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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E7E7E it is the complementary color #E18181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E7E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #1E7E7E: #237E79, #34908C, #45A29F, #56B4B2 and #67C6C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E7E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #1E7E7E: #1E7E7E, #0D6C6B, #005A58, #004845 and #003632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

Complementary color

CMYK 0 / 43 / 43 / 12

HEX #E18181

RGB 225 129 129

HSL 0, 0.62%, 0.69%

LAB 64.4, 36.89, 16.25

 

CMYK 72 / 0 / 4 / 51

HEX #237E79

RGB 35 126 121

HSL 176.7, 0.57%, 0.32%

LAB 47.83, -27.07, -4.94

 

CMYK 64 / 0 / 3 / 44

HEX #34908C

RGB 52 144 140

HSL 177.39, 0.47%, 0.38%

LAB 54.63, -27.64, -5.89

 

CMYK 57 / 0 / 2 / 36

HEX #45A29F

RGB 69 162 159

HSL 178.06, 0.4%, 0.45%

LAB 61.32, -27.98, -6.73

 

CMYK 52 / 0 / 1 / 29

HEX #56B4B2

RGB 86 180 178

HSL 178.72, 0.39%, 0.52%

LAB 67.9, -28.17, -7.49

 

CMYK 48 / 0 / 1 / 22

HEX #67C6C5

RGB 103 198 197

HSL 179.37, 0.45%, 0.59%

LAB 74.38, -28.27, -8.19

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 88 / 0 / 1 / 58

HEX #0D6C6B

RGB 13 108 107

HSL 179.37, 0.79%, 0.24%

LAB 41.01, -24.97, -6.74

 

CMYK 100 / 0 / 2 / 65

HEX #005A58

RGB 0 90 88

HSL 178.67, 1%, 0.18%

LAB 34.02, -23.17, -5.46

 

CMYK 100 / 0 / 4 / 72

HEX #004845

RGB 0 72 69

HSL 177.5, 1%, 0.14%

LAB 26.92, -20.38, -3.88

 

CMYK 100 / 0 / 7 / 79

HEX #003632

RGB 0 54 50

HSL 175.56, 1%, 0.11%

LAB 19.51, -17.48, -2.19

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 77 / 26 / 0 / 50

HEX #1E5F80

RGB 30 95 128

HSL 200.2, 0.62%, 0.31%

LAB 37.88, -8.42, -24.3

 

CMYK 77 / 38 / 0 / 50

HEX #1E4F80

RGB 30 79 128

HSL 210, 0.62%, 0.31%

LAB 32.76, 1.66, -32.35

 

CMYK 77 / 52 / 0 / 50

HEX #1E3E80

RGB 30 62 128

HSL 220.41, 0.62%, 0.31%

LAB 27.52, 13.2, -40.74

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 76 / 0 / 0 / 31

HEX #2AB1B1

RGB 42 177 177

HSL 180, 0.62%, 0.43%

LAB 65.83, -34.04, -10.14

 

CMYK 76 / 0 / 0 / 11

HEX #36E4E4

RGB 54 228 228

HSL 180, 0.76%, 0.55%

LAB 82.85, -41.42, -12.32

 

CMYK 75 / 0 / 0 / 91

HEX #061818

RGB 6 24 24

HSL 180, 0.6%, 0.06%

LAB 6.85, -6.3, -2.22

 

CMYK 76 / 0 / 0 / 71

HEX #124B4B

RGB 18 75 75

HSL 180, 0.61%, 0.18%

LAB 28.56, -17.64, -5.29

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 62 / 77 / 0 / 50

HEX #311E80

RGB 49 30 128

HSL 251.63, 0.62%, 0.31%

LAB 20.6, 37.13, -51.96

 

CMYK 0 / 31 / 77 / 50

HEX #80581E

RGB 128 88 30

HSL 35.51, 0.62%, 0.31%

LAB 40.67, 10.84, 38.58

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 0 / 77 / 0 / 50

HEX #801E80

RGB 128 30 128

HSL 300, 0.62%, 0.31%

LAB 31.98, 52.53, -32.99

 

CMYK 0 / 0 / 77 / 50

HEX #80801E

RGB 128 128 30

HSL 60, 0.62%, 0.31%

LAB 51.97, -12.08, 49.49

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 62 / 77 / 0 / 50

HEX #311E80

RGB 49 30 128

HSL 251.63, 0.62%, 0.31%

LAB 20.6, 37.13, -51.96

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 16 / 0 / 77 / 50

HEX #6C801E

RGB 108 128 30

HSL 72.24, 0.62%, 0.31%

LAB 50.36, -21.1, 47.39

 

CMYK 76 / 0 / 0 / 51

HEX #1E7E7E

RGB 30 126 126

HSL 180, 0.62%, 0.31%

LAB 47.88, -26.2, -7.82

 

CMYK 38 / 77 / 0 / 50

HEX #4F1E80

RGB 79 30 128

HSL 270, 0.62%, 0.31%

LAB 24.16, 42.17, -45.99

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 38 / 0 / 77 / 50

HEX #4F801E

RGB 79 128 30

HSL 90, 0.62%, 0.31%

LAB 48.5, -33.07, 44.96

 

Description

Color code: HEX #1E7E7E | qconv.com Color code: HEX #1E7E7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 126 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 126 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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