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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D8729 it is the complementary color #E278D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D8729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D8729 shade: #228724, #339937, #44AB4A, #55BD5D and #66CF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D8729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D8729 shade: #1D8729, #0C7516, #006303, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D8729 shade: #1D8729, #2D871D, #4A871D, #66871D and #83871D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D8729 shade: #1D8729, #1D8745, #1D8762, #1D877E and #1D7287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D8729 shade matches the following richer shades: #1D8729, #0F941E and #02A114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D8729 shade: #1D8729, #2A7933, #376C3D, #445F47 and #515251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D8729 shade: #4B871D, #2E871D, #1D8727, #1D8743 and #1D8760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D8729 shade: #0E4314, #15651E, #1D8729, #24A933 and #2BCB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D8729 shade: #1D8729, #1D6787 and #871D3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D8729 shade: #1D8729, #271D87 and #87271D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D8729 shade: #1D8729, #1D6787, #871D7C and #873C1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D8729 shade: #1D8729, #1D4787, #871D7C and #875C1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

Complementary color

CMYK 0 / 47 / 5 / 11

HEX #E278D6

RGB 226 120 214

HSL 306.79, 0.65%, 0.68%

LAB 65.32, 53.68, -30.42

 

CMYK 75 / 0 / 73 / 47

HEX #228724

RGB 34 135 36

HSL 121.19, 0.6%, 0.33%

LAB 49.25, -48.04, 42.86

 

CMYK 67 / 0 / 64 / 40

HEX #339937

RGB 51 153 55

HSL 122.35, 0.5%, 0.4%

LAB 55.85, -49.16, 41.92

 

CMYK 60 / 0 / 57 / 33

HEX #44AB4A

RGB 68 171 74

HSL 123.5, 0.43%, 0.47%

LAB 62.38, -49.74, 40.67

 

CMYK 55 / 0 / 51 / 26

HEX #55BD5D

RGB 85 189 93

HSL 124.62, 0.44%, 0.54%

LAB 68.84, -49.99, 39.33

 

CMYK 51 / 0 / 46 / 19

HEX #66CF70

RGB 102 207 112

HSL 125.71, 0.52%, 0.61%

LAB 75.21, -50.04, 37.99

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 90 / 0 / 81 / 54

HEX #0C7516

RGB 12 117 22

HSL 125.71, 0.81%, 0.25%

LAB 42.55, -46.26, 41.29

 

CMYK 100 / 0 / 97 / 61

HEX #006303

RGB 0 99 3

HSL 121.82, 1%, 0.19%

LAB 35.85, -42.9, 40.68

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 67 / 0 / 79 / 47

HEX #2D871D

RGB 45 135 29

HSL 110.94, 0.65%, 0.32%

LAB 49.47, -46.39, 45.8

 

CMYK 45 / 0 / 79 / 47

HEX #4A871D

RGB 74 135 29

HSL 94.53, 0.65%, 0.32%

LAB 50.54, -38.01, 47.21

 

CMYK 24 / 0 / 79 / 47

HEX #66871D

RGB 102 135 29

HSL 78.68, 0.65%, 0.32%

LAB 52.11, -27.24, 49.26

 

CMYK 3 / 0 / 79 / 47

HEX #83871D

RGB 131 135 29

HSL 62.26, 0.65%, 0.32%

LAB 54.28, -14.51, 52.06

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 79 / 0 / 49 / 47

HEX #1D8745

RGB 29 135 69

HSL 142.64, 0.65%, 0.32%

LAB 49.52, -44.46, 27.26

 

CMYK 79 / 0 / 27 / 47

HEX #1D8762

RGB 29 135 98

HSL 159.06, 0.65%, 0.32%

LAB 50.06, -38.35, 11.72

 

CMYK 79 / 0 / 7 / 47

HEX #1D877E

RGB 29 135 126

HSL 174.91, 0.65%, 0.32%

LAB 50.8, -30.73, -3.49

 

CMYK 79 / 16 / 0 / 47

HEX #1D7287

RGB 29 114 135

HSL 191.89, 0.65%, 0.32%

LAB 44.3, -17, -18.6

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 90 / 0 / 80 / 42

HEX #0F941E

RGB 15 148 30

HSL 126.77, 0.82%, 0.32%

LAB 53.36, -55.14, 49.06

 

CMYK 99 / 0 / 88 / 37

HEX #02A114

RGB 2 161 20

HSL 126.79, 0.98%, 0.32%

LAB 57.61, -60.36, 55.71

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 65 / 0 / 58 / 53

HEX #2A7933

RGB 42 121 51

HSL 126.84, 0.48%, 0.32%

LAB 44.81, -39.49, 31.05

 

