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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D563D it is the complementary color #E2A9C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D563D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D563D shade: #225638, #33684B, #447A5E, #558C71 and #669E84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D563D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D563D shade: #1D563D, #0C442A, #003217, #002004 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D563D shade: #1D583E, #1D582E, #1D581F, #2C581D and #3C581D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D563D shade: #1D583E, #1D584E, #1D5258, #1D4258 and #1D3258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D563D shade matches the following richer shades: #1D583E, #14613F, #0A6B41 and #017442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D563D shade: #1D583E, #274E3D, #30453C, #3A3C3B and #43323A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D563D shade: #1D581E, #1D582E, #1D583E, #1D584D and #1D5358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D563D shade: #091A12, #133928, #1D583E, #287754 and #32966A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D563D shade: #1D563D, #1D2C58 and #58261D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D563D shade: #1D563D, #3E1D58 and #583E1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D563D shade: #1D563D, #1D2C58, #581D38 and #58491D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D563D shade: #1D563D, #201D58, #581D38 and #55581D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

Complementary color

CMYK 0 / 25 / 14 / 11

HEX #E2A9C2

RGB 226 169 194

HSL 333.68, 0.5%, 0.77%

LAB 75.1, 24.71, -4.56

 

CMYK 60 / 0 / 35 / 66

HEX #225638

RGB 34 86 56

HSL 145.38, 0.43%, 0.24%

LAB 32.44, -25.25, 12.38

 

CMYK 51 / 0 / 28 / 59

HEX #33684B

RGB 51 104 75

HSL 147.17, 0.34%, 0.3%

LAB 39.77, -25.11, 11.01

 

CMYK 44 / 0 / 23 / 52

HEX #447A5E

RGB 68 122 94

HSL 148.89, 0.28%, 0.37%

LAB 46.92, -24.87, 9.82

 

CMYK 39 / 0 / 19 / 45

HEX #558C71

RGB 85 140 113

HSL 150.55, 0.24%, 0.44%

LAB 53.9, -24.61, 8.76

 

CMYK 35 / 0 / 16 / 38

HEX #669E84

RGB 102 158 132

HSL 152.14, 0.22%, 0.51%

LAB 60.73, -24.35, 7.8

 

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

CMYK 82 / 0 / 38 / 73

HEX #0C442A

RGB 12 68 42

HSL 152.14, 0.7%, 0.16%

LAB 24.89, -24.88, 10.79

 

CMYK 100 / 0 / 54 / 80

HEX #003217

RGB 0 50 23

HSL 147.6, 1%, 0.1%

LAB 17.19, -23.65, 12.79

 

CMYK 100 / 0 / 88 / 87

HEX #002004

RGB 0 32 4

HSL 127.5, 1%, 0.06%

LAB 9.33, -18.18, 11.98

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 67 / 0 / 48 / 65

HEX #1D582E

RGB 29 88 46

HSL 137.29, 0.5%, 0.23%

LAB 32.78, -29.53, 18.84

 

CMYK 67 / 0 / 65 / 65

HEX #1D581F

RGB 29 88 31

HSL 122.03, 0.5%, 0.23%

LAB 32.57, -31.96, 26.97

 

CMYK 50 / 0 / 67 / 65

HEX #2C581D

RGB 44 88 29

HSL 104.75, 0.5%, 0.23%

LAB 33.14, -27.65, 28.81

 

CMYK 32 / 0 / 67 / 65

HEX #3C581D

RGB 60 88 29

HSL 88.47, 0.5%, 0.23%

LAB 34.04, -21.43, 30.06

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 67 / 0 / 11 / 65

HEX #1D584E

RGB 29 88 78

HSL 169.83, 0.5%, 0.23%

LAB 33.54, -21.67, 0.18

 

CMYK 67 / 7 / 0 / 65

HEX #1D5258

RGB 29 82 88

HSL 186.1, 0.5%, 0.23%

LAB 31.81, -15.22, -8.72

 

CMYK 67 / 25 / 0 / 65

HEX #1D4258

RGB 29 66 88

HSL 202.37, 0.5%, 0.23%

LAB 26.34, -5.5, -17.08

 

CMYK 67 / 43 / 0 / 65

HEX #1D3258

RGB 29 50 88

HSL 218.64, 0.5%, 0.23%

LAB 21.01, 5.37, -25.46

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 79 / 0 / 35 / 62

HEX #14613F

RGB 20 97 63

HSL 153.51, 0.66%, 0.23%

LAB 36.09, -31.61, 13.03

 

CMYK 91 / 0 / 39 / 58

HEX #0A6B41

RGB 10 107 65

HSL 154.02, 0.83%, 0.23%

LAB 39.52, -36.55, 16.43

 

