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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DABCB it is the complementary color #E25434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DABCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DABCB shade: #22ABC6, #33BDD9, #44CFEC, #55E1FF and #66F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DABCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DABCB shade: #1DABCB, #0C99B8, #0087A5, #007592 and #00637F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DABCB shade: #1DA9C9, #1D7BC9, #1D4CC9, #1D1EC9 and #4A1DC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DABCB shade: #1DA9C9, #1D7BC9, #1D4CC9, #1D1EC9 and #1D1DC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DABCB shade matches the following richer shades: #1DA9C9 and #0AB5DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DABCB shade: #1DA9C9, #2F9DB6, #4292A4, #548691 and #677A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DABCB shade: #1DC98D, #1DC9BA, #1DA9C9, #1D7BC9 and #1D4DC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DABCB shade: #126C81, #188BA5, #1DA9C9, #2EC0E1 and #52CBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DABCB shade: #1DABCB, #5F1DC9 and #C9A41D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DABCB shade: #1DABCB, #C91DA9 and #A9C91D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DABCB shade: #1DABCB, #5F1DC9, #C93C1D and #87C91D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DABCB shade: #1DABCB, #921DC9, #C93C1D and #53C91D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

Complementary color

CMYK 0 / 63 / 77 / 11

HEX #E25434

RGB 226 84 52

HSL 11.03, 0.75%, 0.55%

LAB 54.82, 53.64, 46.9

 

CMYK 83 / 14 / 0 / 22

HEX #22ABC6

RGB 34 171 198

HSL 189.88, 0.71%, 0.45%

LAB 64.6, -25.28, -23.68

 

CMYK 76 / 13 / 0 / 15

HEX #33BDD9

RGB 51 189 217

HSL 190.12, 0.69%, 0.53%

LAB 70.95, -26.62, -24.4

 

CMYK 71 / 12 / 0 / 7

HEX #44CFEC

RGB 68 207 236

HSL 190.36, 0.82%, 0.6%

LAB 77.23, -27.66, -25.05

 

CMYK 67 / 12 / 0 / 0

HEX #55E1FF

RGB 85 225 255

HSL 190.59, 1%, 0.67%

LAB 83.44, -28.48, -25.64

 

CMYK 60 / 5 / 0 / 0

HEX #66F3FF

RGB 102 243 255

HSL 184.71, 1%, 0.7%

LAB 88.99, -34.43, -17.19

 

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

CMYK 93 / 17 / 0 / 28

HEX #0C99B8

RGB 12 153 184

HSL 190.81, 0.88%, 0.38%

LAB 58.34, -22.08, -25.47

 

CMYK 100 / 18 / 0 / 35

HEX #0087A5

RGB 0 135 165

HSL 190.91, 1%, 0.32%

LAB 51.89, -19.71, -24.56

 

CMYK 100 / 20 / 0 / 43

HEX #007592

RGB 0 117 146

HSL 191.92, 1%, 0.29%

LAB 45.36, -16.81, -23.54

 

CMYK 100 / 22 / 0 / 50

HEX #00637F

RGB 0 99 127

HSL 193.23, 1%, 0.25%

LAB 38.65, -13.79, -22.53

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 86 / 39 / 0 / 21

HEX #1D7BC9

RGB 29 123 201

HSL 207.21, 0.75%, 0.45%

LAB 50.27, 2.19, -47.78

 

CMYK 86 / 62 / 0 / 21

HEX #1D4CC9

RGB 29 76 201

HSL 223.6, 0.75%, 0.45%

LAB 37.2, 32.42, -68.9

 

CMYK 86 / 85 / 0 / 21

HEX #1D1EC9

RGB 29 30 201

HSL 239.65, 0.75%, 0.45%

LAB 27.86, 58.33, -84.32

 

CMYK 63 / 86 / 0 / 21

HEX #4A1DC9

RGB 74 29 201

HSL 255.7, 0.75%, 0.45%

LAB 30.76, 61.27, -79.42

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 86 / 39 / 0 / 21

HEX #1D7BC9

RGB 29 123 201

HSL 207.21, 0.75%, 0.45%

LAB 50.27, 2.19, -47.78

 

CMYK 86 / 62 / 0 / 21

HEX #1D4CC9

RGB 29 76 201

HSL 223.6, 0.75%, 0.45%

LAB 37.2, 32.42, -68.9

 

CMYK 86 / 85 / 0 / 21

HEX #1D1EC9

RGB 29 30 201

HSL 239.65, 0.75%, 0.45%

LAB 27.86, 58.33, -84.32

 

CMYK 86 / 86 / 0 / 21

HEX #1D1DC9

RGB 29 29 201

HSL 240, 0.75%, 0.45%

LAB 27.73, 58.73, -84.55

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 95 / 17 / 0 / 14

HEX #0AB5DB

RGB 10 181 219

HSL 190.91, 0.91%, 0.45%

LAB 68.19, -24.59, -29.77

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 74 / 14 / 0 / 29

HEX #2F9DB6

RGB 47 157 182

HSL 191.11, 0.59%, 0.45%

LAB 59.98, -22.01, -21.79

 

