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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DF1D3 it is the complementary color #E20E2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DF1D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DF1D3 shade: #22F1CE, #33FFE1, #44FFF4, #55FFFF and #66FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DF1D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DF1D3 shade: #1DF1D3, #0CDFC0, #00CDAD, #00BB9A and #00A987

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DF1D3 shade: #1EF1D3, #1EF19A, #1EF161, #1EF128 and #4CF11E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DF1D3 shade: #1EF1D3, #1ED6F1, #1E9DF1, #1E64F1 and #1E2BF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DF1D3 shade matches the following richer shades: #1EF1D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DF1D3 shade: #1EF1D3, #31DDC5, #44CAB7, #58B6A9 and #6BA39B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DF1D3 shade: #1EF160, #1EF199, #1EF1D1, #1ED8F1 and #1EA0F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DF1D3 shade: #0BB199, #0ED7BB, #1EF1D3, #44F3DA and #6BF6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DF1D3 shade: #1DF1D3, #281EF1 and #F17D1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DF1D3 shade: #1DF1D3, #D11EF1 and #F1D11E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DF1D3 shade: #1DF1D3, #281EF1, #F11E3D and #E6F11E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DF1D3 shade: #1DF1D3, #681EF1, #F11E3D and #A7F11E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

Complementary color

CMYK 0 / 94 / 81 / 11

HEX #E20E2C

RGB 226 14 44

HSL 351.51, 0.88%, 0.47%

LAB 47.83, 72.6, 44.05

 

CMYK 86 / 0 / 15 / 5

HEX #22F1CE

RGB 34 241 206

HSL 169.86, 0.88%, 0.54%

LAB 85.86, -54.45, 3.68

 

CMYK 80 / 0 / 12 / 0

HEX #33FFE1

RGB 51 255 225

HSL 171.18, 1%, 0.6%

LAB 90.62, -54.04, 0.73

 

CMYK 73 / 0 / 4 / 0

HEX #44FFF4

RGB 68 255 244

HSL 176.47, 1%, 0.63%

LAB 91.36, -47.44, -8.01

 

CMYK 67 / 0 / 0 / 0

HEX #55FFFF

RGB 85 255 255

HSL 180, 1%, 0.67%

LAB 91.99, -42.44, -12.75

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

CMYK 95 / 0 / 14 / 13

HEX #0CDFC0

RGB 12 223 192

HSL 171.18, 0.9%, 0.46%

LAB 79.99, -51.8, 2.53

 

CMYK 100 / 0 / 16 / 20

HEX #00CDAD

RGB 0 205 173

HSL 170.63, 1%, 0.4%

LAB 73.98, -49.82, 4

 

CMYK 100 / 0 / 18 / 27

HEX #00BB9A

RGB 0 187 154

HSL 169.41, 1%, 0.37%

LAB 67.93, -47.48, 5.59

 

CMYK 100 / 0 / 20 / 34

HEX #00A987

RGB 0 169 135

HSL 167.93, 1%, 0.33%

LAB 61.76, -45.1, 7.26

 

CMYK 88 / 0 / 12 / 5

HEX #1EF1D3

RGB 30 241 211

HSL 171.47, 0.88%, 0.53%

LAB 85.95, -53.39, 1.19

 

CMYK 88 / 0 / 36 / 5

HEX #1EF19A

RGB 30 241 154

HSL 155.26, 0.88%, 0.53%

LAB 84.75, -66.5, 29.02

 

CMYK 88 / 0 / 60 / 5

HEX #1EF161

RGB 30 241 97

HSL 139.05, 0.88%, 0.53%

LAB 83.99, -75.55, 55.27

 

CMYK 88 / 0 / 83 / 5

HEX #1EF128

RGB 30 241 40

HSL 122.84, 0.88%, 0.53%

LAB 83.62, -80.22, 74.49

 

CMYK 68 / 0 / 88 / 5

HEX #4CF11E

RGB 76 241 30

HSL 106.92, 0.88%, 0.53%

LAB 84.25, -74.84, 77.33

 

CMYK 88 / 0 / 12 / 5

HEX #1EF1D3

RGB 30 241 211

HSL 171.47, 0.88%, 0.53%

LAB 85.95, -53.39, 1.19

 

CMYK 88 / 11 / 0 / 5

HEX #1ED6F1

RGB 30 214 241

HSL 187.68, 0.88%, 0.53%

LAB 78.88, -32.84, -25.25

 

CMYK 88 / 35 / 0 / 5

HEX #1E9DF1

RGB 30 157 241

HSL 203.89, 0.88%, 0.53%

LAB 62.29, -2.91, -51.07

 

CMYK 88 / 59 / 0 / 5

HEX #1E64F1

RGB 30 100 241

HSL 220.09, 0.88%, 0.53%

LAB 46.63, 32.16, -76.28

 

CMYK 88 / 82 / 0 / 5

HEX #1E2BF1

RGB 30 43 241

HSL 236.3, 0.88%, 0.53%

LAB 34.71, 64.65, -95.94

 

CMYK 88 / 0 / 12 / 5

HEX #1EF1D3

RGB 30 241 211

HSL 171.47, 0.88%, 0.53%

LAB 85.95, -53.39, 1.19

 

