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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CF025 it is the complementary color #E30FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CF025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CF025 shade: #21F020, #32FF33, #43FF46, #54FF59 and #65FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CF025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CF025 shade: #1CF025, #0BDE12, #00CC00, #00BA00 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CF025 shade: #1EF127, #4EF11E, #86F11E, #BFF11E and #F1E91E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CF025 shade: #1EF127, #1EF160, #1EF198, #1EF1D1 and #1ED7F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CF025 shade matches the following richer shades: #1EF127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CF025 shade: #1EF127, #31DD38, #44CA4A, #58B65C and #6BA36E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CF025 shade: #87F11E, #4FF11E, #1EF125, #1EF15D and #1EF195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CF025 shade: #0BB112, #0ED716, #1EF127, #44F34C and #6BF671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CF025 shade: #1CF025, #1EBFF1 and #F11E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CF025 shade: #1CF025, #251EF1 and #F1251E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CF025 shade: #1CF025, #1EBFF1, #F11EEA and #F14F1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CF025 shade: #1CF025, #1E80F1, #F11EEA and #F18E1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

Complementary color

CMYK 0 / 93 / 4 / 11

HEX #E30FDA

RGB 227 15 218

HSL 302.55, 0.88%, 0.47%

LAB 53.74, 87.64, -50.86

 

CMYK 86 / 0 / 87 / 6

HEX #21F020

RGB 33 240 32

HSL 119.71, 0.87%, 0.53%

LAB 83.31, -80.05, 75.9

 

CMYK 80 / 0 / 80 / 0

HEX #32FF33

RGB 50 255 51

HSL 120.29, 1%, 0.6%

LAB 88.18, -81.76, 76.03

 

CMYK 74 / 0 / 73 / 0

HEX #43FF46

RGB 67 255 70

HSL 120.96, 1%, 0.63%

LAB 88.52, -78.41, 70.75

 

CMYK 67 / 0 / 65 / 0

HEX #54FF59

RGB 84 255 89

HSL 121.75, 1%, 0.66%

LAB 88.98, -74.05, 64.38

 

CMYK 60 / 0 / 58 / 0

HEX #65FF6C

RGB 101 255 108

HSL 122.73, 1%, 0.7%

LAB 89.57, -68.72, 57.26

 

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

CMYK 95 / 0 / 92 / 13

HEX #0BDE12

RGB 11 222 18

HSL 121.99, 0.91%, 0.46%

LAB 77.49, -76.89, 73.15

 

CMYK 100 / 0 / 100 / 20

HEX #00CC00

RGB 0 204 0

HSL 120, 1%, 0.4%

LAB 71.68, -72.85, 70.31

 

CMYK 100 / 0 / 100 / 27

HEX #00BA00

RGB 0 186 0

HSL 120, 1%, 0.36%

LAB 65.84, -67.99, 65.62

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 88 / 0 / 84 / 5

HEX #1EF127

RGB 30 241 39

HSL 122.56, 0.88%, 0.53%

LAB 83.62, -80.26, 74.71

 

CMYK 68 / 0 / 88 / 5

HEX #4EF11E

RGB 78 241 30

HSL 106.35, 0.88%, 0.53%

LAB 84.29, -74.48, 77.38

 

CMYK 44 / 0 / 88 / 5

HEX #86F11E

RGB 134 241 30

HSL 90.43, 0.88%, 0.53%

LAB 86.04, -60.45, 79.57

 

CMYK 21 / 0 / 88 / 5

HEX #BFF11E

RGB 191 241 30

HSL 74.22, 0.88%, 0.53%

LAB 88.96, -40.42, 83.18

 

CMYK 0 / 3 / 88 / 5

HEX #F1E91E

RGB 241 233 30

HSL 57.73, 0.88%, 0.53%

LAB 90.35, -16.45, 85.79

 

CMYK 88 / 0 / 84 / 5

HEX #1EF127

RGB 30 241 39

HSL 122.56, 0.88%, 0.53%

LAB 83.62, -80.26, 74.71

 

CMYK 88 / 0 / 60 / 5

HEX #1EF160

RGB 30 241 96

HSL 138.77, 0.88%, 0.53%

LAB 83.98, -75.67, 55.69

 

CMYK 88 / 0 / 37 / 5

HEX #1EF198

RGB 30 241 152

HSL 154.69, 0.88%, 0.53%

LAB 84.72, -66.89, 29.99

 

CMYK 88 / 0 / 13 / 5

HEX #1EF1D1

RGB 30 241 209

HSL 170.9, 0.88%, 0.53%

LAB 85.9, -53.91, 2.17

 

CMYK 88 / 11 / 0 / 5

HEX #1ED7F1

RGB 30 215 241

HSL 187.39, 0.88%, 0.53%

LAB 79.17, -33.32, -24.8

 

CMYK 88 / 0 / 84 / 5

HEX #1EF127

RGB 30 241 39

HSL 122.56, 0.88%, 0.53%

LAB 83.62, -80.26, 74.71

 

CMYK 88 / 0 / 84 / 5

HEX #1EF127

RGB 30 241 39

HSL 122.56, 0.88%, 0.53%

LAB 83.62, -80.26, 74.71

 

