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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE08A it is the complementary color #E31F75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE08A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE08A shade: #21E085, #32F298, #43FFAB, #54FFBE and #65FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE08A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE08A shade: #1CE08A, #0BCE77, #00BC64, #00AA51 and #00983E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE08A shade: #1BDE89, #1BDE54, #1BDE20, #4CDE1B and #80DE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE08A shade: #1BDE89, #1BDEBD, #1BCBDE, #1B96DE and #1B62DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE08A shade matches the following richer shades: #1BDE89 and #07F38B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE08A shade: #1BDE89, #30CA86, #44B684, #58A281 and #6C8E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE08A shade: #1BDE1F, #1BDE53, #1BDE87, #1BDEBB and #1BCEDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE08A shade: #12955C, #17BA72, #1BDE89, #3CE79C and #61EBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE08A shade: #1CE08A, #1B4CDE and #DE391B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE08A shade: #1CE08A, #871BDE and #DE871B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE08A shade: #1CE08A, #1B4CDE, #DE1B73 and #DEAE1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE08A shade: #1CE08A, #251BDE, #DE1B73 and #D5DE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

Complementary color

CMYK 0 / 86 / 48 / 11

HEX #E31F75

RGB 227 31 117

HSL 333.67, 0.78%, 0.51%

LAB 50.21, 74.28, 3.27

 

CMYK 85 / 0 / 41 / 12

HEX #21E085

RGB 33 224 133

HSL 151.41, 0.75%, 0.5%

LAB 79.23, -64.4, 32.32

 

CMYK 79 / 0 / 37 / 5

HEX #32F298

RGB 50 242 152

HSL 151.88, 0.88%, 0.57%

LAB 85.23, -65.61, 30.7

 

CMYK 74 / 0 / 33 / 0

HEX #43FFAB

RGB 67 255 171

HSL 153.19, 1%, 0.63%

LAB 89.7, -64.67, 27.18

 

CMYK 67 / 0 / 25 / 0

HEX #54FFBE

RGB 84 255 190

HSL 157.19, 1%, 0.66%

LAB 90.38, -58.4, 18.51

 

CMYK 60 / 0 / 18 / 0

HEX #65FFD1

RGB 101 255 209

HSL 162.08, 1%, 0.7%

LAB 91.18, -51.4, 9.94

 

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

CMYK 95 / 0 / 42 / 19

HEX #0BCE77

RGB 11 206 119

HSL 153.23, 0.9%, 0.43%

LAB 73.25, -62.05, 31.58

 

CMYK 100 / 0 / 47 / 26

HEX #00BC64

RGB 0 188 100

HSL 151.91, 1%, 0.37%

LAB 67.19, -59.79, 33.45

 

CMYK 100 / 0 / 52 / 33

HEX #00AA51

RGB 0 170 81

HSL 148.59, 1%, 0.33%

LAB 61.08, -56.99, 35.41

 

CMYK 100 / 0 / 59 / 40

HEX #00983E

RGB 0 152 62

HSL 144.47, 1%, 0.3%

LAB 54.87, -53.96, 37.32

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 88 / 0 / 62 / 13

HEX #1BDE54

RGB 27 222 84

HSL 137.54, 0.78%, 0.49%

LAB 77.94, -71.55, 53.95

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE20

RGB 27 222 32

HSL 121.54, 0.78%, 0.49%

LAB 77.63, -75.55, 70.89

 

CMYK 66 / 0 / 88 / 13

HEX #4CDE1B

RGB 76 222 27

HSL 104.92, 0.78%, 0.49%

LAB 78.38, -69.04, 72.82

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 88 / 0 / 15 / 13

HEX #1BDEBD

RGB 27 222 189

HSL 169.85, 0.78%, 0.49%

LAB 79.7, -51.54, 3.72

 

CMYK 88 / 9 / 0 / 13

HEX #1BCBDE

RGB 27 203 222

HSL 185.85, 0.78%, 0.49%

LAB 74.96, -33.72, -21.02

 

CMYK 88 / 32 / 0 / 13

HEX #1B96DE

RGB 27 150 222

HSL 202.15, 0.78%, 0.49%

LAB 59.27, -6.04, -45.34

 

CMYK 88 / 56 / 0 / 13

HEX #1B62DE

RGB 27 98 222

HSL 218.15, 0.78%, 0.49%

LAB 44.58, 26.04, -68.91

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 97 / 0 / 43 / 5

HEX #07F38B

RGB 7 243 139

HSL 153.56, 0.94%, 0.49%

LAB 85, -70.93, 36.84

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 76 / 0 / 34 / 21

HEX #30CA86

RGB 48 202 134

HSL 153.51, 0.62%, 0.49%

LAB 72.62, -54.76, 23.01

 

