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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CF8B7 it is the complementary color #E30748. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CF8B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CF8B7 shade: #21F8B2, #32FFC5, #43FFD8, #54FFEB and #65FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CF8B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CF8B7 shade: #1CF8B7, #0BE6A4, #00D491, #00C27E and #00B06B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CF8B7 shade: #1BF8B7, #1BF87B, #1BF840, #32F81B and #6EF81B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CF8B7 shade: #1BF8B7, #1BF8F2, #1BC2F8, #1B87F8 and #1B4BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CF8B7 shade matches the following richer shades: #1BF8B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CF8B7 shade: #1BF8B7, #2EE5AF, #41D2A7, #54BFA0 and #67AC98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CF8B7 shade: #1BF840, #1BF87B, #1BF8B6, #1BF8F1 and #1BC5F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CF8B7 shade: #06BB86, #07E3A2, #1BF8B7, #43F9C3 and #6BFAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CF8B7 shade: #1CF8B7, #1B31F8 and #F85E1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CF8B7 shade: #1CF8B7, #B61BF8 and #F8B61B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CF8B7 shade: #1CF8B7, #1B31F8, #F81B5E and #F8E21B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CF8B7 shade: #1CF8B7, #481BF8, #F81B5E and #CCF81B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

Complementary color

CMYK 0 / 97 / 68 / 11

HEX #E30748

RGB 227 7 72

HSL 342.27, 0.94%, 0.46%

LAB 48.2, 74.44, 28.1

 

CMYK 87 / 0 / 28 / 3

HEX #21F8B2

RGB 33 248 178

HSL 160.47, 0.94%, 0.55%

LAB 87.33, -63.84, 20.29

 

CMYK 80 / 0 / 23 / 0

HEX #32FFC5

RGB 50 255 197

HSL 163.02, 1%, 0.6%

LAB 89.97, -60.93, 14.25

 

CMYK 74 / 0 / 15 / 0

HEX #43FFD8

RGB 67 255 216

HSL 167.55, 1%, 0.63%

LAB 90.63, -54.72, 5.43

 

CMYK 67 / 0 / 8 / 0

HEX #54FFEB

RGB 84 255 235

HSL 172.98, 1%, 0.66%

LAB 91.42, -47.84, -3.23

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFE

RGB 101 255 254

HSL 179.61, 1%, 0.7%

LAB 92.33, -40.37, -11.68

 

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

CMYK 95 / 0 / 29 / 10

HEX #0BE6A4

RGB 11 230 164

HSL 161.92, 0.91%, 0.47%

LAB 81.48, -61.33, 19.4

 

CMYK 100 / 0 / 32 / 17

HEX #00D491

RGB 0 212 145

HSL 161.04, 1%, 0.42%

LAB 75.53, -59.27, 21.12

 

CMYK 100 / 0 / 35 / 24

HEX #00C27E

RGB 0 194 126

HSL 158.97, 1%, 0.38%

LAB 69.53, -56.84, 22.98

 

CMYK 100 / 0 / 39 / 31

HEX #00B06B

RGB 0 176 107

HSL 156.48, 1%, 0.35%

LAB 63.44, -54.31, 24.9

 

CMYK 89 / 0 / 26 / 3

HEX #1BF8B7

RGB 27 248 183

HSL 162.35, 0.94%, 0.54%

LAB 87.38, -63.07, 17.79

 

CMYK 89 / 0 / 50 / 3

HEX #1BF87B

RGB 27 248 123

HSL 146.06, 0.94%, 0.54%

LAB 86.4, -74.37, 46.36

 

CMYK 89 / 0 / 74 / 3

HEX #1BF840

RGB 27 248 64

HSL 130.05, 0.94%, 0.54%

LAB 85.88, -80.92, 69.92

 

CMYK 80 / 0 / 89 / 3

HEX #32F81B

RGB 50 248 27

HSL 113.76, 0.94%, 0.54%

LAB 85.95, -80.79, 79.12

 

CMYK 56 / 0 / 89 / 3

HEX #6EF81B

RGB 110 248 27

HSL 97.47, 0.94%, 0.54%

LAB 87.26, -69.76, 80.74

 

CMYK 89 / 0 / 26 / 3

HEX #1BF8B7

RGB 27 248 183

HSL 162.35, 0.94%, 0.54%

LAB 87.38, -63.07, 17.79

 

CMYK 89 / 0 / 2 / 3

HEX #1BF8F2

RGB 27 248 242

HSL 178.37, 0.94%, 0.54%

LAB 88.82, -48.05, -10.8

 

CMYK 89 / 22 / 0 / 3

HEX #1BC2F8

RGB 27 194 248

HSL 194.66, 0.94%, 0.54%

LAB 73.28, -20.78, -37.63

 

CMYK 89 / 46 / 0 / 3

HEX #1B87F8

RGB 27 135 248

HSL 210.68, 0.94%, 0.54%

LAB 56.42, 12.65, -64.3

 

CMYK 89 / 70 / 0 / 3

HEX #1B4BF8

RGB 27 75 248

HSL 226.97, 0.94%, 0.54%

LAB 41.28, 50.04, -88.99

 

CMYK 89 / 0 / 26 / 3

HEX #1BF8B7

RGB 27 248 183

HSL 162.35, 0.94%, 0.54%

LAB 87.38, -63.07, 17.79

 

