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Color name
HEX #1DB127

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DB127 it is the complementary color #E24ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DB127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DB127 shade: #22B122, #33C335, #44D548, #55E75B and #66F96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DB127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DB127 shade: #1DB127, #0C9F14, #008D01, #007B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DB127 shade: #1DAF26, #3AAF1D, #62AF1D, #89AF1D and #AFAE1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DB127 shade: #1DAF26, #1DAF4E, #1DAF76, #1DAF9D and #1D9AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DB127 shade matches the following richer shades: #1DAF26 and #0CC018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DB127 shade: #1DAF26, #2D9F35, #3E8E43, #4E7E51 and #5F6D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DB127 shade: #61AF1D, #3AAF1D, #1DAF26, #1DAF4E and #1DAF75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DB127 shade: #116817, #178C1F, #1DAF26, #22D32E and #3FE04A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DB127 shade: #1DB127, #1D88AF and #AF1D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DB127 shade: #1DB127, #261DAF and #AF261D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DB127 shade: #1DB127, #1D88AF, #AF1DA6 and #AF441D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DB127 shade: #1DB127, #1D5CAF, #AF1DA6 and #AF701D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

Complementary color

CMYK 0 / 65 / 4 / 11

HEX #E24ED8

RGB 226 78 216

HSL 304.05, 0.72%, 0.6%

LAB 58.58, 72.47, -42.07

 

CMYK 81 / 0 / 81 / 31

HEX #22B122

RGB 34 177 34

HSL 120, 0.68%, 0.41%

LAB 63.26, -61.76, 57.34

 

CMYK 74 / 0 / 73 / 24

HEX #33C335

RGB 51 195 53

HSL 120.83, 0.59%, 0.48%

LAB 69.46, -63.62, 57.26

 

CMYK 68 / 0 / 66 / 16

HEX #44D548

RGB 68 213 72

HSL 121.66, 0.63%, 0.55%

LAB 75.63, -64.86, 56.55

 

CMYK 63 / 0 / 61 / 9

HEX #55E75B

RGB 85 231 91

HSL 122.47, 0.75%, 0.62%

LAB 81.75, -65.67, 55.52

 

CMYK 59 / 0 / 56 / 2

HEX #66F96E

RGB 102 249 110

HSL 123.27, 0.92%, 0.69%

LAB 87.82, -66.17, 54.34

 

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

CMYK 92 / 0 / 87 / 38

HEX #0C9F14

RGB 12 159 20

HSL 123.27, 0.86%, 0.34%

LAB 57, -59.21, 55.19

 

CMYK 100 / 0 / 99 / 45

HEX #008D01

RGB 0 141 1

HSL 120.43, 1%, 0.28%

LAB 50.75, -55.42, 53.34

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 67 / 0 / 83 / 31

HEX #3AAF1D

RGB 58 175 29

HSL 108.08, 0.72%, 0.4%

LAB 63.05, -57.4, 58.7

 

CMYK 44 / 0 / 83 / 31

HEX #62AF1D

RGB 98 175 29

HSL 91.64, 0.72%, 0.4%

LAB 64.44, -46.44, 60.47

 

CMYK 22 / 0 / 83 / 31

HEX #89AF1D

RGB 137 175 29

HSL 75.62, 0.72%, 0.4%

LAB 66.57, -31.88, 63.17

 

CMYK 0 / 1 / 83 / 31

HEX #AFAE1D

RGB 175 174 29

HSL 59.59, 0.72%, 0.4%

LAB 69.09, -15.23, 66.44

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 83 / 0 / 55 / 31

HEX #1DAF4E

RGB 29 175 78

HSL 140.14, 0.72%, 0.4%

LAB 62.9, -57.22, 39.16

 

CMYK 83 / 0 / 33 / 31

HEX #1DAF76

RGB 29 175 118

HSL 156.58, 0.72%, 0.4%

LAB 63.53, -49.91, 19.14

 

CMYK 83 / 0 / 10 / 31

HEX #1DAF9D

RGB 29 175 157

HSL 172.6, 0.72%, 0.4%

LAB 64.45, -40.12, -1.09

 

CMYK 83 / 12 / 0 / 31

HEX #1D9AAF

RGB 29 154 175

HSL 188.63, 0.72%, 0.4%

LAB 58.48, -24.63, -20.15

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 94 / 0 / 88 / 25

HEX #0CC018

RGB 12 192 24

HSL 124, 0.88%, 0.4%

LAB 67.91, -68.46, 63.94

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 72 / 0 / 67 / 38

HEX #2D9F35

RGB 45 159 53

HSL 124.21, 0.56%, 0.4%

LAB 57.67, -52.7, 44.78

 

