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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE188 it is the complementary color #E31E77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE188 shade: #21E183, #32F396, #43FFA9, #54FFBC and #65FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE188 shade: #1CE188, #0BCF75, #00BD62, #00AB4F and #00993C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE188 shade: #1CE389, #1CE353, #1CE31E, #50E31C and #86E31C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE188 shade: #1CE389, #1CE3BF, #1CD2E3, #1C9CE3 and #1C66E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE188 shade matches the following richer shades: #1CE389 and #07F88B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE188 shade: #1CE389, #31CE87, #45BA85, #5AA583 and #6F9081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE188 shade: #1CE31C, #1CE351, #1CE386, #1CE3BB and #1CD6E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE188 shade: #139A5D, #18BE73, #1CE389, #41E79C and #65ECAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE188 shade: #1CE188, #1C51E3 and #E3371C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE188 shade: #1CE188, #861CE3 and #E3861C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE188 shade: #1CE188, #1C51E3, #E31C79 and #E3AE1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE188 shade: #1CE188, #231CE3, #E31C79 and #DCE31C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

Complementary color

CMYK 0 / 87 / 48 / 11

HEX #E31E77

RGB 227 30 119

HSL 332.89, 0.78%, 0.5%

LAB 50.21, 74.62, 2.05

 

CMYK 85 / 0 / 42 / 12

HEX #21E183

RGB 33 225 131

HSL 150.63, 0.76%, 0.51%

LAB 79.51, -65.11, 33.7

 

CMYK 79 / 0 / 38 / 5

HEX #32F396

RGB 50 243 150

HSL 151.09, 0.89%, 0.57%

LAB 85.49, -66.34, 32.07

 

CMYK 74 / 0 / 34 / 0

HEX #43FFA9

RGB 67 255 169

HSL 152.55, 1%, 0.63%

LAB 89.66, -65.07, 28.15

 

CMYK 67 / 0 / 26 / 0

HEX #54FFBC

RGB 84 255 188

HSL 156.49, 1%, 0.66%

LAB 90.34, -58.82, 19.47

 

CMYK 60 / 0 / 19 / 0

HEX #65FFCF

RGB 101 255 207

HSL 161.3, 1%, 0.7%

LAB 91.14, -51.85, 10.9

 

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

CMYK 95 / 0 / 43 / 19

HEX #0BCF75

RGB 11 207 117

HSL 152.45, 0.9%, 0.43%

LAB 73.53, -62.76, 32.97

 

CMYK 100 / 0 / 48 / 26

HEX #00BD62

RGB 0 189 98

HSL 151.11, 1%, 0.37%

LAB 67.48, -60.47, 34.84

 

CMYK 100 / 0 / 54 / 33

HEX #00AB4F

RGB 0 171 79

HSL 147.72, 1%, 0.34%

LAB 61.39, -57.63, 36.78

 

CMYK 100 / 0 / 61 / 40

HEX #00993C

RGB 0 153 60

HSL 143.53, 1%, 0.3%

LAB 55.18, -54.56, 38.64

 

CMYK 88 / 0 / 40 / 11

HEX #1CE389

RGB 28 227 137

HSL 152.86, 0.78%, 0.5%

LAB 80.17, -65.04, 31.53

 

CMYK 88 / 0 / 63 / 11

HEX #1CE353

RGB 28 227 83

HSL 136.58, 0.78%, 0.5%

LAB 79.51, -73.09, 56.13

 

CMYK 88 / 0 / 87 / 11

HEX #1CE31E

RGB 28 227 30

HSL 120.6, 0.78%, 0.5%

LAB 79.2, -76.94, 72.68

 

CMYK 65 / 0 / 88 / 11

HEX #50E31C

RGB 80 227 28

HSL 104.32, 0.78%, 0.5%

LAB 80.03, -69.78, 74.1

 

CMYK 41 / 0 / 88 / 11

HEX #86E31C

RGB 134 227 28

HSL 88.04, 0.78%, 0.5%

LAB 81.89, -55.17, 76.42

 

CMYK 88 / 0 / 40 / 11

HEX #1CE389

RGB 28 227 137

HSL 152.86, 0.78%, 0.5%

LAB 80.17, -65.04, 31.53

 

CMYK 88 / 0 / 16 / 11

HEX #1CE3BF

RGB 28 227 191

HSL 169.15, 0.78%, 0.5%

LAB 81.26, -53, 4.92

 

CMYK 88 / 7 / 0 / 11

HEX #1CD2E3

RGB 28 210 227

HSL 185.13, 0.78%, 0.5%

LAB 77.21, -35.42, -20.3

 

CMYK 88 / 31 / 0 / 11

HEX #1C9CE3

RGB 28 156 227

HSL 201.41, 0.78%, 0.5%

LAB 61.28, -7.57, -44.94

 

CMYK 88 / 55 / 0 / 11

HEX #1C66E3

RGB 28 102 227

HSL 217.69, 0.78%, 0.5%

LAB 46.04, 25.44, -69.37

 

CMYK 88 / 0 / 40 / 11

HEX #1CE389

RGB 28 227 137

HSL 152.86, 0.78%, 0.5%

LAB 80.17, -65.04, 31.53

 

CMYK 97 / 0 / 44 / 3

HEX #07F88B

RGB 7 248 139

HSL 152.86, 0.95%, 0.5%

LAB 86.53, -72.56, 38.81

 

