72%, 0.5%

LAB 79.33, -45.15, -5.88

 

CMYK 68 / 0 / 5 / 12

HEX #47E1D6

RGB 71 225 214

HSL 175.71, 0.72%, 0.58%

LAB 81.86, -42.01, -6.33

 

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

CMYK 74 / 84 / 0 / 28

HEX #2F1DB8

RGB 47 29 184

HSL 246.97, 0.73%, 0.42%

LAB 26.57, 54.59, -76.41

 

CMYK 0 / 41 / 84 / 28

HEX #B86D1D

RGB 184 109 29

HSL 30.97, 0.73%, 0.42%

LAB 53.19, 24.09, 53.27

 

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

CMYK 7 / 84 / 0 / 28

HEX #AB1DB8

RGB 171 29 184

HSL 294.97, 0.73%, 0.42%

LAB 42.76, 70.83, -49.29

 

CMYK 0 / 7 / 84 / 28

HEX #B8AB1D

RGB 184 171 29

HSL 54.97, 0.73%, 0.42%

LAB 69.04, -9.72, 66.71

 

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

CMYK 74 / 84 / 0 / 28

HEX #2F1DB8

RGB 47 29 184

HSL 246.97, 0.73%, 0.42%

LAB 26.57, 54.59, -76.41

 

CMYK 0 / 84 / 77 / 28

HEX #B81D2A

RGB 184 29 42

HSL 354.97, 0.73%, 0.42%

LAB 39.98, 59.18, 34.33

 

CMYK 10 / 0 / 84 / 28

HEX #A6B81D

RGB 166 184 29

HSL 66.97, 0.73%, 0.42%

LAB 71.2, -24.12, 67.93

 

CMYK 84 / 0 / 6 / 29

HEX #1EB6AB

RGB 30 182 171

HSL 175.66, 0.72%, 0.42%

LAB 67.03, -39.19, -5.05

 

CMYK 49 / 84 / 0 / 28

HEX #5E1DB8

RGB 94 29 184

HSL 265.16, 0.73%, 0.42%

LAB 31.16, 58.93, -68.68

 

CMYK 0 / 84 / 77 / 28

HEX #B81D2A

RGB 184 29 42

HSL 354.97, 0.73%, 0.42%

LAB 39.98, 59.18, 34.33

 

CMYK 35 / 0 / 84 / 28

HEX #77B81D

RGB 119 184 29

HSL 85.16, 0.73%, 0.42%

LAB 68.24, -42.85, 64.22

 

Description

Color code: HEX #1EB6AB | qconv.com Color code: HEX #1EB6AB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 182 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 182 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 6 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 6% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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