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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1DA4D0 it is the complementary color #E25B2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1DA4D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1DA4D0 shade: #22A4CB, #33B6DE, #44C8F1, #55DAFF and #66ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1DA4D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1DA4D0 shade: #1DA4D0, #0C92BD, #0080AA, #006E97 and #005C84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1DA4D0 shade: #1CA2CE, #1C72CE, #1C42CE, #251CCE and #561CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1DA4D0 shade: #1CA2CE, #1C72CE, #1C42CE and #1C1CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1DA4D0 shade matches the following richer shades: #1CA2CE and #09ACE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1DA4D0 shade: #1CA2CE, #2F98BB, #428FA8, #558595 and #687C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1DA4D0 shade: #1CCE98, #1CCEC8, #1CA4CE, #1C75CE and #1C45CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1DA4D0 shade: #126985, #1786AA, #1CA2CE, #30B7E2 and #55C3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1DA4D0 shade: #1DA4D0, #691CCE and #CEB01C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1DA4D0 shade: #1DA4D0, #CE1CA4 and #A4CE1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1DA4D0 shade: #1DA4D0, #691CCE, #CE451C and #81CE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1DA4D0 shade: #1DA4D0, #9E1CCE, #CE451C and #4BCE1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

Complementary color

CMYK 0 / 60 / 79 / 11

HEX #E25B2F

RGB 226 91 47

HSL 14.75, 0.76%, 0.54%

LAB 55.94, 50.38, 50.48

 

CMYK 83 / 19 / 0 / 20

HEX #22A4CB

RGB 34 164 203

HSL 193.85, 0.71%, 0.46%

LAB 62.68, -20, -29.42

 

CMYK 77 / 18 / 0 / 13

HEX #33B6DE

RGB 51 182 222

HSL 194.04, 0.72%, 0.54%

LAB 69.06, -21.46, -30.02

 

CMYK 72 / 17 / 0 / 5

HEX #44C8F1

RGB 68 200 241

HSL 194.22, 0.86%, 0.61%

LAB 75.38, -22.61, -30.56

 

CMYK 67 / 15 / 0 / 0

HEX #55DAFF

RGB 85 218 255

HSL 193.06, 1%, 0.67%

LAB 81.45, -25.04, -28.68

 

CMYK 60 / 7 / 0 / 0

HEX #66ECFF

RGB 102 236 255

HSL 187.45, 1%, 0.7%

LAB 87.01, -31.13, -20.17

 

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

CMYK 94 / 23 / 0 / 26

HEX #0C92BD

RGB 12 146 189

HSL 194.58, 0.88%, 0.39%

LAB 56.4, -16.58, -31.31

 

CMYK 100 / 25 / 0 / 33

HEX #0080AA

RGB 0 128 170

HSL 194.82, 1%, 0.33%

LAB 49.91, -14.03, -30.53

 

CMYK 100 / 27 / 0 / 41

HEX #006E97

RGB 0 110 151

HSL 196.29, 1%, 0.3%

LAB 43.34, -10.92, -29.65

 

CMYK 100 / 30 / 0 / 48

HEX #005C84

RGB 0 92 132

HSL 198.18, 1%, 0.26%

LAB 36.59, -7.65, -28.79

 

CMYK 86 / 21 / 0 / 19

HEX #1CA2CE

RGB 28 162 206

HSL 194.83, 0.76%, 0.46%

LAB 62.12, -18.35, -31.96

 

CMYK 86 / 45 / 0 / 19

HEX #1C72CE

RGB 28 114 206

HSL 211.01, 0.76%, 0.46%

LAB 47.93, 9.64, -54.38

 

CMYK 86 / 68 / 0 / 19

HEX #1C42CE

RGB 28 66 206

HSL 227.19, 0.76%, 0.46%

LAB 35.2, 40.62, -75.08

 

CMYK 82 / 86 / 0 / 19

HEX #251CCE

RGB 37 28 206

HSL 243.03, 0.76%, 0.46%

LAB 28.59, 60.83, -86.02

 

CMYK 58 / 86 / 0 / 19

HEX #561CCE

RGB 86 28 206

HSL 259.55, 0.76%, 0.46%

LAB 32.4, 63.91, -79.58

 

CMYK 86 / 21 / 0 / 19

HEX #1CA2CE

RGB 28 162 206

HSL 194.83, 0.76%, 0.46%

LAB 62.12, -18.35, -31.96

 

CMYK 86 / 45 / 0 / 19

HEX #1C72CE

RGB 28 114 206

HSL 211.01, 0.76%, 0.46%

LAB 47.93, 9.64, -54.38

 

CMYK 86 / 68 / 0 / 19

HEX #1C42CE

RGB 28 66 206

HSL 227.19, 0.76%, 0.46%

LAB 35.2, 40.62, -75.08

 

CMYK 86 / 86 / 0 / 19

HEX #1C1CCE

RGB 28 28 206

HSL 240, 0.76%, 0.46%

LAB 28.2, 60.54, -86.68

 

CMYK 86 / 21 / 0 / 19

HEX #1CA2CE

RGB 28 162 206

HSL 194.83, 0.76%, 0.46%

LAB 62.12, -18.35, -31.96

 

CMYK 96 / 24 / 0 / 12

HEX #09ACE1

RGB 9 172 225

HSL 194.72, 0.92%, 0.46%

LAB 65.75, -17.87, -36.85

 