CMYK 88 / 0 / 12 / 5

HEX #1EF1D3

RGB 30 241 211

HSL 171.47, 0.88%, 0.53%

LAB 85.95, -53.39, 1.19

 

CMYK 78 / 0 / 11 / 13

HEX #31DDC5

RGB 49 221 197

HSL 171.63, 0.72%, 0.53%

LAB 79.84, -47.36, -0.31

 

CMYK 66 / 0 / 9 / 21

HEX #44CAB7

RGB 68 202 183

HSL 171.49, 0.56%, 0.53%

LAB 74.12, -40.42, -1.11

 

CMYK 52 / 0 / 7 / 29

HEX #58B6A9

RGB 88 182 169

HSL 171.7, 0.39%, 0.53%

LAB 68.31, -31.06, -1.91

 

CMYK 34 / 0 / 5 / 36

HEX #6BA39B

RGB 107 163 155

HSL 171.43, 0.23%, 0.53%

LAB 63.08, -20.19, -1.7

 

CMYK 88 / 0 / 60 / 5

HEX #1EF160

RGB 30 241 96

HSL 138.77, 0.88%, 0.53%

LAB 83.98, -75.67, 55.69

 

CMYK 88 / 0 / 37 / 5

HEX #1EF199

RGB 30 241 153

HSL 154.98, 0.88%, 0.53%

LAB 84.73, -66.7, 29.5

 

CMYK 88 / 0 / 13 / 5

HEX #1EF1D1

RGB 30 241 209

HSL 170.9, 0.88%, 0.53%

LAB 85.9, -53.91, 2.17

 

CMYK 88 / 10 / 0 / 5

HEX #1ED8F1

RGB 30 216 241

HSL 187.11, 0.88%, 0.53%

LAB 79.46, -33.79, -24.36

 

CMYK 88 / 34 / 0 / 5

HEX #1EA0F1

RGB 30 160 241

HSL 203.03, 0.88%, 0.53%

LAB 63.15, -4.63, -49.7

 

CMYK 94 / 0 / 14 / 31

HEX #0BB199

RGB 11 177 153

HSL 171.33, 0.88%, 0.37%

LAB 64.82, -43.17, 1.65

 

CMYK 93 / 0 / 13 / 16

HEX #0ED7BB

RGB 14 215 187

HSL 171.64, 0.88%, 0.45%

LAB 77.45, -49.78, 1.51

 

CMYK 88 / 0 / 12 / 5

HEX #1EF1D3

RGB 30 241 211

HSL 171.47, 0.88%, 0.53%

LAB 85.95, -53.39, 1.19

 

CMYK 72 / 0 / 10 / 5

HEX #44F3DA

RGB 68 243 218

HSL 171.43, 0.88%, 0.61%

LAB 87.19, -49.14, -0.61

 

CMYK 57 / 0 / 8 / 4

HEX #6BF6E2

RGB 107 246 226

HSL 171.37, 0.89%, 0.69%

LAB 89.17, -42.44, -1.78

 

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

CMYK 83 / 88 / 0 / 5

HEX #281EF1

RGB 40 30 241

HSL 242.84, 0.88%, 0.53%

LAB 33.42, 69.91, -98.09

 

CMYK 0 / 48 / 88 / 5

HEX #F17D1E

RGB 241 125 30

HSL 27.01, 0.88%, 0.53%

LAB 64.53, 39.21, 65.48

 

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

CMYK 13 / 88 / 0 / 5

HEX #D11EF1

RGB 209 30 241

HSL 290.9, 0.88%, 0.53%

LAB 52.77, 86.34, -65.58

 

CMYK 0 / 13 / 88 / 5

HEX #F1D11E

RGB 241 209 30

HSL 50.9, 0.88%, 0.53%

LAB 84.17, -4.5, 80.9

 

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

CMYK 83 / 88 / 0 / 5

HEX #281EF1

RGB 40 30 241

HSL 242.84, 0.88%, 0.53%

LAB 33.42, 69.91, -98.09

 

CMYK 0 / 88 / 75 / 5

HEX #F11E3D

RGB 241 30 61

HSL 351.18, 0.88%, 0.53%

LAB 51.8, 74.75, 39.59

 

CMYK 5 / 0 / 88 / 5

HEX #E6F11E

RGB 230 241 30

HSL 63.13, 0.88%, 0.53%

LAB 91.61, -24.84, 86.43

 

CMYK 88 / 0 / 12 / 5

HEX #1DF1D3

RGB 29 241 211

HSL 171.51, 0.88%, 0.53%

LAB 85.94, -53.45, 1.18

 

CMYK 57 / 88 / 0 / 5

HEX #681EF1

RGB 104 30 241

HSL 261.04, 0.88%, 0.53%

LAB 38.24, 73.44, -89.94

 

CMYK 0 / 88 / 75 / 5

HEX #F11E3D

RGB 241 30 61

HSL 351.18, 0.88%, 0.53%

LAB 51.8, 74.75, 39.59

 

CMYK 31 / 0 / 88 / 5

HEX #A7F11E

RGB 167 241 30

HSL 81.04, 0.88%, 0.53%

LAB 87.59, -49.38, 81.49

 

Description

Color code: HEX #1DF1D3 | qconv.com Color code: HEX #1DF1D3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 241 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 241 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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