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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E6C7E4C it is the complementary color #E193814C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E6C7E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E6C7E4C shade: #236C794C, #347E8C4C, #45909F4C, #56A2B24C and #67B4C54C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E6C7E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E6C7E4C shade: #1E6C7E4C, #0D5A6B4C, #0048584C, #0036454C and #0024324C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E6C7E4C shade: #1E6E80, #1E5380, #1E3980, #1E1E80 and #381E80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E6C7E4C shade: #1E6E80, #1E5380, #1E3980 and #1E1E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E6C7E4C shade matches the following richer shades: #1E6E80, #11768D and #047E9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E6C7E4C shade: #1E6E80, #2B6673, #385E66, #44565A and #514E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E6C7E4C shade: #1E805E, #1E8078, #1E6E80, #1E5480 and #1E3A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E6C7E4C shade: #0E343D, #16515F, #1E6E80, #268AA1 and #2EA7C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E6C7E4C shade: #1E6C7E, #441E80 and #806B1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E6C7E4C shade: #1E6C7E, #801E6E and #6E801E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E6C7E4C shade: #1E6C7E, #441E80, #80301E and #5A801E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E6C7E4C shade: #1E6C7E, #611E80, #80301E and #3D801E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 4 / 0 / 15

HEX #1E6C7E4C

RGBA 30 108 126 0.3

HSLA 191.25, 0.62%, 0.31%, 0.3

LABA 42.01, -16.68, -16.7, 0.3

 

Complementary color

CMYK 0 / 10 / 13 / 4

HEX #E193814C

RGBA 225 147 129 0.3

HSLA 11.25, 0.62%, 0.69%, 0.3

LABA 68.36, 27.37, 21.69, 0.3

 

CMYK 21 / 3 / 0 / 16

HEX #236C794C

RGBA 35 108 121 0.3

HSLA 189.07, 0.55%, 0.31%, 0.3

LABA 41.94, -17.66, -13.78, 0.3

 

CMYK 19 / 3 / 0 / 14

HEX #347E8C4C

RGBA 52 126 140 0.3

HSLA 189.55, 0.46%, 0.38%, 0.3

LABA 48.94, -18.33, -14.43, 0.3

 

CMYK 17 / 3 / 0 / 11

HEX #45909F4C

RGBA 69 144 159 0.3

HSLA 190, 0.39%, 0.45%, 0.3

LABA 55.8, -18.76, -15, 0.3

 

CMYK 16 / 3 / 0 / 9

HEX #56A2B24C

RGBA 86 162 178 0.3

HSLA 190.43, 0.37%, 0.52%, 0.3

LABA 62.54, -19.04, -15.53, 0.3

 

CMYK 14 / 3 / 0 / 7

HEX #67B4C54C

RGBA 103 180 197 0.3

HSLA 190.85, 0.45%, 0.59%, 0.3

LABA 69.15, -19.23, -16.03, 0.3

 

CMYK 23 / 4 / 0 / 15

HEX #1E6C7E4C

RGBA 30 108 126 0.3

HSLA 191.25, 0.62%, 0.31%, 0.3

LABA 42.01, -16.68, -16.7, 0.3

 

CMYK 26 / 5 / 0 / 17

HEX #0D5A6B4C

RGBA 13 90 107 0.3

HSLA 190.85, 0.78%, 0.24%, 0.3

LABA 34.92, -15.27, -15.96, 0.3

 

CMYK 30 / 5 / 0 / 20

HEX #0048584C

RGBA 0 72 88 0.3

HSLA 190.91, 1%, 0.17%, 0.3

LABA 27.68, -13.22, -15.07, 0.3

 

CMYK 30 / 7 / 0 / 22

HEX #0036454C

RGBA 0 54 69 0.3

HSLA 193.04, 1%, 0.14%, 0.3

LABA 20.31, -9.97, -13.9, 0.3

 

CMYK 30 / 8 / 0 / 24

HEX #0024324C

RGBA 0 36 50 0.3

HSLA 196.8, 1%, 0.1%, 0.3

LABA 12.56, -6.45, -12.75, 0.3

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 77 / 35 / 0 / 50

HEX #1E5380

RGB 30 83 128

HSL 207.55, 0.62%, 0.31%

LAB 34.03, -0.94, -30.34

 

CMYK 77 / 55 / 0 / 50

HEX #1E3980

RGB 30 57 128

HSL 223.47, 0.62%, 0.31%

LAB 26.04, 16.7, -43.12

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 56 / 77 / 0 / 50

HEX #381E80

RGB 56 30 128

HSL 255.92, 0.62%, 0.31%

LAB 21.31, 38.17, -50.76

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 77 / 35 / 0 / 50

HEX #1E5380

RGB 30 83 128

HSL 207.55, 0.62%, 0.31%

LAB 34.03, -0.94, -30.34

 

CMYK 77 / 55 / 0 / 50

HEX #1E3980

RGB 30 57 128

HSL 223.47, 0.62%, 0.31%

LAB 26.04, 16.7, -43.12

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 88 / 16 / 0 / 45

HEX #11768D

RGB 17 118 141

HSL 191.13, 0.78%, 0.31%

LAB 45.63, -18.24, -20.14

 

CMYK 97 / 18 / 0 / 40

HEX #047E9A

RGB 4 126 154

HSL 191.2, 0.95%, 0.31%

LAB 48.61, -18.63, -23.22

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 63 / 11 / 0 / 55

HEX #2B6673

RGB 43 102 115

HSL 190.83, 0.46%, 0.31%

LAB 40.01, -14.85, -13.05

 