CMYK 86 / 21 / 0 / 19

HEX #1CA2CE

RGB 28 162 206

HSL 194.83, 0.76%, 0.46%

LAB 62.12, -18.35, -31.96

 

CMYK 75 / 19 / 0 / 27

HEX #2F98BB

RGB 47 152 187

HSL 195, 0.6%, 0.46%

LAB 58.65, -17.72, -26.65

 

CMYK 61 / 15 / 0 / 34

HEX #428FA8

RGB 66 143 168

HSL 194.71, 0.44%, 0.46%

LAB 55.72, -16.06, -20.3

 

CMYK 43 / 11 / 0 / 42

HEX #558595

RGB 85 133 149

HSL 195, 0.27%, 0.46%

LAB 52.81, -11.85, -13.68

 

CMYK 20 / 5 / 0 / 49

HEX #687C82

RGB 104 124 130

HSL 193.85, 0.11%, 0.46%

LAB 50.65, -5.88, -5.71

 

CMYK 86 / 0 / 26 / 19

HEX #1CCE98

RGB 28 206 152

HSL 161.8, 0.76%, 0.46%

LAB 73.97, -54.25, 15.27

 

CMYK 86 / 0 / 3 / 19

HEX #1CCEC8

RGB 28 206 200

HSL 177.98, 0.76%, 0.46%

LAB 75.18, -41.67, -8.82

 

CMYK 86 / 20 / 0 / 19

HEX #1CA4CE

RGB 28 164 206

HSL 194.16, 0.76%, 0.46%

LAB 62.72, -19.41, -31.03

 

CMYK 86 / 43 / 0 / 19

HEX #1C75CE

RGB 28 117 206

HSL 210, 0.76%, 0.46%

LAB 48.79, 7.75, -52.99

 

CMYK 86 / 67 / 0 / 19

HEX #1C45CE

RGB 28 69 206

HSL 226.18, 0.76%, 0.46%

LAB 35.91, 38.73, -73.92

 

CMYK 86 / 21 / 0 / 48

HEX #126985

RGB 18 105 133

HSL 194.61, 0.76%, 0.3%

LAB 41.1, -13.78, -22.35

 

CMYK 86 / 21 / 0 / 33

HEX #1786AA

RGB 23 134 170

HSL 194.69, 0.76%, 0.38%

LAB 51.99, -16.21, -27.28

 

CMYK 86 / 21 / 0 / 19

HEX #1CA2CE

RGB 28 162 206

HSL 194.83, 0.76%, 0.46%

LAB 62.12, -18.35, -31.96

 

CMYK 79 / 19 / 0 / 11

HEX #30B7E2

RGB 48 183 226

HSL 194.49, 0.75%, 0.54%

LAB 69.46, -20.96, -31.6

 

CMYK 63 / 16 / 0 / 9

HEX #55C3E7

RGB 85 195 231

HSL 194.79, 0.75%, 0.62%

LAB 74.02, -20.68, -27.23

 

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

CMYK 49 / 86 / 0 / 19

HEX #691CCE

RGB 105 28 206

HSL 265.96, 0.76%, 0.46%

LAB 34.58, 65.79, -75.92

 

CMYK 0 / 15 / 86 / 19

HEX #CEB01C

RGB 206 176 28

HSL 49.89, 0.76%, 0.46%

LAB 72.4, -2.66, 70.54

 

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

CMYK 0 / 86 / 20 / 19

HEX #CE1CA4

RGB 206 28 164

HSL 314.16, 0.76%, 0.46%

LAB 47.79, 74.91, -29.09

 

CMYK 20 / 0 / 86 / 19

HEX #A4CE1C

RGB 164 206 28

HSL 74.16, 0.76%, 0.46%

LAB 77.35, -35.36, 73.26

 

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

CMYK 49 / 86 / 0 / 19

HEX #691CCE

RGB 105 28 206

HSL 265.96, 0.76%, 0.46%

LAB 34.58, 65.79, -75.92

 

CMYK 0 / 67 / 86 / 19

HEX #CE451C

RGB 206 69 28

HSL 13.82, 0.76%, 0.46%

LAB 48.84, 52.39, 51.35

 

CMYK 37 / 0 / 86 / 19

HEX #81CE1C

RGB 129 206 28

HSL 85.96, 0.76%, 0.46%

LAB 75.39, -48.5, 70.81

 

CMYK 86 / 21 / 0 / 18

HEX #1DA4D0

RGB 29 164 208

HSL 194.75, 0.76%, 0.46%

LAB 62.82, -18.65, -32

 

CMYK 23 / 86 / 0 / 19

HEX #9E1CCE

RGB 158 28 206

HSL 283.82, 0.76%, 0.46%

LAB 42.09, 72.77, -63.33

 

CMYK 0 / 67 / 86 / 19

HEX #CE451C

RGB 206 69 28

HSL 13.82, 0.76%, 0.46%

LAB 48.84, 52.39, 51.35

 

CMYK 64 / 0 / 86 / 19

HEX #4BCE1C

RGB 75 206 28

HSL 104.16, 0.76%, 0.46%

LAB 73.36, -64.06, 68.28

 

Description

Color code: HEX #1DA4D0 | qconv.com Color code: HEX #1DA4D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 164 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 164 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 21% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 会計ソフト・会計システム「大蔵大臣®」|...
Link: http://www.ohken.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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