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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DF77B it is the complementary color #E20884. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DF77B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DF77B shade: #22F776, #33FF89, #44FF9C, #55FFAF and #66FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DF77B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DF77B shade: #1DF77B, #0CE568, #00D355, #00C142 and #00AF2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DF77B shade: #1DF77B, #1DF740, #34F71D, #6FF71D and #AAF71D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DF77B shade: #1DF77B, #1DF7B6, #1DF7F0, #1DC2F7 and #1D88F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DF77B shade matches the following richer shades: #1DF77B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DF77B shade: #1DF77B, #30E47D, #43D180, #56BE83 and #69AB85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DF77B shade: #36F71D, #1DF73D, #1DF778, #1DF7B2 and #1DF7EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DF77B shade: #07BA54, #08E266, #1DF77B, #44F892 and #6CFAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DF77B shade: #1DF77B, #1D70F7 and #F7201D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DF77B shade: #1DF77B, #781DF7 and #F7781D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DF77B shade: #1DF77B, #1D70F7, #F71D9C and #F7A31D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DF77B shade: #1DF77B, #1D2FF7, #F71D9C and #F7E51D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

Complementary color

CMYK 0 / 96 / 42 / 11

HEX #E20884

RGB 226 8 132

HSL 325.87, 0.93%, 0.46%

LAB 49.51, 78.12, -6.9

 

CMYK 86 / 0 / 52 / 3

HEX #22F776

RGB 34 247 118

HSL 143.66, 0.93%, 0.55%

LAB 86.09, -74.34, 48.33

 

CMYK 80 / 0 / 46 / 0

HEX #33FF89

RGB 51 255 137

HSL 145.29, 1%, 0.6%

LAB 88.94, -72.56, 42.94

 

CMYK 73 / 0 / 39 / 0

HEX #44FF9C

RGB 68 255 156

HSL 148.24, 1%, 0.63%

LAB 89.46, -67.37, 34.38

 

CMYK 67 / 0 / 31 / 0

HEX #55FFAF

RGB 85 255 175

HSL 151.76, 1%, 0.67%

LAB 90.11, -61.31, 25.78

 

CMYK 60 / 0 / 24 / 0

HEX #66FFC2

RGB 102 255 194

HSL 156.08, 1%, 0.7%

LAB 90.89, -54.49, 17.24

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 95 / 0 / 55 / 10

HEX #0CE568

RGB 12 229 104

HSL 145.44, 0.9%, 0.47%

LAB 80.24, -71.9, 47.69

 

CMYK 100 / 0 / 60 / 17

HEX #00D355

RGB 0 211 85

HSL 144.17, 1%, 0.41%

LAB 74.35, -69.34, 49.36

 

CMYK 100 / 0 / 66 / 24

HEX #00C142

RGB 0 193 66

HSL 140.52, 1%, 0.38%

LAB 68.41, -66.18, 50.9

 

CMYK 100 / 0 / 73 / 31

HEX #00AF2F

RGB 0 175 47

HSL 136.11, 1%, 0.34%

LAB 62.39, -62.73, 52.06

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 0 / 74 / 3

HEX #1DF740

RGB 29 247 64

HSL 129.63, 0.93%, 0.54%

LAB 85.58, -80.52, 69.64

 

CMYK 79 / 0 / 88 / 3

HEX #34F71D

RGB 52 247 29

HSL 113.67, 0.93%, 0.54%

LAB 85.68, -80.22, 78.57

 

CMYK 55 / 0 / 88 / 3

HEX #6FF71D

RGB 111 247 29

HSL 97.43, 0.93%, 0.54%

LAB 86.99, -69.12, 80.21

 

CMYK 31 / 0 / 88 / 3

HEX #AAF71D

RGB 170 247 29

HSL 81.19, 0.93%, 0.54%

LAB 89.47, -50.81, 83.28

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 0 / 26 / 3

HEX #1DF7B6

RGB 29 247 182

HSL 162.11, 0.93%, 0.54%

LAB 87.08, -62.82, 17.88

 

CMYK 88 / 0 / 3 / 3

HEX #1DF7F0

RGB 29 247 240

HSL 178.07, 0.93%, 0.54%

LAB 88.48, -48.09, -10.25

 

CMYK 88 / 21 / 0 / 3

HEX #1DC2F7

RGB 29 194 247

HSL 194.59, 0.93%, 0.54%

LAB 73.26, -21.02, -37.12

 

CMYK 88 / 45 / 0 / 3

HEX #1D88F7

RGB 29 136 247

HSL 210.55, 0.93%, 0.54%

LAB 56.67, 11.76, -63.35

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 79 / 0 / 45 / 11

HEX #30E47D

RGB 48 228 125

HSL 145.67, 0.77%, 0.54%

LAB 80.51, -65.78, 38.02

 

