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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CF33F it is the complementary color #E30CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CF33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CF33F shade: #21F33A, #32FF4D, #43FF60, #54FF73 and #65FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CF33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CF33F shade: #1CF33F, #0BE12C, #00CF19, #00BD06 and #00AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CF33F shade: #1BF33E, #32F31B, #6DF31B, #A7F31B and #E1F31B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CF33F shade: #1BF33E, #1BF379, #1BF3B3, #1BF3ED and #1BBFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CF33F shade matches the following richer shades: #1BF33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CF33F shade: #1BF33E, #2FE04B, #42CC59, #55B966 and #69A573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CF33F shade: #6EF31B, #34F31B, #1BF33C, #1BF375 and #1BF3AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CF33F shade: #09B225, #0BDA2D, #1BF33E, #42F560 and #6AF781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CF33F shade: #1CF33F, #1BA8F3 and #F31B51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CF33F shade: #1CF33F, #3C1BF3 and #F33C1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CF33F shade: #1CF33F, #1BA8F3, #F31BD3 and #F3671B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CF33F shade: #1CF33F, #1B67F3, #F31BD3 and #F3A81B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

Complementary color

CMYK 0 / 95 / 15 / 11

HEX #E30CC0

RGB 227 12 192

HSL 309.77, 0.9%, 0.47%

LAB 52.29, 84.45, -38.22

 

CMYK 86 / 0 / 76 / 5

HEX #21F33A

RGB 33 243 58

HSL 127.14, 0.9%, 0.54%

LAB 84.34, -79.54, 70.33

 

CMYK 80 / 0 / 70 / 0

HEX #32FF4D

RGB 50 255 77

HSL 127.9, 1%, 0.6%

LAB 88.32, -79.98, 68.03

 

CMYK 74 / 0 / 62 / 0

HEX #43FF60

RGB 67 255 96

HSL 129.26, 1%, 0.63%

LAB 88.71, -76.08, 61.18

 

CMYK 67 / 0 / 55 / 0

HEX #54FF73

RGB 84 255 115

HSL 130.88, 1%, 0.66%

LAB 89.23, -71.18, 53.66

 

CMYK 60 / 0 / 47 / 0

HEX #65FF86

RGB 101 255 134

HSL 132.86, 1%, 0.7%

LAB 89.86, -65.37, 45.74

 

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

CMYK 95 / 0 / 80 / 12

HEX #0BE12C

RGB 11 225 44

HSL 129.25, 0.91%, 0.46%

LAB 78.52, -76.65, 68.77

 

CMYK 100 / 0 / 88 / 19

HEX #00CF19

RGB 0 207 25

HSL 127.25, 1%, 0.41%

LAB 72.69, -73.04, 67.91

 

CMYK 100 / 0 / 97 / 26

HEX #00BD06

RGB 0 189 6

HSL 121.9, 1%, 0.37%

LAB 66.83, -68.68, 65.71

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33E

RGB 27 243 62

HSL 129.72, 0.9%, 0.53%

LAB 84.32, -79.67, 69.02

 

CMYK 79 / 0 / 89 / 5

HEX #32F31B

RGB 50 243 27

HSL 113.61, 0.9%, 0.53%

LAB 84.41, -79.39, 77.8

 

CMYK 55 / 0 / 89 / 5

HEX #6DF31B

RGB 109 243 27

HSL 97.22, 0.9%, 0.53%

LAB 85.72, -68.33, 79.44

 

CMYK 31 / 0 / 89 / 5

HEX #A7F31B

RGB 167 243 27

HSL 81.11, 0.9%, 0.53%

LAB 88.16, -50.28, 82.46

 

CMYK 7 / 0 / 89 / 5

HEX #E1F31B

RGB 225 243 27

HSL 65, 0.9%, 0.53%

LAB 91.77, -27.88, 86.88

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33E

RGB 27 243 62

HSL 129.72, 0.9%, 0.53%

LAB 84.32, -79.67, 69.02

 

CMYK 89 / 0 / 50 / 5

HEX #1BF379

RGB 27 243 121

HSL 146.11, 0.9%, 0.53%

LAB 84.85, -73.09, 45.38

 

CMYK 89 / 0 / 26 / 5

HEX #1BF3B3

RGB 27 243 179

HSL 162.22, 0.9%, 0.53%

LAB 85.8, -62.12, 17.65

 

CMYK 89 / 0 / 2 / 5

HEX #1BF3ED

RGB 27 243 237

HSL 178.33, 0.9%, 0.53%

LAB 87.22, -47.31, -10.57

 

CMYK 89 / 21 / 0 / 5

HEX #1BBFF3

RGB 27 191 243

HSL 194.44, 0.9%, 0.53%

LAB 72.21, -20.93, -36.6

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33E

RGB 27 243 62

HSL 129.72, 0.9%, 0.53%

LAB 84.32, -79.67, 69.02

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33E

RGB 27 243 62

HSL 129.72, 0.9%, 0.53%

LAB 84.32, -79.67, 69.02

 

