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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D944E it is the complementary color #E26BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D944E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D944E shade: #229449, #33A65C, #44B86F, #55CA82 and #66DC95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D944E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D944E shade: #1D944E, #0C823B, #007028, #005E15 and #004C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D944E shade: #1D954E, #1D952E, #2C951D, #4C951D and #6D951D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D944E shade: #1D954E, #1D956E, #1D958F, #1D7A95 and #1D5A95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D944E shade matches the following richer shades: #1D954E, #0FA34C and #00B149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D944E shade: #1D954E, #2B8651, #3A7853, #486956 and #575B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D944E shade: #2D951D, #1D952D, #1D954D, #1D956D and #1D958D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D944E shade: #0F502A, #16723C, #1D954E, #24B760 and #2FD573

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D944E shade: #1D944E, #1D4D95 and #951D1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D944E shade: #1D944E, #4D1D95 and #954D1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D944E shade: #1D944E, #1D4D95, #951D65 and #95651D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D944E shade: #1D944E, #1D2995, #951D65 and #95891D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

Complementary color

CMYK 0 / 53 / 22 / 11

HEX #E26BB1

RGB 226 107 177

HSL 324.71, 0.67%, 0.65%

LAB 61.53, 54.23, -15.31

 

CMYK 77 / 0 / 51 / 42

HEX #229449

RGB 34 148 73

HSL 140.53, 0.63%, 0.36%

LAB 54.03, -47.9, 30.82

 

CMYK 69 / 0 / 45 / 35

HEX #33A65C

RGB 51 166 92

HSL 141.39, 0.53%, 0.43%

LAB 60.56, -48.65, 29.21

 

CMYK 63 / 0 / 40 / 28

HEX #44B86F

RGB 68 184 111

HSL 142.24, 0.46%, 0.49%

LAB 67.02, -49.03, 27.7

 

CMYK 58 / 0 / 36 / 21

HEX #55CA82

RGB 85 202 130

HSL 143.08, 0.52%, 0.56%

LAB 73.41, -49.16, 26.31

 

CMYK 54 / 0 / 32 / 14

HEX #66DC95

RGB 102 220 149

HSL 143.9, 0.63%, 0.63%

LAB 79.72, -49.15, 25.02

 

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

CMYK 91 / 0 / 55 / 49

HEX #0C823B

RGB 12 130 59

HSL 143.9, 0.83%, 0.28%

LAB 47.44, -46.21, 29.94

 

CMYK 100 / 0 / 64 / 56

HEX #007028

RGB 0 112 40

HSL 141.43, 1%, 0.22%

LAB 40.8, -43.81, 31.74

 

CMYK 100 / 0 / 78 / 63

HEX #005E15

RGB 0 94 21

HSL 133.4, 1%, 0.18%

LAB 34.11, -40.08, 33.21

 

CMYK 100 / 0 / 97 / 70

HEX #004C02

RGB 0 76 2

HSL 121.58, 1%, 0.15%

LAB 27.22, -35.74, 33.79

 

CMYK 81 / 0 / 48 / 42

HEX #1D954E

RGB 29 149 78

HSL 144.5, 0.67%, 0.35%

LAB 54.35, -48.09, 28.58

 

CMYK 81 / 0 / 69 / 42

HEX #1D952E

RGB 29 149 46

HSL 128.5, 0.67%, 0.35%

LAB 53.98, -52.57, 43.69

 

CMYK 70 / 0 / 81 / 42

HEX #2C951D

RGB 44 149 29

HSL 112.5, 0.67%, 0.35%

LAB 54.15, -51.5, 50.31

 

CMYK 49 / 0 / 81 / 42

HEX #4C951D

RGB 76 149 29

HSL 96.5, 0.67%, 0.35%

LAB 55.2, -43.14, 51.66

 

CMYK 27 / 0 / 81 / 42

HEX #6D951D

RGB 109 149 29

HSL 80, 0.67%, 0.35%

LAB 56.91, -31.06, 53.88

 

CMYK 81 / 0 / 48 / 42

HEX #1D954E

RGB 29 149 78

HSL 144.5, 0.67%, 0.35%

LAB 54.35, -48.09, 28.58

 

CMYK 81 / 0 / 26 / 42

HEX #1D956E

RGB 29 149 110

HSL 160.5, 0.67%, 0.35%

LAB 54.95, -41.33, 11.7

 

CMYK 81 / 0 / 4 / 42

HEX #1D958F

RGB 29 149 143

HSL 177, 0.67%, 0.35%

LAB 55.83, -32.3, -5.89

 

CMYK 81 / 18 / 0 / 42

HEX #1D7A95

RGB 29 122 149

HSL 193.5, 0.67%, 0.35%

LAB 47.43, -16.51, -22.08

 

CMYK 81 / 40 / 0 / 42

HEX #1D5A95

RGB 29 90 149

HSL 209.5, 0.67%, 0.35%

LAB 37.38, 2.68, -37.83

 

CMYK 81 / 0 / 48 / 42

HEX #1D954E

RGB 29 149 78

HSL 144.5, 0.67%, 0.35%

LAB 54.35, -48.09, 28.58

 

CMYK 91 / 0 / 53 / 36

HEX #0FA34C

RGB 15 163 76

HSL 144.73, 0.83%, 0.35%

LAB 58.81, -54.67, 35.14

 

