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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DDB2E it is the complementary color #E224D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DDB2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DDB2E shade: #22DB29, #33ED3C, #44FF4F, #55FF62 and #66FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DDB2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DDB2E shade: #1DDB2E, #0CC91B, #00B708, #00A500 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DDB2E shade: #1CDD2D, #3FDD1C, #73DD1C, #A7DD1C and #DBDD1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DDB2E shade: #1CDD2D, #1CDD61, #1CDD95, #1CDDC9 and #1CBCDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DDB2E shade matches the following richer shades: #1CDD2D and #08F11D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DDB2E shade: #1CDD2D, #30C83E, #45B44F, #59A05F and #6D8C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DDB2E shade: #73DD1C, #40DD1C, #1CDD2C, #1CDD60 and #1CDD93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DDB2E shade: #13941E, #17B826, #1CDD2D, #3DE54C and #61EA6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DDB2E shade: #1DDB2E, #1CA6DD and #DD1C59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DDB2E shade: #1DDB2E, #2C1CDD and #DD2C1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DDB2E shade: #1DDB2E, #1CA6DD, #DD1CCD and #DD531C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DDB2E shade: #1DDB2E, #1C6CDD, #DD1CCD and #DD8C1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

Complementary color

CMYK 0 / 84 / 8 / 11

HEX #E224D1

RGB 226 36 209

HSL 305.37, 0.77%, 0.51%

LAB 54.06, 83.33, -45.22

 

CMYK 84 / 0 / 81 / 14

HEX #22DB29

RGB 34 219 41

HSL 122.27, 0.73%, 0.5%

LAB 76.78, -73.71, 68.01

 

CMYK 78 / 0 / 75 / 7

HEX #33ED3C

RGB 51 237 60

HSL 122.9, 0.84%, 0.56%

LAB 82.7, -75.92, 68.15

 

CMYK 73 / 0 / 69 / 0

HEX #44FF4F

RGB 68 255 79

HSL 123.53, 1%, 0.63%

LAB 88.6, -77.55, 67.68

 

CMYK 67 / 0 / 62 / 0

HEX #55FF62

RGB 85 255 98

HSL 124.59, 1%, 0.67%

LAB 89.08, -72.97, 60.86

 

CMYK 60 / 0 / 54 / 0

HEX #66FF75

RGB 102 255 117

HSL 125.88, 1%, 0.7%

LAB 89.69, -67.44, 53.41

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

CMYK 94 / 0 / 87 / 21

HEX #0CC91B

RGB 12 201 27

HSL 124.76, 0.89%, 0.42%

LAB 70.82, -70.84, 65.89

 

CMYK 100 / 0 / 96 / 28

HEX #00B708

RGB 0 183 8

HSL 122.62, 1%, 0.36%

LAB 64.87, -66.99, 63.86

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2D

RGB 28 221 45

HSL 125.28, 0.78%, 0.49%

LAB 77.37, -74.55, 67.45

 

CMYK 71 / 0 / 87 / 13

HEX #3FDD1C

RGB 63 221 28

HSL 109.12, 0.78%, 0.49%

LAB 77.79, -71.11, 72.02

 

CMYK 48 / 0 / 87 / 13

HEX #73DD1C

RGB 115 221 28

HSL 92.95, 0.78%, 0.49%

LAB 79.29, -58.85, 73.91

 

CMYK 24 / 0 / 87 / 13

HEX #A7DD1C

RGB 167 221 28

HSL 76.79, 0.78%, 0.49%

LAB 81.84, -40.9, 77.08

 

CMYK 1 / 0 / 87 / 13

HEX #DBDD1C

RGB 219 221 28

HSL 60.62, 0.78%, 0.49%

LAB 85.43, -19.84, 81.48

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2D

RGB 28 221 45

HSL 125.28, 0.78%, 0.49%

LAB 77.37, -74.55, 67.45

 

CMYK 87 / 0 / 56 / 13

HEX #1CDD61

RGB 28 221 97

HSL 141.45, 0.78%, 0.49%

LAB 77.77, -69.55, 47.98

 

CMYK 87 / 0 / 33 / 13

HEX #1CDD95

RGB 28 221 149

HSL 157.62, 0.78%, 0.49%

LAB 78.54, -60.52, 23.17

 

CMYK 87 / 0 / 9 / 13

HEX #1CDDC9

RGB 28 221 201

HSL 173.78, 0.78%, 0.49%

LAB 79.71, -47.88, -2.65

 

CMYK 87 / 15 / 0 / 13

HEX #1CBCDD

RGB 28 188 221

HSL 190.26, 0.78%, 0.49%

LAB 70.48, -26.69, -27.33

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2D

RGB 28 221 45

HSL 125.28, 0.78%, 0.49%

LAB 77.37, -74.55, 67.45

 

CMYK 97 / 0 / 88 / 5

HEX #08F11D

RGB 8 241 29

HSL 125.41, 0.94%, 0.49%

LAB 83.47, -81.72, 76.53

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2D

RGB 28 221 45

HSL 125.28, 0.78%, 0.49%

LAB 77.37, -74.55, 67.45

 

