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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5E9D it is the complementary color #E1A162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5E9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5E9D shade: #235E98, #3470AB, #4582BE, #5694D1 and #67A6E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5E9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5E9D shade: #1E5E9D, #0D4C8A, #003A77, #002864 and #001651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5E9D shade: #1E5F9F, #1E3C9F, #231E9F, #451E9F and #681E9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5E9D shade: #1E5F9F, #1E3C9F and #1E1E9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5E9D shade matches the following richer shades: #1E5F9F and #0F5FAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5E9D shade: #1E5F9F, #2D5F8F, #3D5F80, #4C5E71 and #5B5E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5E9D shade: #1E9F98, #1E839F, #1E609F, #1E3E9F and #201E9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5E9D shade: #113559, #184A7C, #1E5F9F, #2574C1 and #3688D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5E9D shade: #1E5E9D, #761E9F and #949F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5E9D shade: #1E5E9D, #9F1E60 and #609F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5E9D shade: #1E5E9D, #761E9F, #9F5C1E and #479F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5E9D shade: #1E5E9D, #9C1E9F, #9F5C1E and #209F1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

Complementary color

CMYK 0 / 28 / 56 / 12

HEX #E1A162

RGB 225 161 98

HSL 29.76, 0.68%, 0.63%

LAB 71.13, 17, 41.88

 

CMYK 77 / 38 / 0 / 40

HEX #235E98

RGB 35 94 152

HSL 209.74, 0.63%, 0.37%

LAB 38.95, 2.02, -37.13

 

CMYK 70 / 35 / 0 / 33

HEX #3470AB

RGB 52 112 171

HSL 209.75, 0.53%, 0.44%

LAB 45.99, 0.36, -37.2

 

CMYK 64 / 32 / 0 / 25

HEX #4582BE

RGB 69 130 190

HSL 209.75, 0.48%, 0.51%

LAB 52.89, -0.89, -37.27

 

CMYK 59 / 29 / 0 / 18

HEX #5694D1

RGB 86 148 209

HSL 209.76, 0.57%, 0.58%

LAB 59.67, -1.87, -37.34

 

CMYK 55 / 27 / 0 / 11

HEX #67A6E4

RGB 103 166 228

HSL 209.76, 0.7%, 0.65%

LAB 66.33, -2.64, -37.42

 

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

CMYK 91 / 45 / 0 / 46

HEX #0D4C8A

RGB 13 76 138

HSL 209.76, 0.83%, 0.3%

LAB 32.01, 5.96, -39.74

 

CMYK 100 / 51 / 0 / 53

HEX #003A77

RGB 0 58 119

HSL 210.76, 1%, 0.23%

LAB 24.82, 9.41, -39.46

 

CMYK 100 / 60 / 0 / 61

HEX #002864

RGB 0 40 100

HSL 216, 1%, 0.2%

LAB 17.63, 14.07, -38.86

 

CMYK 100 / 73 / 0 / 68

HEX #001651

RGB 0 22 81

HSL 223.7, 1%, 0.16%

LAB 10.32, 19.14, -38.1

 

CMYK 81 / 40 / 0 / 38

HEX #1E5F9F

RGB 30 95 159

HSL 209.77, 0.68%, 0.37%

LAB 39.52, 3.51, -40.42

 

CMYK 81 / 62 / 0 / 38

HEX #1E3C9F

RGB 30 60 159

HSL 226.05, 0.68%, 0.37%

LAB 29.44, 26.94, -56.7

 

CMYK 78 / 81 / 0 / 38

HEX #231E9F

RGB 35 30 159

HSL 242.33, 0.68%, 0.37%

LAB 22.96, 45.71, -67.36

 

CMYK 57 / 81 / 0 / 38

HEX #451E9F

RGB 69 30 159

HSL 258.14, 0.68%, 0.37%

LAB 25.85, 48.97, -62.48

 

CMYK 35 / 81 / 0 / 38

HEX #681E9F

RGB 104 30 159

HSL 274.42, 0.68%, 0.37%

LAB 30.34, 54.06, -54.96

 

CMYK 81 / 40 / 0 / 38

HEX #1E5F9F

RGB 30 95 159

HSL 209.77, 0.68%, 0.37%

LAB 39.52, 3.51, -40.42

 

CMYK 81 / 62 / 0 / 38

HEX #1E3C9F

RGB 30 60 159

HSL 226.05, 0.68%, 0.37%

LAB 29.44, 26.94, -56.7

 

CMYK 81 / 81 / 0 / 38

HEX #1E1E9F

RGB 30 30 159

HSL 240, 0.68%, 0.37%

LAB 22.68, 45.4, -67.83

 

CMYK 81 / 40 / 0 / 38

HEX #1E5F9F

RGB 30 95 159

HSL 209.77, 0.68%, 0.37%

LAB 39.52, 3.51, -40.42

 

CMYK 91 / 45 / 0 / 32

HEX #0F5FAE

RGB 15 95 174

HSL 209.81, 0.84%, 0.37%

LAB 40.15, 8.31, -48.32

 

CMYK 81 / 40 / 0 / 38

HEX #1E5F9F

RGB 30 95 159

HSL 209.77, 0.68%, 0.37%

LAB 39.52, 3.51, -40.42

 