CMYK 79 / 0 / 67 / 12

HEX #2FE04B

RGB 47 224 75

HSL 129.49, 0.74%, 0.53%

LAB 78.71, -71.24, 58.57

 

CMYK 68 / 0 / 56 / 20

HEX #42CC59

RGB 66 204 89

HSL 130, 0.58%, 0.53%

LAB 72.93, -60.26, 46.07

 

CMYK 54 / 0 / 45 / 27

HEX #55B966

RGB 85 185 102

HSL 130.2, 0.42%, 0.53%

LAB 67.72, -47.06, 33.39

 

CMYK 36 / 0 / 30 / 35

HEX #69A573

RGB 105 165 115

HSL 130, 0.25%, 0.53%

LAB 62.64, -30.21, 19.93

 

CMYK 55 / 0 / 89 / 5

HEX #6EF31B

RGB 110 243 27

HSL 96.94, 0.9%, 0.53%

LAB 85.75, -68.07, 79.48

 

CMYK 79 / 0 / 89 / 5

HEX #34F31B

RGB 52 243 27

HSL 113.06, 0.9%, 0.53%

LAB 84.44, -79.16, 77.84

 

CMYK 89 / 0 / 75 / 5

HEX #1BF33C

RGB 27 243 60

HSL 129.17, 0.9%, 0.53%

LAB 84.31, -79.82, 69.65

 

CMYK 89 / 0 / 52 / 5

HEX #1BF375

RGB 27 243 117

HSL 145, 0.9%, 0.53%

LAB 84.8, -73.69, 47.2

 

CMYK 89 / 0 / 28 / 5

HEX #1BF3AF

RGB 27 243 175

HSL 161.11, 0.9%, 0.53%

LAB 85.72, -63.01, 19.6

 

CMYK 95 / 0 / 79 / 30

HEX #09B225

RGB 9 178 37

HSL 129.94, 0.9%, 0.37%

LAB 63.37, -63.94, 56.46

 

CMYK 95 / 0 / 79 / 15

HEX #0BDA2D

RGB 11 218 45

HSL 129.86, 0.9%, 0.45%

LAB 76.32, -74.66, 66.42

 

CMYK 89 / 0 / 74 / 5

HEX #1BF33E

RGB 27 243 62

HSL 129.72, 0.9%, 0.53%

LAB 84.32, -79.67, 69.02

 

CMYK 73 / 0 / 61 / 4

HEX #42F560

RGB 66 245 96

HSL 130.06, 0.9%, 0.61%

LAB 85.66, -73.07, 57.72

 

CMYK 57 / 0 / 48 / 3

HEX #6AF781

RGB 106 247 129

HSL 129.79, 0.9%, 0.69%

LAB 87.57, -62.08, 45.27

 

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

CMYK 89 / 31 / 0 / 5

HEX #1BA8F3

RGB 27 168 243

HSL 200.83, 0.9%, 0.53%

LAB 65.52, -8.58, -47.06

 

CMYK 0 / 89 / 67 / 5

HEX #F31B51

RGB 243 27 81

HSL 345, 0.9%, 0.53%

LAB 52.32, 76.54, 28.53

 

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

CMYK 75 / 89 / 0 / 5

HEX #3C1BF3

RGB 60 27 243

HSL 249.17, 0.9%, 0.53%

LAB 34.43, 72.05, -97.5

 

CMYK 0 / 75 / 89 / 5

HEX #F33C1B

RGB 243 60 27

HSL 9.17, 0.9%, 0.53%

LAB 54.41, 67.33, 58.98

 

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

CMYK 89 / 31 / 0 / 5

HEX #1BA8F3

RGB 27 168 243

HSL 200.83, 0.9%, 0.53%

LAB 65.52, -8.58, -47.06

 

CMYK 0 / 89 / 13 / 5

HEX #F31BD3

RGB 243 27 211

HSL 308.89, 0.9%, 0.53%

LAB 56.63, 88.18, -42.12

 

CMYK 0 / 58 / 89 / 5

HEX #F3671B

RGB 243 103 27

HSL 21.11, 0.9%, 0.53%

LAB 60.64, 50.55, 63.56

 

CMYK 88 / 0 / 74 / 5

HEX #1CF33F

RGB 28 243 63

HSL 129.77, 0.9%, 0.53%

LAB 84.33, -79.54, 68.71

 

CMYK 89 / 58 / 0 / 5

HEX #1B67F3

RGB 27 103 243

HSL 218.89, 0.9%, 0.53%

LAB 47.5, 30.85, -75.98

 

CMYK 0 / 89 / 13 / 5

HEX #F31BD3

RGB 243 27 211

HSL 308.89, 0.9%, 0.53%

LAB 56.63, 88.18, -42.12

 

CMYK 0 / 31 / 89 / 5

HEX #F3A81B

RGB 243 168 27

HSL 39.17, 0.9%, 0.53%

LAB 74.28, 17.6, 73.89

 

Description

Color code: HEX #1CF33F | qconv.com Color code: HEX #1CF33F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 243 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 243 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 74 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 74% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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