CMYK 76 / 0 / 69 / 22

HEX #30C83E

RGB 48 200 62

HSL 125.53, 0.61%, 0.49%

LAB 71.07, -64.88, 55.52

 

CMYK 62 / 0 / 56 / 29

HEX #45B44F

RGB 69 180 79

HSL 125.41, 0.45%, 0.49%

LAB 65.34, -52.27, 41.78

 

CMYK 44 / 0 / 41 / 37

HEX #59A05F

RGB 89 160 95

HSL 125.07, 0.29%, 0.49%

LAB 59.97, -36.37, 27.1

 

CMYK 22 / 0 / 20 / 45

HEX #6D8C70

RGB 109 140 112

HSL 125.81, 0.12%, 0.49%

LAB 55.25, -16.79, 11.44

 

CMYK 48 / 0 / 87 / 13

HEX #73DD1C

RGB 115 221 28

HSL 92.95, 0.78%, 0.49%

LAB 79.29, -58.85, 73.91

 

CMYK 71 / 0 / 87 / 13

HEX #40DD1C

RGB 64 221 28

HSL 108.81, 0.78%, 0.49%

LAB 77.81, -70.94, 72.04

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2C

RGB 28 221 44

HSL 124.97, 0.78%, 0.49%

LAB 77.37, -74.61, 67.73

 

CMYK 87 / 0 / 57 / 13

HEX #1CDD60

RGB 28 221 96

HSL 141.14, 0.78%, 0.49%

LAB 77.76, -69.68, 48.42

 

CMYK 87 / 0 / 33 / 13

HEX #1CDD93

RGB 28 221 147

HSL 156.99, 0.78%, 0.49%

LAB 78.5, -60.94, 24.16

 

CMYK 87 / 0 / 80 / 42

HEX #13941E

RGB 19 148 30

HSL 125.12, 0.77%, 0.33%

LAB 53.4, -54.78, 49.11

 

CMYK 88 / 0 / 79 / 28

HEX #17B826

RGB 23 184 38

HSL 125.59, 0.78%, 0.41%

LAB 65.44, -64.73, 58.16

 

CMYK 87 / 0 / 80 / 13

HEX #1CDD2D

RGB 28 221 45

HSL 125.28, 0.78%, 0.49%

LAB 77.37, -74.55, 67.45

 

CMYK 73 / 0 / 67 / 10

HEX #3DE54C

RGB 61 229 76

HSL 125.36, 0.76%, 0.57%

LAB 80.49, -70.81, 60.17

 

CMYK 59 / 0 / 53 / 8

HEX #61EA6E

RGB 97 234 110

HSL 125.69, 0.77%, 0.65%

LAB 83.19, -61.89, 48.77

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

CMYK 87 / 25 / 0 / 13

HEX #1CA6DD

RGB 28 166 221

HSL 197.1, 0.78%, 0.49%

LAB 63.95, -15.25, -37.44

 

CMYK 0 / 87 / 60 / 13

HEX #DD1C59

RGB 221 28 89

HSL 341.04, 0.78%, 0.49%

LAB 48.16, 71.4, 17.4

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

CMYK 80 / 87 / 0 / 13

HEX #2C1CDD

RGB 44 28 221

HSL 244.97, 0.78%, 0.49%

LAB 30.85, 65.27, -90.95

 

CMYK 0 / 80 / 87 / 13

HEX #DD2C1C

RGB 221 44 28

HSL 4.97, 0.78%, 0.49%

LAB 48.58, 65.54, 52.32

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

CMYK 87 / 25 / 0 / 13

HEX #1CA6DD

RGB 28 166 221

HSL 197.1, 0.78%, 0.49%

LAB 63.95, -15.25, -37.44

 

CMYK 0 / 87 / 7 / 13

HEX #DD1CCD

RGB 221 28 205

HSL 304.97, 0.78%, 0.49%

LAB 52.52, 83.22, -45.43

 

CMYK 0 / 62 / 87 / 13

HEX #DD531C

RGB 221 83 28

HSL 17.1, 0.78%, 0.49%

LAB 53.65, 51.66, 56.3

 

CMYK 87 / 0 / 79 / 14

HEX #1DDB2E

RGB 29 219 46

HSL 125.37, 0.77%, 0.49%

LAB 76.75, -73.85, 66.59

 

CMYK 87 / 51 / 0 / 13

HEX #1C6CDD

RGB 28 108 221

HSL 215.13, 0.78%, 0.49%

LAB 47.23, 19.28, -64.04

 

CMYK 0 / 87 / 7 / 13

HEX #DD1CCD

RGB 221 28 205

HSL 304.97, 0.78%, 0.49%

LAB 52.52, 83.22, -45.43

 

CMYK 0 / 37 / 87 / 13

HEX #DD8C1C

RGB 221 140 28

HSL 34.82, 0.78%, 0.49%

LAB 65.13, 23.13, 65.39

 

Description

Color code: HEX #1DDB2E | qconv.com Color code: HEX #1DDB2E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 219 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 219 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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