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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E66BA it is the complementary color #E19945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E66BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E66BA shade: #2366B5, #3478C8, #458ADB, #569CEE and #67AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E66BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E66BA shade: #1E66BA, #0D54A7, #004294, #003081 and #001E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E66BA shade: #1E65B8, #1E3CB8, #2A1EB8, #541EB8 and #7D1EB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E66BA shade: #1E65B8, #1E3CB8 and #1E1EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E66BA shade matches the following richer shades: #1E65B8 and #0D64CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E66BA shade: #1E65B8, #2F66A7, #416896, #526984 and #636A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E66BA shade: #1EB8B8, #1E8FB8, #1E66B8, #1E3DB8 and #281EB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E66BA shade: #123E71, #185295, #1E65B8, #2479DB and #488EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E66BA shade: #1E66BA, #8F1EB8 and #A4B81E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E66BA shade: #1E66BA, #B81E66 and #66B81E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E66BA shade: #1E66BA, #8F1EB8, #B8701E and #47B81E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E66BA shade: #1E66BA, #B81EB3, #B8701E and #1EB823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

Complementary color

CMYK 0 / 32 / 69 / 12

HEX #E19945

RGB 225 153 69

HSL 32.31, 0.72%, 0.58%

LAB 68.91, 19.38, 53.51

 

CMYK 81 / 44 / 0 / 29

HEX #2366B5

RGB 35 102 181

HSL 212.47, 0.68%, 0.42%

LAB 43.06, 8.14, -47.74

 

CMYK 74 / 40 / 0 / 22

HEX #3478C8

RGB 52 120 200

HSL 212.43, 0.59%, 0.49%

LAB 49.9, 6.03, -47.76

 

CMYK 68 / 37 / 0 / 14

HEX #458ADB

RGB 69 138 219

HSL 212.4, 0.68%, 0.56%

LAB 56.64, 4.36, -47.76

 

CMYK 64 / 34 / 0 / 7

HEX #569CEE

RGB 86 156 238

HSL 212.37, 0.82%, 0.64%

LAB 63.28, 3.02, -47.75

 

CMYK 60 / 32 / 0 / 0

HEX #67AEFF

RGB 103 174 255

HSL 211.97, 1%, 0.7%

LAB 69.74, 1.29, -46.82

 

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

CMYK 92 / 50 / 0 / 35

HEX #0D54A7

RGB 13 84 167

HSL 212.34, 0.86%, 0.35%

LAB 36.4, 12.62, -50.22

 

CMYK 100 / 55 / 0 / 42

HEX #004294

RGB 0 66 148

HSL 213.24, 1%, 0.29%

LAB 29.5, 16.35, -49.93

 

CMYK 100 / 63 / 0 / 49

HEX #003081

RGB 0 48 129

HSL 217.67, 1%, 0.25%

LAB 22.65, 20.99, -49.31

 

CMYK 100 / 73 / 0 / 57

HEX #001E6E

RGB 0 30 110

HSL 223.64, 1%, 0.22%

LAB 15.77, 25.83, -48.46

 

CMYK 84 / 45 / 0 / 28

HEX #1E65B8

RGB 30 101 184

HSL 212.34, 0.72%, 0.42%

LAB 42.83, 9.48, -49.87

 

CMYK 84 / 67 / 0 / 28

HEX #1E3CB8

RGB 30 60 184

HSL 228.31, 0.72%, 0.42%

LAB 31.73, 36.44, -67.9

 

CMYK 77 / 84 / 0 / 28

HEX #2A1EB8

RGB 42 30 184

HSL 244.68, 0.72%, 0.42%

LAB 26.39, 53.86, -76.71

 

CMYK 54 / 84 / 0 / 28

HEX #541EB8

RGB 84 30 184

HSL 261.04, 0.72%, 0.42%

LAB 30.09, 57.42, -70.47

 

CMYK 32 / 84 / 0 / 28

HEX #7D1EB8

RGB 125 30 184

HSL 277.01, 0.72%, 0.42%

LAB 35.5, 62.88, -61.4

 

CMYK 84 / 45 / 0 / 28

HEX #1E65B8

RGB 30 101 184

HSL 212.34, 0.72%, 0.42%

LAB 42.83, 9.48, -49.87

 

CMYK 84 / 67 / 0 / 28

HEX #1E3CB8

RGB 30 60 184

HSL 228.31, 0.72%, 0.42%

LAB 31.73, 36.44, -67.9

 

CMYK 84 / 84 / 0 / 28

HEX #1E1EB8

RGB 30 30 184

HSL 240, 0.72%, 0.42%

LAB 25.76, 53.27, -77.79

 

CMYK 84 / 45 / 0 / 28

HEX #1E65B8

RGB 30 101 184

HSL 212.34, 0.72%, 0.42%

LAB 42.83, 9.48, -49.87

 

CMYK 94 / 50 / 0 / 21

HEX #0D64CA

RGB 13 100 202

HSL 212.38, 0.88%, 0.42%

LAB 43.45, 16.22, -59.31

 

