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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DEC79 it is the complementary color #E21386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DEC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DEC79 shade: #22EC74, #33FE87, #44FF9A, #55FFAD and #66FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DEC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DEC79 shade: #1DEC79, #0CDA66, #00C853, #00B640 and #00A42D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DEC79 shade: #1EEB79, #1EEB42, #31EB1E, #69EB1E and #A0EB1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DEC79 shade: #1EEB79, #1EEBB1, #1EEBE8, #1EB7EB and #1E80EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DEC79 shade matches the following richer shades: #1EEB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DEC79 shade: #1EEB79, #32D87B, #45C47E, #59B080 and #6D9C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DEC79 shade: #32EB1E, #1EEB40, #1EEB77, #1EEBAE and #1EEBE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DEC79 shade: #0FA853, #12CE66, #1EEB79, #44EF90 and #6AF2A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DEC79 shade: #1DEC79, #1E69EB and #EB251E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DEC79 shade: #1DEC79, #771EEB and #EB771E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DEC79 shade: #1DEC79, #1E69EB, #EB1E92 and #EBA01E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DEC79 shade: #1DEC79, #1E2BEB, #EB1E92 and #EBDE1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

Complementary color

CMYK 0 / 92 / 41 / 11

HEX #E21386

RGB 226 19 134

HSL 326.67, 0.84%, 0.48%

LAB 49.92, 77.27, -7.49

 

CMYK 86 / 0 / 51 / 7

HEX #22EC74

RGB 34 236 116

HSL 144.36, 0.84%, 0.53%

LAB 82.7, -71.15, 45.09

 

CMYK 80 / 0 / 47 / 0

HEX #33FE87

RGB 51 254 135

HSL 144.83, 0.99%, 0.6%

LAB 88.61, -72.55, 43.48

 

CMYK 73 / 0 / 40 / 0

HEX #44FF9A

RGB 68 255 154

HSL 147.59, 1%, 0.63%

LAB 89.43, -67.72, 35.33

 

CMYK 67 / 0 / 32 / 0

HEX #55FFAD

RGB 85 255 173

HSL 151.06, 1%, 0.67%

LAB 90.08, -61.7, 26.74

 

CMYK 60 / 0 / 25 / 0

HEX #66FFC0

RGB 102 255 192

HSL 155.29, 1%, 0.7%

LAB 90.85, -54.91, 18.2

 

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

CMYK 94 / 0 / 53 / 15

HEX #0CDA66

RGB 12 218 102

HSL 146.21, 0.9%, 0.45%

LAB 76.79, -68.76, 44.44

 

CMYK 100 / 0 / 59 / 22

HEX #00C853

RGB 0 200 83

HSL 144.9, 1%, 0.39%

LAB 70.82, -66.25, 46.16

 

CMYK 100 / 0 / 65 / 29

HEX #00B640

RGB 0 182 64

HSL 141.1, 1%, 0.36%

LAB 64.82, -63.1, 47.79

 

CMYK 100 / 0 / 73 / 36

HEX #00A42D

RGB 0 164 45

HSL 136.46, 1%, 0.32%

LAB 58.73, -59.65, 49.04

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB79

RGB 30 235 121

HSL 146.63, 0.84%, 0.52%

LAB 82.42, -70.34, 42.35

 

CMYK 87 / 0 / 72 / 8

HEX #1EEB42

RGB 30 235 66

HSL 130.54, 0.84%, 0.52%

LAB 81.88, -76.91, 65.23

 

CMYK 79 / 0 / 87 / 8

HEX #31EB1E

RGB 49 235 30

HSL 114.44, 0.84%, 0.52%

LAB 81.93, -77.15, 75.14

 

CMYK 55 / 0 / 87 / 8

HEX #69EB1E

RGB 105 235 30

HSL 98.05, 0.84%, 0.52%

LAB 83.19, -66.54, 76.72

 

CMYK 32 / 0 / 87 / 8

HEX #A0EB1E

RGB 160 235 30

HSL 81.95, 0.84%, 0.52%

LAB 85.5, -49.41, 79.6

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB79

RGB 30 235 121

HSL 146.63, 0.84%, 0.52%

LAB 82.42, -70.34, 42.35

 

CMYK 87 / 0 / 25 / 8

HEX #1EEBB1

RGB 30 235 177

HSL 163.02, 0.84%, 0.52%

LAB 83.37, -59.41, 15.28

 

CMYK 87 / 0 / 1 / 8

HEX #1EEBE8

RGB 30 235 232

HSL 179.12, 0.84%, 0.52%

LAB 84.75, -45.12, -11.62

 

CMYK 87 / 22 / 0 / 8

HEX #1EB7EB

RGB 30 183 235

HSL 195.22, 0.84%, 0.52%

LAB 69.57, -19.33, -36.36

 

CMYK 87 / 46 / 0 / 8

HEX #1E80EB

RGB 30 128 235

HSL 211.32, 0.84%, 0.52%

LAB 53.72, 12.18, -61.43

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB79

RGB 30 235 121

HSL 146.63, 0.84%, 0.52%

LAB 82.42, -70.34, 42.35

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB79

RGB 30 235 121

HSL 146.63, 0.84%, 0.52%

LAB 82.42, -70.34, 42.35

 

