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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E8889 it is the complementary color #E17776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E8889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E8889 shade: #238884, #349A97, #45ACAA, #56BEBD and #67D0D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E8889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E8889 shade: #1E8889, #0D7676, #006463, #005250 and #00403D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E8889 shade: #1E898A, #1E6B8A, #1E4E8A, #1E318A and #271E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E8889 shade: #1E898A, #1E6B8A, #1E4E8A, #1E318A and #1E1E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E8889 shade matches the following richer shades: #1E898A, #109697 and #03A3A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E8889 shade: #1E898A, #2B7B7C, #396E6E, #476061 and #545353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E8889 shade: #1E8A50, #1E8A6D, #1E8A8A, #1E6D8A and #1E508A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E8889 shade: #0F4546, #166768, #1E898A, #25AAAB and #2DCCCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E8889 shade: #1E8889, #331E8A and #8A5E1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E8889 shade: #1E8889, #8A1E8A and #8A8A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E8889 shade: #1E8889, #331E8A, #8A1E1E and #748A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E8889 shade: #1E8889, #541E8A, #8A1E1E and #548A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

Complementary color

CMYK 0 / 47 / 48 / 12

HEX #E17776

RGB 225 119 118

HSL 0.56, 0.64%, 0.67%

LAB 62.09, 40.94, 19.32

 

CMYK 74 / 0 / 3 / 47

HEX #238884

RGB 35 136 132

HSL 177.62, 0.59%, 0.34%

LAB 51.42, -28.68, -6.06

 

CMYK 66 / 0 / 2 / 40

HEX #349A97

RGB 52 154 151

HSL 178.24, 0.5%, 0.4%

LAB 58.11, -29.37, -7.02

 

CMYK 60 / 0 / 1 / 33

HEX #45ACAA

RGB 69 172 170

HSL 178.83, 0.43%, 0.47%

LAB 64.7, -29.81, -7.87

 

CMYK 55 / 0 / 1 / 25

HEX #56BEBD

RGB 86 190 189

HSL 179.42, 0.44%, 0.54%

LAB 71.2, -30.08, -8.63

 

CMYK 50 / 0 / 0 / 18

HEX #67D0D0

RGB 103 208 208

HSL 180, 0.53%, 0.61%

LAB 77.61, -30.25, -9.34

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 89 / 0 / 0 / 54

HEX #0D7676

RGB 13 118 118

HSL 180, 0.8%, 0.26%

LAB 44.73, -26.41, -7.81

 

CMYK 100 / 0 / 1 / 61

HEX #006463

RGB 0 100 99

HSL 179.4, 1%, 0.2%

LAB 37.87, -24.53, -6.55

HEX #006463

CMYK 100 / 0 / 2 / 68

HEX #005250

RGB 0 82 80

HSL 178.54, 1%, 0.16%

LAB 30.91, -21.79, -5.03

HEX #005250

CMYK 100 / 0 / 5 / 75

HEX #00403D

RGB 0 64 61

HSL 177.19, 1%, 0.13%

LAB 23.68, -18.95, -3.42

HEX #00403D

CMYK 78 / 1 / 0 / 46

HEX #1E898A

RGB 30 137 138

HSL 180.56, 0.64%, 0.33%

LAB 51.84, -27.92, -8.94

 

CMYK 78 / 22 / 0 / 46

HEX #1E6B8A

RGB 30 107 138

HSL 197.22, 0.64%, 0.33%

LAB 42.19, -11.84, -23.64

 

CMYK 78 / 43 / 0 / 46

HEX #1E4E8A

RGB 30 78 138

HSL 213.33, 0.64%, 0.33%

LAB 33.05, 6.3, -38.05

 

CMYK 78 / 64 / 0 / 46

HEX #1E318A

RGB 30 49 138

HSL 229.44, 0.64%, 0.33%

LAB 24.66, 26.23, -51.62

 

CMYK 72 / 78 / 0 / 46

HEX #271E8A

RGB 39 30 138

HSL 245, 0.64%, 0.33%

LAB 20.81, 39.19, -57.94

 

CMYK 78 / 1 / 0 / 46

HEX #1E898A

RGB 30 137 138

HSL 180.56, 0.64%, 0.33%

LAB 51.84, -27.92, -8.94

 

CMYK 78 / 22 / 0 / 46

HEX #1E6B8A

RGB 30 107 138

HSL 197.22, 0.64%, 0.33%

LAB 42.19, -11.84, -23.64

 

CMYK 78 / 43 / 0 / 46

HEX #1E4E8A

RGB 30 78 138

HSL 213.33, 0.64%, 0.33%

LAB 33.05, 6.3, -38.05

 

CMYK 78 / 64 / 0 / 46

HEX #1E318A

RGB 30 49 138

HSL 229.44, 0.64%, 0.33%

LAB 24.66, 26.23, -51.62

 

CMYK 78 / 78 / 0 / 46

HEX #1E1E8A

RGB 30 30 138

HSL 240, 0.64%, 0.33%

LAB 20.2, 38.37, -58.96

 

CMYK 78 / 1 / 0 / 46

HEX #1E898A

RGB 30 137 138

HSL 180.56, 0.64%, 0.33%

LAB 51.84, -27.92, -8.94

 

CMYK 89 / 1 / 0 / 41

HEX #109697

RGB 16 150 151

HSL 180.44, 0.81%, 0.33%

LAB 56.24, -31.32, -9.86

 