CMYK 89 / 0 / 26 / 3

HEX #1BF8B7

RGB 27 248 183

HSL 162.35, 0.94%, 0.54%

LAB 87.38, -63.07, 17.79

 

CMYK 80 / 0 / 24 / 10

HEX #2EE5AF

RGB 46 229 175

HSL 162.3, 0.78%, 0.54%

LAB 81.68, -56.35, 13.98

 

CMYK 69 / 0 / 20 / 18

HEX #41D2A7

RGB 65 210 167

HSL 162.21, 0.62%, 0.54%

LAB 76.07, -48.3, 10.31

 

CMYK 56 / 0 / 16 / 25

HEX #54BFA0

RGB 84 191 160

HSL 162.62, 0.46%, 0.54%

LAB 70.65, -38.33, 6.41

 

CMYK 40 / 0 / 12 / 33

HEX #67AC98

RGB 103 172 152

HSL 162.61, 0.29%, 0.54%

LAB 65.48, -26.57, 3.45

 

CMYK 89 / 0 / 74 / 3

HEX #1BF840

RGB 27 248 64

HSL 130.05, 0.94%, 0.54%

LAB 85.88, -80.92, 69.92

 

CMYK 89 / 0 / 50 / 3

HEX #1BF87B

RGB 27 248 123

HSL 146.06, 0.94%, 0.54%

LAB 86.4, -74.37, 46.36

 

CMYK 89 / 0 / 27 / 3

HEX #1BF8B6

RGB 27 248 182

HSL 162.08, 0.94%, 0.54%

LAB 87.36, -63.29, 18.28

 

CMYK 89 / 0 / 3 / 3

HEX #1BF8F1

RGB 27 248 241

HSL 178.1, 0.94%, 0.54%

LAB 88.79, -48.33, -10.32

 

CMYK 89 / 21 / 0 / 3

HEX #1BC5F8

RGB 27 197 248

HSL 193.85, 0.94%, 0.54%

LAB 74.15, -22.32, -36.27

 

CMYK 97 / 0 / 28 / 27

HEX #06BB86

RGB 6 187 134

HSL 162.43, 0.94%, 0.38%

LAB 67.5, -52.24, 15.9

 

CMYK 97 / 0 / 29 / 11

HEX #07E3A2

RGB 7 227 162

HSL 162.27, 0.94%, 0.46%

LAB 80.51, -60.79, 19.09

 

CMYK 89 / 0 / 26 / 3

HEX #1BF8B7

RGB 27 248 183

HSL 162.35, 0.94%, 0.54%

LAB 87.38, -63.07, 17.79

 

CMYK 73 / 0 / 22 / 2

HEX #43F9C3

RGB 67 249 195

HSL 162.2, 0.94%, 0.62%

LAB 88.39, -57.29, 13.09

 

CMYK 57 / 0 / 17 / 2

HEX #6BFAD0

RGB 107 250 208

HSL 162.38, 0.93%, 0.7%

LAB 89.88, -48.41, 8.61

 

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

CMYK 89 / 80 / 0 / 3

HEX #1B31F8

RGB 27 49 248

HSL 234.03, 0.94%, 0.54%

LAB 36.38, 63.96, -97.12

 

CMYK 0 / 62 / 89 / 3

HEX #F85E1B

RGB 248 94 27

HSL 18.19, 0.94%, 0.54%

LAB 59.93, 56.31, 63.4

 

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

CMYK 27 / 89 / 0 / 3

HEX #B61BF8

RGB 182 27 248

HSL 282.08, 0.94%, 0.54%

LAB 48.89, 84.14, -75.99

 

CMYK 0 / 27 / 89 / 3

HEX #F8B61B

RGB 248 182 27

HSL 42.08, 0.94%, 0.54%

LAB 78.16, 12.38, 77.11

 

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

CMYK 89 / 80 / 0 / 3

HEX #1B31F8

RGB 27 49 248

HSL 234.03, 0.94%, 0.54%

LAB 36.38, 63.96, -97.12

 

CMYK 0 / 89 / 62 / 3

HEX #F81B5E

RGB 248 27 94

HSL 341.81, 0.94%, 0.54%

LAB 53.54, 78.41, 22.49

 

CMYK 0 / 9 / 89 / 3

HEX #F8E21B

RGB 248 226 27

HSL 54.03, 0.94%, 0.54%

LAB 89.12, -10.12, 85.58

 

CMYK 89 / 0 / 26 / 3

HEX #1CF8B7

RGB 28 248 183

HSL 162.27, 0.94%, 0.54%

LAB 87.39, -63.01, 17.8

 

CMYK 71 / 89 / 0 / 3

HEX #481BF8

RGB 72 27 248

HSL 252.22, 0.94%, 0.54%

LAB 35.87, 73.87, -97.91

 

CMYK 0 / 89 / 62 / 3

HEX #F81B5E

RGB 248 27 94

HSL 341.81, 0.94%, 0.54%

LAB 53.54, 78.41, 22.49

 

CMYK 18 / 0 / 89 / 3

HEX #CCF81B

RGB 204 248 27

HSL 71.95, 0.94%, 0.54%

LAB 91.71, -38.54, 86.23

 

Description

Color code: HEX #1CF8B7 | qconv.com Color code: HEX #1CF8B7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 248 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 248 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 26 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 26% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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