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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D9FDC it is the complementary color #E26023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D9FDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D9FDC shade: #229FD7, #33B1EA, #44C3FD, #55D5FF and #66E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D9FDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D9FDC shade: #1D9FDC, #0C8DC9, #007BB6, #0069A3 and #005790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D9FDC shade: #1C9FDD, #1C6BDD, #1C37DD, #351CDD and #691CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D9FDC shade: #1C9FDD, #1C6BDD, #1C37DD and #1C1CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D9FDC shade matches the following richer shades: #1C9FDD and #08A7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D9FDC shade: #1C9FDD, #3098C8, #4591B4, #5989A0 and #6D828C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D9FDC shade: #1CDDB3, #1CD3DD, #1CA0DD, #1C6CDD and #1C39DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D9FDC shade: #136A94, #1785B8, #1C9FDD, #3DB0E5 and #61BEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D9FDC shade: #1D9FDC, #801CDD and #DDCD1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D9FDC shade: #1D9FDC, #DD1CA0 and #A0DD1C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D9FDC shade: #1D9FDC, #801CDD, #DD591C and #79DD1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D9FDC shade: #1D9FDC, #B91CDD, #DD591C and #40DD1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

Complementary color

CMYK 0 / 58 / 85 / 11

HEX #E26023

RGB 226 96 35

HSL 19.16, 0.77%, 0.51%

LAB 56.74, 47.73, 56.47

 

CMYK 84 / 26 / 0 / 16

HEX #229FD7

RGB 34 159 215

HSL 198.56, 0.73%, 0.49%

LAB 61.69, -13.14, -37.63

 

CMYK 78 / 24 / 0 / 8

HEX #33B1EA

RGB 51 177 234

HSL 198.69, 0.81%, 0.56%

LAB 68.09, -14.83, -38.1

 

CMYK 73 / 23 / 0 / 1

HEX #44C3FD

RGB 68 195 253

HSL 198.81, 0.98%, 0.63%

LAB 74.41, -16.18, -38.51

 

CMYK 67 / 16 / 0 / 0

HEX #55D5FF

RGB 85 213 255

HSL 194.82, 1%, 0.67%

LAB 80.03, -22.54, -30.86

 

CMYK 60 / 9 / 0 / 0

HEX #66E7FF

RGB 102 231 255

HSL 189.41, 1%, 0.7%

LAB 85.6, -28.73, -22.31

 

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

CMYK 94 / 30 / 0 / 21

HEX #0C8DC9

RGB 12 141 201

HSL 199.05, 0.89%, 0.42%

LAB 55.43, -9.39, -39.63

 

CMYK 100 / 32 / 0 / 29

HEX #007BB6

RGB 0 123 182

HSL 199.45, 1%, 0.36%

LAB 48.94, -6.58, -39

 

CMYK 100 / 36 / 0 / 36

HEX #0069A3

RGB 0 105 163

HSL 201.35, 1%, 0.32%

LAB 42.38, -3.18, -38.27

 

CMYK 100 / 40 / 0 / 44

HEX #005790

RGB 0 87 144

HSL 203.75, 1%, 0.28%

LAB 35.65, 0.44, -37.58

 

CMYK 87 / 28 / 0 / 13

HEX #1C9FDD

RGB 28 159 221

HSL 199.27, 0.78%, 0.49%

LAB 61.88, -11.42, -40.67

 

CMYK 87 / 52 / 0 / 13

HEX #1C6BDD

RGB 28 107 221

HSL 215.44, 0.78%, 0.49%

LAB 46.95, 19.92, -64.49

 

CMYK 87 / 75 / 0 / 13

HEX #1C37DD

RGB 28 55 221

HSL 231.61, 0.78%, 0.49%

LAB 34.4, 52.36, -85.07

 

CMYK 76 / 87 / 0 / 13

HEX #351CDD

RGB 53 28 221

HSL 247.77, 0.78%, 0.49%

LAB 31.37, 65.65, -90.07

 

CMYK 52 / 87 / 0 / 13

HEX #691CDD

RGB 105 28 221

HSL 263.94, 0.78%, 0.49%

LAB 36.09, 69.32, -82.09

 

CMYK 87 / 28 / 0 / 13

HEX #1C9FDD

RGB 28 159 221

HSL 199.27, 0.78%, 0.49%

LAB 61.88, -11.42, -40.67

 

CMYK 87 / 52 / 0 / 13

HEX #1C6BDD

RGB 28 107 221

HSL 215.44, 0.78%, 0.49%

LAB 46.95, 19.92, -64.49

 

CMYK 87 / 75 / 0 / 13

HEX #1C37DD

RGB 28 55 221

HSL 231.61, 0.78%, 0.49%

LAB 34.4, 52.36, -85.07

 

CMYK 87 / 87 / 0 / 13

HEX #1C1CDD

RGB 28 28 221

HSL 240, 0.78%, 0.49%

LAB 30.15, 64.78, -92.12

 

CMYK 87 / 28 / 0 / 13

HEX #1C9FDD

RGB 28 159 221

HSL 199.27, 0.78%, 0.49%

LAB 61.88, -11.42, -40.67

 

CMYK 97 / 31 / 0 / 5

HEX #08A7F1

RGB 8 167 241

HSL 199.06, 0.94%, 0.49%

LAB 64.99, -9.45, -46.81

 