CMYK 100 / 0 / 59 / 31

HEX #00B149

RGB 0 177 73

HSL 144.75, 1%, 0.35%

LAB 63.28, -60.43, 41.95

 

CMYK 81 / 0 / 48 / 42

HEX #1D954E

RGB 29 149 78

HSL 144.5, 0.67%, 0.35%

LAB 54.35, -48.09, 28.58

 

CMYK 68 / 0 / 40 / 47

HEX #2B8651

RGB 43 134 81

HSL 145.05, 0.51%, 0.35%

LAB 49.69, -39.42, 20.93

 

CMYK 52 / 0 / 31 / 53

HEX #3A7853

RGB 58 120 83

HSL 144.19, 0.35%, 0.35%

LAB 45.58, -29.19, 14.33

 

CMYK 31 / 0 / 18 / 59

HEX #486956

RGB 72 105 86

HSL 145.45, 0.19%, 0.35%

LAB 41.46, -16.41, 6.9

 

CMYK 4 / 0 / 3 / 64

HEX #575B58

RGB 87 91 88

HSL 135, 0.02%, 0.35%

LAB 38.22, -2.22, 1.17

 

CMYK 70 / 0 / 81 / 42

HEX #2D951D

RGB 45 149 29

HSL 112, 0.67%, 0.35%

LAB 54.18, -51.3, 50.34

 

CMYK 81 / 0 / 70 / 42

HEX #1D952D

RGB 29 149 45

HSL 128, 0.67%, 0.35%

LAB 53.97, -52.67, 44.11

 

CMYK 81 / 0 / 48 / 42

HEX #1D954D

RGB 29 149 77

HSL 144, 0.67%, 0.35%

LAB 54.34, -48.27, 29.09

 

CMYK 81 / 0 / 27 / 42

HEX #1D956D

RGB 29 149 109

HSL 160, 0.67%, 0.35%

LAB 54.93, -41.58, 12.24

 

CMYK 81 / 0 / 5 / 42

HEX #1D958D

RGB 29 149 141

HSL 176, 0.67%, 0.35%

LAB 55.77, -32.9, -4.83

 

CMYK 81 / 0 / 48 / 69

HEX #0F502A

RGB 15 80 42

HSL 144.92, 0.68%, 0.19%

LAB 29.43, -29.72, 16.82

 

CMYK 81 / 0 / 47 / 55

HEX #16723C

RGB 22 114 60

HSL 144.78, 0.68%, 0.27%

LAB 42.05, -39, 22.66

 

CMYK 81 / 0 / 48 / 42

HEX #1D954E

RGB 29 149 78

HSL 144.5, 0.67%, 0.35%

LAB 54.35, -48.09, 28.58

 

CMYK 80 / 0 / 48 / 28

HEX #24B760

RGB 36 183 96

HSL 144.49, 0.67%, 0.43%

LAB 65.82, -56.39, 33.8

 

CMYK 78 / 0 / 46 / 16

HEX #2FD573

RGB 47 213 115

HSL 144.58, 0.66%, 0.51%

LAB 75.72, -62.4, 36.85

 

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

CMYK 81 / 48 / 0 / 42

HEX #1D4D95

RGB 29 77 149

HSL 216, 0.67%, 0.35%

LAB 33.43, 11.27, -44.15

 

CMYK 0 / 81 / 81 / 42

HEX #951D1D

RGB 149 29 29

HSL 0, 0.67%, 0.35%

LAB 32.61, 48.47, 31.98

 

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

CMYK 48 / 81 / 0 / 42

HEX #4D1D95

RGB 77 29 149

HSL 264, 0.67%, 0.35%

LAB 25.64, 47.76, -56.67

 

CMYK 0 / 48 / 81 / 42

HEX #954D1D

RGB 149 77 29

HSL 24, 0.67%, 0.35%

LAB 40.87, 26.67, 40.23

 

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

CMYK 81 / 48 / 0 / 42

HEX #1D4D95

RGB 29 77 149

HSL 216, 0.67%, 0.35%

LAB 33.43, 11.27, -44.15

 

CMYK 0 / 81 / 32 / 42

HEX #951D65

RGB 149 29 101

HSL 324, 0.67%, 0.35%

LAB 34.41, 54, -11.81

 

CMYK 0 / 32 / 81 / 42

HEX #95651D

RGB 149 101 29

HSL 36, 0.67%, 0.35%

LAB 46.69, 12.97, 45.74

 

CMYK 80 / 0 / 47 / 42

HEX #1D944E

RGB 29 148 78

HSL 144.71, 0.67%, 0.35%

LAB 54.02, -47.72, 28.15

 

CMYK 81 / 72 / 0 / 42

HEX #1D2995

RGB 29 41 149

HSL 234, 0.67%, 0.35%

LAB 23.73, 35.56, -59.97

 

CMYK 0 / 81 / 32 / 42

HEX #951D65

RGB 149 29 101

HSL 324, 0.67%, 0.35%

LAB 34.41, 54, -11.81

 

CMYK 0 / 8 / 81 / 42

HEX #95891D

RGB 149 137 29

HSL 54, 0.67%, 0.35%

LAB 56.46, -7.37, 54.62

 

Description

Color code: HEX #1D944E | qconv.com Color code: HEX #1D944E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 148 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 148 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 47 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 47% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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