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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D6993 it is the complementary color #E2966C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D6993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D6993 shade: #22698E, #337BA1, #448DB4, #559FC7 and #66B1DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D6993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D6993 shade: #1D6993, #0C5780, #00456D, #00335A and #002147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D6993 shade: #1D6A95, #1D4A95, #1D2A95, #311D95 and #511D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D6993 shade: #1D6A95, #1D4A95, #1D2A95 and #1D1D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D6993 shade matches the following richer shades: #1D6A95, #0F6FA3 and #0173B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D6993 shade: #1D6A95, #2C6687, #3A6278, #495E6A and #575A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D6993 shade: #1D957F, #1D8B95, #1D6B95, #1D4B95 and #1D2B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D6993 shade: #103950, #175273, #1D6A95, #2483B7 and #2F9BD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D6993 shade: #1D6993, #5F1D95 and #958F1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D6993 shade: #1D6993, #951D6B and #6B951D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D6993 shade: #1D6993, #5F1D95, #95471D and #53951D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D6993 shade: #1D6993, #831D95, #95471D and #2F951D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

Complementary color

CMYK 0 / 34 / 52 / 11

HEX #E2966C

RGB 226 150 108

HSL 21.36, 0.67%, 0.65%

LAB 68.8, 24.12, 33.75

 

CMYK 76 / 26 / 0 / 44

HEX #22698E

RGB 34 105 142

HSL 200.56, 0.61%, 0.35%

LAB 41.84, -8.68, -26.58

 

CMYK 68 / 24 / 0 / 37

HEX #337BA1

RGB 51 123 161

HSL 200.73, 0.52%, 0.42%

LAB 48.81, -9.88, -26.93

 

CMYK 62 / 22 / 0 / 29

HEX #448DB4

RGB 68 141 180

HSL 200.89, 0.45%, 0.49%

LAB 55.66, -10.75, -27.24

 

CMYK 57 / 20 / 0 / 22

HEX #559FC7

RGB 85 159 199

HSL 201.05, 0.5%, 0.56%

LAB 62.38, -11.4, -27.54

 

CMYK 53 / 19 / 0 / 15

HEX #66B1DA

RGB 102 177 218

HSL 201.21, 0.61%, 0.63%

LAB 68.99, -11.9, -27.82

 

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

CMYK 91 / 32 / 0 / 50

HEX #0C5780

RGB 12 87 128

HSL 201.21, 0.83%, 0.27%

LAB 34.91, -5.4, -28.98

 

CMYK 100 / 37 / 0 / 57

HEX #00456D

RGB 0 69 109

HSL 202.02, 1%, 0.21%

LAB 27.74, -2.58, -28.44

 

CMYK 100 / 43 / 0 / 65

HEX #00335A

RGB 0 51 90

HSL 206, 1%, 0.18%

LAB 20.46, 1.36, -27.71

 

CMYK 100 / 54 / 0 / 72

HEX #002147

RGB 0 33 71

HSL 212.11, 1%, 0.14%

LAB 12.88, 5.81, -27.03

 

CMYK 81 / 29 / 0 / 42

HEX #1D6A95

RGB 29 106 149

HSL 201.5, 0.67%, 0.35%

LAB 42.37, -7.29, -29.95

 

CMYK 81 / 50 / 0 / 42

HEX #1D4A95

RGB 29 74 149

HSL 217.5, 0.67%, 0.35%

LAB 32.54, 13.3, -45.58

 

CMYK 81 / 72 / 0 / 42

HEX #1D2A95

RGB 29 42 149

HSL 233.5, 0.67%, 0.35%

LAB 23.96, 34.93, -59.59

 

CMYK 67 / 81 / 0 / 42

HEX #311D95

RGB 49 29 149

HSL 250, 0.67%, 0.35%

LAB 22.66, 44.25, -61.69

 

CMYK 46 / 81 / 0 / 42

HEX #511D95

RGB 81 29 149

HSL 266, 0.67%, 0.35%

LAB 26.15, 48.36, -55.82

 

CMYK 81 / 29 / 0 / 42

HEX #1D6A95

RGB 29 106 149

HSL 201.5, 0.67%, 0.35%

LAB 42.37, -7.29, -29.95

 

CMYK 81 / 50 / 0 / 42

HEX #1D4A95

RGB 29 74 149

HSL 217.5, 0.67%, 0.35%

LAB 32.54, 13.3, -45.58

 

CMYK 81 / 72 / 0 / 42

HEX #1D2A95

RGB 29 42 149

HSL 233.5, 0.67%, 0.35%

LAB 23.96, 34.93, -59.59

 

CMYK 81 / 81 / 0 / 42

HEX #1D1D95

RGB 29 29 149

HSL 240, 0.67%, 0.35%

LAB 21.24, 42.57, -64.07

 

CMYK 81 / 29 / 0 / 42

HEX #1D6A95

RGB 29 106 149

HSL 201.5, 0.67%, 0.35%

LAB 42.37, -7.29, -29.95

 

CMYK 91 / 32 / 0 / 36

HEX #0F6FA3

RGB 15 111 163

HSL 201.08, 0.83%, 0.35%

LAB 44.4, -6.12, -35.07

 