CMYK 87 / 28 / 0 / 13

HEX #1C9FDD

RGB 28 159 221

HSL 199.27, 0.78%, 0.49%

LAB 61.88, -11.42, -40.67

 

CMYK 76 / 24 / 0 / 22

HEX #3098C8

RGB 48 152 200

HSL 198.95, 0.61%, 0.49%

LAB 59.21, -13.18, -33.1

 

CMYK 62 / 19 / 0 / 29

HEX #4591B4

RGB 69 145 180

HSL 198.92, 0.45%, 0.49%

LAB 56.89, -12.79, -25.34

 

CMYK 44 / 14 / 0 / 37

HEX #5989A0

RGB 89 137 160

HSL 199.44, 0.29%, 0.49%

LAB 54.61, -9.9, -17.31

 

CMYK 22 / 7 / 0 / 45

HEX #6D828C

RGB 109 130 140

HSL 199.35, 0.12%, 0.49%

LAB 53.07, -5.24, -7.92

 

CMYK 87 / 0 / 19 / 13

HEX #1CDDB3

RGB 28 221 179

HSL 166.94, 0.78%, 0.49%

LAB 79.16, -53.62, 8.26

 

CMYK 87 / 5 / 0 / 13

HEX #1CD3DD

RGB 28 211 221

HSL 183.11, 0.78%, 0.49%

LAB 77.31, -37.71, -16.92

 

CMYK 87 / 28 / 0 / 13

HEX #1CA0DD

RGB 28 160 221

HSL 198.96, 0.78%, 0.49%

LAB 62.18, -11.97, -40.21

 

CMYK 87 / 51 / 0 / 13

HEX #1C6CDD

RGB 28 108 221

HSL 215.13, 0.78%, 0.49%

LAB 47.23, 19.28, -64.04

 

CMYK 87 / 74 / 0 / 13

HEX #1C39DD

RGB 28 57 221

HSL 230.98, 0.78%, 0.49%

LAB 34.79, 51.24, -84.42

 

CMYK 87 / 28 / 0 / 42

HEX #136A94

RGB 19 106 148

HSL 199.53, 0.77%, 0.33%

LAB 42.13, -8.63, -29.74

 

CMYK 88 / 28 / 0 / 28

HEX #1785B8

RGB 23 133 184

HSL 199.01, 0.78%, 0.41%

LAB 52.31, -10.56, -34.84

 

CMYK 87 / 28 / 0 / 13

HEX #1C9FDD

RGB 28 159 221

HSL 199.27, 0.78%, 0.49%

LAB 61.88, -11.42, -40.67

 

CMYK 73 / 23 / 0 / 10

HEX #3DB0E5

RGB 61 176 229

HSL 198.93, 0.76%, 0.57%

LAB 67.8, -14.85, -35.79

 

CMYK 59 / 19 / 0 / 8

HEX #61BEEA

RGB 97 190 234

HSL 199.27, 0.77%, 0.65%

LAB 73.09, -15.06, -30.24

 

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

CMYK 42 / 87 / 0 / 13

HEX #801CDD

RGB 128 28 221

HSL 271.09, 0.78%, 0.49%

LAB 38.97, 71.77, -77.25

 

CMYK 0 / 7 / 87 / 13

HEX #DDCD1C

RGB 221 205 28

HSL 55.03, 0.78%, 0.49%

LAB 81.36, -11.07, 78.3

 

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

CMYK 0 / 87 / 28 / 13

HEX #DD1CA0

RGB 221 28 160

HSL 318.96, 0.78%, 0.49%

LAB 50.38, 77.56, -22.48

 

CMYK 28 / 0 / 87 / 13

HEX #A0DD1C

RGB 160 221 28

HSL 78.96, 0.78%, 0.49%

LAB 81.44, -43.55, 76.57

 

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

CMYK 42 / 87 / 0 / 13

HEX #801CDD

RGB 128 28 221

HSL 271.09, 0.78%, 0.49%

LAB 38.97, 71.77, -77.25

 

CMYK 0 / 60 / 87 / 13

HEX #DD591C

RGB 221 89 28

HSL 18.96, 0.78%, 0.49%

LAB 54.66, 48.98, 57.1

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1C

RGB 121 221 28

HSL 91.09, 0.78%, 0.49%

LAB 79.54, -57.02, 74.21

 

CMYK 87 / 28 / 0 / 14

HEX #1D9FDC

RGB 29 159 220

HSL 199.16, 0.77%, 0.49%

LAB 61.85, -11.71, -40.17

 

CMYK 16 / 87 / 0 / 13

HEX #B91CDD

RGB 185 28 221

HSL 288.81, 0.78%, 0.49%

LAB 47.45, 79.6, -63.05

 

CMYK 0 / 60 / 87 / 13

HEX #DD591C

RGB 221 89 28

HSL 18.96, 0.78%, 0.49%

LAB 54.66, 48.98, 57.1

 

CMYK 71 / 0 / 87 / 13

HEX #40DD1C

RGB 64 221 28

HSL 108.81, 0.78%, 0.49%

LAB 77.81, -70.94, 72.04

 

Description

Color code: HEX #1D9FDC | qconv.com Color code: HEX #1D9FDC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 159 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 159 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 28 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 28% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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