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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DE540 it is the complementary color #E21ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DE540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DE540 shade: #22E53B, #33F74E, #44FF61, #55FF74 and #66FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DE540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DE540 shade: #1DE540, #0CD32D, #00C11A, #00AF07 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DE540 shade: #1FE542, #32E51F, #67E51F, #9DE51F and #D2E51F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DE540 shade: #1FE542, #1FE577, #1FE5AC, #1FE5E2 and #1FB3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DE540 shade matches the following richer shades: #1FE542 and #0BF935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DE540 shade: #1FE542, #34D14F, #48BC5C, #5CA869 and #709476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DE540 shade: #68E51F, #33E51F, #1FE540, #1FE575 and #1FE5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DE540 shade: #139F2B, #17C435, #1FE542, #44E961 and #69ED80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DE540 shade: #1DE540, #1F9CE5 and #E51F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DE540 shade: #1DE540, #401FE5 and #E5401F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DE540 shade: #1DE540, #1F9CE5, #E51FC4 and #E5681F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DE540 shade: #1DE540, #1F61E5, #E51FC4 and #E5A31F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

Complementary color

CMYK 0 / 88 / 15 / 11

HEX #E21ABF

RGB 226 26 191

HSL 310.5, 0.79%, 0.49%

LAB 52.59, 82.59, -37.18

 

CMYK 85 / 0 / 74 / 10

HEX #22E53B

RGB 34 229 59

HSL 127.69, 0.79%, 0.52%

LAB 80.01, -75.42, 65.73

 

CMYK 79 / 0 / 68 / 3

HEX #33F74E

RGB 51 247 78

HSL 128.27, 0.92%, 0.58%

LAB 85.89, -77.43, 65.12

 

CMYK 73 / 0 / 62 / 0

HEX #44FF61

RGB 68 255 97

HSL 129.3, 1%, 0.63%

LAB 88.74, -75.83, 60.8

 

CMYK 67 / 0 / 55 / 0

HEX #55FF74

RGB 85 255 116

HSL 130.94, 1%, 0.67%

LAB 89.26, -70.88, 53.25

 

CMYK 60 / 0 / 47 / 0

HEX #66FF87

RGB 102 255 135

HSL 132.94, 1%, 0.7%

LAB 89.9, -65.02, 45.32

 

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

CMYK 94 / 0 / 79 / 17

HEX #0CD32D

RGB 12 211 45

HSL 129.95, 0.89%, 0.44%

LAB 74.1, -72.68, 64.31

 

CMYK 100 / 0 / 87 / 24

HEX #00C11A

RGB 0 193 26

HSL 128.08, 1%, 0.38%

LAB 68.18, -69.18, 63.74

 

CMYK 100 / 0 / 96 / 31

HEX #00AF07

RGB 0 175 7

HSL 122.4, 1%, 0.34%

LAB 62.23, -64.81, 61.8

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 86 / 0 / 71 / 10

HEX #1FE542

RGB 31 229 66

HSL 130.61, 0.79%, 0.51%

LAB 80.02, -75.11, 63.32

 

CMYK 78 / 0 / 86 / 10

HEX #32E51F

RGB 50 229 31

HSL 114.24, 0.79%, 0.51%

LAB 80.08, -75.28, 73.34

 

CMYK 55 / 0 / 86 / 10

HEX #67E51F

RGB 103 229 31

HSL 98.18, 0.79%, 0.51%

LAB 81.3, -64.96, 74.89

 

CMYK 31 / 0 / 86 / 10

HEX #9DE51F

RGB 157 229 31

HSL 81.82, 0.79%, 0.51%

LAB 83.6, -47.97, 77.76

 

CMYK 8 / 0 / 86 / 10

HEX #D2E51F

RGB 210 229 31

HSL 65.76, 0.79%, 0.51%

LAB 86.92, -27.35, 81.86

 

CMYK 86 / 0 / 71 / 10

HEX #1FE542

RGB 31 229 66

HSL 130.61, 0.79%, 0.51%

LAB 80.02, -75.11, 63.32

 

CMYK 86 / 0 / 48 / 10

HEX #1FE577

RGB 31 229 119

HSL 146.67, 0.79%, 0.51%

LAB 80.55, -68.64, 40.97

 

CMYK 86 / 0 / 25 / 10

HEX #1FE5AC

RGB 31 229 172

HSL 162.73, 0.79%, 0.51%

LAB 81.46, -58.22, 15.21

 

CMYK 86 / 0 / 1 / 10

HEX #1FE5E2

RGB 31 229 226

HSL 179.09, 0.79%, 0.51%

LAB 82.82, -44.16, -11.33

 

CMYK 86 / 22 / 0 / 10

HEX #1FB3E5

RGB 31 179 229

HSL 195.15, 0.79%, 0.51%

LAB 68.16, -19.22, -35.27

 

CMYK 86 / 0 / 71 / 10

HEX #1FE542

RGB 31 229 66

HSL 130.61, 0.79%, 0.51%

LAB 80.02, -75.11, 63.32

 

CMYK 96 / 0 / 79 / 2

HEX #0BF935

RGB 11 249 53

HSL 130.59, 0.95%, 0.51%

LAB 86.05, -82.65, 73.38

 