CMYK 99 / 0 / 43 / 55

HEX #017442

RGB 1 116 66

HSL 153.91, 0.98%, 0.23%

LAB 42.6, -40.61, 19.93

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 50 / 0 / 22 / 69

HEX #274E3D

RGB 39 78 61

HSL 153.85, 0.33%, 0.23%

LAB 29.95, -18.5, 5.83

 

CMYK 30 / 0 / 13 / 73

HEX #30453C

RGB 48 69 60

HSL 154.29, 0.18%, 0.23%

LAB 27.33, -10.51, 2.79

 

CMYK 3 / 0 / 2 / 76

HEX #3A3C3B

RGB 58 60 59

HSL 150, 0.02%, 0.23%

LAB 25.1, -1.08, 0.32

 

CMYK 0 / 25 / 13 / 74

HEX #43323A

RGB 67 50 58

HSL 331.76, 0.15%, 0.23%

LAB 22.93, 9.23, -2.08

 

CMYK 67 / 0 / 66 / 65

HEX #1D581E

RGB 29 88 30

HSL 121.02, 0.5%, 0.23%

LAB 32.56, -32.09, 27.48

 

CMYK 67 / 0 / 48 / 65

HEX #1D582E

RGB 29 88 46

HSL 137.29, 0.5%, 0.23%

LAB 32.78, -29.53, 18.84

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 67 / 0 / 13 / 65

HEX #1D584D

RGB 29 88 77

HSL 168.81, 0.5%, 0.23%

LAB 33.51, -21.97, 0.77

 

CMYK 67 / 6 / 0 / 65

HEX #1D5358

RGB 29 83 88

HSL 185.08, 0.5%, 0.23%

LAB 32.15, -15.79, -8.2

 

CMYK 65 / 0 / 31 / 90

HEX #091A12

RGB 9 26 18

HSL 151.76, 0.49%, 0.07%

LAB 7.59, -8.51, 3.03

 

CMYK 67 / 0 / 30 / 78

HEX #133928

RGB 19 57 40

HSL 153.16, 0.5%, 0.15%

LAB 20.9, -18.41, 6.64

 

CMYK 67 / 0 / 30 / 65

HEX #1D583E

RGB 29 88 62

HSL 153.56, 0.5%, 0.23%

LAB 33.11, -26.03, 9.57

 

CMYK 66 / 0 / 29 / 53

HEX #287754

RGB 40 119 84

HSL 153.42, 0.5%, 0.31%

LAB 44.64, -32.87, 12.35

 

CMYK 67 / 0 / 29 / 41

HEX #32966A

RGB 50 150 106

HSL 153.6, 0.5%, 0.39%

LAB 55.62, -39.55, 14.95

 

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

CMYK 67 / 50 / 0 / 65

HEX #1D2C58

RGB 29 44 88

HSL 224.75, 0.5%, 0.23%

LAB 19.09, 9.69, -28.52

 

CMYK 0 / 57 / 67 / 65

HEX #58261D

RGB 88 38 29

HSL 9.15, 0.5%, 0.23%

LAB 22.12, 22.26, 16.87

 

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

CMYK 30 / 67 / 0 / 65

HEX #3E1D58

RGB 62 29 88

HSL 273.56, 0.5%, 0.23%

LAB 18.4, 28.33, -29.45

 

CMYK 0 / 30 / 67 / 65

HEX #583E1D

RGB 88 62 29

HSL 33.56, 0.5%, 0.23%

LAB 28.4, 7.35, 24.41

 

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

CMYK 67 / 50 / 0 / 65

HEX #1D2C58

RGB 29 44 88

HSL 224.75, 0.5%, 0.23%

LAB 19.09, 9.69, -28.52

 

CMYK 0 / 67 / 36 / 65

HEX #581D38

RGB 88 29 56

HSL 332.54, 0.5%, 0.23%

LAB 20.98, 30.16, -3.25

 

CMYK 0 / 17 / 67 / 65

HEX #58491D

RGB 88 73 29

HSL 44.75, 0.5%, 0.23%

LAB 31.64, 0.45, 28.08

 

CMYK 66 / 0 / 29 / 66

HEX #1D563D

RGB 29 86 61

HSL 153.68, 0.5%, 0.23%

LAB 32.38, -25.3, 9.17

 

CMYK 64 / 67 / 0 / 65

HEX #201D58

RGB 32 29 88

HSL 243.05, 0.5%, 0.23%

LAB 14.9, 21.16, -35.27

 

CMYK 0 / 67 / 36 / 65

HEX #581D38

RGB 88 29 56

HSL 332.54, 0.5%, 0.23%

LAB 20.98, 30.16, -3.25

 

CMYK 3 / 0 / 67 / 65

HEX #55581D

RGB 85 88 29

HSL 63.05, 0.5%, 0.23%

LAB 35.98, -10.01, 32.73

 

Description

Color code: HEX #1D563D | qconv.com Color code: HEX #1D563D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 86 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 86 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 29 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 29% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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