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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E6B31 it is the complementary color #E194CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E6B31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E6B31 shade: #236B2C, #347D3F, #458F52, #56A165 and #67B378

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E6B31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E6B31 shade: #1E6B31, #0D591E, #00470B, #003500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E6B31 shade: #1E6B31, #206B1E, #346B1E, #496B1E and #5E6B1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E6B31 shade: #1E6B31, #1E6B46, #1E6B5A, #1E676B and #1E526B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E6B31 shade matches the following richer shades: #1E6B31, #13762B and #088126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E6B31 shade: #1E6B31, #296036, #34553C, #3F4942 and #4A3E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E6B31 shade: #356B1E, #206B1E, #1E6B30, #1E6B44 and #1E6B59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E6B31 shade: #0C2B13, #154B22, #1E6B31, #278B40 and #30AB4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E6B31 shade: #1E6B31, #1E496B and #6B1E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E6B31 shade: #1E6B31, #301E6B and #6B301E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E6B31 shade: #1E6B31, #1E496B, #6B1E59 and #6B3F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E6B31 shade: #1E6B31, #1E326B, #6B1E59 and #6B561E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

Complementary color

CMYK 0 / 34 / 8 / 12

HEX #E194CE

RGB 225 148 206

HSL 314.81, 0.56%, 0.73%

LAB 70.62, 37.6, -17.87

 

CMYK 67 / 0 / 59 / 58

HEX #236B2C

RGB 35 107 44

HSL 127.5, 0.51%, 0.28%

LAB 39.67, -36.49, 28.52

 

CMYK 58 / 0 / 50 / 51

HEX #347D3F

RGB 52 125 63

HSL 129.04, 0.41%, 0.35%

LAB 46.65, -36.82, 27.01

 

CMYK 52 / 0 / 43 / 44

HEX #458F52

RGB 69 143 82

HSL 130.54, 0.35%, 0.42%

LAB 53.51, -36.83, 25.56

 

CMYK 47 / 0 / 37 / 37

HEX #56A165

RGB 86 161 101

HSL 132, 0.3%, 0.48%

LAB 60.26, -36.68, 24.21

 

CMYK 42 / 0 / 33 / 30

HEX #67B378

RGB 103 179 120

HSL 133.42, 0.33%, 0.55%

LAB 66.88, -36.46, 22.96

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 85 / 0 / 66 / 65

HEX #0D591E

RGB 13 89 30

HSL 133.42, 0.75%, 0.2%

LAB 32.53, -35.68, 27.35

 

CMYK 100 / 0 / 85 / 72

HEX #00470B

RGB 0 71 11

HSL 129.3, 1%, 0.14%

LAB 25.35, -33.34, 28.47

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 70 / 0 / 72 / 58

HEX #206B1E

RGB 32 107 30

HSL 118.44, 0.56%, 0.27%

LAB 39.44, -38.91, 35.08

 

CMYK 51 / 0 / 72 / 58

HEX #346B1E

RGB 52 107 30

HSL 102.86, 0.56%, 0.27%

LAB 40.15, -33.35, 36.04

 

CMYK 32 / 0 / 72 / 58

HEX #496B1E

RGB 73 107 30

HSL 86.49, 0.56%, 0.27%

LAB 41.26, -25.51, 37.55

 

CMYK 12 / 0 / 72 / 58

HEX #5E6B1E

RGB 94 107 30

HSL 70.13, 0.56%, 0.27%

LAB 42.75, -16.33, 39.55

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 72 / 0 / 35 / 58

HEX #1E6B46

RGB 30 107 70

HSL 151.17, 0.56%, 0.27%

LAB 39.97, -32.69, 14.16

 

CMYK 72 / 0 / 16 / 58

HEX #1E6B5A

RGB 30 107 90

HSL 166.75, 0.56%, 0.27%

LAB 40.46, -27.58, 2.82

 

CMYK 72 / 4 / 0 / 58

HEX #1E676B

RGB 30 103 107

HSL 183.12, 0.56%, 0.27%

LAB 39.64, -20.36, -8.75

 

CMYK 72 / 23 / 0 / 58

HEX #1E526B

RGB 30 82 107

HSL 199.48, 0.56%, 0.27%

LAB 32.64, -8.31, -19.45

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 84 / 0 / 64 / 54

HEX #13762B

RGB 19 118 43

HSL 134.55, 0.72%, 0.27%

LAB 43.17, -43.64, 33.03

 

CMYK 94 / 0 / 71 / 49

HEX #088126

RGB 8 129 38

HSL 134.88, 0.88%, 0.27%

LAB 46.83, -49, 39.37

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 57 / 0 / 44 / 62

HEX #296036

RGB 41 96 54

HSL 134.18, 0.4%, 0.27%

LAB 36.18, -28.49, 18.62

 

