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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1EA5E4 it is the complementary color #E15A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1EA5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1EA5E4 shade: #23A5DF, #34B7F2, #45C9FF, #56DBFF and #67EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1EA5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1EA5E4 shade: #1EA5E4, #0D93D1, #0081BE, #006FAB and #005D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1EA5E4 shade: #1FA6E5, #1F71E5, #1F3BE5, #381FE5 and #6E1FE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1EA5E4 shade: #1FA6E5, #1F71E5, #1F3BE5 and #1F1FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1EA5E4 shade matches the following richer shades: #1FA6E5 and #0BADF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1EA5E4 shade: #1FA6E5, #349FD1, #4897BC, #5C90A8 and #708994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1EA5E4 shade: #1FE5BA, #1FDBE5, #1FA6E5, #1F72E5 and #1F3DE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1EA5E4 shade: #13729F, #178DC4, #1FA6E5, #44B5E9 and #69C3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1EA5E4 shade: #1EA5E4, #851FE5 and #E5D41F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1EA5E4 shade: #1EA5E4, #E51FA6 and #A6E51F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1EA5E4 shade: #1EA5E4, #851FE5, #E55E1F and #7FE51F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1EA5E4 shade: #1EA5E4, #C11FE5, #E55E1F and #44E51F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

Complementary color

CMYK 0 / 60 / 88 / 12

HEX #E15A1B

RGB 225 90 27

HSL 19.09, 0.79%, 0.49%

LAB 55.48, 49.95, 58.38

 

CMYK 84 / 26 / 0 / 13

HEX #23A5DF

RGB 35 165 223

HSL 198.51, 0.75%, 0.51%

LAB 63.83, -13.53, -38.72

 

CMYK 79 / 24 / 0 / 5

HEX #34B7F2

RGB 52 183 242

HSL 198.63, 0.88%, 0.58%

LAB 70.18, -15.23, -39.18

 

CMYK 73 / 21 / 0 / 0

HEX #45C9FF

RGB 69 201 255

HSL 197.42, 1%, 0.64%

LAB 76.23, -18.54, -36.76

 

CMYK 66 / 14 / 0 / 0

HEX #56DBFF

RGB 86 219 255

HSL 192.78, 1%, 0.67%

LAB 81.76, -25.39, -28.2

 

CMYK 60 / 7 / 0 / 0

HEX #67EDFF

RGB 103 237 255

HSL 187.11, 1%, 0.7%

LAB 87.33, -31.44, -19.7

 

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

CMYK 94 / 30 / 0 / 18

HEX #0D93D1

RGB 13 147 209

HSL 198.98, 0.88%, 0.44%

LAB 57.61, -9.8, -40.69

 

CMYK 100 / 32 / 0 / 25

HEX #0081BE

RGB 0 129 190

HSL 199.26, 1%, 0.37%

LAB 51.17, -7.03, -40.07

 

CMYK 100 / 35 / 0 / 33

HEX #006FAB

RGB 0 111 171

HSL 201.05, 1%, 0.34%

LAB 44.67, -3.67, -39.35

 

CMYK 100 / 39 / 0 / 40

HEX #005D98

RGB 0 93 152

HSL 203.29, 1%, 0.3%

LAB 38.01, -0.11, -38.66

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 86 / 51 / 0 / 10

HEX #1F71E5

RGB 31 113 229

HSL 215.15, 0.79%, 0.51%

LAB 49.2, 19.36, -65.36

 

CMYK 86 / 74 / 0 / 10

HEX #1F3BE5

RGB 31 59 229

HSL 231.52, 0.79%, 0.51%

LAB 36.13, 52.93, -86.77

 

CMYK 76 / 86 / 0 / 10

HEX #381FE5

RGB 56 31 229

HSL 247.58, 0.79%, 0.51%

LAB 32.87, 66.94, -92.15

 

CMYK 52 / 86 / 0 / 10

HEX #6E1FE5

RGB 110 31 229

HSL 263.94, 0.79%, 0.51%

LAB 37.76, 70.87, -83.9

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 86 / 51 / 0 / 10

HEX #1F71E5

RGB 31 113 229

HSL 215.15, 0.79%, 0.51%

LAB 49.2, 19.36, -65.36

 

CMYK 86 / 74 / 0 / 10

HEX #1F3BE5

RGB 31 59 229

HSL 231.52, 0.79%, 0.51%

LAB 36.13, 52.93, -86.77

 

CMYK 86 / 86 / 0 / 10

HEX #1F1FE5

RGB 31 31 229

HSL 240, 0.79%, 0.51%

LAB 31.64, 66.03, -94.22

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 96 / 31 / 0 / 2

HEX #0BADF9

RGB 11 173 249

HSL 199.16, 0.95%, 0.51%

LAB 67.13, -9.81, -47.81

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 75 / 24 / 0 / 18

HEX #349FD1

RGB 52 159 209

HSL 199.11, 0.63%, 0.51%

LAB 61.77, -13.47, -34.15

 

