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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DFBF0CE it is the complementary color #E2040FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DFBF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DFBF0CE shade: #22FBEBCE, #33FFFECE, #44FFFFCE, #55FFFFCE and #66FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DFBF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DFBF0CE shade: #1DFBF0CE, #0CE9DDCE, #00D7CACE, #00C5B7CE and #00B3A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DFBF0CE shade: #1DFCF1, #1DFCB5, #1DFC78, #1DFC3C and #39FC1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DFBF0CE shade: #1DFCF1, #1DCBFC, #1D8FFC, #1D52FC and #1D1DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DFBF0CE shade matches the following richer shades: #1DFCF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DFBF0CE shade: #1DFCF1, #30E9E0, #42D6CF, #55C4BE and #67B1AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DFBF0CE shade: #1DFC7A, #1DFCB5, #1DFCF0, #1DCBFC and #1D90FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DFBF0CE shade: #03C3BA, #04ECE0, #1DFCF1, #46FCF3 and #6EFDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DFBF0CE shade: #1DFBF0, #3E1DFC and #FC971D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DFBF0CE shade: #1DFBF0, #F01DFC and #FCF01D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DFBF0CE shade: #1DFBF0, #3E1DFC, #FC1D28 and #DAFC1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DFBF0CE shade: #1DFBF0, #811DFC, #FC1D28 and #97FC1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 4 / 1

HEX #1DFBF0CE

RGBA 29 251 240 0.81

HSLA 177.03, 0.97%, 0.55%, 0.81

LABA 89.65, -49.79, -8.52, 0.81

 

Complementary color

CMYK 0 / 80 / 76 / 9

HEX #E2040FCE

RGBA 226 4 15 0.81

HSLA 357.03, 0.97%, 0.45%, 0.81

LABA 47.35, 72.92, 57.02, 0.81

 

CMYK 70 / 0 / 5 / 1

HEX #22FBEBCE

RGBA 34 251 235 0.81

HSLA 175.58, 0.96%, 0.56%, 0.81

LABA 89.55, -50.91, -6.06, 0.81

 

CMYK 65 / 0 / 0 / 0

HEX #33FFFECE

RGBA 51 255 254 0.81

HSLA 179.71, 1%, 0.6%, 0.81

LABA 91.41, -46.26, -13.15, 0.81

 

CMYK 59 / 0 / 0 / 0

HEX #44FFFFCE

RGBA 68 255 255 0.81

HSLA 180, 1%, 0.63%, 0.81

LABA 91.67, -44.45, -13.25, 0.81

 

CMYK 54 / 0 / 0 / 0

HEX #55FFFFCE

RGBA 85 255 255 0.81

HSLA 180, 1%, 0.67%, 0.81

LABA 91.99, -42.44, -12.75, 0.81

 

CMYK 49 / 0 / 0 / 0

HEX #66FFFFCE

RGBA 102 255 255 0.81

HSLA 180, 1%, 0.7%, 0.81

LABA 92.38, -39.95, -12.11, 0.81

 

CMYK 72 / 0 / 4 / 1

HEX #1DFBF0CE

RGBA 29 251 240 0.81

HSLA 177.03, 0.97%, 0.55%, 0.81

LABA 89.65, -49.79, -8.52, 0.81

 

CMYK 77 / 0 / 4 / 7

HEX #0CE9DDCE

RGBA 12 233 221 0.81

HSLA 176.74, 0.9%, 0.48%, 0.81

LABA 83.74, -48.07, -7.32, 0.81

 

CMYK 81 / 0 / 5 / 13

HEX #00D7CACE

RGBA 0 215 202 0.81

HSLA 176.37, 1%, 0.42%, 0.81

LABA 77.8, -46.04, -6.03, 0.81

 

CMYK 81 / 0 / 6 / 18

HEX #00C5B7CE

RGBA 0 197 183 0.81

HSLA 175.74, 1%, 0.39%, 0.81

LABA 71.79, -43.7, -4.63, 0.81

 

CMYK 81 / 0 / 7 / 24

HEX #00B3A4CE

RGBA 0 179 164 0.81

HSLA 174.97, 1%, 0.35%, 0.81

LABA 65.69, -41.33, -3.18, 0.81

 

