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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DC674 it is the complementary color #E2398B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DC674. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DC674 shade: #22C66F, #33D882, #44EA95, #55FCA8 and #66FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DC674. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DC674 shade: #1DC674, #0CB461, #00A24E, #00903B and #007E28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DC674 shade: #1EC875, #1EC847, #22C81E, #50C81E and #7EC81E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DC674 shade: #1EC875, #1EC8A3, #1EBEC8, #1E91C8 and #1E63C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DC674 shade matches the following richer shades: #1EC875 and #0BDA76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DC674 shade: #1EC875, #30B575, #43A374, #569074 and #687D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DC674 shade: #23C81E, #1EC845, #1EC873, #1EC8A0 and #1EC2C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DC674 shade: #13804B, #18A460, #1EC875, #2FE08A and #53E59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DC674 shade: #1DC674, #1E51C8 and #C82F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DC674 shade: #1DC674, #731EC8 and #C8731E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DC674 shade: #1DC674, #1E51C8, #C81E73 and #C8951E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DC674 shade: #1DC674, #1E1EC8, #C81E73 and #C8C81E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

Complementary color

CMYK 0 / 75 / 38 / 11

HEX #E2398B

RGB 226 57 139

HSL 330.89, 0.74%, 0.55%

LAB 52.9, 69.68, -6.06

 

CMYK 83 / 0 / 44 / 22

HEX #22C66F

RGB 34 198 111

HSL 148.17, 0.71%, 0.45%

LAB 70.79, -59.27, 32.5

 

CMYK 76 / 0 / 40 / 15

HEX #33D882

RGB 51 216 130

HSL 148.73, 0.68%, 0.52%

LAB 76.94, -60.35, 30.87

 

CMYK 71 / 0 / 36 / 8

HEX #44EA95

RGB 68 234 149

HSL 149.28, 0.8%, 0.59%

LAB 83.04, -61.07, 29.36

 

CMYK 66 / 0 / 33 / 1

HEX #55FCA8

RGB 85 252 168

HSL 149.82, 0.97%, 0.66%

LAB 89.1, -61.53, 27.95

 

CMYK 60 / 0 / 27 / 0

HEX #66FFBB

RGB 102 255 187

HSL 153.33, 1%, 0.7%

LAB 90.75, -55.94, 20.62

 

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

CMYK 93 / 0 / 46 / 29

HEX #0CB461

RGB 12 180 97

HSL 150.36, 0.88%, 0.38%

LAB 64.63, -57.1, 31.73

 

CMYK 100 / 0 / 52 / 36

HEX #00A24E

RGB 0 162 78

HSL 148.89, 1%, 0.32%

LAB 58.41, -54.81, 33.62

 

CMYK 100 / 0 / 59 / 44

HEX #00903B

RGB 0 144 59

HSL 144.58, 1%, 0.28%

LAB 52.13, -51.78, 35.55

 

CMYK 100 / 0 / 68 / 51

HEX #007E28

RGB 0 126 40

HSL 139.05, 1%, 0.25%

LAB 45.74, -48.42, 37.27

 

CMYK 85 / 0 / 42 / 22

HEX #1EC875

RGB 30 200 117

HSL 150.71, 0.74%, 0.45%

LAB 71.47, -59.23, 30.3

 

CMYK 85 / 0 / 65 / 22

HEX #1EC847

RGB 30 200 71

HSL 134.47, 0.74%, 0.45%

LAB 70.9, -66.05, 51.6

 

CMYK 83 / 0 / 85 / 22

HEX #22C81E

RGB 34 200 30

HSL 118.59, 0.74%, 0.45%

LAB 70.69, -68.8, 65.18

 

CMYK 60 / 0 / 85 / 22

HEX #50C81E

RGB 80 200 30

HSL 102.35, 0.74%, 0.45%

LAB 71.63, -60.82, 66.37

 

CMYK 37 / 0 / 85 / 22

HEX #7EC81E

RGB 126 200 30

HSL 86.12, 0.74%, 0.45%

LAB 73.44, -47.02, 68.66

 

CMYK 85 / 0 / 42 / 22

HEX #1EC875

RGB 30 200 117

HSL 150.71, 0.74%, 0.45%

LAB 71.47, -59.23, 30.3

 

CMYK 85 / 0 / 19 / 22

HEX #1EC8A3

RGB 30 200 163

HSL 166.94, 0.74%, 0.45%

LAB 72.38, -49.05, 7.11

 

CMYK 85 / 5 / 0 / 22

HEX #1EBEC8

RGB 30 190 200

HSL 183.53, 0.74%, 0.45%

LAB 70.37, -34.22, -16.02

 

CMYK 85 / 28 / 0 / 22

HEX #1E91C8

RGB 30 145 200

HSL 199.41, 0.74%, 0.45%

LAB 56.78, -11.02, -36.92

 

CMYK 85 / 51 / 0 / 22

HEX #1E63C8

RGB 30 99 200

HSL 215.65, 0.74%, 0.45%

LAB 43.32, 17.05, -58.36

 

CMYK 85 / 0 / 42 / 22

HEX #1EC875

RGB 30 200 117

HSL 150.71, 0.74%, 0.45%

LAB 71.47, -59.23, 30.3

 