CMYK 98 / 1 / 0 / 35

HEX #03A3A5

RGB 3 163 165

HSL 180.74, 0.96%, 0.33%

LAB 60.72, -33.66, -11.12

 

CMYK 78 / 1 / 0 / 46

HEX #1E898A

RGB 30 137 138

HSL 180.56, 0.64%, 0.33%

LAB 51.84, -27.92, -8.94

 

CMYK 65 / 1 / 0 / 51

HEX #2B7B7C

RGB 43 123 124

HSL 180.74, 0.49%, 0.33%

LAB 47.15, -23.35, -7.7

 

CMYK 48 / 0 / 0 / 57

HEX #396E6E

RGB 57 110 110

HSL 180, 0.32%, 0.33%

LAB 42.98, -17.59, -5.48

 

CMYK 27 / 1 / 0 / 62

HEX #476061

RGB 71 96 97

HSL 182.31, 0.15%, 0.33%

LAB 38.84, -9.01, -3.61

 

CMYK 0 / 1 / 1 / 67

HEX #545353

RGB 84 83 83

HSL 0, 0.01%, 0.33%

LAB 35.39, 0.41, 0.14

 

CMYK 78 / 0 / 42 / 46

HEX #1E8A50

RGB 30 138 80

HSL 147.78, 0.64%, 0.33%

LAB 50.72, -43.42, 22.81

 

CMYK 78 / 0 / 21 / 46

HEX #1E8A6D

RGB 30 138 109

HSL 163.89, 0.64%, 0.33%

LAB 51.33, -36.75, 7.16

 

CMYK 78 / 0 / 0 / 46

HEX #1E8A8A

RGB 30 138 138

HSL 180, 0.64%, 0.33%

LAB 52.16, -28.42, -8.46

 

CMYK 78 / 21 / 0 / 46

HEX #1E6D8A

RGB 30 109 138

HSL 196.11, 0.64%, 0.33%

LAB 42.84, -13, -22.65

 

CMYK 78 / 42 / 0 / 46

HEX #1E508A

RGB 30 80 138

HSL 212.22, 0.64%, 0.33%

LAB 33.66, 4.97, -37.06

 

CMYK 79 / 1 / 0 / 73

HEX #0F4546

RGB 15 69 70

HSL 181.09, 0.65%, 0.17%

LAB 26.16, -16.47, -5.64

 

CMYK 79 / 1 / 0 / 59

HEX #166768

RGB 22 103 104

HSL 180.73, 0.65%, 0.25%

LAB 39.36, -22.47, -7.36

 

CMYK 78 / 1 / 0 / 46

HEX #1E898A

RGB 30 137 138

HSL 180.56, 0.64%, 0.33%

LAB 51.84, -27.92, -8.94

 

CMYK 78 / 1 / 0 / 33

HEX #25AAAB

RGB 37 170 171

HSL 180.45, 0.64%, 0.41%

LAB 63.41, -33.04, -10.42

 

CMYK 78 / 0 / 0 / 20

HEX #2DCCCD

RGB 45 204 205

HSL 180.38, 0.64%, 0.49%

LAB 74.92, -38.03, -11.88

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 63 / 78 / 0 / 46

HEX #331E8A

RGB 51 30 138

HSL 251.67, 0.64%, 0.33%

LAB 21.83, 40.55, -56.22

 

CMYK 0 / 32 / 78 / 46

HEX #8A5E1E

RGB 138 94 30

HSL 35.56, 0.64%, 0.33%

LAB 43.51, 11.99, 41.81

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 0 / 78 / 0 / 46

HEX #8A1E8A

RGB 138 30 138

HSL 300, 0.64%, 0.33%

LAB 34.33, 56.43, -35.37

 

CMYK 0 / 0 / 78 / 46

HEX #8A8A1E

RGB 138 138 30

HSL 60, 0.64%, 0.33%

LAB 55.76, -12.89, 53.3

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 63 / 78 / 0 / 46

HEX #331E8A

RGB 51 30 138

HSL 251.67, 0.64%, 0.33%

LAB 21.83, 40.55, -56.22

 

CMYK 0 / 78 / 78 / 46

HEX #8A1E1E

RGB 138 30 30

HSL 0, 0.64%, 0.33%

LAB 30.46, 44.72, 28.42

 

CMYK 16 / 0 / 78 / 46

HEX #748A1E

RGB 116 138 30

HSL 72.22, 0.64%, 0.33%

LAB 54.01, -22.7, 51.05

 

CMYK 78 / 1 / 0 / 46

HEX #1E8889

RGB 30 136 137

HSL 180.56, 0.64%, 0.33%

LAB 51.49, -27.74, -8.89

 

CMYK 39 / 78 / 0 / 46

HEX #541E8A

RGB 84 30 138

HSL 270, 0.64%, 0.33%

LAB 25.71, 45.63, -49.71

 

CMYK 0 / 78 / 78 / 46

HEX #8A1E1E

RGB 138 30 30

HSL 0, 0.64%, 0.33%

LAB 30.46, 44.72, 28.42

 

CMYK 39 / 0 / 78 / 46

HEX #548A1E

RGB 84 138 30

HSL 90, 0.64%, 0.33%

LAB 52.01, -35.68, 48.45

 

Description

Color code: HEX #1E8889 | qconv.com Color code: HEX #1E8889 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 136 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 136 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 1 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 1% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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