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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D7364 it is the complementary color #E28C9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D7364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D7364 shade: #22735F, #338572, #449785, #55A998 and #66BBAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D7364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D7364 shade: #1D7364, #0C6151, #004F3E, #003D2B and #002B18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D7364 shade: #1D7263, #1D724C, #1D7235, #1D721E and #32721D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D7364 shade: #1D7263, #1D6A72, #1D5372, #1D3C72 and #1D2572

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D7364 shade matches the following richer shades: #1D7263, #117E6B and #058972

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D7364 shade: #1D7263, #28675C, #345B54, #3F504D and #4B4445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D7364 shade: #1D7235, #1D724C, #1D7263, #1D6B72 and #1D5472

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D7364 shade: #0C302A, #145147, #1D7263, #259380 and #2DB49D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D7364 shade: #1D7364, #1E1D72 and #72401D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D7364 shade: #1D7364, #631D72 and #72631D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D7364 shade: #1D7364, #1E1D72, #721D2C and #71721D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D7364 shade: #1D7364, #381D72, #721D2C and #57721D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

Complementary color

CMYK 0 / 38 / 31 / 11

HEX #E28C9B

RGB 226 140 155

HSL 349.53, 0.6%, 0.72%

LAB 67.5, 34.53, 5.98

 

CMYK 70 / 0 / 17 / 55

HEX #22735F

RGB 34 115 95

HSL 165.19, 0.54%, 0.29%

LAB 43.4, -29.36, 4.06

 

CMYK 62 / 0 / 14 / 48

HEX #338572

RGB 51 133 114

HSL 166.1, 0.45%, 0.36%

LAB 50.33, -29.67, 2.88

 

CMYK 55 / 0 / 12 / 41

HEX #449785

RGB 68 151 133

HSL 166.99, 0.38%, 0.43%

LAB 57.13, -29.77, 1.86

 

CMYK 50 / 0 / 10 / 34

HEX #55A998

RGB 85 169 152

HSL 167.86, 0.33%, 0.5%

LAB 63.81, -29.76, 0.94

 

CMYK 45 / 0 / 9 / 27

HEX #66BBAB

RGB 102 187 171

HSL 168.71, 0.38%, 0.57%

LAB 70.39, -29.68, 0.1

 

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

CMYK 88 / 0 / 16 / 62

HEX #0C6151

RGB 12 97 81

HSL 168.71, 0.78%, 0.21%

LAB 36.41, -27.79, 2.43

 

CMYK 100 / 0 / 22 / 69

HEX #004F3E

RGB 0 79 62

HSL 167.09, 1%, 0.15%

LAB 29.26, -26.16, 4.05

 

CMYK 100 / 0 / 30 / 76

HEX #003D2B

RGB 0 61 43

HSL 162.3, 1%, 0.12%

LAB 21.99, -23.33, 6.1

 

CMYK 100 / 0 / 44 / 83

HEX #002B18

RGB 0 43 24

HSL 153.49, 1%, 0.08%

LAB 14.37, -20.28, 8.39

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 75 / 0 / 33 / 55

HEX #1D724C

RGB 29 114 76

HSL 153.18, 0.59%, 0.28%

LAB 42.49, -34.55, 14.05

 

CMYK 75 / 0 / 54 / 55

HEX #1D7235

RGB 29 114 53

HSL 136.94, 0.59%, 0.28%

LAB 42.08, -39.12, 26.6

 

CMYK 75 / 0 / 74 / 55

HEX #1D721E

RGB 29 114 30

HSL 120.71, 0.59%, 0.28%

LAB 41.83, -42.12, 37.58

 

CMYK 56 / 0 / 75 / 55

HEX #32721D

RGB 50 114 29

HSL 105.18, 0.59%, 0.28%

LAB 42.46, -37.02, 38.85

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 75 / 7 / 0 / 55

HEX #1D6A72

RGB 29 106 114

HSL 185.65, 0.59%, 0.28%

LAB 40.87, -19.82, -11.17

 

CMYK 75 / 27 / 0 / 55

HEX #1D5372

RGB 29 83 114

HSL 201.88, 0.59%, 0.28%

LAB 33.27, -6.47, -22.85

 

CMYK 75 / 47 / 0 / 55

HEX #1D3C72

RGB 29 60 114

HSL 218.12, 0.59%, 0.28%

LAB 25.89, 8.78, -34.53

 

CMYK 75 / 68 / 0 / 55

HEX #1D2572

RGB 29 37 114

HSL 234.35, 0.59%, 0.28%

LAB 19.22, 25.03, -45.33

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 87 / 0 / 15 / 51

HEX #117E6B

RGB 17 126 107

HSL 169.54, 0.76%, 0.28%

LAB 47.11, -33.29, 2.24

 

