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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CF0DF it is the complementary color #E30F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CF0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CF0DF shade: #21F0DA, #32FFED, #43FFFF, #54FFFF and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CF0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CF0DF shade: #1CF0DF, #0BDECC, #00CCB9, #00BAA6 and #00A893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CF0DF shade: #1EF1E0, #1EF1A7, #1EF16E, #1EF135 and #3FF11E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CF0DF shade: #1EF1E0, #1EC9F1, #1E90F1, #1E57F1 and #1E1EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CF0DF shade matches the following richer shades: #1EF1E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CF0DF shade: #1EF1E0, #31DDCF, #44CABF, #58B6AF and #6BA39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CF0DF shade: #1EF16F, #1EF1A7, #1EF1DF, #1ECAF1 and #1E92F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CF0DF shade: #0BB1A3, #0ED7C7, #1EF1E0, #44F3E5 and #6BF6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CF0DF shade: #1CF0DF, #361EF1 and #F18B1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CF0DF shade: #1CF0DF, #DF1EF1 and #F1DF1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CF0DF shade: #1CF0DF, #361EF1, #F11E2F and #D8F11E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CF0DF shade: #1CF0DF, #761EF1, #F11E2F and #99F11E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

Complementary color

CMYK 0 / 93 / 86 / 11

HEX #E30F20

RGB 227 15 32

HSL 355.19, 0.88%, 0.47%

LAB 47.98, 72.47, 50.49

 

CMYK 86 / 0 / 9 / 6

HEX #21F0DA

RGB 33 240 218

HSL 173.62, 0.87%, 0.54%

LAB 85.86, -50.97, -2.61

 

CMYK 80 / 0 / 7 / 0

HEX #32FFED

RGB 50 255 237

HSL 174.73, 1%, 0.6%

LAB 90.92, -50.99, -5.05

 

CMYK 74 / 0 / 0 / 0

HEX #43FFFF

RGB 67 255 255

HSL 180, 1%, 0.63%

LAB 91.65, -44.55, -13.28

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

CMYK 95 / 0 / 8 / 13

HEX #0BDECC

RGB 11 222 204

HSL 174.88, 0.91%, 0.46%

LAB 80, -48.17, -3.84

 

CMYK 100 / 0 / 9 / 20

HEX #00CCB9

RGB 0 204 185

HSL 174.41, 1%, 0.4%

LAB 73.99, -46.14, -2.48

 

CMYK 100 / 0 / 11 / 27

HEX #00BAA6

RGB 0 186 166

HSL 173.55, 1%, 0.36%

LAB 67.93, -43.79, -1

 

CMYK 100 / 0 / 13 / 34

HEX #00A893

RGB 0 168 147

HSL 172.5, 1%, 0.33%

LAB 61.75, -41.4, 0.53

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1E0

RGB 30 241 224

HSL 175.17, 0.88%, 0.53%

LAB 86.29, -49.93, -5.13

 

CMYK 88 / 0 / 31 / 5

HEX #1EF1A7

RGB 30 241 167

HSL 158.96, 0.88%, 0.53%

LAB 84.98, -63.84, 22.7

 

CMYK 88 / 0 / 54 / 5

HEX #1EF16E

RGB 30 241 110

HSL 142.75, 0.88%, 0.53%

LAB 84.13, -73.87, 49.63

 

CMYK 88 / 0 / 78 / 5

HEX #1EF135

RGB 30 241 53

HSL 126.54, 0.88%, 0.53%

LAB 83.68, -79.52, 71.16

 

CMYK 74 / 0 / 88 / 5

HEX #3FF11E

RGB 63 241 30

HSL 110.62, 0.88%, 0.53%

LAB 84, -77, 77.02

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1E0

RGB 30 241 224

HSL 175.17, 0.88%, 0.53%

LAB 86.29, -49.93, -5.13

 

CMYK 88 / 17 / 0 / 5

HEX #1EC9F1

RGB 30 201 241

HSL 191.37, 0.88%, 0.53%

LAB 75.08, -26.51, -31.08

 

CMYK 88 / 40 / 0 / 5

HEX #1E90F1

RGB 30 144 241

HSL 207.58, 0.88%, 0.53%

LAB 58.58, 4.72, -56.98

 

CMYK 88 / 64 / 0 / 5

HEX #1E57F1

RGB 30 87 241

HSL 223.79, 0.88%, 0.53%

LAB 43.42, 40.37, -81.53

 

CMYK 88 / 88 / 0 / 5

HEX #1E1EF1

RGB 30 30 241

HSL 240, 0.88%, 0.53%

LAB 33.04, 69.65, -98.72

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1E0

RGB 30 241 224

HSL 175.17, 0.88%, 0.53%

LAB 86.29, -49.93, -5.13

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1E0

RGB 30 241 224

HSL 175.17, 0.88%, 0.53%

LAB 86.29, -49.93, -5.13

 

