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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DDA99 it is the complementary color #E22566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DDA99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DDA99 shade: #22DA94, #33ECA7, #44FEBA, #55FFCD and #66FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DDA99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DDA99 shade: #1DDA99, #0CC886, #00B673, #00A460 and #00924D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DDA99 shade: #1CD998, #1CD965, #1CD932, #39D91C and #6CD91C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DDA99 shade: #1CD998, #1CD9CB, #1CB4D9, #1C81D9 and #1C4ED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DDA99 shade matches the following richer shades: #1CD998 and #08EC9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DDA99 shade: #1CD998, #30C592, #44B18B, #589D85 and #6B897F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DDA99 shade: #1CD932, #1CD964, #1CD997, #1CD9C9 and #1CB6D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DDA99 shade: #139065, #17B47E, #1CD998, #39E5AA and #5DEABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DDA99 shade: #1DDA99, #1C38D9 and #D94B1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DDA99 shade: #1DDA99, #971CD9 and #D9971C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DDA99 shade: #1DDA99, #1C38D9, #D91C5E and #D9BC1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DDA99 shade: #1DDA99, #381CD9, #D91C5E and #BCD91C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

Complementary color

CMYK 0 / 84 / 55 / 11

HEX #E22566

RGB 226 37 102

HSL 339.37, 0.77%, 0.52%

LAB 50.04, 71.75, 12.16

 

CMYK 84 / 0 / 32 / 15

HEX #22DA94

RGB 34 218 148

HSL 157.17, 0.73%, 0.49%

LAB 77.65, -59.21, 22.49

 

CMYK 78 / 0 / 29 / 7

HEX #33ECA7

RGB 51 236 167

HSL 157.62, 0.83%, 0.56%

LAB 83.7, -60.3, 20.96

 

CMYK 73 / 0 / 27 / 0

HEX #44FEBA

RGB 68 254 186

HSL 158.06, 0.99%, 0.63%

LAB 89.7, -61.09, 19.56

 

CMYK 67 / 0 / 20 / 0

HEX #55FFCD

RGB 85 255 205

HSL 162.35, 1%, 0.67%

LAB 90.72, -54.94, 11.28

 

CMYK 60 / 0 / 12 / 0

HEX #66FFE0

RGB 102 255 224

HSL 167.84, 1%, 0.7%

LAB 91.56, -47.75, 2.73

 

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

CMYK 94 / 0 / 33 / 22

HEX #0CC886

RGB 12 200 134

HSL 158.94, 0.89%, 0.42%

LAB 71.63, -56.88, 21.59

 

CMYK 100 / 0 / 37 / 29

HEX #00B673

RGB 0 182 115

HSL 157.91, 1%, 0.36%

LAB 65.51, -54.82, 23.4

 

CMYK 100 / 0 / 41 / 36

HEX #00A460

RGB 0 164 96

HSL 155.12, 1%, 0.32%

LAB 59.34, -52.23, 25.37

 

CMYK 100 / 0 / 47 / 43

HEX #00924D

RGB 0 146 77

HSL 151.64, 1%, 0.29%

LAB 53.05, -49.49, 27.4

 

CMYK 87 / 0 / 30 / 15

HEX #1CD998

RGB 28 217 152

HSL 159.37, 0.77%, 0.48%

LAB 77.36, -58.41, 19.99

 

CMYK 87 / 0 / 53 / 15

HEX #1CD965

RGB 28 217 101

HSL 143.17, 0.77%, 0.48%

LAB 76.57, -67.72, 44.66

 

CMYK 87 / 0 / 77 / 15

HEX #1CD932

RGB 28 217 50

HSL 126.98, 0.77%, 0.48%

LAB 76.13, -73.1, 64.79

 

CMYK 74 / 0 / 87 / 15

HEX #39D91C

RGB 57 217 28

HSL 110.79, 0.77%, 0.48%

LAB 76.42, -70.88, 70.79

 

CMYK 50 / 0 / 87 / 15

HEX #6CD91C

RGB 108 217 28

HSL 94.6, 0.77%, 0.48%

LAB 77.81, -59.44, 72.54

 

CMYK 87 / 0 / 30 / 15

HEX #1CD998

RGB 28 217 152

HSL 159.37, 0.77%, 0.48%

LAB 77.36, -58.41, 19.99

 

CMYK 87 / 0 / 6 / 15

HEX #1CD9CB

RGB 28 217 203

HSL 175.56, 0.77%, 0.48%

LAB 78.57, -45.62, -5.4

 

CMYK 87 / 17 / 0 / 15

HEX #1CB4D9

RGB 28 180 217

HSL 191.75, 0.77%, 0.48%

LAB 67.95, -23.98, -29.03

 

CMYK 87 / 41 / 0 / 15

HEX #1C81D9

RGB 28 129 217

HSL 207.94, 0.77%, 0.48%

LAB 52.9, 4.57, -52.65

 

CMYK 87 / 64 / 0 / 15

HEX #1C4ED9

RGB 28 78 217

HSL 224.13, 0.77%, 0.48%

LAB 39.08, 37.09, -75.05

 

CMYK 87 / 0 / 30 / 15

HEX #1CD998

RGB 28 217 152

HSL 159.37, 0.77%, 0.48%

LAB 77.36, -58.41, 19.99

 