CMYK 56 / 0 / 53 / 44

HEX #3E8E43

RGB 62 142 67

HSL 123.75, 0.39%, 0.4%

LAB 52.7, -40.7, 32.47

 

CMYK 38 / 0 / 36 / 51

HEX #4E7E51

RGB 78 126 81

HSL 123.75, 0.24%, 0.4%

LAB 48.43, -26.27, 19.5

 

CMYK 13 / 0 / 12 / 57

HEX #5F6D60

RGB 95 109 96

HSL 124.29, 0.07%, 0.4%

LAB 44.54, -8.04, 5.49

 

CMYK 45 / 0 / 83 / 31

HEX #61AF1D

RGB 97 175 29

HSL 92.05, 0.72%, 0.4%

LAB 64.4, -46.77, 60.41

 

CMYK 67 / 0 / 83 / 31

HEX #3AAF1D

RGB 58 175 29

HSL 108.08, 0.72%, 0.4%

LAB 63.05, -57.4, 58.7

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 83 / 0 / 55 / 31

HEX #1DAF4E

RGB 29 175 78

HSL 140.14, 0.72%, 0.4%

LAB 62.9, -57.22, 39.16

 

CMYK 83 / 0 / 33 / 31

HEX #1DAF75

RGB 29 175 117

HSL 156.16, 0.72%, 0.4%

LAB 63.51, -50.13, 19.66

 

CMYK 84 / 0 / 78 / 59

HEX #116817

RGB 17 104 23

HSL 124.14, 0.72%, 0.24%

LAB 37.99, -41.25, 36.43

 

CMYK 84 / 0 / 78 / 45

HEX #178C1F

RGB 23 140 31

HSL 124.1, 0.72%, 0.32%

LAB 50.73, -51.76, 46.19

 

CMYK 83 / 0 / 78 / 31

HEX #1DAF26

RGB 29 175 38

HSL 123.7, 0.72%, 0.4%

LAB 62.56, -61.47, 55.42

 

CMYK 84 / 0 / 78 / 17

HEX #22D32E

RGB 34 211 46

HSL 124.07, 0.72%, 0.48%

LAB 74.27, -71.12, 64.24

 

CMYK 72 / 0 / 67 / 12

HEX #3FE04A

RGB 63 224 74

HSL 124.1, 0.72%, 0.56%

LAB 78.96, -69.11, 59.32

 

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

CMYK 83 / 22 / 0 / 31

HEX #1D88AF

RGB 29 136 175

HSL 196.03, 0.72%, 0.4%

LAB 52.91, -15.05, -28.72

 

CMYK 0 / 83 / 55 / 31

HEX #AF1D4E

RGB 175 29 78

HSL 339.86, 0.72%, 0.4%

LAB 38.8, 58.66, 9.97

 

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

CMYK 78 / 83 / 0 / 31

HEX #261DAF

RGB 38 29 175

HSL 243.7, 0.72%, 0.4%

LAB 24.91, 51.37, -73.81

 

CMYK 0 / 78 / 83 / 31

HEX #AF261D

RGB 175 38 29

HSL 3.7, 0.72%, 0.4%

LAB 38.88, 53.71, 39.93

 

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

CMYK 83 / 22 / 0 / 31

HEX #1D88AF

RGB 29 136 175

HSL 196.03, 0.72%, 0.4%

LAB 52.91, -15.05, -28.72

 

CMYK 0 / 83 / 5 / 31

HEX #AF1DA6

RGB 175 29 166

HSL 303.7, 0.72%, 0.4%

LAB 42.38, 68.74, -39.19

 

CMYK 0 / 61 / 83 / 31

HEX #AF441D

RGB 175 68 29

HSL 16.03, 0.72%, 0.4%

LAB 43.27, 41.78, 43.98

 

CMYK 84 / 0 / 78 / 31

HEX #1DB127

RGB 29 177 39

HSL 124.05, 0.72%, 0.4%

LAB 63.22, -62.01, 55.74

 

CMYK 83 / 47 / 0 / 31

HEX #1D5CAF

RGB 29 92 175

HSL 214.11, 0.72%, 0.4%

LAB 39.6, 11.68, -49.78

 

CMYK 0 / 83 / 5 / 31

HEX #AF1DA6

RGB 175 29 166

HSL 303.7, 0.72%, 0.4%

LAB 42.38, 68.74, -39.19

 

CMYK 0 / 36 / 83 / 31

HEX #AF701D

RGB 175 112 29

HSL 34.11, 0.72%, 0.4%

LAB 52.72, 18.48, 52.41

 

Description

Color code: HEX #1DB127 | qconv.com Color code: HEX #1DB127 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 177 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 177 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 78 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 78% 31% C M Y K

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Provide designers and agencies with accurate color values.

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