CMYK 60 / 11 / 0 / 36

HEX #4292A4

RGB 66 146 164

HSL 191.02, 0.43%, 0.45%

LAB 56.48, -18.91, -16.84

 

CMYK 42 / 8 / 0 / 43

HEX #548691

RGB 84 134 145

HSL 190.82, 0.27%, 0.45%

LAB 52.93, -13.78, -11.2

 

CMYK 19 / 4 / 0 / 50

HEX #677A7F

RGB 103 122 127

HSL 192.5, 0.1%, 0.45%

LAB 49.9, -5.78, -5.06

 

CMYK 86 / 0 / 30 / 21

HEX #1DC98D

RGB 29 201 141

HSL 159.07, 0.75%, 0.45%

LAB 72.2, -54.76, 18.68

 

CMYK 86 / 0 / 7 / 21

HEX #1DC9BA

RGB 29 201 186

HSL 174.77, 0.75%, 0.45%

LAB 73.27, -43.39, -4.06

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 86 / 39 / 0 / 21

HEX #1D7BC9

RGB 29 123 201

HSL 207.21, 0.75%, 0.45%

LAB 50.27, 2.19, -47.78

 

CMYK 86 / 62 / 0 / 21

HEX #1D4DC9

RGB 29 77 201

HSL 223.26, 0.75%, 0.45%

LAB 37.46, 31.77, -68.48

 

CMYK 86 / 16 / 0 / 49

HEX #126C81

RGB 18 108 129

HSL 191.35, 0.76%, 0.29%

LAB 41.91, -16.94, -18.69

 

CMYK 85 / 16 / 0 / 35

HEX #188BA5

RGB 24 139 165

HSL 191.06, 0.75%, 0.37%

LAB 53.36, -20.6, -22.28

 

CMYK 86 / 16 / 0 / 21

HEX #1DA9C9

RGB 29 169 201

HSL 191.16, 0.75%, 0.45%

LAB 64.04, -23.64, -26.21

 

CMYK 80 / 15 / 0 / 12

HEX #2EC0E1

RGB 46 192 225

HSL 191.06, 0.75%, 0.53%

LAB 72.04, -26.05, -27.09

 

CMYK 64 / 12 / 0 / 10

HEX #52CBE6

RGB 82 203 230

HSL 190.95, 0.75%, 0.61%

LAB 76.2, -25.51, -23.36

 

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

CMYK 53 / 86 / 0 / 21

HEX #5F1DC9

RGB 95 29 201

HSL 263.02, 0.75%, 0.45%

LAB 32.98, 63.22, -75.68

 

CMYK 0 / 18 / 86 / 21

HEX #C9A41D

RGB 201 164 29

HSL 47.09, 0.75%, 0.45%

LAB 68.79, 1.51, 67.16

 

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

CMYK 0 / 86 / 16 / 21

HEX #C91DA9

RGB 201 29 169

HSL 311.16, 0.75%, 0.45%

LAB 47.18, 74.35, -33.08

 

CMYK 16 / 0 / 86 / 21

HEX #A9C91D

RGB 169 201 29

HSL 71.16, 0.75%, 0.45%

LAB 76.25, -31.01, 72.27

 

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

CMYK 53 / 86 / 0 / 21

HEX #5F1DC9

RGB 95 29 201

HSL 263.02, 0.75%, 0.45%

LAB 32.98, 63.22, -75.68

 

CMYK 0 / 70 / 86 / 21

HEX #C93C1D

RGB 201 60 29

HSL 10.81, 0.75%, 0.45%

LAB 46.63, 54.31, 48.71

 

CMYK 33 / 0 / 86 / 21

HEX #87C91D

RGB 135 201 29

HSL 83.02, 0.75%, 0.45%

LAB 74.2, -44.24, 69.71

 

CMYK 86 / 16 / 0 / 20

HEX #1DABCB

RGB 29 171 203

HSL 191.03, 0.75%, 0.45%

LAB 64.72, -24, -26.27

 

CMYK 27 / 86 / 0 / 21

HEX #921DC9

RGB 146 29 201

HSL 280.81, 0.75%, 0.45%

LAB 39.93, 69.77, -64.02

 

CMYK 0 / 70 / 86 / 21

HEX #C93C1D

RGB 201 60 29

HSL 10.81, 0.75%, 0.45%

LAB 46.63, 54.31, 48.71

 

CMYK 59 / 0 / 86 / 21

HEX #53C91D

RGB 83 201 29

HSL 101.16, 0.75%, 0.45%

LAB 72.03, -60.46, 66.98

 

Description

Color code: HEX #1DABCB | qconv.com Color code: HEX #1DABCB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 171 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 171 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 16% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - Promopress Media - A...
Link: http://www.promopressmedia.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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