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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE554 it is the complementary color #E31AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE554 shade: #21E54F, #32F762, #43FF75, #54FF88 and #65FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE554 shade: #1CE554, #0BD341, #00C12E, #00AF1B and #009D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE554 shade: #1BE453, #1BE41D, #4FE41B, #86E41B and #BCE41B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE554 shade: #1BE453, #1BE489, #1BE4C0, #1BD3E4 and #1B9CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE554 shade matches the following richer shades: #1BE453 and #06F94A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE554 shade: #1BE453, #2FD05C, #44BB65, #59A66E and #6D9277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE554 shade: #50E41B, #1BE41B, #1BE450, #1BE486 and #1BE4BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE554 shade: #129A38, #16BF45, #1BE453, #40E96F and #65ED8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE554 shade: #1CE554, #1B86E4 and #E41B36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE554 shade: #1CE554, #501BE4 and #E4501B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE554 shade: #1CE554, #1B86E4, #E41BAF and #E4791B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE554 shade: #1CE554, #1B4AE4, #E41BAF and #E4B51B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

Complementary color

CMYK 0 / 89 / 25 / 11

HEX #E31AAB

RGB 227 26 171

HSL 316.72, 0.79%, 0.5%

LAB 51.85, 80.36, -26.63

 

CMYK 86 / 0 / 66 / 10

HEX #21E54F

RGB 33 229 79

HSL 134.08, 0.79%, 0.51%

LAB 80.14, -73.74, 58.48

 

CMYK 80 / 0 / 60 / 3

HEX #32F762

RGB 50 247 98

HSL 134.62, 0.92%, 0.58%

LAB 86.05, -75.5, 57.25

 

CMYK 74 / 0 / 54 / 0

HEX #43FF75

RGB 67 255 117

HSL 135.96, 1%, 0.63%

LAB 88.92, -73.58, 52.31

 

CMYK 67 / 0 / 47 / 0

HEX #54FF88

RGB 84 255 136

HSL 138.25, 1%, 0.66%

LAB 89.48, -68.27, 44.22

 

CMYK 60 / 0 / 39 / 0

HEX #65FF9B

RGB 101 255 155

HSL 141.04, 1%, 0.7%

LAB 90.16, -62.09, 35.93

 

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

CMYK 95 / 0 / 69 / 17

HEX #0BD341

RGB 11 211 65

HSL 136.2, 0.9%, 0.44%

LAB 74.22, -71.15, 57.58

 

CMYK 100 / 0 / 76 / 24

HEX #00C12E

RGB 0 193 46

HSL 134.3, 1%, 0.38%

LAB 68.27, -68.01, 58.32

 

CMYK 100 / 0 / 85 / 31

HEX #00AF1B

RGB 0 175 27

HSL 129.26, 1%, 0.34%

LAB 62.29, -64.11, 58.23

 

CMYK 100 / 0 / 95 / 38

HEX #009D08

RGB 0 157 8

HSL 123.06, 1%, 0.31%

LAB 56.22, -59.76, 56.67

 

CMYK 88 / 0 / 64 / 11

HEX #1BE453

RGB 27 228 83

HSL 136.72, 0.79%, 0.5%

LAB 79.81, -73.46, 56.47

 

CMYK 88 / 0 / 87 / 11

HEX #1BE41D

RGB 27 228 29

HSL 120.6, 0.79%, 0.5%

LAB 79.5, -77.32, 73.13

 

CMYK 65 / 0 / 88 / 11

HEX #4FE41B

RGB 79 228 27

HSL 104.48, 0.79%, 0.5%

LAB 80.31, -70.33, 74.51

 

CMYK 41 / 0 / 88 / 11

HEX #86E41B

RGB 134 228 27

HSL 88.06, 0.79%, 0.5%

LAB 82.18, -55.59, 76.84

 

CMYK 18 / 0 / 88 / 11

HEX #BCE41B

RGB 188 228 27

HSL 71.94, 0.79%, 0.5%

LAB 85.13, -35.85, 80.48

 

CMYK 88 / 0 / 64 / 11

HEX #1BE453

RGB 27 228 83

HSL 136.72, 0.79%, 0.5%

LAB 79.81, -73.46, 56.47

 

CMYK 88 / 0 / 40 / 11

HEX #1BE489

RGB 27 228 137

HSL 152.84, 0.79%, 0.5%

LAB 80.47, -65.45, 31.93

 

CMYK 88 / 0 / 16 / 11

HEX #1BE4C0

RGB 27 228 192

HSL 169.25, 0.79%, 0.5%

LAB 81.58, -53.2, 4.85

 

CMYK 88 / 7 / 0 / 11

HEX #1BD3E4

RGB 27 211 228

HSL 185.07, 0.79%, 0.5%

LAB 77.53, -35.63, -20.35

 

CMYK 88 / 32 / 0 / 11

HEX #1B9CE4

RGB 27 156 228

HSL 201.49, 0.79%, 0.5%

LAB 61.32, -7.26, -45.44

 

CMYK 88 / 0 / 64 / 11

HEX #1BE453

RGB 27 228 83

HSL 136.72, 0.79%, 0.5%

LAB 79.81, -73.46, 56.47

 

CMYK 98 / 0 / 70 / 2

HEX #06F94A

RGB 6 249 74

HSL 136.79, 0.95%, 0.5%

LAB 86.15, -81.28, 66.75

 