CMYK 95 / 0 / 46 / 15

HEX #0BDA76

RGB 11 218 118

HSL 151.01, 0.9%, 0.45%

LAB 76.99, -66.26, 36.92

 

CMYK 85 / 0 / 42 / 22

HEX #1EC875

RGB 30 200 117

HSL 150.71, 0.74%, 0.45%

LAB 71.47, -59.23, 30.3

 

CMYK 73 / 0 / 35 / 29

HEX #30B575

RGB 48 181 117

HSL 151.13, 0.58%, 0.45%

LAB 65.72, -50.18, 22.7

 

CMYK 59 / 0 / 29 / 36

HEX #43A374

RGB 67 163 116

HSL 150.63, 0.42%, 0.45%

LAB 60.47, -39.51, 16.16

 

CMYK 40 / 0 / 19 / 44

HEX #569074

RGB 86 144 116

HSL 151.03, 0.25%, 0.45%

LAB 55.26, -25.66, 8.98

 

CMYK 17 / 0 / 8 / 51

HEX #687D73

RGB 104 125 115

HSL 151.43, 0.09%, 0.45%

LAB 50.51, -9.81, 2.89

 

CMYK 83 / 0 / 85 / 22

HEX #23C81E

RGB 35 200 30

HSL 118.24, 0.74%, 0.45%

LAB 70.7, -68.69, 65.2

 

CMYK 85 / 0 / 66 / 22

HEX #1EC845

RGB 30 200 69

HSL 133.76, 0.74%, 0.45%

LAB 70.88, -66.27, 52.42

 

CMYK 85 / 0 / 43 / 22

HEX #1EC873

RGB 30 200 115

HSL 150, 0.74%, 0.45%

LAB 71.43, -59.6, 31.28

 

CMYK 85 / 0 / 20 / 22

HEX #1EC8A0

RGB 30 200 160

HSL 165.88, 0.74%, 0.45%

LAB 72.31, -49.81, 8.64

 

CMYK 85 / 3 / 0 / 22

HEX #1EC2C8

RGB 30 194 200

HSL 182.12, 0.74%, 0.45%

LAB 71.58, -36.09, -14.2

 

CMYK 85 / 0 / 41 / 50

HEX #13804B

RGB 19 128 75

HSL 150.83, 0.74%, 0.29%

LAB 47.09, -41.87, 20.77

 

CMYK 85 / 0 / 41 / 36

HEX #18A460

RGB 24 164 96

HSL 150.86, 0.74%, 0.37%

LAB 59.52, -50.79, 25.63

 

CMYK 85 / 0 / 42 / 22

HEX #1EC875

RGB 30 200 117

HSL 150.71, 0.74%, 0.45%

LAB 71.47, -59.23, 30.3

 

CMYK 79 / 0 / 38 / 12

HEX #2FE08A

RGB 47 224 138

HSL 150.85, 0.74%, 0.53%

LAB 79.47, -62.18, 30.13

 

CMYK 64 / 0 / 31 / 10

HEX #53E59E

RGB 83 229 158

HSL 150.82, 0.74%, 0.61%

LAB 82.03, -54.97, 23.42

 

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

CMYK 85 / 60 / 0 / 22

HEX #1E51C8

RGB 30 81 200

HSL 222, 0.74%, 0.45%

LAB 38.43, 28.84, -66.3

 

CMYK 0 / 77 / 85 / 22

HEX #C82F1E

RGB 200 47 30

HSL 6, 0.74%, 0.45%

LAB 44.81, 58.55, 46.61

 

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

CMYK 43 / 85 / 0 / 22

HEX #731EC8

RGB 115 30 200

HSL 270, 0.74%, 0.45%

LAB 35.49, 65, -70.88

 

CMYK 0 / 43 / 85 / 22

HEX #C8731E

RGB 200 115 30

HSL 30, 0.74%, 0.45%

LAB 56.72, 27.69, 56.78

 

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

CMYK 85 / 60 / 0 / 22

HEX #1E51C8

RGB 30 81 200

HSL 222, 0.74%, 0.45%

LAB 38.43, 28.84, -66.3

 

CMYK 0 / 85 / 43 / 22

HEX #C81E73

RGB 200 30 115

HSL 330, 0.74%, 0.45%

LAB 44.87, 67.86, -3.93

 

CMYK 0 / 26 / 85 / 22

HEX #C8951E

RGB 200 149 30

HSL 42, 0.74%, 0.45%

LAB 64.86, 9.18, 63.59

 

CMYK 85 / 0 / 41 / 22

HEX #1DC674

RGB 29 198 116

HSL 150.89, 0.74%, 0.45%

LAB 70.81, -58.79, 29.95

 

CMYK 85 / 85 / 0 / 22

HEX #1E1EC8

RGB 30 30 200

HSL 240, 0.74%, 0.45%

LAB 27.78, 58.07, -83.88

 

CMYK 0 / 85 / 43 / 22

HEX #C81E73

RGB 200 30 115

HSL 330, 0.74%, 0.45%

LAB 44.87, 67.86, -3.93

 

CMYK 0 / 0 / 85 / 22

HEX #C8C81E

RGB 200 200 30

HSL 60, 0.74%, 0.45%

LAB 78.28, -17.51, 74.68

 

Description

Color code: HEX #1DC674 | qconv.com Color code: HEX #1DC674 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 198 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 198 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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