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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CE05D it is the complementary color #E31FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CE05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CE05D shade: #21E058, #32F26B, #43FF7E, #54FF91 and #65FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CE05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CE05D shade: #1CE05D, #0BCE4A, #00BC37, #00AA24 and #009811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CE05D shade: #1BDE5C, #1BDE28, #44DE1B, #79DE1B and #ADDE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CE05D shade: #1BDE5C, #1BDE91, #1BDEC5, #1BC3DE and #1B8EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CE05D shade matches the following richer shades: #1BDE5C and #07F355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CE05D shade: #1BDE5C, #30CA63, #44B66A, #58A271 and #6C8E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CE05D shade: #46DE1B, #1BDE25, #1BDE59, #1BDE8D and #1BDEC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CE05D shade: #12953E, #17BA4D, #1BDE5C, #3CE775 and #61EB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CE05D shade: #1CE05D, #1B7ADE and #DE1B2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CE05D shade: #1CE05D, #591BDE and #DE591B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CE05D shade: #1CE05D, #1B7ADE, #DE1BA1 and #DE801B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CE05D shade: #1CE05D, #1B3FDE, #DE1BA1 and #DEBB1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

Complementary color

CMYK 0 / 86 / 29 / 11

HEX #E31FA2

RGB 227 31 162

HSL 319.9, 0.78%, 0.51%

LAB 51.75, 78.55, -21.48

 

CMYK 85 / 0 / 61 / 12

HEX #21E058

RGB 33 224 88

HSL 137.28, 0.75%, 0.5%

LAB 78.66, -71.24, 53.05

 

CMYK 79 / 0 / 56 / 5

HEX #32F26B

RGB 50 242 107

HSL 137.81, 0.88%, 0.57%

LAB 84.61, -72.83, 51.62

 

CMYK 74 / 0 / 51 / 0

HEX #43FF7E

RGB 67 255 126

HSL 138.83, 1%, 0.63%

LAB 89.03, -72.34, 48.3

 

CMYK 67 / 0 / 43 / 0

HEX #54FF91

RGB 84 255 145

HSL 141.4, 1%, 0.66%

LAB 89.6, -66.86, 40.03

 

CMYK 60 / 0 / 36 / 0

HEX #65FFA4

RGB 101 255 164

HSL 144.55, 1%, 0.7%

LAB 90.31, -60.52, 31.65

 

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

CMYK 95 / 0 / 64 / 19

HEX #0BCE4A

RGB 11 206 74

HSL 139.38, 0.9%, 0.43%

LAB 72.7, -68.75, 52.29

 

CMYK 100 / 0 / 71 / 26

HEX #00BC37

RGB 0 188 55

HSL 137.55, 1%, 0.37%

LAB 66.7, -65.82, 53.5

 

CMYK 100 / 0 / 79 / 33

HEX #00AA24

RGB 0 170 36

HSL 132.71, 1%, 0.33%

LAB 60.67, -62.14, 54.16

 

CMYK 100 / 0 / 89 / 40

HEX #009811

RGB 0 152 17

HSL 126.71, 1%, 0.3%

LAB 54.55, -58.03, 53.66

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 88 / 0 / 82 / 13

HEX #1BDE28

RGB 27 222 40

HSL 124, 0.78%, 0.49%

LAB 77.66, -75.18, 69.05

 

CMYK 69 / 0 / 88 / 13

HEX #44DE1B

RGB 68 222 27

HSL 107.38, 0.78%, 0.49%

LAB 78.2, -70.58, 72.6

 

CMYK 45 / 0 / 88 / 13

HEX #79DE1B

RGB 121 222 27

HSL 91.08, 0.78%, 0.49%

LAB 79.83, -57.43, 74.64

 

CMYK 22 / 0 / 88 / 13

HEX #ADDE1B

RGB 173 222 27

HSL 75.08, 0.78%, 0.49%

LAB 82.49, -39.05, 77.93

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 88 / 0 / 35 / 13

HEX #1BDE91

RGB 27 222 145

HSL 156.31, 0.78%, 0.49%

LAB 78.76, -61.78, 25.55

 

