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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D2BA2 it is the complementary color #E2D45D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D2BA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D2BA2 shade: #222B9D, #333DB0, #444FC3, #5561D6 and #6673E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D2BA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D2BA2 shade: #1D2BA2, #0C198F, #00077C, #000069 and #000056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D2BA2 shade: #1C2AA0, #321CA0, #561CA0, #791CA0 and #9D1CA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D2BA2 shade: #1C2AA0 and #1C1CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D2BA2 shade matches the following richer shades: #1C2AA0 and #0D1EB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D2BA2 shade: #1C2AA0, #2C3691, #3B4282, #4A4E73 and #595A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D2BA2 shade: #1C72A0, #1C4FA0, #1C2CA0, #301CA0 and #531CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D2BA2 shade: #10185A, #16217D, #1C2AA0, #2233C3 and #3446DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D2BA2 shade: #1D2BA2, #A01C95 and #61A01C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D2BA2 shade: #1D2BA2, #A01C2C and #2CA01C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D2BA2 shade: #1D2BA2, #A01C95, #A0911C and #1CA027

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D2BA2 shade: #1D2BA2, #A01C6E, #A0911C and #1CA04F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

Complementary color

CMYK 0 / 6 / 59 / 11

HEX #E2D45D

RGB 226 212 93

HSL 53.68, 0.7%, 0.63%

LAB 83.99, -9.63, 59.24

 

CMYK 78 / 73 / 0 / 38

HEX #222B9D

RGB 34 43 157

HSL 235.61, 0.64%, 0.37%

LAB 25.27, 37.62, -62.33

 

CMYK 71 / 65 / 0 / 31

HEX #333DB0

RGB 51 61 176

HSL 235.2, 0.55%, 0.45%

LAB 32.2, 34.93, -62.35

 

CMYK 65 / 59 / 0 / 24

HEX #444FC3

RGB 68 79 195

HSL 234.8, 0.51%, 0.52%

LAB 39.18, 32.56, -62.11

 

CMYK 60 / 55 / 0 / 16

HEX #5561D6

RGB 85 97 214

HSL 234.42, 0.61%, 0.59%

LAB 46.09, 30.55, -61.79

 

CMYK 56 / 51 / 0 / 9

HEX #6673E9

RGB 102 115 233

HSL 234.05, 0.75%, 0.66%

LAB 52.92, 28.84, -61.46

 

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

CMYK 92 / 83 / 0 / 44

HEX #0C198F

RGB 12 25 143

HSL 234.05, 0.85%, 0.3%

LAB 19.04, 41.85, -64.03

 

CMYK 100 / 94 / 0 / 51

HEX #00077C

RGB 0 7 124

HSL 236.61, 1%, 0.24%

LAB 13.27, 43.49, -61.65

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 100 / 100 / 0 / 66

HEX #000056

RGB 0 0 86

HSL 240, 1%, 0.17%

LAB 6.07, 35.11, -48.57

 

CMYK 83 / 74 / 0 / 37

HEX #1C2AA0

RGB 28 42 160

HSL 233.64, 0.7%, 0.37%

LAB 25.08, 38.84, -64.48

 

CMYK 69 / 83 / 0 / 37

HEX #321CA0

RGB 50 28 160

HSL 250, 0.7%, 0.37%

LAB 23.83, 48.15, -66.51

 

CMYK 46 / 83 / 0 / 37

HEX #561CA0

RGB 86 28 160

HSL 266.36, 0.7%, 0.37%

LAB 27.7, 52.29, -59.98

 

CMYK 24 / 83 / 0 / 37

HEX #791CA0

RGB 121 28 160

HSL 282.27, 0.7%, 0.37%

LAB 32.77, 57.82, -51.49

 

CMYK 2 / 83 / 0 / 37

HEX #9D1CA0

RGB 157 28 160

HSL 298.64, 0.7%, 0.37%

LAB 38.79, 64.5, -41.49

 

CMYK 83 / 74 / 0 / 37

HEX #1C2AA0

RGB 28 42 160

HSL 233.64, 0.7%, 0.37%

LAB 25.08, 38.84, -64.48

 

CMYK 83 / 83 / 0 / 37

HEX #1C1CA0

RGB 28 28 160

HSL 240, 0.7%, 0.37%

LAB 22.36, 46.61, -68.98

 

CMYK 83 / 74 / 0 / 37

HEX #1C2AA0

RGB 28 42 160

HSL 233.64, 0.7%, 0.37%

LAB 25.08, 38.84, -64.48

 

CMYK 93 / 83 / 0 / 31

HEX #0D1EB0

RGB 13 30 176

HSL 233.74, 0.86%, 0.37%

LAB 24.16, 50.21, -75.69

 

CMYK 83 / 74 / 0 / 37

HEX #1C2AA0

RGB 28 42 160

HSL 233.64, 0.7%, 0.37%

LAB 25.08, 38.84, -64.48

 