CMYK 99 / 35 / 0 / 30

HEX #0173B2

RGB 1 115 178

HSL 201.36, 0.99%, 0.35%

LAB 46.29, -3.3, -40.87

 

CMYK 81 / 29 / 0 / 42

HEX #1D6A95

RGB 29 106 149

HSL 201.5, 0.67%, 0.35%

LAB 42.37, -7.29, -29.95

 

CMYK 67 / 24 / 0 / 47

HEX #2C6687

RGB 44 102 135

HSL 201.76, 0.51%, 0.35%

LAB 40.88, -7.84, -23.85

 

CMYK 52 / 18 / 0 / 53

HEX #3A6278

RGB 58 98 120

HSL 201.29, 0.35%, 0.35%

LAB 39.57, -7.44, -16.72

 

CMYK 31 / 11 / 0 / 58

HEX #495E6A

RGB 73 94 106

HSL 201.82, 0.18%, 0.35%

LAB 38.66, -4.77, -9.42

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 81 / 0 / 15 / 42

HEX #1D957F

RGB 29 149 127

HSL 169, 0.67%, 0.35%

LAB 55.37, -36.91, 2.61

 

CMYK 81 / 7 / 0 / 42

HEX #1D8B95

RGB 29 139 149

HSL 185, 0.67%, 0.35%

LAB 52.84, -25.52, -13.83

 

CMYK 81 / 28 / 0 / 42

HEX #1D6B95

RGB 29 107 149

HSL 201, 0.67%, 0.35%

LAB 42.68, -7.89, -29.46

 

CMYK 81 / 50 / 0 / 42

HEX #1D4B95

RGB 29 75 149

HSL 217, 0.67%, 0.35%

LAB 32.84, 12.62, -45.11

 

CMYK 81 / 71 / 0 / 42

HEX #1D2B95

RGB 29 43 149

HSL 233, 0.67%, 0.35%

LAB 24.19, 34.29, -59.21

 

CMYK 80 / 29 / 0 / 69

HEX #103950

RGB 16 57 80

HSL 201.56, 0.67%, 0.19%

LAB 22.36, -5.16, -18.06

 

CMYK 80 / 29 / 0 / 55

HEX #175273

RGB 23 82 115

HSL 201.52, 0.67%, 0.27%

LAB 32.82, -6.33, -24.19

 

CMYK 81 / 29 / 0 / 42

HEX #1D6A95

RGB 29 106 149

HSL 201.5, 0.67%, 0.35%

LAB 42.37, -7.29, -29.95

 

CMYK 80 / 28 / 0 / 28

HEX #2483B7

RGB 36 131 183

HSL 201.22, 0.67%, 0.43%

LAB 51.87, -8.67, -34.94

 

CMYK 78 / 28 / 0 / 16

HEX #2F9BD6

RGB 47 155 214

HSL 201.2, 0.67%, 0.51%

LAB 60.7, -10.09, -38.62

 

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

CMYK 36 / 81 / 0 / 42

HEX #5F1D95

RGB 95 29 149

HSL 273, 0.67%, 0.35%

LAB 28.06, 50.61, -52.61

 

CMYK 0 / 4 / 81 / 42

HEX #958F1D

RGB 149 143 29

HSL 57, 0.67%, 0.35%

LAB 58.15, -10.61, 56.13

 

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

CMYK 0 / 81 / 28 / 42

HEX #951D6B

RGB 149 29 107

HSL 321, 0.67%, 0.35%

LAB 34.66, 54.73, -15.26

 

CMYK 28 / 0 / 81 / 42

HEX #6B951D

RGB 107 149 29

HSL 81, 0.67%, 0.35%

LAB 56.79, -31.86, 53.72

 

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

CMYK 36 / 81 / 0 / 42

HEX #5F1D95

RGB 95 29 149

HSL 273, 0.67%, 0.35%

LAB 28.06, 50.61, -52.61

 

CMYK 0 / 52 / 81 / 42

HEX #95471D

RGB 149 71 29

HSL 21, 0.67%, 0.35%

LAB 39.55, 29.95, 38.95

 

CMYK 44 / 0 / 81 / 42

HEX #53951D

RGB 83 149 29

HSL 93, 0.67%, 0.35%

LAB 55.5, -40.82, 52.06

 

CMYK 80 / 29 / 0 / 42

HEX #1D6993

RGB 29 105 147

HSL 201.36, 0.67%, 0.35%

LAB 41.96, -7.45, -29.41

 

CMYK 12 / 81 / 0 / 42

HEX #831D95

RGB 131 29 149

HSL 291, 0.67%, 0.35%

LAB 33.72, 57.24, -43.18

 

CMYK 0 / 52 / 81 / 42

HEX #95471D

RGB 149 71 29

HSL 21, 0.67%, 0.35%

LAB 39.55, 29.95, 38.95

 

CMYK 68 / 0 / 81 / 42

HEX #2F951D

RGB 47 149 29

HSL 111, 0.67%, 0.35%

LAB 54.23, -50.88, 50.4

 

Description

Color code: HEX #1D6993 | qconv.com Color code: HEX #1D6993 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 105 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 105 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 29 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 29% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - www.gestaflota.com
Link: http://www.gestaflota.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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