CMYK 97 / 0 / 33 / 7

HEX #08EC9E

RGB 8 236 158

HSL 159.47, 0.93%, 0.48%

LAB 83.18, -64.86, 24.84

 

CMYK 87 / 0 / 30 / 15

HEX #1CD998

RGB 28 217 152

HSL 159.37, 0.77%, 0.48%

LAB 77.36, -58.41, 19.99

 

CMYK 76 / 0 / 26 / 23

HEX #30C592

RGB 48 197 146

HSL 159.46, 0.61%, 0.48%

LAB 71.31, -50.2, 14.8

 

CMYK 62 / 0 / 21 / 31

HEX #44B18B

RGB 68 177 139

HSL 159.08, 0.44%, 0.48%

LAB 65.39, -40.29, 10.34

 

CMYK 44 / 0 / 15 / 38

HEX #589D85

RGB 88 157 133

HSL 159.13, 0.28%, 0.48%

LAB 59.78, -27.7, 5.79

 

CMYK 22 / 0 / 7 / 46

HEX #6B897F

RGB 107 137 127

HSL 160, 0.12%, 0.48%

LAB 54.61, -12.8, 1.87

 

CMYK 87 / 0 / 77 / 15

HEX #1CD932

RGB 28 217 50

HSL 126.98, 0.77%, 0.48%

LAB 76.13, -73.1, 64.79

 

CMYK 87 / 0 / 54 / 15

HEX #1CD964

RGB 28 217 100

HSL 142.86, 0.77%, 0.48%

LAB 76.55, -67.87, 45.12

 

CMYK 87 / 0 / 30 / 15

HEX #1CD997

RGB 28 217 151

HSL 159.05, 0.77%, 0.48%

LAB 77.34, -58.63, 20.49

 

CMYK 87 / 0 / 7 / 15

HEX #1CD9C9

RGB 28 217 201

HSL 174.92, 0.77%, 0.48%

LAB 78.51, -46.18, -4.41

 

CMYK 87 / 16 / 0 / 15

HEX #1CB6D9

RGB 28 182 217

HSL 191.11, 0.77%, 0.48%

LAB 68.54, -24.99, -28.12

 

CMYK 87 / 0 / 30 / 44

HEX #139065

RGB 19 144 101

HSL 159.36, 0.77%, 0.32%

LAB 52.98, -42.43, 14.03

 

CMYK 87 / 0 / 30 / 29

HEX #17B47E

RGB 23 180 126

HSL 159.36, 0.77%, 0.4%

LAB 65.22, -50.54, 17.11

 

CMYK 87 / 0 / 30 / 15

HEX #1CD998

RGB 28 217 152

HSL 159.37, 0.77%, 0.48%

LAB 77.36, -58.41, 19.99

 

CMYK 75 / 0 / 26 / 10

HEX #39E5AA

RGB 57 229 170

HSL 159.42, 0.77%, 0.56%

LAB 81.74, -56.31, 16.69

 

CMYK 60 / 0 / 21 / 8

HEX #5DEABA

RGB 93 234 186

HSL 159.57, 0.77%, 0.64%

LAB 84.34, -49.25, 12.1

 

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

CMYK 87 / 74 / 0 / 15

HEX #1C38D9

RGB 28 56 217

HSL 231.11, 0.77%, 0.48%

LAB 34.16, 50.45, -83.16

 

CMYK 0 / 65 / 87 / 15

HEX #D94B1C

RGB 217 75 28

HSL 14.92, 0.77%, 0.48%

LAB 51.69, 53.68, 54.46

 

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

CMYK 30 / 87 / 0 / 15

HEX #971CD9

RGB 151 28 217

HSL 279.05, 0.77%, 0.48%

LAB 41.88, 73.87, -70.06

 

CMYK 0 / 30 / 87 / 15

HEX #D9971C

RGB 217 151 28

HSL 39.05, 0.77%, 0.48%

LAB 67.25, 15.5, 66.88

 

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

CMYK 87 / 74 / 0 / 15

HEX #1C38D9

RGB 28 56 217

HSL 231.11, 0.77%, 0.48%

LAB 34.16, 50.45, -83.16

 

CMYK 0 / 87 / 57 / 15

HEX #D91C5E

RGB 217 28 94

HSL 339.05, 0.77%, 0.48%

LAB 47.48, 70.73, 13.25

 

CMYK 0 / 13 / 87 / 15

HEX #D9BC1C

RGB 217 188 28

HSL 50.79, 0.77%, 0.48%

LAB 76.56, -4.11, 74.32

 

CMYK 87 / 0 / 30 / 15

HEX #1DDA99

RGB 29 218 153

HSL 159.37, 0.77%, 0.48%

LAB 77.7, -58.5, 19.93

 

CMYK 74 / 87 / 0 / 15

HEX #381CD9

RGB 56 28 217

HSL 248.89, 0.77%, 0.48%

LAB 31.07, 64.71, -88.25

 

CMYK 0 / 87 / 57 / 15

HEX #D91C5E

RGB 217 28 94

HSL 339.05, 0.77%, 0.48%

LAB 47.48, 70.73, 13.25

 

CMYK 13 / 0 / 87 / 15

HEX #BCD91C

RGB 188 217 28

HSL 69.21, 0.77%, 0.48%

LAB 82.06, -30.77, 77.8

 

Description

Color code: HEX #1DDA99 | qconv.com Color code: HEX #1DDA99 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 218 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 218 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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