CMYK 88 / 0 / 64 / 11

HEX #1BE453

RGB 27 228 83

HSL 136.72, 0.79%, 0.5%

LAB 79.81, -73.46, 56.47

 

CMYK 77 / 0 / 56 / 18

HEX #2FD05C

RGB 47 208 92

HSL 136.77, 0.63%, 0.5%

LAB 73.86, -64.18, 45.69

 

CMYK 64 / 0 / 46 / 27

HEX #44BB65

RGB 68 187 101

HSL 136.64, 0.47%, 0.5%

LAB 67.81, -51.91, 33.91

 

CMYK 46 / 0 / 34 / 35

HEX #59A66E

RGB 89 166 110

HSL 136.36, 0.3%, 0.5%

LAB 62.1, -36.45, 21.81

 

CMYK 25 / 0 / 18 / 43

HEX #6D9277

RGB 109 146 119

HSL 136.22, 0.15%, 0.5%

LAB 57.21, -18.6, 10.21

 

CMYK 65 / 0 / 88 / 11

HEX #50E41B

RGB 80 228 27

HSL 104.18, 0.79%, 0.5%

LAB 80.33, -70.13, 74.54

 

CMYK 88 / 0 / 88 / 11

HEX #1BE41B

RGB 27 228 27

HSL 120, 0.79%, 0.5%

LAB 79.5, -77.39, 73.49

 

CMYK 88 / 0 / 65 / 11

HEX #1BE450

RGB 27 228 80

HSL 135.82, 0.79%, 0.5%

LAB 79.78, -73.78, 57.67

 

CMYK 88 / 0 / 41 / 11

HEX #1BE486

RGB 27 228 134

HSL 151.94, 0.79%, 0.5%

LAB 80.43, -66, 33.38

 

CMYK 88 / 0 / 18 / 11

HEX #1BE4BC

RGB 27 228 188

HSL 168.06, 0.79%, 0.5%

LAB 81.48, -54.21, 6.82

 

CMYK 88 / 0 / 64 / 40

HEX #129A38

RGB 18 154 56

HSL 136.76, 0.79%, 0.34%

LAB 55.61, -54.26, 41.04

 

CMYK 88 / 0 / 64 / 25

HEX #16BF45

RGB 22 191 69

HSL 136.69, 0.79%, 0.42%

LAB 67.92, -64.15, 49.11

 

CMYK 88 / 0 / 64 / 11

HEX #1BE453

RGB 27 228 83

HSL 136.72, 0.79%, 0.5%

LAB 79.81, -73.46, 56.47

 

CMYK 73 / 0 / 52 / 9

HEX #40E96F

RGB 64 233 111

HSL 136.69, 0.79%, 0.58%

LAB 82.12, -67.56, 46.83

 

CMYK 57 / 0 / 41 / 7

HEX #65ED8B

RGB 101 237 139

HSL 136.76, 0.79%, 0.66%

LAB 84.59, -57.9, 36.57

 

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

CMYK 88 / 41 / 0 / 11

HEX #1B86E4

RGB 27 134 228

HSL 208.06, 0.79%, 0.5%

LAB 54.95, 5.66, -55.55

 

CMYK 0 / 88 / 76 / 11

HEX #E41B36

RGB 228 27 54

HSL 351.94, 0.79%, 0.5%

LAB 48.94, 71.7, 39.71

 

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

CMYK 65 / 88 / 0 / 11

HEX #501BE4

RGB 80 27 228

HSL 255.82, 0.79%, 0.5%

LAB 34.17, 69.29, -89.36

 

CMYK 0 / 65 / 88 / 11

HEX #E4501B

RGB 228 80 27

HSL 15.82, 0.79%, 0.5%

LAB 54.35, 55.34, 57.74

 

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

CMYK 88 / 41 / 0 / 11

HEX #1B86E4

RGB 27 134 228

HSL 208.06, 0.79%, 0.5%

LAB 54.95, 5.66, -55.55

 

CMYK 0 / 88 / 23 / 11

HEX #E41BAF

RGB 228 27 175

HSL 315.82, 0.79%, 0.5%

LAB 52.26, 80.88, -28.34

 

CMYK 0 / 47 / 88 / 11

HEX #E4791B

RGB 228 121 27

HSL 28.06, 0.79%, 0.5%

LAB 61.87, 36.01, 63.51

 

CMYK 88 / 0 / 63 / 10

HEX #1CE554

RGB 28 229 84

HSL 136.72, 0.79%, 0.5%

LAB 80.14, -73.58, 56.42

 

CMYK 88 / 68 / 0 / 11

HEX #1B4AE4

RGB 27 74 228

HSL 225.97, 0.79%, 0.5%

LAB 39.13, 43.57, -81.26

 

CMYK 0 / 88 / 23 / 11

HEX #E41BAF

RGB 228 27 175

HSL 315.82, 0.79%, 0.5%

LAB 52.26, 80.88, -28.34

 

CMYK 0 / 21 / 88 / 11

HEX #E4B51B

RGB 228 181 27

HSL 45.97, 0.79%, 0.5%

LAB 75.84, 4.3, 74.41

 

Description

Color code: HEX #1CE554 | qconv.com Color code: HEX #1CE554 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 229 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 229 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 63 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 63% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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