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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1E5E75 it is the complementary color #E1A18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1E5E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1E5E75 shade: #235E70, #347083, #458296, #5694A9 and #67A6BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1E5E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1E5E75 shade: #1E5E75, #0D4C62, #003A4F, #00283C and #001629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1E5E75 shade: #1E5E75, #1E4675, #1E2F75, #241E75 and #3C1E75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1E5E75 shade: #1E5E75, #1E4675, #1E2F75 and #1E1E75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1E5E75 shade matches the following richer shades: #1E5E75, #126481 and #06698D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1E5E75 shade: #1E5E75, #2A5869, #36535D, #424D51 and #4E4745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1E5E75 shade: #1E755C, #1E7574, #1E5F75, #1E4875 and #1E3175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1E5E75 shade: #0D2933, #154454, #1E5E75, #267896 and #2F93B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1E5E75 shade: #1E5E75, #451E75 and #75681E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1E5E75 shade: #1E5E75, #751E5F and #5F751E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1E5E75 shade: #1E5E75, #451E75, #75341E and #4E751E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1E5E75 shade: #1E5E75, #5F1E75, #75341E and #34751E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

Complementary color

CMYK 0 / 28 / 39 / 12

HEX #E1A18A

RGB 225 161 138

HSL 15.86, 0.59%, 0.71%

LAB 71.78, 20.87, 21.41

 

CMYK 69 / 16 / 0 / 56

HEX #235E70

RGB 35 94 112

HSL 194.03, 0.52%, 0.29%

LAB 36.99, -12.8, -15.84

 

CMYK 60 / 15 / 0 / 49

HEX #347083

RGB 52 112 131

HSL 194.43, 0.43%, 0.36%

LAB 44.17, -13.45, -16.34

 

CMYK 54 / 13 / 0 / 41

HEX #458296

RGB 69 130 150

HSL 194.81, 0.37%, 0.43%

LAB 51.19, -13.87, -16.8

 

CMYK 49 / 12 / 0 / 34

HEX #5694A9

RGB 86 148 169

HSL 195.18, 0.33%, 0.5%

LAB 58.06, -14.15, -17.23

 

CMYK 45 / 12 / 0 / 26

HEX #67A6BC

RGB 103 166 188

HSL 195.53, 0.39%, 0.57%

LAB 64.79, -14.34, -17.64

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 87 / 22 / 0 / 62

HEX #0D4C62

RGB 13 76 98

HSL 195.53, 0.77%, 0.22%

LAB 29.75, -10.43, -18.26

 

CMYK 100 / 27 / 0 / 69

HEX #003A4F

RGB 0 58 79

HSL 195.95, 1%, 0.15%

LAB 22.27, -8.28, -17.56

 

CMYK 100 / 33 / 0 / 76

HEX #00283C

RGB 0 40 60

HSL 200, 1%, 0.12%

LAB 14.65, -4.64, -16.56

 

CMYK 100 / 46 / 0 / 84

HEX #001629

RGB 0 22 41

HSL 207.8, 1%, 0.08%

LAB 6.63, -0.43, -15.48

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 74 / 40 / 0 / 54

HEX #1E4675

RGB 30 70 117

HSL 212.41, 0.59%, 0.29%

LAB 29.26, 3.28, -31.04

 

CMYK 74 / 60 / 0 / 54

HEX #1E2F75

RGB 30 47 117

HSL 228.28, 0.59%, 0.29%

LAB 22.28, 19.34, -42.27

 

CMYK 69 / 74 / 0 / 54

HEX #241E75

RGB 36 30 117

HSL 244.14, 0.59%, 0.29%

LAB 18.31, 31.67, -48.74

 

CMYK 49 / 74 / 0 / 54

HEX #3C1E75

RGB 60 30 117

HSL 260.69, 0.59%, 0.29%

LAB 20.73, 35.54, -44.69

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 74 / 40 / 0 / 54

HEX #1E4675

RGB 30 70 117

HSL 212.41, 0.59%, 0.29%

LAB 29.26, 3.28, -31.04

 

CMYK 74 / 60 / 0 / 54

HEX #1E2F75

RGB 30 47 117

HSL 228.28, 0.59%, 0.29%

LAB 22.28, 19.34, -42.27

 

CMYK 74 / 74 / 0 / 54

HEX #1E1E75

RGB 30 30 117

HSL 240, 0.59%, 0.29%

LAB 17.87, 30.93, -49.49

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 86 / 22 / 0 / 49

HEX #126481

RGB 18 100 129

HSL 195.68, 0.76%, 0.29%

LAB 39.29, -12.38, -22.73

 