CMYK 62 / 20 / 0 / 26

HEX #4897BC

RGB 72 151 188

HSL 199.14, 0.46%, 0.51%

LAB 59.11, -12.98, -26.45

 

CMYK 45 / 14 / 0 / 34

HEX #5C90A8

RGB 92 144 168

HSL 198.95, 0.3%, 0.51%

LAB 57.12, -10.75, -18.05

 

CMYK 24 / 7 / 0 / 42

HEX #708994

RGB 112 137 148

HSL 198.33, 0.14%, 0.51%

LAB 55.56, -6.3, -8.82

 

CMYK 86 / 0 / 19 / 10

HEX #1FE5BA

RGB 31 229 186

HSL 166.97, 0.79%, 0.51%

LAB 81.77, -54.88, 8.29

 

CMYK 86 / 4 / 0 / 10

HEX #1FDBE5

RGB 31 219 229

HSL 183.03, 0.79%, 0.51%

LAB 79.96, -38.81, -17.21

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 86 / 50 / 0 / 10

HEX #1F72E5

RGB 31 114 229

HSL 214.85, 0.79%, 0.51%

LAB 49.48, 18.72, -64.92

 

CMYK 86 / 73 / 0 / 10

HEX #1F3DE5

RGB 31 61 229

HSL 230.91, 0.79%, 0.51%

LAB 36.53, 51.81, -86.11

 

CMYK 88 / 28 / 0 / 38

HEX #13729F

RGB 19 114 159

HSL 199.29, 0.79%, 0.35%

LAB 45.19, -9.17, -31.47

 

CMYK 88 / 28 / 0 / 23

HEX #178DC4

RGB 23 141 196

HSL 199.08, 0.79%, 0.43%

LAB 55.3, -10.7, -36.99

 

CMYK 86 / 28 / 0 / 10

HEX #1FA6E5

RGB 31 166 229

HSL 199.09, 0.79%, 0.51%

LAB 64.34, -12.24, -41.24

 

CMYK 71 / 22 / 0 / 9

HEX #44B5E9

RGB 68 181 233

HSL 198.91, 0.79%, 0.59%

LAB 69.58, -15.3, -35.19

 

CMYK 56 / 18 / 0 / 7

HEX #69C3ED

RGB 105 195 237

HSL 199.09, 0.79%, 0.67%

LAB 74.92, -15.25, -29.03

 

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

CMYK 42 / 86 / 0 / 10

HEX #851FE5

RGB 133 31 229

HSL 270.91, 0.79%, 0.51%

LAB 40.61, 73.35, -79.1

 

CMYK 0 / 7 / 86 / 10

HEX #E5D41F

RGB 229 212 31

HSL 54.85, 0.79%, 0.51%

LAB 83.88, -11.11, 80.03

 

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

CMYK 0 / 86 / 28 / 10

HEX #E51FA6

RGB 229 31 166

HSL 319.09, 0.79%, 0.51%

LAB 52.28, 79.42, -22.99

 

CMYK 28 / 0 / 86 / 10

HEX #A6E51F

RGB 166 229 31

HSL 79.09, 0.79%, 0.51%

LAB 84.09, -44.67, 78.37

 

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

CMYK 42 / 86 / 0 / 10

HEX #851FE5

RGB 133 31 229

HSL 270.91, 0.79%, 0.51%

LAB 40.61, 73.35, -79.1

 

CMYK 0 / 59 / 86 / 10

HEX #E55E1F

RGB 229 94 31

HSL 19.09, 0.79%, 0.51%

LAB 56.84, 49.66, 58.29

 

CMYK 45 / 0 / 86 / 10

HEX #7FE51F

RGB 127 229 31

HSL 90.91, 0.79%, 0.51%

LAB 82.19, -58.09, 76

 

CMYK 87 / 28 / 0 / 11

HEX #1EA5E4

RGB 30 165 228

HSL 199.09, 0.79%, 0.51%

LAB 63.99, -12.11, -41.24

 

CMYK 16 / 86 / 0 / 10

HEX #C11FE5

RGB 193 31 229

HSL 289.09, 0.79%, 0.51%

LAB 49.47, 81.67, -64.28

 

CMYK 0 / 59 / 86 / 10

HEX #E55E1F

RGB 229 94 31

HSL 19.09, 0.79%, 0.51%

LAB 56.84, 49.66, 58.29

 

CMYK 70 / 0 / 86 / 10

HEX #44E51F

RGB 68 229 31

HSL 108.79, 0.79%, 0.51%

LAB 80.39, -72.58, 73.73

 

Description

Color code: HEX #1EA5E4 | qconv.com Color code: HEX #1EA5E4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 165 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 165 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 28% 0% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - 潜行者M 关注前端开发热爱简约设计。
Link: http://www.qianxingzhem.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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