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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D6434 it is the complementary color #E29BCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D6434. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D6434 shade: #22642F, #337642, #448855, #559A68 and #66AC7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D6434. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D6434 shade: #1D6434, #0C5221, #00400E, #002E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D6434 shade: #1D6333, #1D6320, #2C631D, #3F631D and #52631D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D6434 shade: #1D6333, #1D6346, #1D6359, #1D5963 and #1D4763

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D6434 shade matches the following richer shades: #1D6333, #126D30 and #08772C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D6434 shade: #1D6333, #275837, #314E3B, #3C443E and #463A42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D6434 shade: #2C631D, #1D6320, #1D6333, #1D6346 and #1D6358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D6434 shade: #0A2312, #134323, #1D6333, #268344 and #2FA355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D6434 shade: #1D6434, #1D3F63 and #631D23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D6434 shade: #1D6434, #331D63 and #63331D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D6434 shade: #1D6434, #1D3F63, #631D4D and #63411D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D6434 shade: #1D6434, #1D2A63, #631D4D and #63561D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

Complementary color

CMYK 0 / 31 / 10 / 11

HEX #E29BCB

RGB 226 155 203

HSL 319.44, 0.55%, 0.75%

LAB 72.18, 33.7, -13.86

 

CMYK 66 / 0 / 53 / 61

HEX #22642F

RGB 34 100 47

HSL 131.82, 0.49%, 0.26%

LAB 37.22, -33.36, 23.91

 

CMYK 57 / 0 / 44 / 54

HEX #337642

RGB 51 118 66

HSL 133.43, 0.4%, 0.33%

LAB 44.31, -33.53, 22.36

 

CMYK 50 / 0 / 38 / 47

HEX #448855

RGB 68 136 85

HSL 135, 0.33%, 0.4%

LAB 51.26, -33.44, 20.93

 

CMYK 45 / 0 / 32 / 40

HEX #559A68

RGB 85 154 104

HSL 136.52, 0.29%, 0.47%

LAB 58.08, -33.23, 19.63

 

CMYK 41 / 0 / 28 / 33

HEX #66AC7B

RGB 102 172 123

HSL 138, 0.3%, 0.54%

LAB 64.77, -32.97, 18.45

 

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

CMYK 85 / 0 / 60 / 68

HEX #0C5221

RGB 12 82 33

HSL 138, 0.74%, 0.18%

LAB 29.97, -32.69, 22.73

 

CMYK 100 / 0 / 78 / 75

HEX #00400E

RGB 0 64 14

HSL 133.13, 1%, 0.13%

LAB 22.65, -30.59, 24.36

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 71 / 0 / 68 / 61

HEX #1D6320

RGB 29 99 32

HSL 122.57, 0.55%, 0.25%

LAB 36.54, -36.28, 30.96

 

CMYK 56 / 0 / 71 / 61

HEX #2C631D

RGB 44 99 29

HSL 107.14, 0.55%, 0.25%

LAB 37.02, -32.56, 33.06

 

CMYK 36 / 0 / 71 / 61

HEX #3F631D

RGB 63 99 29

HSL 90.86, 0.55%, 0.25%

LAB 37.97, -25.72, 34.36

 

CMYK 17 / 0 / 71 / 61

HEX #52631D

RGB 82 99 29

HSL 74.57, 0.55%, 0.25%

LAB 39.25, -17.55, 36.1

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 71 / 0 / 29 / 61

HEX #1D6346

RGB 29 99 70

HSL 155.14, 0.55%, 0.25%

LAB 37.16, -29.26, 10.29

 

CMYK 71 / 0 / 10 / 61

HEX #1D6359

RGB 29 99 89

HSL 171.43, 0.55%, 0.25%

LAB 37.67, -24.07, -0.63

 

CMYK 71 / 10 / 0 / 61

HEX #1D5963

RGB 29 89 99

HSL 188.57, 0.55%, 0.25%

LAB 34.61, -15.48, -11.4

 

CMYK 71 / 28 / 0 / 61

HEX #1D4763

RGB 29 71 99

HSL 204, 0.55%, 0.25%

LAB 28.56, -4.57, -20.72

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 83 / 0 / 56 / 57

HEX #126D30

RGB 18 109 48

HSL 139.78, 0.72%, 0.25%

LAB 40.05, -39.75, 26.75

 

CMYK 93 / 0 / 63 / 53

HEX #08772C

RGB 8 119 44

HSL 139.46, 0.87%, 0.25%

LAB 43.4, -44.95, 32.77

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 56 / 0 / 38 / 65

HEX #275837

RGB 39 88 55

HSL 139.59, 0.39%, 0.25%

LAB 33.32, -25.05, 14.22

 