CMYK 88 / 0 / 4 / 1

HEX #1DFCF1

RGB 29 252 241

HSL 177.04, 0.97%, 0.55%

LAB 89.97, -49.94, -8.57

 

CMYK 88 / 0 / 28 / 1

HEX #1DFCB5

RGB 29 252 181

HSL 160.9, 0.97%, 0.55%

LAB 88.55, -64.87, 20.45

 

CMYK 88 / 0 / 52 / 1

HEX #1DFC78

RGB 29 252 120

HSL 144.48, 0.97%, 0.55%

LAB 87.6, -75.94, 49.24

 

CMYK 88 / 0 / 76 / 1

HEX #1DFC3C

RGB 29 252 60

HSL 128.34, 0.97%, 0.55%

LAB 87.1, -82.18, 72.39

 

CMYK 77 / 0 / 88 / 1

HEX #39FC1D

RGB 57 252 29

HSL 112.47, 0.97%, 0.55%

LAB 87.28, -81.02, 79.97

 

CMYK 88 / 0 / 4 / 1

HEX #1DFCF1

RGB 29 252 241

HSL 177.04, 0.97%, 0.55%

LAB 89.97, -49.94, -8.57

 

CMYK 88 / 19 / 0 / 1

HEX #1DCBFC

RGB 29 203 252

HSL 193.18, 0.97%, 0.55%

LAB 76.07, -23.94, -35.45

 

CMYK 88 / 43 / 0 / 1

HEX #1D8FFC

RGB 29 143 252

HSL 209.33, 0.97%, 0.55%

LAB 58.91, 9.39, -62.5

 

CMYK 88 / 67 / 0 / 1

HEX #1D52FC

RGB 29 82 252

HSL 225.74, 0.97%, 0.55%

LAB 43.25, 47.35, -87.99

 

CMYK 88 / 88 / 0 / 1

HEX #1D1DFC

RGB 29 29 252

HSL 240, 0.97%, 0.55%

LAB 34.33, 72.91, -102.78

 

CMYK 88 / 0 / 4 / 1

HEX #1DFCF1

RGB 29 252 241

HSL 177.04, 0.97%, 0.55%

LAB 89.97, -49.94, -8.57

 

CMYK 88 / 0 / 4 / 1

HEX #1DFCF1

RGB 29 252 241

HSL 177.04, 0.97%, 0.55%

LAB 89.97, -49.94, -8.57

 

CMYK 79 / 0 / 4 / 9

HEX #30E9E0

RGB 48 233 224

HSL 177.08, 0.81%, 0.55%

LAB 84.12, -45.29, -8.32

 

CMYK 69 / 0 / 3 / 16

HEX #42D6CF

RGB 66 214 207

HSL 177.16, 0.64%, 0.55%

LAB 78.32, -39.65, -7.85

 

CMYK 57 / 0 / 3 / 23

HEX #55C4BE

RGB 85 196 190

HSL 176.76, 0.48%, 0.55%

LAB 72.98, -32.88, -6.54

 

CMYK 42 / 0 / 2 / 31

HEX #67B1AE

RGB 103 177 174

HSL 177.57, 0.32%, 0.55%

LAB 67.56, -23.75, -5.71

 

CMYK 88 / 0 / 52 / 1

HEX #1DFC7A

RGB 29 252 122

HSL 145.02, 0.97%, 0.55%

LAB 87.62, -75.65, 48.34

 

CMYK 88 / 0 / 28 / 1

HEX #1DFCB5

RGB 29 252 181

HSL 160.9, 0.97%, 0.55%

LAB 88.55, -64.87, 20.45

 

CMYK 88 / 0 / 5 / 1

HEX #1DFCF0

RGB 29 252 240

HSL 176.77, 0.97%, 0.55%

LAB 89.94, -50.22, -8.09

 

CMYK 88 / 19 / 0 / 1

HEX #1DCBFC

RGB 29 203 252

HSL 193.18, 0.97%, 0.55%

LAB 76.07, -23.94, -35.45

 

