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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D7D09 it is the complementary color #E282F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D7D09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D7D09 shade: #227D04, #338F17, #44A12A, #55B33D and #66C550

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D7D09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D7D09 shade: #1D7D09, #0C6B00, #005900, #004700 and #003500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D7D09 shade: #1C7C09, #3C7C09, #5B7C09, #7A7C09 and #7C5F09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D7D09 shade: #1C7C09, #097C14, #097C33, #097C52 and #097C71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D7D09 shade matches the following richer shades: #1C7C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D7D09 shade: #1C7C09, #247113, #2B671E, #325C29 and #395134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D7D09 shade: #5B7C09, #3D7C09, #1E7C09, #097C12 and #097C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D7D09 shade: #0B2F03, #145506, #1C7C09, #25A30B and #2EC90E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D7D09 shade: #1D7D09, #097A7C and #7C094C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D7D09 shade: #1D7D09, #091E7C and #7C091E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D7D09 shade: #1D7D09, #097A7C, #67097C and #7C0B09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D7D09 shade: #1D7D09, #09577C, #67097C and #7C2D09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

Complementary color

CMYK 8 / 47 / 0 / 4

HEX #E282F6

RGB 226 130 246

HSL 289.66, 0.87%, 0.74%

LAB 68.6, 54.48, -43.03

 

CMYK 73 / 0 / 97 / 51

HEX #227D04

RGB 34 125 4

HSL 105.12, 0.94%, 0.25%

LAB 45.66, -46.5, 48.78

 

CMYK 64 / 0 / 84 / 44

HEX #338F17

RGB 51 143 23

HSL 106, 0.72%, 0.33%

LAB 52.3, -48.22, 50.44

 

CMYK 58 / 0 / 74 / 37

HEX #44A12A

RGB 68 161 42

HSL 106.89, 0.59%, 0.4%

LAB 58.87, -49.26, 50.68

 

CMYK 53 / 0 / 66 / 30

HEX #55B33D

RGB 85 179 61

HSL 107.8, 0.49%, 0.47%

LAB 65.36, -49.84, 50.1

 

CMYK 48 / 0 / 59 / 23

HEX #66C550

RGB 102 197 80

HSL 108.72, 0.5%, 0.54%

LAB 71.78, -50.12, 49.13

 

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

CMYK 89 / 0 / 100 / 58

HEX #0C6B00

RGB 12 107 0

HSL 113.27, 1%, 0.21%

LAB 38.89, -44.26, 44.07

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 77 / 0 / 93 / 51

HEX #1C7C09

RGB 28 124 9

HSL 110.09, 0.86%, 0.26%

LAB 45.2, -47.09, 47.3

 

CMYK 52 / 0 / 93 / 51

HEX #3C7C09

RGB 60 124 9

HSL 93.39, 0.86%, 0.26%

LAB 46.17, -39.07, 48.52

 

CMYK 27 / 0 / 93 / 51

HEX #5B7C09

RGB 91 124 9

HSL 77.22, 0.86%, 0.26%

LAB 47.83, -27.31, 50.57

 

CMYK 2 / 0 / 93 / 51

HEX #7A7C09

RGB 122 124 9

HSL 61.04, 0.86%, 0.26%

LAB 50.18, -13.38, 53.45

 

CMYK 0 / 23 / 93 / 51

HEX #7C5F09

RGB 124 95 9

HSL 44.87, 0.86%, 0.26%

LAB 41.98, 4.03, 47.09

 

CMYK 77 / 0 / 93 / 51

HEX #1C7C09

RGB 28 124 9

HSL 110.09, 0.86%, 0.26%

LAB 45.2, -47.09, 47.3

 

CMYK 93 / 0 / 84 / 51

HEX #097C14

RGB 9 124 20

HSL 125.74, 0.86%, 0.26%

LAB 44.98, -48.87, 44.24

 

CMYK 93 / 0 / 59 / 51

HEX #097C33

RGB 9 124 51

HSL 141.91, 0.86%, 0.26%

LAB 45.24, -45.59, 31.41

 

CMYK 93 / 0 / 34 / 51

HEX #097C52

RGB 9 124 82

HSL 158.09, 0.86%, 0.26%

LAB 45.75, -39.58, 14.96

 

CMYK 93 / 0 / 9 / 51

HEX #097C71

RGB 9 124 113

HSL 174.26, 0.86%, 0.26%

LAB 46.53, -31.15, -2.16

 

CMYK 77 / 0 / 93 / 51

HEX #1C7C09

RGB 28 124 9

HSL 110.09, 0.86%, 0.26%

LAB 45.2, -47.09, 47.3

 

CMYK 77 / 0 / 93 / 51

HEX #1C7C09

RGB 28 124 9

HSL 110.09, 0.86%, 0.26%

LAB 45.2, -47.09, 47.3

 

CMYK 68 / 0 / 83 / 56

HEX #247113

RGB 36 113 19

HSL 109.15, 0.71%, 0.26%

LAB 41.58, -41.14, 41.53

 