CMYK 63 / 0 / 27 / 29

HEX #44B684

RGB 68 182 132

HSL 153.68, 0.46%, 0.49%

LAB 66.79, -44.02, 16.13

 

CMYK 46 / 0 / 20 / 36

HEX #58A281

RGB 88 162 129

HSL 153.24, 0.3%, 0.49%

LAB 61.22, -31.02, 10.08

 

CMYK 24 / 0 / 11 / 44

HEX #6C8E7F

RGB 108 142 127

HSL 153.53, 0.14%, 0.49%

LAB 56.15, -15.17, 4.12

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE1F

RGB 27 222 31

HSL 121.23, 0.78%, 0.49%

LAB 77.62, -75.59, 71.09

 

CMYK 88 / 0 / 63 / 13

HEX #1BDE53

RGB 27 222 83

HSL 137.23, 0.78%, 0.49%

LAB 77.93, -71.66, 54.37

 

CMYK 88 / 0 / 39 / 13

HEX #1BDE87

RGB 27 222 135

HSL 153.23, 0.78%, 0.49%

LAB 78.59, -63.75, 30.46

 

CMYK 88 / 0 / 16 / 13

HEX #1BDEBB

RGB 27 222 187

HSL 169.23, 0.78%, 0.49%

LAB 79.65, -52.06, 4.71

 

CMYK 88 / 7 / 0 / 13

HEX #1BCEDE

RGB 27 206 222

HSL 184.92, 0.78%, 0.49%

LAB 75.85, -35.14, -19.67

 

CMYK 88 / 0 / 38 / 42

HEX #12955C

RGB 18 149 92

HSL 153.89, 0.78%, 0.33%

LAB 54.44, -46.5, 21.08

 

CMYK 88 / 0 / 39 / 27

HEX #17BA72

RGB 23 186 114

HSL 153.5, 0.78%, 0.41%

LAB 66.91, -55.35, 25.83

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 74 / 0 / 32 / 9

HEX #3CE79C

RGB 60 231 156

HSL 153.68, 0.78%, 0.57%

LAB 82.12, -59.68, 24.49

 

CMYK 59 / 0 / 26 / 8

HEX #61EBAF

RGB 97 235 175

HSL 153.91, 0.78%, 0.65%

LAB 84.51, -51.27, 18.09

 

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

CMYK 88 / 66 / 0 / 13

HEX #1B4CDE

RGB 27 76 222

HSL 224.92, 0.78%, 0.49%

LAB 39.03, 40.15, -77.99

 

CMYK 0 / 74 / 88 / 13

HEX #DE391B

RGB 222 57 27

HSL 9.23, 0.78%, 0.49%

LAB 50.14, 61.97, 54.04

 

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

CMYK 39 / 88 / 0 / 13

HEX #871BDE

RGB 135 27 222

HSL 273.23, 0.78%, 0.49%

LAB 39.93, 73.05, -76.21

 

CMYK 0 / 39 / 88 / 13

HEX #DE871B

RGB 222 135 27

HSL 33.23, 0.78%, 0.49%

LAB 64.11, 26.2, 64.91

 

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

CMYK 88 / 66 / 0 / 13

HEX #1B4CDE

RGB 27 76 222

HSL 224.92, 0.78%, 0.49%

LAB 39.03, 40.15, -77.99

 

CMYK 0 / 88 / 48 / 13

HEX #DE1B73

RGB 222 27 115

HSL 332.92, 0.78%, 0.49%

LAB 48.95, 73.63, 2.55

 

CMYK 0 / 22 / 88 / 13

HEX #DEAE1B

RGB 222 174 27

HSL 45.23, 0.78%, 0.49%

LAB 73.47, 5.38, 72.28

 

CMYK 88 / 0 / 38 / 12

HEX #1CE08A

RGB 28 224 138

HSL 153.67, 0.78%, 0.49%

LAB 79.27, -63.81, 29.82

 

CMYK 83 / 88 / 0 / 13

HEX #251BDE

RGB 37 27 222

HSL 243.08, 0.78%, 0.49%

LAB 30.52, 65.65, -92.07

 

CMYK 0 / 88 / 48 / 13

HEX #DE1B73

RGB 222 27 115

HSL 332.92, 0.78%, 0.49%

LAB 48.95, 73.63, 2.55

 

CMYK 4 / 0 / 88 / 13

HEX #D5DE1B

RGB 213 222 27

HSL 62.77, 0.78%, 0.49%

LAB 85.23, -22.85, 81.3

 

Description

Color code: HEX #1CE08A | qconv.com Color code: HEX #1CE08A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 224 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 224 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 38 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 38% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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