CMYK 88 / 43 / 0 / 1

HEX #1D90FC

RGB 29 144 252

HSL 209.06, 0.97%, 0.55%

LAB 59.19, 8.79, -62.05

 

CMYK 98 / 0 / 5 / 24

HEX #03C3BA

RGB 3 195 186

HSL 177.19, 0.97%, 0.39%

LAB 71.28, -41.87, -7.02

 

CMYK 98 / 0 / 5 / 7

HEX #04ECE0

RGB 4 236 224

HSL 176.9, 0.97%, 0.47%

LAB 84.69, -48.68, -7.51

 

CMYK 88 / 0 / 4 / 1

HEX #1DFCF1

RGB 29 252 241

HSL 177.04, 0.97%, 0.55%

LAB 89.97, -49.94, -8.57

 

CMYK 72 / 0 / 4 / 1

HEX #46FCF3

RGB 70 252 243

HSL 177.03, 0.97%, 0.63%

LAB 90.5, -46.19, -8.76

 

CMYK 57 / 0 / 3 / 1

HEX #6EFDF6

RGB 110 253 246

HSL 177.06, 0.97%, 0.71%

LAB 91.78, -40.02, -8.32

 

CMYK 88 / 0 / 4 / 2

HEX #1DFBF0

RGB 29 251 240

HSL 177.03, 0.97%, 0.55%

LAB 89.65, -49.79, -8.52

 

CMYK 75 / 88 / 0 / 1

HEX #3E1DFC

RGB 62 29 252

HSL 248.88, 0.97%, 0.55%

LAB 35.85, 73.88, -100.2

 

CMYK 0 / 40 / 88 / 1

HEX #FC971D

RGB 252 151 29

HSL 32.83, 0.97%, 0.55%

LAB 71.5, 30.3, 71.76

 

CMYK 88 / 0 / 4 / 2

HEX #1DFBF0

RGB 29 251 240

HSL 177.03, 0.97%, 0.55%

LAB 89.65, -49.79, -8.52

 

CMYK 5 / 88 / 0 / 1

HEX #F01DFC

RGB 240 29 252

HSL 296.77, 0.97%, 0.55%

LAB 58.45, 93.09, -62.32

 

CMYK 0 / 5 / 88 / 1

HEX #FCF01D

RGB 252 240 29

HSL 56.77, 0.97%, 0.55%

LAB 93.06, -15.29, 88.47

 

CMYK 88 / 0 / 4 / 2

HEX #1DFBF0

RGB 29 251 240

HSL 177.03, 0.97%, 0.55%

LAB 89.65, -49.79, -8.52

 

CMYK 75 / 88 / 0 / 1

HEX #3E1DFC

RGB 62 29 252

HSL 248.88, 0.97%, 0.55%

LAB 35.85, 73.88, -100.2

 

CMYK 0 / 88 / 84 / 1

HEX #FC1D28

RGB 252 29 40

HSL 357.04, 0.97%, 0.55%

LAB 53.74, 77.1, 53.52

 

CMYK 13 / 0 / 88 / 1

HEX #DAFC1D

RGB 218 252 29

HSL 69.15, 0.97%, 0.55%

LAB 93.72, -34.8, 87.92

 

CMYK 88 / 0 / 4 / 2

HEX #1DFBF0

RGB 29 251 240

HSL 177.03, 0.97%, 0.55%

LAB 89.65, -49.79, -8.52

 

CMYK 49 / 88 / 0 / 1

HEX #811DFC

RGB 129 29 252

HSL 266.91, 0.97%, 0.55%

LAB 42.11, 78.45, -89.63

 

CMYK 0 / 88 / 84 / 1

HEX #FC1D28

RGB 252 29 40

HSL 357.04, 0.97%, 0.55%

LAB 53.74, 77.1, 53.52

 

CMYK 40 / 0 / 88 / 1

HEX #97FC1D

RGB 151 252 29

HSL 87.17, 0.97%, 0.55%

LAB 89.99, -59.26, 83.34

 

Description

Color code: HEX #1DFBF0CE | qconv.com Color code: HEX #1DFBF0CE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 251 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 251 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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