CMYK 39 / 0 / 29 / 67

HEX #34553C

RGB 52 85 60

HSL 134.55, 0.24%, 0.27%

LAB 33.03, -18.19, 10.86

 

CMYK 14 / 0 / 10 / 71

HEX #3F4942

RGB 63 73 66

HSL 138, 0.07%, 0.27%

LAB 29.95, -5.65, 2.83

 

CMYK 0 / 16 / 4 / 71

HEX #4A3E47

RGB 74 62 71

HSL 315, 0.09%, 0.27%

LAB 27.73, 7.05, -3.55

 

CMYK 50 / 0 / 72 / 58

HEX #356B1E

RGB 53 107 30

HSL 102.08, 0.56%, 0.27%

LAB 40.19, -33.01, 36.1

 

CMYK 70 / 0 / 72 / 58

HEX #206B1E

RGB 32 107 30

HSL 118.44, 0.56%, 0.27%

LAB 39.44, -38.91, 35.08

 

CMYK 72 / 0 / 55 / 58

HEX #1E6B30

RGB 30 107 48

HSL 134.03, 0.56%, 0.27%

LAB 39.59, -36.97, 26.25

 

CMYK 72 / 0 / 36 / 58

HEX #1E6B44

RGB 30 107 68

HSL 149.61, 0.56%, 0.27%

LAB 39.93, -33.14, 15.29

 

CMYK 72 / 0 / 17 / 58

HEX #1E6B59

RGB 30 107 89

HSL 165.97, 0.56%, 0.27%

LAB 40.43, -27.86, 3.38

 

CMYK 72 / 0 / 56 / 83

HEX #0C2B13

RGB 12 43 19

HSL 133.55, 0.56%, 0.11%

LAB 14.7, -18.09, 12.26

 

CMYK 72 / 0 / 55 / 71

HEX #154B22

RGB 21 75 34

HSL 134.44, 0.56%, 0.19%

LAB 27.59, -27.91, 19.29

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 72 / 0 / 54 / 45

HEX #278B40

RGB 39 139 64

HSL 135, 0.56%, 0.35%

LAB 51, -45.16, 31.78

 

CMYK 72 / 0 / 54 / 33

HEX #30AB4E

RGB 48 171 78

HSL 134.63, 0.56%, 0.43%

LAB 61.92, -53.27, 38.04

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 72 / 32 / 0 / 58

HEX #1E496B

RGB 30 73 107

HSL 206.49, 0.56%, 0.27%

LAB 29.67, -2.62, -24.08

 

CMYK 0 / 72 / 60 / 58

HEX #6B1E2B

RGB 107 30 43

HSL 349.87, 0.56%, 0.27%

LAB 24.41, 35.02, 11.11

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 55 / 72 / 0 / 58

HEX #301E6B

RGB 48 30 107

HSL 254.03, 0.56%, 0.27%

LAB 18.45, 30.2, -42

 

CMYK 0 / 55 / 72 / 58

HEX #6B301E

RGB 107 48 30

HSL 14.03, 0.56%, 0.27%

LAB 27.66, 24.86, 23.68

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 72 / 32 / 0 / 58

HEX #1E496B

RGB 30 73 107

HSL 206.49, 0.56%, 0.27%

LAB 29.67, -2.62, -24.08

 

CMYK 0 / 72 / 17 / 58

HEX #6B1E59

RGB 107 30 89

HSL 314.03, 0.56%, 0.27%

LAB 26.09, 40.7, -17.47

 

CMYK 0 / 41 / 72 / 58

HEX #6B3F1E

RGB 107 63 30

HSL 25.71, 0.56%, 0.27%

LAB 31.29, 15.98, 27.81

 

CMYK 72 / 0 / 54 / 58

HEX #1E6B31

RGB 30 107 49

HSL 134.81, 0.56%, 0.27%

LAB 39.6, -36.81, 25.72

 

CMYK 72 / 53 / 0 / 58

HEX #1E326B

RGB 30 50 107

HSL 224.42, 0.56%, 0.27%

LAB 22.37, 13.19, -35.7

 

CMYK 0 / 72 / 17 / 58

HEX #6B1E59

RGB 107 30 89

HSL 314.03, 0.56%, 0.27%

LAB 26.09, 40.7, -17.47

 

CMYK 0 / 20 / 72 / 58

HEX #6B561E

RGB 107 86 30

HSL 43.64, 0.56%, 0.27%

LAB 37.62, 1.95, 34.65

 

Description

Color code: HEX #1E6B31 | qconv.com Color code: HEX #1E6B31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 107 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 107 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 54 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 54% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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