CMYK 84 / 45 / 0 / 28

HEX #1E65B8

RGB 30 101 184

HSL 212.34, 0.72%, 0.42%

LAB 42.83, 9.48, -49.87

 

CMYK 72 / 39 / 0 / 35

HEX #2F66A7

RGB 47 102 167

HSL 212.5, 0.56%, 0.42%

LAB 42.61, 4.32, -40.22

 

CMYK 57 / 31 / 0 / 41

HEX #416896

RGB 65 104 150

HSL 212.47, 0.4%, 0.42%

LAB 43.1, 0.43, -29.3

 

CMYK 38 / 20 / 0 / 48

HEX #526984

RGB 82 105 132

HSL 212.4, 0.23%, 0.42%

LAB 43.6, -1.3, -17.68

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 84 / 0 / 0 / 28

HEX #1EB8B8

RGB 30 184 184

HSL 180, 0.72%, 0.42%

LAB 68.03, -36.28, -10.74

 

CMYK 84 / 22 / 0 / 28

HEX #1E8FB8

RGB 30 143 184

HSL 195.97, 0.72%, 0.42%

LAB 55.46, -15.63, -29.9

 

CMYK 84 / 45 / 0 / 28

HEX #1E66B8

RGB 30 102 184

HSL 211.95, 0.72%, 0.42%

LAB 43.12, 8.84, -49.4

 

CMYK 84 / 67 / 0 / 28

HEX #1E3DB8

RGB 30 61 184

HSL 227.92, 0.72%, 0.42%

LAB 31.98, 35.8, -67.51

 

CMYK 78 / 84 / 0 / 28

HEX #281EB8

RGB 40 30 184

HSL 243.9, 0.72%, 0.42%

LAB 26.28, 53.75, -76.92

 

CMYK 84 / 45 / 0 / 56

HEX #123E71

RGB 18 62 113

HSL 212.21, 0.73%, 0.26%

LAB 26.06, 5.47, -33.64

 

CMYK 84 / 45 / 0 / 42

HEX #185295

RGB 24 82 149

HSL 212.16, 0.72%, 0.34%

LAB 34.8, 7.39, -41.96

 

CMYK 84 / 45 / 0 / 28

HEX #1E65B8

RGB 30 101 184

HSL 212.34, 0.72%, 0.42%

LAB 42.83, 9.48, -49.87

 

CMYK 84 / 45 / 0 / 14

HEX #2479DB

RGB 36 121 219

HSL 212.13, 0.72%, 0.5%

LAB 50.88, 10.85, -57.01

 

CMYK 68 / 37 / 0 / 12

HEX #488EE1

RGB 72 142 225

HSL 212.55, 0.72%, 0.58%

LAB 58.19, 4.53, -48.65

 

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

CMYK 22 / 84 / 0 / 28

HEX #8F1EB8

RGB 143 30 184

HSL 284.03, 0.72%, 0.42%

LAB 38.25, 65.74, -56.8

 

CMYK 11 / 0 / 84 / 28

HEX #A4B81E

RGB 164 184 30

HSL 67.79, 0.72%, 0.42%

LAB 71.05, -24.94, 67.52

 

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

CMYK 0 / 84 / 45 / 28

HEX #B81E66

RGB 184 30 102

HSL 331.95, 0.72%, 0.42%

LAB 41.34, 62.74, -1.38

 

CMYK 45 / 0 / 84 / 28

HEX #66B81E

RGB 102 184 30

HSL 91.95, 0.72%, 0.42%

LAB 67.43, -48.68, 62.95

 

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

CMYK 22 / 84 / 0 / 28

HEX #8F1EB8

RGB 143 30 184

HSL 284.03, 0.72%, 0.42%

LAB 38.25, 65.74, -56.8

 

CMYK 0 / 39 / 84 / 28

HEX #B8701E

RGB 184 112 30

HSL 31.95, 0.72%, 0.42%

LAB 53.89, 22.47, 53.52

 

CMYK 61 / 0 / 84 / 28

HEX #47B81E

RGB 71 184 30

HSL 104.03, 0.72%, 0.42%

LAB 66.3, -57.48, 61.52

 

CMYK 84 / 45 / 0 / 27

HEX #1E66BA

RGB 30 102 186

HSL 212.31, 0.72%, 0.42%

LAB 43.25, 9.62, -50.36

 

CMYK 0 / 84 / 3 / 28

HEX #B81EB3

RGB 184 30 179

HSL 301.95, 0.72%, 0.42%

LAB 44.76, 72.23, -43.02

 

CMYK 0 / 39 / 84 / 28

HEX #B8701E

RGB 184 112 30

HSL 31.95, 0.72%, 0.42%

LAB 53.89, 22.47, 53.52

 

CMYK 84 / 0 / 81 / 28

HEX #1EB823

RGB 30 184 35

HSL 121.95, 0.72%, 0.42%

LAB 65.5, -64.26, 59.13

 

Description

Color code: HEX #1E66BA | qconv.com Color code: HEX #1E66BA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 102 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 102 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 45 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 45% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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