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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DB3A8 it is the complementary color #E24C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DB3A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DB3A8 shade: #22B3A3, #33C5B6, #44D7C9, #55E9DC and #66FBEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DB3A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DB3A8 shade: #1DB3A8, #0CA195, #008F82, #007D6F and #006B5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DB3A8 shade: #1DB3A8, #1DB380, #1DB357, #1DB32E and #34B31D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DB3A8 shade: #1DB3A8, #1D96B3, #1D6DB3, #1D45B3 and #1D1DB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DB3A8 shade matches the following richer shades: #1DB3A8 and #0CC4B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DB3A8 shade: #1DB3A8, #2EA29A, #3F918B, #50817D and #60706F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DB3A8 shade: #1DB356, #1DB37F, #1DB3A7, #1D98B3 and #1D70B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DB3A8 shade: #116C66, #179087, #1DB3A8, #23D7CA and #43E0D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DB3A8 shade: #1DB3A8, #2E1DB3 and #B36B1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DB3A8 shade: #1DB3A8, #A71DB3 and #B3A71D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DB3A8 shade: #1DB3A8, #2E1DB3, #B31D29 and #A2B31D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DB3A8 shade: #1DB3A8, #5C1DB3, #B31D29 and #75B31D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

Complementary color

CMYK 0 / 66 / 62 / 11

HEX #E24C57

RGB 226 76 87

HSL 355.6, 0.72%, 0.59%

LAB 54.05, 58.69, 26.55

 

CMYK 81 / 0 / 9 / 30

HEX #22B3A3

RGB 34 179 163

HSL 173.38, 0.68%, 0.42%

LAB 65.92, -39.79, -2.25

 

CMYK 74 / 0 / 8 / 23

HEX #33C5B6

RGB 51 197 182

HSL 173.84, 0.59%, 0.49%

LAB 72.24, -40.76, -3.37

 

CMYK 68 / 0 / 7 / 16

HEX #44D7C9

RGB 68 215 201

HSL 174.29, 0.65%, 0.55%

LAB 78.49, -41.45, -4.38

 

CMYK 64 / 0 / 6 / 9

HEX #55E9DC

RGB 85 233 220

HSL 174.73, 0.77%, 0.62%

LAB 84.68, -41.95, -5.31

 

CMYK 59 / 0 / 5 / 2

HEX #66FBEF

RGB 102 251 239

HSL 175.17, 0.95%, 0.69%

LAB 90.8, -42.3, -6.16

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 93 / 0 / 7 / 37

HEX #0CA195

RGB 12 161 149

HSL 175.17, 0.86%, 0.34%

LAB 59.65, -37.25, -3.67

 

CMYK 100 / 0 / 9 / 44

HEX #008F82

RGB 0 143 130

HSL 174.55, 1%, 0.28%

LAB 53.23, -35.28, -2.27

 

CMYK 100 / 0 / 11 / 51

HEX #007D6F

RGB 0 125 111

HSL 173.28, 1%, 0.25%

LAB 46.73, -32.76, -0.69

 

CMYK 100 / 0 / 14 / 58

HEX #006B5C

RGB 0 107 92

HSL 171.59, 1%, 0.21%

LAB 40.06, -30.19, 0.97

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 84 / 0 / 28 / 30

HEX #1DB380

RGB 29 179 128

HSL 159.6, 0.72%, 0.41%

LAB 65.01, -49.22, 15.73

 

CMYK 84 / 0 / 51 / 30

HEX #1DB357

RGB 29 179 87

HSL 143.2, 0.72%, 0.41%

LAB 64.31, -57.22, 36.44

 

CMYK 84 / 0 / 74 / 30

HEX #1DB32E

RGB 29 179 46

HSL 126.8, 0.72%, 0.41%

LAB 63.92, -62.09, 54.04

 

CMYK 71 / 0 / 84 / 30

HEX #34B31D

RGB 52 179 29

HSL 110.8, 0.72%, 0.41%

LAB 64.21, -59.89, 59.7

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 84 / 16 / 0 / 30

HEX #1D96B3

RGB 29 150 179

HSL 191.6, 0.72%, 0.41%

LAB 57.39, -21.21, -24.08

 

CMYK 84 / 39 / 0 / 30

HEX #1D6DB3

RGB 29 109 179

HSL 208, 0.72%, 0.41%

LAB 44.88, 2.36, -43.68

 

CMYK 84 / 61 / 0 / 30

HEX #1D45B3

RGB 29 69 179

HSL 224, 0.72%, 0.41%

LAB 33.5, 28.58, -62.04

 

