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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D3CF2 it is the complementary color #E2C30D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D3CF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D3CF2 shade: #223CED, #334EFF, #4460FF, #5572FF and #6684FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D3CF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D3CF2 shade: #1D3CF2, #0C2ADF, #0018CC, #0006B9 and #0000A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D3CF2 shade: #1C3CF2, #371CF2, #711CF2, #AA1CF2 and #E41CF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D3CF2 shade: #1C3CF2 and #1C1CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D3CF2 shade matches the following richer shades: #1C3CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D3CF2 shade: #1C3CF2, #3049DE, #4357CB, #5765B8 and #6A73A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D3CF2 shade: #1CAEF2, #1C75F2, #1C3CF2, #351CF2 and #6E1CF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D3CF2 shade: #0A23B1, #0D2AD8, #1C3CF2, #435DF4 and #6A7FF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D3CF2 shade: #1D3CF2, #F21CE7 and #92F21C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D3CF2 shade: #1D3CF2, #F21C3C and #3CF21C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D3CF2 shade: #1D3CF2, #F21CE7, #F2D21C and #1CF227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D3CF2 shade: #1D3CF2, #F21CA7, #F2D21C and #1CF267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

Complementary color

CMYK 0 / 14 / 94 / 11

HEX #E2C30D

RGB 226 195 13

HSL 51.27, 0.89%, 0.47%

LAB 79.17, -4.05, 79.1

 

CMYK 86 / 75 / 0 / 7

HEX #223CED

RGB 34 60 237

HSL 232.32, 0.85%, 0.53%

LAB 37.27, 55.16, -89.42

 

CMYK 80 / 69 / 0 / 0

HEX #334EFF

RGB 51 78 255

HSL 232.06, 1%, 0.6%

LAB 43.32, 51.96, -89.52

 

CMYK 73 / 62 / 0 / 0

HEX #4460FF

RGB 68 96 255

HSL 231.02, 1%, 0.63%

LAB 48.03, 42.74, -81.76

 

CMYK 67 / 55 / 0 / 0

HEX #5572FF

RGB 85 114 255

HSL 229.76, 1%, 0.67%

LAB 53.15, 33.88, -73.37

 

CMYK 60 / 48 / 0 / 0

HEX #6684FF

RGB 102 132 255

HSL 228.24, 1%, 0.7%

LAB 58.55, 25.69, -64.6

 

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

CMYK 95 / 81 / 0 / 13

HEX #0C2ADF

RGB 12 42 223

HSL 231.47, 0.9%, 0.46%

LAB 31.95, 59.26, -90.29

 

CMYK 100 / 88 / 0 / 20

HEX #0018CC

RGB 0 24 204

HSL 232.94, 1%, 0.4%

LAB 26.77, 60.96, -87.92

 

CMYK 100 / 97 / 0 / 27

HEX #0006B9

RGB 0 6 185

HSL 238.05, 1%, 0.36%

LAB 22.42, 60.79, -83.98

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 77 / 88 / 0 / 5

HEX #371CF2

RGB 55 28 242

HSL 247.57, 0.89%, 0.53%

LAB 34.09, 71.3, -97.5

 

CMYK 53 / 88 / 0 / 5

HEX #711CF2

RGB 113 28 242

HSL 263.83, 0.89%, 0.53%

LAB 39.16, 74.96, -88.95

 

CMYK 30 / 88 / 0 / 5

HEX #AA1CF2

RGB 170 28 242

HSL 279.81, 0.89%, 0.53%

LAB 46.69, 81.26, -76.29

 

CMYK 6 / 88 / 0 / 5

HEX #E41CF2

RGB 228 28 242

HSL 296.07, 0.89%, 0.53%

LAB 55.82, 89.8, -61.07

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 88 / 88 / 0 / 5

HEX #1C1CF2

RGB 28 28 242

HSL 240, 0.89%, 0.53%

LAB 32.89, 70.53, -99.54

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 78 / 67 / 0 / 13

HEX #3049DE

RGB 48 73 222

HSL 231.38, 0.73%, 0.53%

LAB 39.01, 43.4, -77.99

 

CMYK 67 / 57 / 0 / 20

HEX #4357CB

RGB 67 87 203

HSL 231.18, 0.57%, 0.53%

LAB 41.72, 30.13, -62.61

 

CMYK 53 / 45 / 0 / 28

HEX #5765B8

RGB 87 101 184

HSL 231.34, 0.41%, 0.53%

LAB 45.35, 18.57, -45.69

 