CMYK 78 / 0 / 6 / 13

HEX #31DDCF

RGB 49 221 207

HSL 175.12, 0.72%, 0.53%

LAB 80.11, -44.67, -5.24

 

CMYK 66 / 0 / 5 / 21

HEX #44CABF

RGB 68 202 191

HSL 175.07, 0.56%, 0.53%

LAB 74.34, -38.29, -5.12

 

CMYK 52 / 0 / 4 / 29

HEX #58B6AF

RGB 88 182 175

HSL 175.53, 0.39%, 0.53%

LAB 68.48, -29.51, -4.97

 

CMYK 34 / 0 / 2 / 36

HEX #6BA39F

RGB 107 163 159

HSL 175.71, 0.23%, 0.53%

LAB 63.2, -19.23, -3.77

 

CMYK 88 / 0 / 54 / 5

HEX #1EF16F

RGB 30 241 111

HSL 143.03, 0.88%, 0.53%

LAB 84.14, -73.73, 49.18

 

CMYK 88 / 0 / 31 / 5

HEX #1EF1A7

RGB 30 241 167

HSL 158.96, 0.88%, 0.53%

LAB 84.98, -63.84, 22.7

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1DF

RGB 30 241 223

HSL 174.88, 0.88%, 0.53%

LAB 86.26, -50.2, -4.64

 

CMYK 88 / 16 / 0 / 5

HEX #1ECAF1

RGB 30 202 241

HSL 191.09, 0.88%, 0.53%

LAB 75.37, -27, -30.63

 

CMYK 88 / 39 / 0 / 5

HEX #1E92F1

RGB 30 146 241

HSL 207.01, 0.88%, 0.53%

LAB 59.14, 3.53, -56.07

 

CMYK 94 / 0 / 8 / 31

HEX #0BB1A3

RGB 11 177 163

HSL 174.94, 0.88%, 0.37%

LAB 65.09, -40.35, -3.5

 

CMYK 93 / 0 / 7 / 16

HEX #0ED7C7

RGB 14 215 199

HSL 175.22, 0.88%, 0.45%

LAB 77.77, -46.5, -4.45

 

CMYK 88 / 0 / 7 / 5

HEX #1EF1E0

RGB 30 241 224

HSL 175.17, 0.88%, 0.53%

LAB 86.29, -49.93, -5.13

 

CMYK 72 / 0 / 6 / 5

HEX #44F3E5

RGB 68 243 229

HSL 175.2, 0.88%, 0.61%

LAB 87.48, -46.27, -5.94

 

CMYK 57 / 0 / 5 / 4

HEX #6BF6EA

RGB 107 246 234

HSL 174.82, 0.89%, 0.69%

LAB 89.38, -40.45, -5.64

 

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

CMYK 78 / 88 / 0 / 5

HEX #361EF1

RGB 54 30 241

HSL 246.82, 0.88%, 0.53%

LAB 34.12, 70.39, -96.9

 

CMYK 0 / 42 / 88 / 5

HEX #F18B1E

RGB 241 139 30

HSL 31, 0.88%, 0.53%

LAB 67.47, 32.04, 67.77

 

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

CMYK 7 / 88 / 0 / 5

HEX #DF1EF1

RGB 223 30 241

HSL 294.88, 0.88%, 0.53%

LAB 55.04, 88.55, -61.81

 

CMYK 0 / 7 / 88 / 5

HEX #F1DF1E

RGB 241 223 30

HSL 54.88, 0.88%, 0.53%

LAB 87.76, -11.53, 83.74

 

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

CMYK 78 / 88 / 0 / 5

HEX #361EF1

RGB 54 30 241

HSL 246.82, 0.88%, 0.53%

LAB 34.12, 70.39, -96.9

 

CMYK 0 / 88 / 80 / 5

HEX #F11E2F

RGB 241 30 47

HSL 355.17, 0.88%, 0.53%

LAB 51.65, 74.32, 47.21

 

CMYK 10 / 0 / 88 / 5

HEX #D8F11E

RGB 216 241 30

HSL 67.11, 0.88%, 0.53%

LAB 90.6, -30.54, 85.2

 

CMYK 88 / 0 / 7 / 6

HEX #1CF0DF

RGB 28 240 223

HSL 175.19, 0.88%, 0.53%

LAB 85.95, -49.88, -5.1

 

CMYK 51 / 88 / 0 / 5

HEX #761EF1

RGB 118 30 241

HSL 265.02, 0.88%, 0.53%

LAB 39.8, 74.69, -87.3

 

CMYK 0 / 88 / 80 / 5

HEX #F11E2F

RGB 241 30 47

HSL 355.17, 0.88%, 0.53%

LAB 51.65, 74.32, 47.21

 

CMYK 37 / 0 / 88 / 5

HEX #99F11E

RGB 153 241 30

HSL 85.02, 0.88%, 0.53%

LAB 86.89, -54.28, 80.62

 

Description

Color code: HEX #1CF0DF | qconv.com Color code: HEX #1CF0DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 240 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 240 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 7 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 7% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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