CMYK 70 / 63 / 0 / 43

HEX #2C3691

RGB 44 54 145

HSL 234.06, 0.53%, 0.37%

LAB 27.35, 27.32, -51.53

 

CMYK 55 / 49 / 0 / 49

HEX #3B4282

RGB 59 66 130

HSL 234.08, 0.38%, 0.37%

LAB 30.49, 16.71, -37.12

 

CMYK 36 / 32 / 0 / 55

HEX #4A4E73

RGB 74 78 115

HSL 234.15, 0.22%, 0.37%

LAB 34.28, 8.13, -21.71

 

CMYK 10 / 9 / 0 / 61

HEX #595A63

RGB 89 90 99

HSL 234, 0.05%, 0.37%

LAB 38.44, 1.61, -5.3

 

CMYK 83 / 29 / 0 / 37

HEX #1C72A0

RGB 28 114 160

HSL 200.91, 0.7%, 0.37%

LAB 45.39, -8.03, -31.74

 

CMYK 83 / 51 / 0 / 37

HEX #1C4FA0

RGB 28 79 160

HSL 216.82, 0.7%, 0.37%

LAB 34.76, 14.24, -48.66

 

CMYK 83 / 73 / 0 / 37

HEX #1C2CA0

RGB 28 44 160

HSL 232.73, 0.7%, 0.37%

LAB 25.52, 37.61, -63.74

 

CMYK 70 / 83 / 0 / 37

HEX #301CA0

RGB 48 28 160

HSL 249.09, 0.7%, 0.37%

LAB 23.66, 47.98, -66.78

 

CMYK 48 / 83 / 0 / 37

HEX #531CA0

RGB 83 28 160

HSL 265, 0.7%, 0.37%

LAB 27.32, 51.88, -60.62

 

CMYK 82 / 73 / 0 / 65

HEX #10185A

RGB 16 24 90

HSL 233.51, 0.7%, 0.21%

LAB 12.62, 23.04, -40.4

 

CMYK 82 / 74 / 0 / 51

HEX #16217D

RGB 22 33 125

HSL 233.59, 0.7%, 0.29%

LAB 18.97, 31.18, -52.81

 

CMYK 83 / 74 / 0 / 37

HEX #1C2AA0

RGB 28 42 160

HSL 233.64, 0.7%, 0.37%

LAB 25.08, 38.84, -64.48

 

CMYK 83 / 74 / 0 / 24

HEX #2233C3

RGB 34 51 195

HSL 233.66, 0.7%, 0.45%

LAB 30.99, 46.13, -75.61

 

CMYK 76 / 68 / 0 / 14

HEX #3446DB

RGB 52 70 219

HSL 233.53, 0.7%, 0.53%

LAB 38.24, 44.51, -77.54

 

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

CMYK 0 / 83 / 7 / 37

HEX #A01C95

RGB 160 28 149

HSL 305, 0.7%, 0.37%

LAB 38.68, 63.37, -34.97

 

CMYK 39 / 0 / 83 / 37

HEX #61A01C

RGB 97 160 28

HSL 88.64, 0.7%, 0.37%

LAB 59.68, -40.61, 56.44

 

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

CMYK 0 / 83 / 73 / 37

HEX #A01C2C

RGB 160 28 44

HSL 352.73, 0.7%, 0.37%

LAB 34.98, 52.67, 26.1

 

CMYK 73 / 0 / 83 / 37

HEX #2CA01C

RGB 44 160 28

HSL 112.73, 0.7%, 0.37%

LAB 57.81, -55.23, 54.04

 

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

CMYK 0 / 83 / 7 / 37

HEX #A01C95

RGB 160 28 149

HSL 305, 0.7%, 0.37%

LAB 38.68, 63.37, -34.97

 

CMYK 0 / 9 / 83 / 37

HEX #A0911C

RGB 160 145 28

HSL 53.18, 0.7%, 0.37%

LAB 59.72, -6.72, 58.18

 

CMYK 83 / 0 / 76 / 37

HEX #1CA027

RGB 28 160 39

HSL 125, 0.7%, 0.37%

LAB 57.59, -56.88, 50.19

 

CMYK 82 / 73 / 0 / 36

HEX #1D2BA2

RGB 29 43 162

HSL 233.68, 0.7%, 0.37%

LAB 25.56, 39.01, -64.9

 

CMYK 0 / 83 / 31 / 37

HEX #A01C6E

RGB 160 28 110

HSL 322.73, 0.7%, 0.37%

LAB 36.8, 58.09, -13.7

 

CMYK 0 / 9 / 83 / 37

HEX #A0911C

RGB 160 145 28

HSL 53.18, 0.7%, 0.37%

LAB 59.72, -6.72, 58.18

 

CMYK 83 / 0 / 51 / 37

HEX #1CA04F

RGB 28 160 79

HSL 143.18, 0.7%, 0.37%

LAB 57.99, -52.01, 32.64

 

Description

Color code: HEX #1D2BA2 | qconv.com Color code: HEX #1D2BA2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 43 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 43 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 73 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 73% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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