CMYK 35 / 30 / 0 / 36

HEX #6A73A4

RGB 106 115 164

HSL 230.69, 0.24%, 0.53%

LAB 49.5, 8.86, -27.39

 

CMYK 88 / 28 / 0 / 5

HEX #1CAEF2

RGB 28 174 242

HSL 199.07, 0.89%, 0.53%

LAB 67.22, -12.19, -43.83

 

CMYK 88 / 52 / 0 / 5

HEX #1C75F2

RGB 28 117 242

HSL 215.05, 0.89%, 0.53%

LAB 51.13, 21.63, -69.52

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 78 / 88 / 0 / 5

HEX #351CF2

RGB 53 28 242

HSL 247.01, 0.89%, 0.53%

LAB 33.98, 71.23, -97.7

 

CMYK 55 / 88 / 0 / 5

HEX #6E1CF2

RGB 110 28 242

HSL 262.99, 0.89%, 0.53%

LAB 38.82, 74.7, -89.51

 

CMYK 94 / 80 / 0 / 31

HEX #0A23B1

RGB 10 35 177

HSL 231.02, 0.89%, 0.37%

LAB 25.08, 47.94, -74.76

 

CMYK 94 / 81 / 0 / 15

HEX #0D2AD8

RGB 13 42 216

HSL 231.43, 0.89%, 0.45%

LAB 31.11, 57.09, -87.65

 

CMYK 88 / 75 / 0 / 5

HEX #1C3CF2

RGB 28 60 242

HSL 231.03, 0.89%, 0.53%

LAB 37.64, 56.56, -91.64

 

CMYK 73 / 62 / 0 / 4

HEX #435DF4

RGB 67 93 244

HSL 231.19, 0.89%, 0.61%

LAB 46.38, 40.68, -78.32

 

CMYK 57 / 48 / 0 / 4

HEX #6A7FF6

RGB 106 127 246

HSL 231, 0.89%, 0.69%

LAB 56.97, 26.52, -62.16

 

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

CMYK 0 / 88 / 5 / 5

HEX #F21CE7

RGB 242 28 231

HSL 303.08, 0.89%, 0.53%

LAB 57.54, 90.54, -52.02

 

CMYK 40 / 0 / 88 / 5

HEX #92F21C

RGB 146 242 28

HSL 86.92, 0.89%, 0.53%

LAB 86.85, -57.07, 80.79

 

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

CMYK 0 / 88 / 75 / 5

HEX #F21C3C

RGB 242 28 60

HSL 351.03, 0.89%, 0.53%

LAB 51.88, 75.29, 40.3

 

CMYK 75 / 0 / 88 / 5

HEX #3CF21C

RGB 60 242 28

HSL 111.03, 0.89%, 0.53%

LAB 84.25, -77.79, 77.56

 

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

CMYK 0 / 88 / 5 / 5

HEX #F21CE7

RGB 242 28 231

HSL 303.08, 0.89%, 0.53%

LAB 57.54, 90.54, -52.02

 

CMYK 0 / 13 / 88 / 5

HEX #F2D21C

RGB 242 210 28

HSL 51.03, 0.89%, 0.53%

LAB 84.51, -4.62, 81.58

 

CMYK 88 / 0 / 84 / 5

HEX #1CF227

RGB 28 242 39

HSL 123.08, 0.89%, 0.53%

LAB 83.91, -80.67, 74.97

 

CMYK 88 / 75 / 0 / 5

HEX #1D3CF2

RGB 29 60 242

HSL 231.27, 0.89%, 0.53%

LAB 37.67, 56.59, -91.59

 

CMYK 0 / 88 / 31 / 5

HEX #F21CA7

RGB 242 28 167

HSL 321.03, 0.89%, 0.53%

LAB 54.55, 82.71, -19.89

 

CMYK 0 / 13 / 88 / 5

HEX #F2D21C

RGB 242 210 28

HSL 51.03, 0.89%, 0.53%

LAB 84.51, -4.62, 81.58

 

CMYK 88 / 0 / 57 / 5

HEX #1CF267

RGB 28 242 103

HSL 141.03, 0.89%, 0.53%

LAB 84.34, -75.24, 53.04

 

Description

Color code: HEX #1D3CF2 | qconv.com Color code: HEX #1D3CF2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 60 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 60 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 75 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 75% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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