CMYK 69 / 34 / 0 / 44

HEX #2D5F8F

RGB 45 95 143

HSL 209.39, 0.52%, 0.37%

LAB 39.11, -0.48, -31.43

 

CMYK 52 / 26 / 0 / 50

HEX #3D5F80

RGB 61 95 128

HSL 209.55, 0.35%, 0.37%

LAB 39.13, -2.28, -22.26

 

CMYK 33 / 17 / 0 / 56

HEX #4C5E71

RGB 76 94 113

HSL 210.81, 0.2%, 0.37%

LAB 39.13, -1.87, -13

 

CMYK 6 / 3 / 0 / 62

HEX #5B5E61

RGB 91 94 97

HSL 210, 0.03%, 0.37%

LAB 39.74, -0.52, -2.13

 

CMYK 81 / 0 / 4 / 38

HEX #1E9F98

RGB 30 159 152

HSL 176.74, 0.68%, 0.37%

LAB 59.29, -34.22, -5.88

 

CMYK 81 / 18 / 0 / 38

HEX #1E839F

RGB 30 131 159

HSL 193.02, 0.68%, 0.37%

LAB 50.7, -17.85, -22.89

 

CMYK 81 / 40 / 0 / 38

HEX #1E609F

RGB 30 96 159

HSL 209.3, 0.68%, 0.37%

LAB 39.82, 2.87, -39.93

 

CMYK 81 / 61 / 0 / 38

HEX #1E3E9F

RGB 30 62 159

HSL 225.12, 0.68%, 0.37%

LAB 29.97, 25.58, -55.83

 

CMYK 80 / 81 / 0 / 38

HEX #201E9F

RGB 32 30 159

HSL 240.93, 0.68%, 0.37%

LAB 22.79, 45.52, -67.65

 

CMYK 81 / 40 / 0 / 65

HEX #113559

RGB 17 53 89

HSL 210, 0.68%, 0.21%

LAB 21.53, 1.47, -25.32

 

CMYK 81 / 40 / 0 / 51

HEX #184A7C

RGB 24 74 124

HSL 210, 0.68%, 0.29%

LAB 30.75, 2.57, -33.07

 

CMYK 81 / 40 / 0 / 38

HEX #1E5F9F

RGB 30 95 159

HSL 209.77, 0.68%, 0.37%

LAB 39.52, 3.51, -40.42

 

CMYK 81 / 40 / 0 / 24

HEX #2574C1

RGB 37 116 193

HSL 209.62, 0.68%, 0.45%

LAB 47.92, 4.14, -46.92

 

CMYK 75 / 37 / 0 / 15

HEX #3688D9

RGB 54 136 217

HSL 209.82, 0.68%, 0.53%

LAB 55.48, 2.78, -48.5

 

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

CMYK 26 / 81 / 0 / 38

HEX #761E9F

RGB 118 30 159

HSL 280.93, 0.68%, 0.37%

LAB 32.44, 56.46, -51.44

 

CMYK 7 / 0 / 81 / 38

HEX #949F1E

RGB 148 159 30

HSL 65.12, 0.68%, 0.37%

LAB 62.66, -19.37, 59.78

 

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

CMYK 0 / 81 / 40 / 38

HEX #9F1E60

RGB 159 30 96

HSL 329.3, 0.68%, 0.37%

LAB 36.26, 55.75, -5.63

 

CMYK 40 / 0 / 81 / 38

HEX #609F1E

RGB 96 159 30

HSL 89.3, 0.68%, 0.37%

LAB 59.32, -40.45, 55.52

 

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

CMYK 26 / 81 / 0 / 38

HEX #761E9F

RGB 118 30 159

HSL 280.93, 0.68%, 0.37%

LAB 32.44, 56.46, -51.44

 

CMYK 0 / 42 / 81 / 38

HEX #9F5C1E

RGB 159 92 30

HSL 28.84, 0.68%, 0.37%

LAB 45.8, 22.67, 44.96

 

CMYK 55 / 0 / 81 / 38

HEX #479F1E

RGB 71 159 30

HSL 100.93, 0.68%, 0.37%

LAB 58.25, -48.48, 54.15

 

CMYK 81 / 40 / 0 / 38

HEX #1E5E9D

RGB 30 94 157

HSL 209.76, 0.68%, 0.37%

LAB 39.1, 3.36, -39.9

 

CMYK 2 / 81 / 0 / 38

HEX #9C1E9F

RGB 156 30 159

HSL 298.6, 0.68%, 0.37%

LAB 38.72, 63.64, -41

 

CMYK 0 / 42 / 81 / 38

HEX #9F5C1E

RGB 159 92 30

HSL 28.84, 0.68%, 0.37%

LAB 45.8, 22.67, 44.96

 

CMYK 80 / 0 / 81 / 38

HEX #209F1E

RGB 32 159 30

HSL 119.07, 0.68%, 0.37%

LAB 57.27, -56.69, 52.87

 

Description

Color code: HEX #1E5E9D | qconv.com Color code: HEX #1E5E9D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 94 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 94 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 40 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 40% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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