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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE5E9 it is the complementary color #E31A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE5E9 shade: #21E5E4, #32F7F7, #43FFFF, #54FFFF and #65FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE5E9 shade: #1CE5E9, #0BD3D6, #00C1C3, #00AFB0 and #009D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE5E9 shade: #1CE5E9, #1CADE9, #1C76E9, #1C3FE9 and #301CE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE5E9 shade: #1CE5E9, #1CADE9, #1C76E9, #1C3FE9 and #1C1CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE5E9 shade matches the following richer shades: #1CE5E9 and #07F8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE5E9 shade: #1CE5E9, #30D1D4, #44BEC0, #58AAAC and #6C9798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE5E9 shade: #1CE97F, #1CE9B5, #1CE5E9, #1CAEE9 and #1C78E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE5E9 shade: #109FA2, #14C4C7, #1CE5E9, #41E9EC and #67EDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE5E9 shade: #1CE5E9, #481CE9 and #E99A1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE5E9 shade: #1CE5E9, #E91CE5 and #E5E91C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE5E9 shade: #1CE5E9, #481CE9, #E91F1C and #BCE91C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE5E9 shade: #1CE5E9, #851CE9, #E91F1C and #7FE91C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

Complementary color

CMYK 0 / 89 / 90 / 11

HEX #E31A16

RGB 227 26 22

HSL 1.17, 0.82%, 0.49%

LAB 48.42, 70.86, 55.24

 

CMYK 86 / 0 / 0 / 10

HEX #21E5E4

RGB 33 229 228

HSL 179.69, 0.79%, 0.51%

LAB 82.89, -43.47, -12.27

 

CMYK 80 / 0 / 0 / 3

HEX #32F7F7

RGB 50 247 247

HSL 180, 0.92%, 0.58%

LAB 88.88, -44.81, -13.29

 

CMYK 74 / 0 / 0 / 0

HEX #43FFFF

RGB 67 255 255

HSL 180, 1%, 0.63%

LAB 91.65, -44.55, -13.28

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 95 / 1 / 0 / 16

HEX #0BD3D6

RGB 11 211 214

HSL 180.89, 0.9%, 0.44%

LAB 76.99, -40.5, -13.66

 

CMYK 100 / 1 / 0 / 24

HEX #00C1C3

RGB 0 193 195

HSL 180.62, 1%, 0.38%

LAB 70.93, -38.38, -12.47

 

CMYK 100 / 1 / 0 / 31

HEX #00AFB0

RGB 0 175 176

HSL 180.34, 1%, 0.35%

LAB 64.8, -35.94, -11.17

 

CMYK 100 / 0 / 0 / 38

HEX #009D9D

RGB 0 157 157

HSL 180, 1%, 0.31%

LAB 58.55, -33.46, -9.84

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 88 / 26 / 0 / 9

HEX #1CADE9

RGB 28 173 233

HSL 197.56, 0.82%, 0.51%

LAB 66.53, -14.82, -40

 

CMYK 88 / 49 / 0 / 9

HEX #1C76E9

RGB 28 118 233

HSL 213.66, 0.82%, 0.51%

LAB 50.79, 17.55, -65.04

 

CMYK 88 / 73 / 0 / 9

HEX #1C3FE9

RGB 28 63 233

HSL 229.76, 0.82%, 0.51%

LAB 37.27, 51.9, -87.16

 

CMYK 79 / 88 / 0 / 9

HEX #301CE9

RGB 48 28 233

HSL 245.85, 0.82%, 0.51%

LAB 32.57, 68.66, -94.94

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 88 / 26 / 0 / 9

HEX #1CADE9

RGB 28 173 233

HSL 197.56, 0.82%, 0.51%

LAB 66.53, -14.82, -40

 

CMYK 88 / 49 / 0 / 9

HEX #1C76E9

RGB 28 118 233

HSL 213.66, 0.82%, 0.51%

LAB 50.79, 17.55, -65.04

 

CMYK 88 / 73 / 0 / 9

HEX #1C3FE9

RGB 28 63 233

HSL 229.76, 0.82%, 0.51%

LAB 37.27, 51.9, -87.16

 

CMYK 88 / 88 / 0 / 9

HEX #1C1CE9

RGB 28 28 233

HSL 240, 0.82%, 0.51%

LAB 31.72, 68.09, -96.39

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 97 / 2 / 0 / 1

HEX #07F8FD

RGB 7 248 253

HSL 181.22, 0.98%, 0.51%

LAB 89.05, -45.49, -16.19

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 77 / 1 / 0 / 17

HEX #30D1D4

RGB 48 209 212

HSL 181.1, 0.66%, 0.51%

LAB 76.67, -38, -13.03

 