CMYK 49 / 0 / 44 / 58

HEX #376C3D

RGB 55 108 61

HSL 126.79, 0.33%, 0.32%

LAB 41.02, -28.66, 20.96

 

CMYK 28 / 0 / 25 / 63

HEX #445F47

RGB 68 95 71

HSL 126.67, 0.17%, 0.32%

LAB 37.61, -15.52, 10.57

 

CMYK 1 / 0 / 1 / 68

HEX #515251

RGB 81 82 81

HSL 120, 0.01%, 0.32%

LAB 34.76, -0.62, 0.44

 

CMYK 44 / 0 / 79 / 47

HEX #4B871D

RGB 75 135 29

HSL 93.96, 0.65%, 0.32%

LAB 50.58, -37.66, 47.27

 

CMYK 66 / 0 / 79 / 47

HEX #2E871D

RGB 46 135 29

HSL 110.38, 0.65%, 0.32%

LAB 49.49, -46.16, 45.84

 

CMYK 79 / 0 / 71 / 47

HEX #1D8727

RGB 29 135 39

HSL 125.66, 0.65%, 0.32%

LAB 49.17, -48.58, 41.52

 

CMYK 79 / 0 / 50 / 47

HEX #1D8743

RGB 29 135 67

HSL 141.51, 0.65%, 0.32%

LAB 49.49, -44.8, 28.29

 

CMYK 79 / 0 / 29 / 47

HEX #1D8760

RGB 29 135 96

HSL 157.92, 0.65%, 0.32%

LAB 50.02, -38.83, 12.81

 

CMYK 79 / 0 / 70 / 74

HEX #0E4314

RGB 14 67 20

HSL 126.79, 0.65%, 0.16%

LAB 24.19, -28.3, 23.09

 

CMYK 79 / 0 / 70 / 60

HEX #15651E

RGB 21 101 30

HSL 126.75, 0.66%, 0.24%

LAB 37.04, -38.85, 32.42

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 79 / 0 / 70 / 34

HEX #24A933

RGB 36 169 51

HSL 126.77, 0.65%, 0.4%

LAB 60.77, -57.67, 48.92

 

CMYK 79 / 0 / 70 / 20

HEX #2BCB3D

RGB 43 203 61

HSL 126.75, 0.65%, 0.48%

LAB 71.94, -66.58, 56.8

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 79 / 24 / 0 / 47

HEX #1D6787

RGB 29 103 135

HSL 198.11, 0.65%, 0.32%

LAB 40.75, -10.73, -24.08

 

CMYK 0 / 79 / 56 / 47

HEX #871D3C

RGB 135 29 60

HSL 342.45, 0.65%, 0.32%

LAB 30.29, 45.93, 8.63

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 71 / 79 / 0 / 47

HEX #271D87

RGB 39 29 135

HSL 245.66, 0.65%, 0.32%

LAB 20.28, 38.75, -56.93

 

CMYK 0 / 71 / 79 / 47

HEX #87271D

RGB 135 39 29

HSL 5.66, 0.65%, 0.32%

LAB 31.09, 40.23, 29.53

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 79 / 24 / 0 / 47

HEX #1D6787

RGB 29 103 135

HSL 198.11, 0.65%, 0.32%

LAB 40.75, -10.73, -24.08

 

CMYK 0 / 79 / 8 / 47

HEX #871D7C

RGB 135 29 124

HSL 306.23, 0.65%, 0.32%

LAB 32.89, 53.78, -28.97

 

CMYK 0 / 56 / 79 / 47

HEX #873C1D

RGB 135 60 29

HSL 17.55, 0.65%, 0.32%

LAB 34.95, 30.04, 33.58

 

CMYK 79 / 0 / 70 / 47

HEX #1D8729

RGB 29 135 41

HSL 126.79, 0.65%, 0.32%

LAB 49.19, -48.38, 40.69

 

CMYK 79 / 47 / 0 / 47

HEX #1D4787

RGB 29 71 135

HSL 216.23, 0.65%, 0.32%

LAB 30.68, 9.69, -40

 

CMYK 0 / 79 / 8 / 47

HEX #871D7C

RGB 135 29 124

HSL 306.23, 0.65%, 0.32%

LAB 32.89, 53.78, -28.97

 

CMYK 0 / 32 / 79 / 47

HEX #875C1D

RGB 135 92 29

HSL 35.66, 0.65%, 0.32%

LAB 42.6, 11.71, 41.24

 

Description

Color code: HEX #1D8729 | qconv.com Color code: HEX #1D8729 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 135 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 135 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 70 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 70% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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