CMYK 96 / 0 / 17 / 46

HEX #058972

RGB 5 137 114

HSL 169.55, 0.93%, 0.28%

LAB 50.85, -36.99, 3.54

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 61 / 0 / 11 / 60

HEX #28675C

RGB 40 103 92

HSL 169.52, 0.44%, 0.28%

LAB 39.45, -23.07, 0.17

 

CMYK 43 / 0 / 8 / 64

HEX #345B54

RGB 52 91 84

HSL 169.23, 0.27%, 0.28%

LAB 35.7, -15.7, -0.31

 

CMYK 21 / 0 / 4 / 69

HEX #3F504D

RGB 63 80 77

HSL 169.41, 0.12%, 0.28%

LAB 32.55, -7.35, -0.44

 

CMYK 0 / 9 / 8 / 71

HEX #4B4445

RGB 75 68 69

HSL 351.43, 0.05%, 0.28%

LAB 29.56, 3.17, 0.47

 

CMYK 75 / 0 / 54 / 55

HEX #1D7235

RGB 29 114 53

HSL 136.94, 0.59%, 0.28%

LAB 42.08, -39.12, 26.6

 

CMYK 75 / 0 / 33 / 55

HEX #1D724C

RGB 29 114 76

HSL 153.18, 0.59%, 0.28%

LAB 42.49, -34.55, 14.05

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 75 / 6 / 0 / 55

HEX #1D6B72

RGB 29 107 114

HSL 184.94, 0.59%, 0.28%

LAB 41.2, -20.35, -10.67

 

CMYK 75 / 26 / 0 / 55

HEX #1D5472

RGB 29 84 114

HSL 201.18, 0.59%, 0.28%

LAB 33.6, -7.09, -22.34

 

CMYK 75 / 0 / 13 / 81

HEX #0C302A

RGB 12 48 42

HSL 170, 0.6%, 0.12%

LAB 17.27, -14.56, 0.06

 

CMYK 75 / 0 / 12 / 68

HEX #145147

RGB 20 81 71

HSL 170.16, 0.6%, 0.2%

LAB 30.61, -21.82, 0.31

 

CMYK 75 / 0 / 13 / 55

HEX #1D7263

RGB 29 114 99

HSL 169.41, 0.59%, 0.28%

LAB 43.06, -28.57, 1.15

 

CMYK 75 / 0 / 13 / 42

HEX #259380

RGB 37 147 128

HSL 169.64, 0.6%, 0.36%

LAB 54.89, -34.78, 1.35

 

CMYK 75 / 0 / 13 / 29

HEX #2DB49D

RGB 45 180 157

HSL 169.78, 0.6%, 0.44%

LAB 66.24, -40.71, 1.55

 

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

CMYK 74 / 75 / 0 / 55

HEX #1E1D72

RGB 30 29 114

HSL 240.71, 0.59%, 0.28%

LAB 17.32, 30.48, -48.46

 

CMYK 0 / 44 / 75 / 55

HEX #72401D

RGB 114 64 29

HSL 24.71, 0.59%, 0.28%

LAB 32.55, 18.57, 30.05

 

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

CMYK 13 / 75 / 0 / 55

HEX #631D72

RGB 99 29 114

HSL 289.41, 0.59%, 0.28%

LAB 26, 43.63, -33.96

 

CMYK 0 / 13 / 75 / 55

HEX #72631D

RGB 114 99 29

HSL 49.41, 0.59%, 0.28%

LAB 42.14, -2.42, 39.97

 

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

CMYK 74 / 75 / 0 / 55

HEX #1E1D72

RGB 30 29 114

HSL 240.71, 0.59%, 0.28%

LAB 17.32, 30.48, -48.46

 

CMYK 0 / 75 / 61 / 55

HEX #721D2C

RGB 114 29 44

HSL 349.41, 0.59%, 0.28%

LAB 25.68, 37.95, 12.37

 

CMYK 1 / 0 / 75 / 55

HEX #71721D

RGB 113 114 29

HSL 60.71, 0.59%, 0.28%

LAB 46.49, -11.42, 44.2

 

CMYK 75 / 0 / 13 / 55

HEX #1D7364

RGB 29 115 100

HSL 169.53, 0.6%, 0.28%

LAB 43.42, -28.76, 1.08

 

CMYK 51 / 75 / 0 / 55

HEX #381D72

RGB 56 29 114

HSL 259.06, 0.59%, 0.28%

LAB 19.78, 34.46, -44.33

 

CMYK 0 / 75 / 61 / 55

HEX #721D2C

RGB 114 29 44

HSL 349.41, 0.59%, 0.28%

LAB 25.68, 37.95, 12.37

 

CMYK 24 / 0 / 75 / 55

HEX #57721D

RGB 87 114 29

HSL 79.06, 0.59%, 0.28%

LAB 44.45, -23.18, 41.5

 

Description

Color code: HEX #1D7364 | qconv.com Color code: HEX #1D7364 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 115 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 115 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 13 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 13% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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