CMYK 65 / 1 / 0 / 25

HEX #44BEC0

RGB 68 190 192

HSL 180.97, 0.5%, 0.51%

LAB 70.78, -32.42, -10.96

 

CMYK 49 / 1 / 0 / 33

HEX #58AAAC

RGB 88 170 172

HSL 181.43, 0.34%, 0.51%

LAB 64.81, -24.37, -8.76

 

CMYK 29 / 1 / 0 / 40

HEX #6C9798

RGB 108 151 152

HSL 181.36, 0.18%, 0.51%

LAB 59.52, -14.29, -5.25

 

CMYK 88 / 0 / 45 / 9

HEX #1CE97F

RGB 28 233 127

HSL 148.98, 0.82%, 0.51%

LAB 81.87, -68.84, 38.73

 

CMYK 88 / 0 / 22 / 9

HEX #1CE9B5

RGB 28 233 181

HSL 164.78, 0.82%, 0.51%

LAB 82.84, -57.82, 12.44

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 88 / 25 / 0 / 9

HEX #1CAEE9

RGB 28 174 233

HSL 197.27, 0.82%, 0.51%

LAB 66.83, -15.36, -39.54

 

CMYK 88 / 48 / 0 / 9

HEX #1C78E9

RGB 28 120 233

HSL 213.07, 0.82%, 0.51%

LAB 51.34, 16.29, -64.15

 

CMYK 90 / 2 / 0 / 36

HEX #109FA2

RGB 16 159 162

HSL 181.23, 0.82%, 0.35%

LAB 59.45, -32.17, -11.32

 

CMYK 90 / 2 / 0 / 22

HEX #14C4C7

RGB 20 196 199

HSL 181.01, 0.82%, 0.43%

LAB 72.06, -37.88, -12.93

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 72 / 1 / 0 / 7

HEX #41E9EC

RGB 65 233 236

HSL 181.05, 0.82%, 0.59%

LAB 84.72, -40.27, -13.73

 

CMYK 57 / 1 / 0 / 6

HEX #67EDF0

RGB 103 237 240

HSL 181.31, 0.82%, 0.67%

LAB 86.87, -35.51, -12.52

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 69 / 88 / 0 / 9

HEX #481CE9

RGB 72 28 233

HSL 252.88, 0.82%, 0.51%

LAB 34.17, 69.78, -92.23

 

CMYK 0 / 34 / 88 / 9

HEX #E99A1C

RGB 233 154 28

HSL 36.88, 0.82%, 0.51%

LAB 69.84, 20.77, 69.72

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 0 / 88 / 2 / 9

HEX #E91CE5

RGB 233 28 229

HSL 301.17, 0.82%, 0.51%

LAB 55.9, 88.71, -53.59

 

CMYK 2 / 0 / 88 / 9

HEX #E5E91C

RGB 229 233 28

HSL 61.17, 0.82%, 0.51%

LAB 89.4, -21.48, 84.97

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 69 / 88 / 0 / 9

HEX #481CE9

RGB 72 28 233

HSL 252.88, 0.82%, 0.51%

LAB 34.17, 69.78, -92.23

 

CMYK 0 / 87 / 88 / 9

HEX #E91F1C

RGB 233 31 28

HSL 0.88, 0.82%, 0.51%

LAB 49.96, 71.67, 54.42

 

CMYK 19 / 0 / 88 / 9

HEX #BCE91C

RGB 188 233 28

HSL 73.17, 0.82%, 0.51%

LAB 86.53, -38.08, 81.46

 

CMYK 88 / 2 / 0 / 9

HEX #1CE5E9

RGB 28 229 233

HSL 181.17, 0.82%, 0.51%

LAB 83, -42.29, -14.76

 

CMYK 43 / 88 / 0 / 9

HEX #851CE9

RGB 133 28 233

HSL 270.73, 0.82%, 0.51%

LAB 40.74, 74.94, -81.17

 

CMYK 0 / 87 / 88 / 9

HEX #E91F1C

RGB 233 31 28

HSL 0.88, 0.82%, 0.51%

LAB 49.96, 71.67, 54.42

 

CMYK 45 / 0 / 88 / 9

HEX #7FE91C

RGB 127 233 28

HSL 91.02, 0.82%, 0.51%

LAB 83.38, -59.68, 77.56

 

Description

Color code: HEX #1CE5E9 | qconv.com Color code: HEX #1CE5E9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 229 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 229 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 2 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 2% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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