CMYK 96 / 26 / 0 / 45

HEX #06698D

RGB 6 105 141

HSL 196, 0.92%, 0.29%

LAB 41.32, -11.54, -26.83

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 60 / 16 / 0 / 59

HEX #2A5869

RGB 42 88 105

HSL 196.19, 0.43%, 0.29%

LAB 34.99, -10.24, -14.54

 

CMYK 42 / 11 / 0 / 64

HEX #36535D

RGB 54 83 93

HSL 195.38, 0.27%, 0.29%

LAB 33.48, -7.86, -9.25

 

CMYK 19 / 5 / 0 / 68

HEX #424D51

RGB 66 77 81

HSL 196, 0.1%, 0.29%

LAB 31.94, -3.39, -3.85

 

CMYK 0 / 9 / 12 / 69

HEX #4E4745

RGB 78 71 69

HSL 13.33, 0.06%, 0.29%

LAB 30.77, 2.54, 2.26

 

CMYK 74 / 0 / 21 / 54

HEX #1E755C

RGB 30 117 92

HSL 162.76, 0.59%, 0.29%

LAB 43.9, -31.76, 6.55

 

CMYK 74 / 0 / 1 / 54

HEX #1E7574

RGB 30 117 116

HSL 179.31, 0.59%, 0.29%

LAB 44.6, -24.79, -6.77

 

CMYK 74 / 19 / 0 / 54

HEX #1E5F75

RGB 30 95 117

HSL 195.17, 0.59%, 0.29%

LAB 37.38, -12.45, -18.33

 

CMYK 74 / 38 / 0 / 54

HEX #1E4875

RGB 30 72 117

HSL 211.03, 0.59%, 0.29%

LAB 29.9, 1.95, -30.03

 

CMYK 74 / 58 / 0 / 54

HEX #1E3175

RGB 30 49 117

HSL 226.9, 0.59%, 0.29%

LAB 22.85, 17.92, -41.34

 

CMYK 75 / 20 / 0 / 80

HEX #0D2933

RGB 13 41 51

HSL 195.79, 0.59%, 0.13%

LAB 15.01, -6.69, -9.63

 

CMYK 75 / 19 / 0 / 67

HEX #154454

RGB 21 68 84

HSL 195.24, 0.6%, 0.21%

LAB 26.55, -9.81, -14.19

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 75 / 20 / 0 / 41

HEX #267896

RGB 38 120 150

HSL 196.07, 0.6%, 0.37%

LAB 47.04, -13.95, -23.26

 

CMYK 74 / 20 / 0 / 28

HEX #2F93B7

RGB 47 147 183

HSL 195.88, 0.59%, 0.45%

LAB 56.97, -16.37, -26.98

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 41 / 74 / 0 / 54

HEX #451E75

RGB 69 30 117

HSL 266.9, 0.59%, 0.29%

LAB 21.87, 37.3, -42.78

 

CMYK 0 / 11 / 74 / 54

HEX #75681E

RGB 117 104 30

HSL 51.03, 0.59%, 0.29%

LAB 43.91, -3.82, 41.4

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 0 / 74 / 19 / 54

HEX #751E5F

RGB 117 30 95

HSL 315.17, 0.59%, 0.29%

LAB 28.21, 44.41, -17.97

 

CMYK 19 / 0 / 74 / 54

HEX #5F751E

RGB 95 117 30

HSL 75.17, 0.59%, 0.29%

LAB 45.97, -21.16, 42.81

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 41 / 74 / 0 / 54

HEX #451E75

RGB 69 30 117

HSL 266.9, 0.59%, 0.29%

LAB 21.87, 37.3, -42.78

 

CMYK 0 / 56 / 74 / 54

HEX #75341E

RGB 117 52 30

HSL 15.17, 0.59%, 0.29%

LAB 30.23, 26.9, 27.06

 

CMYK 33 / 0 / 74 / 54

HEX #4E751E

RGB 78 117 30

HSL 86.9, 0.59%, 0.29%

LAB 44.85, -28.33, 41.32

 

CMYK 74 / 20 / 0 / 54

HEX #1E5E75

RGB 30 94 117

HSL 195.86, 0.59%, 0.29%

LAB 37.05, -11.86, -18.84

 

CMYK 19 / 74 / 0 / 54

HEX #5F1E75

RGB 95 30 117

HSL 284.83, 0.59%, 0.29%

LAB 25.7, 42.92, -36.39

 

CMYK 0 / 56 / 74 / 54

HEX #75341E

RGB 117 52 30

HSL 15.17, 0.59%, 0.29%

LAB 30.23, 26.9, 27.06

 

CMYK 56 / 0 / 74 / 54

HEX #34751E

RGB 52 117 30

HSL 104.83, 0.59%, 0.29%

LAB 43.58, -37.56, 39.61

 

Description

Color code: HEX #1E5E75 | qconv.com Color code: HEX #1E5E75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 94 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 94 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 20 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 20% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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