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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D844A it is the complementary color #E27BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D844A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D844A shade: #228445, #339658, #44A86B, #55BA7E and #66CC91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D844A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D844A shade: #1D844A, #0C7237, #006024, #004E11 and #003C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D844A shade: #1D864B, #1D862F, #28861D, #44861D and #60861D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D844A shade: #1D864B, #1D8667, #1D8683, #1D6C86 and #1D5086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D844A shade matches the following richer shades: #1D864B, #109349 and #03A048

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D844A shade: #1D864B, #2B794D, #386B4E, #455E50 and #525152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D844A shade: #28861D, #1D862F, #1D864B, #1D8666 and #1D8682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D844A shade: #0F4225, #166438, #1D864B, #25A85E and #2CC971

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D844A shade: #1D844A, #1D4486 and #86211D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D844A shade: #1D844A, #4B1D86 and #864B1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D844A shade: #1D844A, #1D4486, #861D59 and #86601D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D844A shade: #1D844A, #1D2486, #861D59 and #867F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

Complementary color

CMYK 0 / 46 / 20 / 11

HEX #E27BB5

RGB 226 123 181

HSL 326.21, 0.64%, 0.68%

LAB 64.7, 46.94, -12.81

 

CMYK 74 / 0 / 48 / 48

HEX #228445

RGB 34 132 69

HSL 141.43, 0.59%, 0.33%

LAB 48.6, -42.53, 26.11

 

CMYK 66 / 0 / 41 / 41

HEX #339658

RGB 51 150 88

HSL 142.42, 0.49%, 0.39%

LAB 55.3, -43.06, 24.51

 

CMYK 60 / 0 / 36 / 34

HEX #44A86B

RGB 68 168 107

HSL 143.4, 0.42%, 0.46%

LAB 61.91, -43.25, 23.05

 

CMYK 54 / 0 / 32 / 27

HEX #55BA7E

RGB 85 186 126

HSL 144.36, 0.42%, 0.53%

LAB 68.43, -43.25, 21.71

 

CMYK 50 / 0 / 29 / 20

HEX #66CC91

RGB 102 204 145

HSL 145.29, 0.5%, 0.6%

LAB 74.86, -43.14, 20.48

 

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

CMYK 89 / 0 / 52 / 55

HEX #0C7237

RGB 12 114 55

HSL 145.29, 0.81%, 0.25%

LAB 41.83, -41.09, 25.13

 

CMYK 100 / 0 / 63 / 62

HEX #006024

RGB 0 96 36

HSL 142.5, 1%, 0.19%

LAB 34.99, -38.88, 27.03

 

CMYK 100 / 0 / 78 / 69

HEX #004E11

RGB 0 78 17

HSL 133.08, 1%, 0.15%

LAB 28.09, -35.13, 28.7

HEX #004E11

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

HEX #003C00

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 78 / 0 / 65 / 47

HEX #1D862F

RGB 29 134 47

HSL 130.29, 0.64%, 0.32%

LAB 48.9, -47.35, 37.67

 

CMYK 70 / 0 / 78 / 47

HEX #28861D

RGB 40 134 29

HSL 113.71, 0.64%, 0.32%

LAB 49, -47.12, 45.3

 

CMYK 49 / 0 / 78 / 47

HEX #44861D

RGB 68 134 29

HSL 97.71, 0.64%, 0.32%

LAB 49.94, -39.6, 46.54

 

CMYK 28 / 0 / 78 / 47

HEX #60861D

RGB 96 134 29

HSL 81.71, 0.64%, 0.32%

LAB 51.41, -29.23, 48.46

 

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 78 / 0 / 23 / 47

HEX #1D8667

RGB 29 134 103

HSL 162.29, 0.64%, 0.32%

LAB 49.85, -36.67, 8.53

 

CMYK 78 / 0 / 2 / 47

HEX #1D8683

RGB 29 134 131

HSL 178.29, 0.64%, 0.32%

LAB 50.63, -28.73, -6.67

 

CMYK 78 / 19 / 0 / 47

HEX #1D6C86

RGB 29 108 134

HSL 194.86, 0.64%, 0.32%

LAB 42.32, -13.99, -21.05

 

CMYK 78 / 40 / 0 / 47

HEX #1D5086

RGB 29 80 134

HSL 210.86, 0.64%, 0.32%

LAB 33.39, 3.25, -35.05

 

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 89 / 0 / 50 / 42

HEX #109349

RGB 16 147 73

HSL 146.11, 0.8%, 0.32%

LAB 53.45, -49.56, 30.04

 

CMYK 98 / 0 / 55 / 37

HEX #03A048

RGB 3 160 72

HSL 146.37, 0.96%, 0.32%

LAB 57.68, -54.94, 35.76

 