CMYK 45 / 8 / 0 / 60

HEX #385E66

RGB 56 94 102

HSL 190.43, 0.29%, 0.31%

LAB 37.49, -11.15, -8.81

 

CMYK 24 / 4 / 0 / 65

HEX #44565A

RGB 68 86 90

HSL 190.91, 0.14%, 0.31%

LAB 35.25, -5.89, -4.62

 

CMYK 0 / 4 / 5 / 68

HEX #514E4D

RGB 81 78 77

HSL 15, 0.03%, 0.31%

LAB 33.42, 1.02, 1.02

 

CMYK 77 / 0 / 27 / 50

HEX #1E805E

RGB 30 128 94

HSL 159.18, 0.62%, 0.31%

LAB 47.65, -36.18, 10.67

 

CMYK 77 / 0 / 6 / 50

HEX #1E8078

RGB 30 128 120

HSL 175.1, 0.62%, 0.31%

LAB 48.35, -29.03, -3.59

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 77 / 34 / 0 / 50

HEX #1E5480

RGB 30 84 128

HSL 206.94, 0.62%, 0.31%

LAB 34.35, -1.58, -29.84

 

CMYK 77 / 55 / 0 / 50

HEX #1E3A80

RGB 30 58 128

HSL 222.86, 0.62%, 0.31%

LAB 26.33, 16, -42.65

 

CMYK 77 / 15 / 0 / 76

HEX #0E343D

RGB 14 52 61

HSL 191.49, 0.63%, 0.15%

LAB 19.58, -9.78, -9.56

 

CMYK 77 / 15 / 0 / 63

HEX #16515F

RGB 22 81 95

HSL 191.51, 0.62%, 0.23%

LAB 31.54, -13.41, -13.59

 

CMYK 77 / 14 / 0 / 50

HEX #1E6E80

RGB 30 110 128

HSL 191.02, 0.62%, 0.31%

LAB 42.74, -17.1, -16.79

 

CMYK 76 / 14 / 0 / 37

HEX #268AA1

RGB 38 138 161

HSL 191.22, 0.62%, 0.39%

LAB 53.13, -20.05, -20.31

 

CMYK 76 / 14 / 0 / 24

HEX #2EA7C3

RGB 46 167 195

HSL 191.28, 0.62%, 0.47%

LAB 63.47, -23.07, -23.72

 

CMYK 76 / 14 / 0 / 51

HEX #1E6C7E

RGB 30 108 126

HSL 191.25, 0.62%, 0.31%

LAB 42.01, -16.68, -16.7

 

CMYK 47 / 77 / 0 / 50

HEX #441E80

RGB 68 30 128

HSL 263.27, 0.62%, 0.31%

LAB 22.71, 40.15, -48.42

 

CMYK 0 / 16 / 77 / 50

HEX #806B1E

RGB 128 107 30

HSL 47.14, 0.62%, 0.31%

LAB 45.9, -0.32, 43.73

 

CMYK 76 / 14 / 0 / 51

HEX #1E6C7E

RGB 30 108 126

HSL 191.25, 0.62%, 0.31%

LAB 42.01, -16.68, -16.7

 

CMYK 0 / 77 / 14 / 50

HEX #801E6E

RGB 128 30 110

HSL 311.02, 0.62%, 0.31%

LAB 30.98, 49.58, -23.18

 

CMYK 14 / 0 / 77 / 50

HEX #6E801E

RGB 110 128 30

HSL 71.02, 0.62%, 0.31%

LAB 50.51, -20.22, 47.59

 

CMYK 76 / 14 / 0 / 51

HEX #1E6C7E

RGB 30 108 126

HSL 191.25, 0.62%, 0.31%

LAB 42.01, -16.68, -16.7

 

CMYK 47 / 77 / 0 / 50

HEX #441E80

RGB 68 30 128

HSL 263.27, 0.62%, 0.31%

LAB 22.71, 40.15, -48.42

 

CMYK 0 / 63 / 77 / 50

HEX #80301E

RGB 128 48 30

HSL 11.02, 0.62%, 0.31%

LAB 31.34, 33.5, 28.82

 

CMYK 30 / 0 / 77 / 50

HEX #5A801E

RGB 90 128 30

HSL 83.27, 0.62%, 0.31%

LAB 49.14, -28.75, 45.8

 

CMYK 76 / 14 / 0 / 51

HEX #1E6C7E

RGB 30 108 126

HSL 191.25, 0.62%, 0.31%

LAB 42.01, -16.68, -16.7

 

CMYK 24 / 77 / 0 / 50

HEX #611E80

RGB 97 30 128

HSL 281.02, 0.62%, 0.31%

LAB 26.82, 45.77, -41.56

 

CMYK 0 / 63 / 77 / 50

HEX #80301E

RGB 128 48 30

HSL 11.02, 0.62%, 0.31%

LAB 31.34, 33.5, 28.82

 

CMYK 52 / 0 / 77 / 50

HEX #3D801E

RGB 61 128 30

HSL 101.02, 0.62%, 0.31%

LAB 47.65, -39.3, 43.84

 

Description

Color code: HEX #1E6C7E4C | qconv.com Color code: HEX #1E6C7E4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 108 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 108 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 4 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 4% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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