CMYK 84 / 84 / 0 / 30

HEX #1D1DB3

RGB 29 29 179

HSL 240, 0.72%, 0.41%

LAB 24.94, 52.15, -76.18

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 72 / 0 / 5 / 36

HEX #2EA29A

RGB 46 162 154

HSL 175.86, 0.56%, 0.41%

LAB 60.56, -33.22, -5.09

 

CMYK 57 / 0 / 4 / 43

HEX #3F918B

RGB 63 145 139

HSL 175.61, 0.39%, 0.41%

LAB 55.25, -26.31, -4.36

 

CMYK 38 / 0 / 3 / 49

HEX #50817D

RGB 80 129 125

HSL 175.1, 0.23%, 0.41%

LAB 50.55, -17.51, -3.08

 

CMYK 14 / 0 / 1 / 56

HEX #60706F

RGB 96 112 111

HSL 176.25, 0.08%, 0.41%

LAB 45.94, -6.18, -1.46

 

CMYK 84 / 0 / 52 / 30

HEX #1DB356

RGB 29 179 86

HSL 142.8, 0.72%, 0.41%

LAB 64.3, -57.37, 36.93

 

CMYK 84 / 0 / 29 / 30

HEX #1DB37F

RGB 29 179 127

HSL 159.2, 0.72%, 0.41%

LAB 64.99, -49.45, 16.25

 

CMYK 84 / 0 / 7 / 30

HEX #1DB3A7

RGB 29 179 167

HSL 175.2, 0.72%, 0.41%

LAB 65.97, -39.07, -4.4

 

CMYK 84 / 15 / 0 / 30

HEX #1D98B3

RGB 29 152 179

HSL 190.8, 0.72%, 0.41%

LAB 58.01, -22.25, -23.13

 

CMYK 84 / 37 / 0 / 30

HEX #1D70B3

RGB 29 112 179

HSL 206.8, 0.72%, 0.41%

LAB 45.78, 0.5, -42.25

 

CMYK 84 / 0 / 6 / 58

HEX #116C66

RGB 17 108 102

HSL 176.04, 0.73%, 0.25%

LAB 40.9, -26.22, -3.86

 

CMYK 84 / 0 / 6 / 44

HEX #179087

RGB 23 144 135

HSL 175.54, 0.72%, 0.33%

LAB 53.9, -32.89, -4.15

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 84 / 0 / 6 / 16

HEX #23D7CA

RGB 35 215 202

HSL 175.67, 0.72%, 0.49%

LAB 78.01, -44.6, -5.69

 

CMYK 70 / 0 / 5 / 12

HEX #43E0D4

RGB 67 224 212

HSL 175.41, 0.72%, 0.57%

LAB 81.43, -42.63, -5.91

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 74 / 84 / 0 / 30

HEX #2E1DB3

RGB 46 29 179

HSL 246.8, 0.72%, 0.41%

LAB 25.9, 53.06, -74.54

 

CMYK 0 / 40 / 84 / 30

HEX #B36B1D

RGB 179 107 29

HSL 31.2, 0.72%, 0.41%

LAB 52.05, 23.02, 52.02

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 7 / 84 / 0 / 30

HEX #A71DB3

RGB 167 29 179

HSL 295.2, 0.72%, 0.41%

LAB 41.77, 69.27, -47.98

 

CMYK 0 / 7 / 84 / 30

HEX #B3A71D

RGB 179 167 29

HSL 55.2, 0.72%, 0.41%

LAB 67.51, -9.85, 65.24

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 74 / 84 / 0 / 30

HEX #2E1DB3

RGB 46 29 179

HSL 246.8, 0.72%, 0.41%

LAB 25.9, 53.06, -74.54

 

CMYK 0 / 84 / 77 / 30

HEX #B31D29

RGB 179 29 41

HSL 355.2, 0.72%, 0.41%

LAB 38.94, 57.74, 33.49

 

CMYK 9 / 0 / 84 / 30

HEX #A2B31D

RGB 162 179 29

HSL 66.8, 0.72%, 0.41%

LAB 69.48, -23.37, 66.35

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 49 / 84 / 0 / 30

HEX #5C1DB3

RGB 92 29 179

HSL 265.2, 0.72%, 0.41%

LAB 30.42, 57.46, -66.93

 

CMYK 0 / 84 / 77 / 30

HEX #B31D29

RGB 179 29 41

HSL 355.2, 0.72%, 0.41%

LAB 38.94, 57.74, 33.49

 

CMYK 35 / 0 / 84 / 30

HEX #75B31D

RGB 117 179 29

HSL 84.8, 0.72%, 0.41%

LAB 66.6, -41.44, 62.74

 

Description

Color code: HEX #1DB3A8 | qconv.com Color code: HEX #1DB3A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 179 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 179 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 6 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 6% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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