CMYK 58 / 0 / 71 / 60

HEX #2B671E

RGB 43 103 30

HSL 109.32, 0.55%, 0.26%

LAB 38.39, -34.46, 34.06

 

CMYK 46 / 0 / 55 / 64

HEX #325C29

RGB 50 92 41

HSL 109.41, 0.38%, 0.26%

LAB 34.99, -25.88, 24.65

 

CMYK 30 / 0 / 36 / 68

HEX #395134

RGB 57 81 52

HSL 109.66, 0.22%, 0.26%

LAB 31.81, -15.68, 14.2

 

CMYK 27 / 0 / 93 / 51

HEX #5B7C09

RGB 91 124 9

HSL 77.22, 0.86%, 0.26%

LAB 47.83, -27.31, 50.57

 

CMYK 51 / 0 / 93 / 51

HEX #3D7C09

RGB 61 124 9

HSL 92.87, 0.86%, 0.26%

LAB 46.21, -38.74, 48.57

 

CMYK 76 / 0 / 93 / 51

HEX #1E7C09

RGB 30 124 9

HSL 109.04, 0.86%, 0.26%

LAB 45.24, -46.74, 47.35

 

CMYK 93 / 0 / 85 / 51

HEX #097C12

RGB 9 124 18

HSL 124.7, 0.86%, 0.26%

LAB 44.97, -49, 44.82

 

CMYK 93 / 0 / 60 / 51

HEX #097C31

RGB 9 124 49

HSL 140.87, 0.86%, 0.26%

LAB 45.21, -45.88, 32.39

 

CMYK 77 / 0 / 94 / 82

HEX #0B2F03

RGB 11 47 3

HSL 109.09, 0.88%, 0.1%

LAB 16.06, -22.7, 21.51

 

CMYK 76 / 0 / 93 / 67

HEX #145506

RGB 20 85 6

HSL 109.37, 0.87%, 0.18%

LAB 31.02, -35.22, 35.71

 

CMYK 77 / 0 / 93 / 51

HEX #1C7C09

RGB 28 124 9

HSL 110.09, 0.86%, 0.26%

LAB 45.2, -47.09, 47.3

 

CMYK 77 / 0 / 93 / 36

HEX #25A30B

RGB 37 163 11

HSL 109.74, 0.87%, 0.34%

LAB 58.61, -58.05, 58.39

 

CMYK 77 / 0 / 93 / 21

HEX #2EC90E

RGB 46 201 14

HSL 109.73, 0.87%, 0.42%

LAB 71.14, -68.16, 68.5

 

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

CMYK 93 / 2 / 0 / 51

HEX #097A7C

RGB 9 122 124

HSL 181.04, 0.86%, 0.26%

LAB 46.22, -26.69, -9.16

 

CMYK 0 / 93 / 39 / 51

HEX #7C094C

RGB 124 9 76

HSL 325.04, 0.86%, 0.26%

LAB 26.74, 49.54, -7.52

 

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

CMYK 93 / 76 / 0 / 51

HEX #091E7C

RGB 9 30 124

HSL 229.04, 0.86%, 0.26%

LAB 17.65, 31.92, -54.36

 

CMYK 0 / 93 / 76 / 51

HEX #7C091E

RGB 124 9 30

HSL 349.04, 0.86%, 0.26%

LAB 25.49, 46.04, 21.98

 

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

CMYK 93 / 2 / 0 / 51

HEX #097A7C

RGB 9 122 124

HSL 181.04, 0.86%, 0.26%

LAB 46.22, -26.69, -9.16

 

CMYK 17 / 93 / 0 / 51

HEX #67097C

RGB 103 9 124

HSL 289.04, 0.86%, 0.26%

LAB 25.36, 52.35, -41.32

 

CMYK 0 / 91 / 93 / 51

HEX #7C0B09

RGB 124 11 9

HSL 1.04, 0.86%, 0.26%

LAB 25.39, 45.01, 33.93

 

CMYK 77 / 0 / 93 / 51

HEX #1D7D09

RGB 29 125 9

HSL 109.66, 0.87%, 0.26%

LAB 45.56, -47.25, 47.62

 

CMYK 93 / 30 / 0 / 51

HEX #09577C

RGB 9 87 124

HSL 199.3, 0.86%, 0.26%

LAB 34.66, -7.21, -26.91

 

CMYK 17 / 93 / 0 / 51

HEX #67097C

RGB 103 9 124

HSL 289.04, 0.86%, 0.26%

LAB 25.36, 52.35, -41.32

 

CMYK 0 / 64 / 93 / 51

HEX #7C2D09

RGB 124 45 9

HSL 18.78, 0.86%, 0.26%

LAB 29.87, 32.7, 37.74

 

Description

Color code: HEX #1D7D09 | qconv.com Color code: HEX #1D7D09 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 125 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 125 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 93 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 93% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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