CMYK 78 / 0 / 75 / 13

HEX #31DD38

RGB 49 221 56

HSL 122.44, 0.72%, 0.53%

LAB 77.67, -71.7, 64.46

 

CMYK 66 / 0 / 63 / 21

HEX #44CA4A

RGB 68 202 74

HSL 122.69, 0.56%, 0.53%

LAB 72.2, -60.95, 51.95

 

CMYK 52 / 0 / 49 / 29

HEX #58B65C

RGB 88 182 92

HSL 122.55, 0.39%, 0.53%

LAB 66.75, -46.54, 37.27

 

CMYK 34 / 0 / 33 / 36

HEX #6BA36E

RGB 107 163 110

HSL 123.21, 0.23%, 0.53%

LAB 62.04, -29.49, 21.87

 

CMYK 44 / 0 / 88 / 5

HEX #87F11E

RGB 135 241 30

HSL 90.14, 0.88%, 0.53%

LAB 86.08, -60.14, 79.62

 

CMYK 67 / 0 / 88 / 5

HEX #4FF11E

RGB 79 241 30

HSL 106.07, 0.88%, 0.53%

LAB 84.31, -74.29, 77.41

 

CMYK 88 / 0 / 85 / 5

HEX #1EF125

RGB 30 241 37

HSL 121.99, 0.88%, 0.53%

LAB 83.61, -80.35, 75.14

 

CMYK 88 / 0 / 61 / 5

HEX #1EF15D

RGB 30 241 93

HSL 137.91, 0.88%, 0.53%

LAB 83.95, -76.02, 56.94

 

CMYK 88 / 0 / 38 / 5

HEX #1EF195

RGB 30 241 149

HSL 153.84, 0.88%, 0.53%

LAB 84.67, -67.47, 31.43

 

CMYK 94 / 0 / 90 / 31

HEX #0BB112

RGB 11 177 18

HSL 122.53, 0.88%, 0.37%

LAB 62.98, -64.52, 60.82

 

CMYK 93 / 0 / 90 / 16

HEX #0ED716

RGB 14 215 22

HSL 122.39, 0.88%, 0.45%

LAB 75.3, -74.77, 70.7

 

CMYK 88 / 0 / 84 / 5

HEX #1EF127

RGB 30 241 39

HSL 122.56, 0.88%, 0.53%

LAB 83.62, -80.26, 74.71

 

CMYK 72 / 0 / 69 / 5

HEX #44F34C

RGB 68 243 76

HSL 122.74, 0.88%, 0.61%

LAB 84.92, -74.12, 64.92

 

CMYK 57 / 0 / 54 / 4

HEX #6BF671

RGB 107 246 113

HSL 122.59, 0.89%, 0.69%

LAB 87.11, -63.6, 52.18

 

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

CMYK 88 / 21 / 0 / 5

HEX #1EBFF1

RGB 30 191 241

HSL 194.22, 0.88%, 0.53%

LAB 72.15, -21.44, -35.6

 

CMYK 0 / 88 / 56 / 5

HEX #F11E6B

RGB 241 30 107

HSL 338.1, 0.88%, 0.53%

LAB 52.61, 77.06, 13.13

 

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

CMYK 85 / 88 / 0 / 5

HEX #251EF1

RGB 37 30 241

HSL 241.99, 0.88%, 0.53%

LAB 33.29, 69.82, -98.3

 

CMYK 0 / 85 / 88 / 5

HEX #F1251E

RGB 241 37 30

HSL 1.99, 0.88%, 0.53%

LAB 51.97, 72.67, 55.78

 

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

CMYK 88 / 21 / 0 / 5

HEX #1EBFF1

RGB 30 191 241

HSL 194.22, 0.88%, 0.53%

LAB 72.15, -21.44, -35.6

 

CMYK 0 / 88 / 3 / 5

HEX #F11EEA

RGB 241 30 234

HSL 301.99, 0.88%, 0.53%

LAB 57.63, 90.51, -53.57

 

CMYK 0 / 67 / 88 / 5

HEX #F14F1E

RGB 241 79 30

HSL 13.93, 0.88%, 0.53%

LAB 56.47, 60.13, 59.23

 

CMYK 88 / 0 / 85 / 6

HEX #1CF025

RGB 28 240 37

HSL 122.55, 0.88%, 0.53%

LAB 83.28, -80.21, 74.85

 

CMYK 88 / 47 / 0 / 5

HEX #1E80F1

RGB 30 128 241

HSL 212.13, 0.88%, 0.53%

LAB 54.1, 14.47, -64.17

 

CMYK 0 / 88 / 3 / 5

HEX #F11EEA

RGB 241 30 234

HSL 301.99, 0.88%, 0.53%

LAB 57.63, 90.51, -53.57

 

CMYK 0 / 41 / 88 / 5

HEX #F18E1E

RGB 241 142 30

HSL 31.85, 0.88%, 0.53%

LAB 68.12, 30.48, 68.28

 

Description

Color code: HEX #1CF025 | qconv.com Color code: HEX #1CF025 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 240 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 240 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 85 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 85% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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