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 64 / 0 / 36 / 53

HEX #2B794D

RGB 43 121 77

HSL 146.15, 0.48%, 0.32%

LAB 45.25, -34.68, 17.28

 

CMYK 48 / 0 / 27 / 58

HEX #386B4E

RGB 56 107 78

HSL 145.88, 0.31%, 0.32%

LAB 41.07, -24.47, 11.04

 

CMYK 27 / 0 / 15 / 63

HEX #455E50

RGB 69 94 80

HSL 146.4, 0.15%, 0.32%

LAB 37.57, -12.66, 5.01

 

CMYK 0 / 1 / 0 / 68

HEX #525152

RGB 82 81 82

HSL 300, 0.01%, 0.32%

LAB 34.58, 0.62, -0.45

 

CMYK 70 / 0 / 78 / 47

HEX #28861D

RGB 40 134 29

HSL 113.71, 0.64%, 0.32%

LAB 49, -47.12, 45.3

 

CMYK 78 / 0 / 65 / 47

HEX #1D862F

RGB 29 134 47

HSL 130.29, 0.64%, 0.32%

LAB 48.9, -47.35, 37.67

 

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 78 / 0 / 24 / 47

HEX #1D8666

RGB 29 134 102

HSL 161.71, 0.64%, 0.32%

LAB 49.82, -36.92, 9.07

 

CMYK 78 / 0 / 3 / 47

HEX #1D8682

RGB 29 134 130

HSL 177.71, 0.64%, 0.32%

LAB 50.6, -29.04, -6.13

 

CMYK 77 / 0 / 44 / 74

HEX #0F4225

RGB 15 66 37

HSL 145.88, 0.63%, 0.16%

LAB 24.1, -24.57, 12.93

 

CMYK 78 / 0 / 44 / 61

HEX #166438

RGB 22 100 56

HSL 146.15, 0.64%, 0.24%

LAB 37.06, -34.13, 18.49

 

CMYK 78 / 0 / 44 / 47

HEX #1D864B

RGB 29 134 75

HSL 146.29, 0.64%, 0.32%

LAB 49.28, -42.97, 23.67

 

CMYK 78 / 0 / 44 / 34

HEX #25A85E

RGB 37 168 94

HSL 146.11, 0.64%, 0.4%

LAB 60.96, -51.21, 28.62

 

CMYK 78 / 0 / 44 / 21

HEX #2CC971

RGB 44 201 113

HSL 146.37, 0.64%, 0.48%

LAB 71.89, -58.9, 32.94

 

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

CMYK 78 / 49 / 0 / 47

HEX #1D4486

RGB 29 68 134

HSL 217.71, 0.64%, 0.32%

LAB 29.7, 11.34, -40.95

 

CMYK 0 / 75 / 78 / 47

HEX #86211D

RGB 134 33 29

HSL 2.29, 0.64%, 0.32%

LAB 30.02, 42.28, 28.31

 

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

CMYK 44 / 78 / 0 / 47

HEX #4B1D86

RGB 75 29 134

HSL 266.29, 0.64%, 0.32%

LAB 23.99, 43.47, -50.07

 

CMYK 0 / 44 / 78 / 47

HEX #864B1D

RGB 134 75 29

HSL 26.29, 0.64%, 0.32%

LAB 38.18, 21.2, 36.82

 

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

CMYK 78 / 49 / 0 / 47

HEX #1D4486

RGB 29 68 134

HSL 217.71, 0.64%, 0.32%

LAB 29.7, 11.34, -40.95

 

CMYK 0 / 78 / 34 / 47

HEX #861D59

RGB 134 29 89

HSL 325.71, 0.64%, 0.32%

LAB 31.04, 48.59, -9.44

 

CMYK 0 / 28 / 78 / 47

HEX #86601D

RGB 134 96 29

HSL 38.29, 0.64%, 0.32%

LAB 43.54, 8.89, 42.1

 

CMYK 78 / 0 / 44 / 48

HEX #1D844A

RGB 29 132 74

HSL 146.21, 0.64%, 0.32%

LAB 48.58, -42.38, 23.33

 

CMYK 78 / 73 / 0 / 47

HEX #1D2486

RGB 29 36 134

HSL 236, 0.64%, 0.32%

LAB 21, 33.23, -55.14

 

CMYK 0 / 78 / 34 / 47

HEX #861D59

RGB 134 29 89

HSL 325.71, 0.64%, 0.32%

LAB 31.04, 48.59, -9.44

 

CMYK 0 / 5 / 78 / 47

HEX #867F1D

RGB 134 127 29

HSL 56, 0.64%, 0.32%

LAB 52.21, -8.81, 50.26

 

Description

Color code: HEX #1D844A | qconv.com Color code: HEX #1D844A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 132 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 132 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 44 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 44% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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