CMYK 88 / 0 / 40 / 11

HEX #1CE389

RGB 28 227 137

HSL 152.86, 0.78%, 0.5%

LAB 80.17, -65.04, 31.53

 

CMYK 76 / 0 / 34 / 19

HEX #31CE87

RGB 49 206 135

HSL 152.87, 0.62%, 0.5%

LAB 73.9, -55.95, 24.21

 

CMYK 63 / 0 / 28 / 27

HEX #45BA85

RGB 69 186 133

HSL 152.82, 0.46%, 0.5%

LAB 68.08, -45.29, 17.38

 

CMYK 45 / 0 / 21 / 35

HEX #5AA583

RGB 90 165 131

HSL 152.8, 0.29%, 0.5%

LAB 62.27, -31.47, 10.47

 

CMYK 23 / 0 / 10 / 44

HEX #6F9081

RGB 111 144 129

HSL 152.73, 0.13%, 0.5%

LAB 56.99, -14.8, 4.2

 

CMYK 88 / 0 / 88 / 11

HEX #1CE31C

RGB 28 227 28

HSL 120, 0.78%, 0.5%

LAB 79.2, -77.01, 73.05

 

CMYK 88 / 0 / 64 / 11

HEX #1CE351

RGB 28 227 81

HSL 135.98, 0.78%, 0.5%

LAB 79.49, -73.31, 56.94

 

CMYK 88 / 0 / 41 / 11

HEX #1CE386

RGB 28 227 134

HSL 151.96, 0.78%, 0.5%

LAB 80.13, -65.6, 32.99

 

CMYK 88 / 0 / 18 / 11

HEX #1CE3BB

RGB 28 227 187

HSL 167.94, 0.78%, 0.5%

LAB 81.17, -54.01, 6.9

 

CMYK 88 / 6 / 0 / 11

HEX #1CD6E3

RGB 28 214 227

HSL 183.92, 0.78%, 0.5%

LAB 78.4, -37.28, -18.51

 

CMYK 88 / 0 / 40 / 40

HEX #139A5D

RGB 19 154 93

HSL 152.89, 0.78%, 0.34%

LAB 56.13, -48.1, 22.77

 

CMYK 87 / 0 / 39 / 25

HEX #18BE73

RGB 24 190 115

HSL 152.89, 0.78%, 0.42%

LAB 68.21, -56.52, 27.04

 

CMYK 88 / 0 / 40 / 11

HEX #1CE389

RGB 28 227 137

HSL 152.86, 0.78%, 0.5%

LAB 80.17, -65.04, 31.53

 

CMYK 72 / 0 / 32 / 9

HEX #41E79C

RGB 65 231 156

HSL 152.89, 0.78%, 0.58%

LAB 82.2, -59.01, 24.63

 

CMYK 57 / 0 / 26 / 7

HEX #65ECAF

RGB 101 236 175

HSL 152.89, 0.78%, 0.66%

LAB 84.92, -50.87, 18.68

 

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

CMYK 88 / 64 / 0 / 11

HEX #1C51E3

RGB 28 81 227

HSL 224.02, 0.78%, 0.5%

LAB 40.7, 38.89, -78.1

 

CMYK 0 / 76 / 88 / 11

HEX #E3371C

RGB 227 55 28

HSL 8.14, 0.78%, 0.5%

LAB 50.86, 64.14, 54.59

 

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

CMYK 41 / 88 / 0 / 11

HEX #861CE3

RGB 134 28 227

HSL 271.96, 0.78%, 0.5%

LAB 40.32, 73.76, -78.43

 

CMYK 0 / 41 / 88 / 11

HEX #E3861C

RGB 227 134 28

HSL 31.96, 0.78%, 0.5%

LAB 64.54, 28.84, 65.25

 

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

CMYK 88 / 64 / 0 / 11

HEX #1C51E3

RGB 28 81 227

HSL 224.02, 0.78%, 0.5%

LAB 40.7, 38.89, -78.1

 

CMYK 0 / 88 / 47 / 11

HEX #E31C79

RGB 227 28 121

HSL 331.96, 0.78%, 0.5%

LAB 50.15, 75.12, 0.75

HEX #E31C79

CMYK 0 / 23 / 88 / 11

HEX #E3AE1C

RGB 227 174 28

HSL 44.02, 0.78%, 0.5%

LAB 73.99, 7.57, 72.69

HEX #E3AE1C

CMYK 88 / 0 / 40 / 12

HEX #1CE188

RGB 28 225 136

HSL 152.89, 0.78%, 0.5%

LAB 79.54, -64.54, 31.21

 

CMYK 85 / 88 / 0 / 11

HEX #231CE3

RGB 35 28 227

HSL 242.11, 0.78%, 0.5%

LAB 31.19, 66.62, -93.82

 

CMYK 0 / 88 / 47 / 11

HEX #E31C79

RGB 227 28 121

HSL 331.96, 0.78%, 0.5%

LAB 50.15, 75.12, 0.75

HEX #E31C79

CMYK 3 / 0 / 88 / 11

HEX #DCE31C

RGB 220 227 28

HSL 62.11, 0.78%, 0.5%

LAB 87.11, -22.33, 82.86

HEX #DCE31C

Description

Color code: HEX #1CE188 | qconv.com Color code: HEX #1CE188 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 225 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 225 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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