CMYK 86 / 0 / 71 / 10

HEX #1FE542

RGB 31 229 66

HSL 130.61, 0.79%, 0.51%

LAB 80.02, -75.11, 63.32

 

CMYK 75 / 0 / 62 / 18

HEX #34D14F

RGB 52 209 79

HSL 130.32, 0.63%, 0.51%

LAB 74.12, -65.44, 51.87

 

CMYK 62 / 0 / 51 / 26

HEX #48BC5C

RGB 72 188 92

HSL 130.34, 0.46%, 0.51%

LAB 68.11, -52.82, 38.83

 

CMYK 45 / 0 / 38 / 34

HEX #5CA869

RGB 92 168 105

HSL 130.26, 0.3%, 0.51%

LAB 62.76, -37.38, 25.42

 

CMYK 24 / 0 / 20 / 42

HEX #709476

RGB 112 148 118

HSL 130, 0.14%, 0.51%

LAB 57.97, -18.79, 11.87

 

CMYK 55 / 0 / 86 / 10

HEX #68E51F

RGB 104 229 31

HSL 97.88, 0.79%, 0.51%

LAB 81.34, -64.7, 74.93

 

CMYK 78 / 0 / 86 / 10

HEX #33E51F

RGB 51 229 31

HSL 113.94, 0.79%, 0.51%

LAB 80.09, -75.15, 73.36

 

CMYK 86 / 0 / 72 / 10

HEX #1FE540

RGB 31 229 64

HSL 130, 0.79%, 0.51%

LAB 80.01, -75.27, 64.02

 

CMYK 86 / 0 / 49 / 10

HEX #1FE575

RGB 31 229 117

HSL 146.06, 0.79%, 0.51%

LAB 80.52, -68.96, 41.91

 

CMYK 86 / 0 / 26 / 10

HEX #1FE5AA

RGB 31 229 170

HSL 162.12, 0.79%, 0.51%

LAB 81.42, -58.68, 16.2

 

CMYK 88 / 0 / 73 / 38

HEX #139F2B

RGB 19 159 43

HSL 130.29, 0.79%, 0.35%

LAB 57.18, -57.15, 48.25

 

CMYK 88 / 0 / 73 / 23

HEX #17C435

RGB 23 196 53

HSL 130.4, 0.79%, 0.43%

LAB 69.41, -67.16, 57.09

 

CMYK 86 / 0 / 71 / 10

HEX #1FE542

RGB 31 229 66

HSL 130.61, 0.79%, 0.51%

LAB 80.02, -75.11, 63.32

 

CMYK 71 / 0 / 58 / 9

HEX #44E961

RGB 68 233 97

HSL 130.55, 0.79%, 0.59%

LAB 82.04, -68.76, 53.14

 

CMYK 56 / 0 / 46 / 7

HEX #69ED80

RGB 105 237 128

HSL 130.45, 0.79%, 0.67%

LAB 84.55, -58.69, 41.95

 

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

CMYK 86 / 32 / 0 / 10

HEX #1F9CE5

RGB 31 156 229

HSL 202.12, 0.79%, 0.51%

LAB 61.42, -6.65, -45.83

 

CMYK 0 / 86 / 66 / 10

HEX #E51F4D

RGB 229 31 77

HSL 346.06, 0.79%, 0.51%

LAB 49.71, 72.22, 27.05

 

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

CMYK 72 / 86 / 0 / 10

HEX #401FE5

RGB 64 31 229

HSL 250, 0.79%, 0.51%

LAB 33.41, 67.34, -91.24

 

CMYK 0 / 72 / 86 / 10

HEX #E5401F

RGB 229 64 31

HSL 10, 0.79%, 0.51%

LAB 52.31, 61.85, 54.64

 

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

CMYK 86 / 32 / 0 / 10

HEX #1F9CE5

RGB 31 156 229

HSL 202.12, 0.79%, 0.51%

LAB 61.42, -6.65, -45.83

 

CMYK 0 / 86 / 14 / 10

HEX #E51FC4

RGB 229 31 196

HSL 310, 0.79%, 0.51%

LAB 53.63, 83.03, -38.41

 

CMYK 0 / 55 / 86 / 10

HEX #E5681F

RGB 229 104 31

HSL 22.12, 0.79%, 0.51%

LAB 58.66, 44.96, 59.75

 

CMYK 87 / 0 / 72 / 10

HEX #1DE540

RGB 29 229 64

HSL 130.5, 0.79%, 0.51%

LAB 79.99, -75.42, 64

 

CMYK 86 / 58 / 0 / 10

HEX #1F61E5

RGB 31 97 229

HSL 220, 0.79%, 0.51%

LAB 44.94, 29.6, -72.29

 

CMYK 0 / 86 / 14 / 10

HEX #E51FC4

RGB 229 31 196

HSL 310, 0.79%, 0.51%

LAB 53.63, 83.03, -38.41

 

CMYK 0 / 29 / 86 / 10

HEX #E5A31F

RGB 229 163 31

HSL 40, 0.79%, 0.51%

LAB 71.52, 14.34, 70.1

 

Description

Color code: HEX #1DE540 | qconv.com Color code: HEX #1DE540 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 229 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 229 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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