CMYK 68 / 0 / 39 / 18

HEX #43D180

RGB 67 209 128

HSL 145.77, 0.61%, 0.54%

LAB 75.05, -55.79, 29.45

 

CMYK 55 / 0 / 31 / 25

HEX #56BE83

RGB 86 190 131

HSL 145.96, 0.44%, 0.54%

LAB 69.78, -43.74, 20.89

 

CMYK 39 / 0 / 22 / 33

HEX #69AB85

RGB 105 171 133

HSL 145.45, 0.28%, 0.54%

LAB 64.82, -29.63, 13.05

 

CMYK 78 / 0 / 88 / 3

HEX #36F71D

RGB 54 247 29

HSL 113.12, 0.93%, 0.54%

LAB 85.7, -79.98, 78.6

 

CMYK 88 / 0 / 75 / 3

HEX #1DF73D

RGB 29 247 61

HSL 128.81, 0.93%, 0.54%

LAB 85.56, -80.73, 70.58

 

CMYK 88 / 0 / 51 / 3

HEX #1DF778

RGB 29 247 120

HSL 145.05, 0.93%, 0.54%

LAB 86.08, -74.38, 47.37

 

CMYK 88 / 0 / 28 / 3

HEX #1DF7B2

RGB 29 247 178

HSL 161.01, 0.93%, 0.54%

LAB 87, -63.7, 19.83

 

CMYK 88 / 0 / 4 / 3

HEX #1DF7EC

RGB 29 247 236

HSL 176.97, 0.93%, 0.54%

LAB 88.37, -49.21, -8.33

 

CMYK 96 / 0 / 55 / 27

HEX #07BA54

RGB 7 186 84

HSL 145.81, 0.93%, 0.38%

LAB 66.37, -61.43, 40.39

 

CMYK 96 / 0 / 55 / 11

HEX #08E266

RGB 8 226 102

HSL 145.87, 0.93%, 0.46%

LAB 79.27, -71.39, 47.44

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 73 / 0 / 41 / 3

HEX #44F892

RGB 68 248 146

HSL 146, 0.93%, 0.62%

LAB 87.21, -66.66, 36.38

 

CMYK 57 / 0 / 32 / 2

HEX #6CFAA9

RGB 108 250 169

HSL 145.77, 0.93%, 0.7%

LAB 89.12, -56.24, 27.57

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 55 / 0 / 3

HEX #1D70F7

RGB 29 112 247

HSL 217.16, 0.93%, 0.54%

LAB 50.17, 26.75, -73.85

 

CMYK 0 / 87 / 88 / 3

HEX #F7201D

RGB 247 32 29

HSL 0.83, 0.93%, 0.54%

LAB 52.84, 75.15, 57.38

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 51 / 88 / 0 / 3

HEX #781DF7

RGB 120 29 247

HSL 265.05, 0.93%, 0.54%

LAB 40.55, 76.49, -89.44

 

CMYK 0 / 51 / 88 / 3

HEX #F7781D

RGB 247 120 29

HSL 25.05, 0.93%, 0.54%

LAB 64.4, 44, 66.05

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 55 / 0 / 3

HEX #1D70F7

RGB 29 112 247

HSL 217.16, 0.93%, 0.54%

LAB 50.17, 26.75, -73.85

 

CMYK 0 / 88 / 37 / 3

HEX #F71D9C

RGB 247 29 156

HSL 325.05, 0.93%, 0.54%

LAB 55.13, 82.53, -12.44

 

CMYK 0 / 34 / 88 / 3

HEX #F7A31D

RGB 247 163 29

HSL 36.88, 0.93%, 0.54%

LAB 73.58, 21.96, 73.1

 

CMYK 88 / 0 / 50 / 3

HEX #1DF77B

RGB 29 247 123

HSL 145.87, 0.93%, 0.54%

LAB 86.11, -73.94, 46.01

 

CMYK 88 / 81 / 0 / 3

HEX #1D2FF7

RGB 29 47 247

HSL 235.05, 0.93%, 0.54%

LAB 36, 64.63, -97.18

 

CMYK 0 / 88 / 37 / 3

HEX #F71D9C

RGB 247 29 156

HSL 325.05, 0.93%, 0.54%

LAB 55.13, 82.53, -12.44

 

CMYK 0 / 7 / 88 / 3

HEX #F7E51D

RGB 247 229 29

HSL 55.05, 0.93%, 0.54%

LAB 89.81, -11.99, 85.75

 

Description

Color code: HEX #1DF77B | qconv.com Color code: HEX #1DF77B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 247 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 247 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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