CMYK 37 / 0 / 24 / 69

HEX #314E3B

RGB 49 78 59

HSL 140.69, 0.23%, 0.25%

LAB 30.44, -15.62, 7.86

 

CMYK 12 / 0 / 9 / 73

HEX #3C443E

RGB 60 68 62

HSL 135, 0.06%, 0.25%

LAB 27.96, -4.67, 2.52

 

CMYK 0 / 17 / 6 / 73

HEX #463A42

RGB 70 58 66

HSL 320, 0.09%, 0.25%

LAB 25.93, 6.91, -2.97

 

CMYK 56 / 0 / 71 / 61

HEX #2C631D

RGB 44 99 29

HSL 107.14, 0.55%, 0.25%

LAB 37.02, -32.56, 33.06

 

CMYK 71 / 0 / 68 / 61

HEX #1D6320

RGB 29 99 32

HSL 122.57, 0.55%, 0.25%

LAB 36.54, -36.28, 30.96

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 71 / 0 / 29 / 61

HEX #1D6346

RGB 29 99 70

HSL 155.14, 0.55%, 0.25%

LAB 37.16, -29.26, 10.29

 

CMYK 71 / 0 / 11 / 61

HEX #1D6358

RGB 29 99 88

HSL 170.57, 0.55%, 0.25%

LAB 37.64, -24.37, -0.05

 

CMYK 71 / 0 / 49 / 86

HEX #0A2312

RGB 10 35 18

HSL 139.2, 0.56%, 0.09%

LAB 11.35, -14.69, 8.39

 

CMYK 72 / 0 / 48 / 74

HEX #134323

RGB 19 67 35

HSL 140, 0.56%, 0.17%

LAB 24.56, -24.57, 14.81

 

CMYK 71 / 0 / 48 / 61

HEX #1D6333

RGB 29 99 51

HSL 138.86, 0.55%, 0.25%

LAB 36.79, -33.37, 21.07

 

CMYK 71 / 0 / 48 / 49

HEX #268344

RGB 38 131 68

HSL 139.35, 0.55%, 0.33%

LAB 48.34, -41.6, 26.34

 

CMYK 71 / 0 / 48 / 36

HEX #2FA355

RGB 47 163 85

HSL 139.66, 0.55%, 0.41%

LAB 59.39, -49.42, 31.37

 

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

CMYK 71 / 36 / 0 / 61

HEX #1D3F63

RGB 29 63 99

HSL 210.86, 0.55%, 0.25%

LAB 25.91, 0.71, -24.88

 

CMYK 0 / 71 / 65 / 61

HEX #631D23

RGB 99 29 35

HSL 354.86, 0.55%, 0.25%

LAB 22.49, 31.94, 13.72

 

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

CMYK 48 / 71 / 0 / 61

HEX #331D63

RGB 51 29 99

HSL 258.86, 0.55%, 0.25%

LAB 17.84, 28.86, -37.72

 

CMYK 0 / 48 / 71 / 61

HEX #63331D

RGB 99 51 29

HSL 18.86, 0.55%, 0.25%

LAB 27.04, 19.47, 23.23

 

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

CMYK 71 / 36 / 0 / 61

HEX #1D3F63

RGB 29 63 99

HSL 210.86, 0.55%, 0.25%

LAB 25.91, 0.71, -24.88

 

CMYK 0 / 71 / 22 / 61

HEX #631D4D

RGB 99 29 77

HSL 318.86, 0.55%, 0.25%

LAB 23.89, 36.88, -12.99

 

CMYK 0 / 34 / 71 / 61

HEX #63411D

RGB 99 65 29

HSL 30.86, 0.55%, 0.25%

LAB 30.69, 10.86, 27.4

 

CMYK 71 / 0 / 48 / 61

HEX #1D6434

RGB 29 100 52

HSL 139.44, 0.55%, 0.25%

LAB 37.16, -33.61, 20.97

 

CMYK 71 / 58 / 0 / 61

HEX #1D2A63

RGB 29 42 99

HSL 228.86, 0.55%, 0.25%

LAB 19.3, 15.56, -35.45

 

CMYK 0 / 71 / 22 / 61

HEX #631D4D

RGB 99 29 77

HSL 318.86, 0.55%, 0.25%

LAB 23.89, 36.88, -12.99

 

CMYK 0 / 13 / 71 / 61

HEX #63561D

RGB 99 86 29

HSL 48.86, 0.55%, 0.25%

LAB 36.74, -2.02, 33.95

 

Description

Color code: HEX #1D6434 | qconv.com Color code: HEX #1D6434 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 100 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 100 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 48 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 48% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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