CMYK 77 / 0 / 43 / 15

HEX #32D87B

RGB 50 216 123

HSL 146.39, 0.68%, 0.52%

LAB 76.81, -61.73, 34.26

 

CMYK 65 / 0 / 36 / 23

HEX #45C47E

RGB 69 196 126

HSL 146.93, 0.52%, 0.52%

LAB 71.04, -50.78, 25.17

 

CMYK 49 / 0 / 27 / 31

HEX #59B080

RGB 89 176 128

HSL 146.9, 0.36%, 0.52%

LAB 65.54, -37.46, 16.69

 

CMYK 30 / 0 / 17 / 39

HEX #6D9C82

RGB 109 156 130

HSL 146.81, 0.19%, 0.52%

LAB 60.46, -21.54, 8.59

 

CMYK 79 / 0 / 87 / 8

HEX #32EB1E

RGB 50 235 30

HSL 114.15, 0.84%, 0.52%

LAB 81.94, -77.03, 75.16

 

CMYK 87 / 0 / 73 / 8

HEX #1EEB40

RGB 30 235 64

HSL 129.95, 0.84%, 0.52%

LAB 81.87, -77.06, 65.91

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB77

RGB 30 235 119

HSL 146.05, 0.84%, 0.52%

LAB 82.39, -70.66, 43.28

 

CMYK 87 / 0 / 26 / 8

HEX #1EEBAE

RGB 30 235 174

HSL 162.15, 0.84%, 0.52%

LAB 83.31, -60.09, 16.76

 

CMYK 87 / 0 / 3 / 8

HEX #1EEBE5

RGB 30 235 229

HSL 178.24, 0.84%, 0.52%

LAB 84.66, -45.98, -10.16

 

CMYK 91 / 0 / 51 / 34

HEX #0FA853

RGB 15 168 83

HSL 146.67, 0.84%, 0.36%

LAB 60.54, -55.23, 33.75

 

CMYK 91 / 0 / 50 / 19

HEX #12CE66

RGB 18 206 102

HSL 146.81, 0.84%, 0.44%

LAB 73.04, -64.65, 39.84

 

CMYK 87 / 0 / 49 / 8

HEX #1EEB79

RGB 30 235 121

HSL 146.63, 0.84%, 0.52%

LAB 82.42, -70.34, 42.35

 

CMYK 72 / 0 / 40 / 6

HEX #44EF90

RGB 68 239 144

HSL 146.67, 0.84%, 0.6%

LAB 84.47, -63.81, 33.78

 

CMYK 56 / 0 / 31 / 5

HEX #6AF2A6

RGB 106 242 166

HSL 146.47, 0.84%, 0.68%

LAB 86.66, -54.03, 25.74

 

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

CMYK 87 / 55 / 0 / 8

HEX #1E69EB

RGB 30 105 235

HSL 218.05, 0.84%, 0.52%

LAB 47.47, 26.7, -71.55

 

CMYK 0 / 84 / 87 / 8

HEX #EB251E

RGB 235 37 30

HSL 2.05, 0.84%, 0.52%

LAB 50.78, 71.07, 54.34

 

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

CMYK 49 / 87 / 0 / 8

HEX #771EEB

RGB 119 30 235

HSL 266.05, 0.84%, 0.52%

LAB 39.32, 73.41, -84.69

 

CMYK 0 / 49 / 87 / 8

HEX #EB771E

RGB 235 119 30

HSL 26.05, 0.84%, 0.52%

LAB 62.47, 39.86, 63.49

 

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

CMYK 87 / 55 / 0 / 8

HEX #1E69EB

RGB 30 105 235

HSL 218.05, 0.84%, 0.52%

LAB 47.47, 26.7, -71.55

 

CMYK 0 / 87 / 38 / 8

HEX #EB1E92

RGB 235 30 146

HSL 326.05, 0.84%, 0.52%

LAB 52.58, 78.81, -10.55

 

CMYK 0 / 32 / 87 / 8

HEX #EBA01E

RGB 235 160 30

HSL 38.05, 0.84%, 0.52%

LAB 71.49, 18.48, 70.61

 

CMYK 88 / 0 / 49 / 7

HEX #1DEC79

RGB 29 236 121

HSL 146.67, 0.84%, 0.52%

LAB 82.72, -70.73, 42.72

 

CMYK 87 / 82 / 0 / 8

HEX #1E2BEB

RGB 30 43 235

HSL 236.2, 0.84%, 0.52%

LAB 33.99, 62.87, -93.74

 

CMYK 0 / 87 / 38 / 8

HEX #EB1E92

RGB 235 30 146

HSL 326.05, 0.84%, 0.52%

LAB 52.58, 78.81, -10.55

 

CMYK 0 / 6 / 87 / 8

HEX #EBDE1E

RGB 235 222 30

HSL 56.2, 0.84%, 0.52%

LAB 87, -13.57, 82.92

 

Description

Color code: HEX #1DEC79 | qconv.com Color code: HEX #1DEC79 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 236 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 236 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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