CMYK 88 / 0 / 11 / 13

HEX #1BDEC5

RGB 27 222 197

HSL 172.31, 0.78%, 0.49%

LAB 79.9, -49.44, -0.24

 

CMYK 88 / 12 / 0 / 13

HEX #1BC3DE

RGB 27 195 222

HSL 188.31, 0.78%, 0.49%

LAB 72.59, -29.88, -24.64

 

CMYK 88 / 36 / 0 / 13

HEX #1B8EDE

RGB 27 142 222

HSL 204.62, 0.78%, 0.49%

LAB 56.93, -1.39, -49.04

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 97 / 0 / 65 / 5

HEX #07F355

RGB 7 243 85

HSL 139.83, 0.94%, 0.49%

LAB 84.38, -78.52, 60.68

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 76 / 0 / 51 / 21

HEX #30CA63

RGB 48 202 99

HSL 139.87, 0.62%, 0.49%

LAB 72.07, -61.03, 40.18

 

CMYK 63 / 0 / 42 / 29

HEX #44B66A

RGB 68 182 106

HSL 140, 0.46%, 0.49%

LAB 66.31, -49.13, 29.4

 

CMYK 46 / 0 / 30 / 36

HEX #58A271

RGB 88 162 113

HSL 140.27, 0.3%, 0.49%

LAB 60.88, -34.34, 18.5

 

CMYK 24 / 0 / 16 / 44

HEX #6C8E77

RGB 108 142 119

HSL 139.41, 0.14%, 0.49%

LAB 55.95, -16.83, 8.42

 

CMYK 68 / 0 / 88 / 13

HEX #46DE1B

RGB 70 222 27

HSL 106.77, 0.78%, 0.49%

LAB 78.24, -70.21, 72.65

 

CMYK 88 / 0 / 83 / 13

HEX #1BDE25

RGB 27 222 37

HSL 123.08, 0.78%, 0.49%

LAB 77.64, -75.33, 69.78

 

CMYK 88 / 0 / 60 / 13

HEX #1BDE59

RGB 27 222 89

HSL 139.08, 0.78%, 0.49%

LAB 77.99, -70.96, 51.83

 

CMYK 88 / 0 / 36 / 13

HEX #1BDE8D

RGB 27 222 141

HSL 155.08, 0.78%, 0.49%

LAB 78.69, -62.58, 27.52

 

CMYK 88 / 0 / 13 / 13

HEX #1BDEC1

RGB 27 222 193

HSL 171.08, 0.78%, 0.49%

LAB 79.8, -50.5, 1.74

 

CMYK 88 / 0 / 58 / 42

HEX #12953E

RGB 18 149 62

HSL 140.15, 0.78%, 0.33%

LAB 54, -51.81, 36.32

 

CMYK 88 / 0 / 59 / 27

HEX #17BA4D

RGB 23 186 77

HSL 139.88, 0.78%, 0.41%

LAB 66.39, -61.51, 43.77

 

CMYK 88 / 0 / 59 / 13

HEX #1BDE5C

RGB 27 222 92

HSL 140, 0.78%, 0.49%

LAB 78.02, -70.58, 50.54

 

CMYK 74 / 0 / 49 / 9

HEX #3CE775

RGB 60 231 117

HSL 140, 0.78%, 0.57%

LAB 81.51, -66.58, 43.22

 

CMYK 59 / 0 / 39 / 8

HEX #61EB8F

RGB 97 235 143

HSL 140, 0.78%, 0.65%

LAB 83.94, -57.33, 33.7

 

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

CMYK 88 / 45 / 0 / 13

HEX #1B7ADE

RGB 27 122 222

HSL 210.77, 0.78%, 0.49%

LAB 51.18, 10.74, -58.23

 

CMYK 0 / 88 / 80 / 13

HEX #DE1B2C

RGB 222 27 44

HSL 354.77, 0.78%, 0.49%

LAB 47.62, 69.85, 43.56

 

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

CMYK 60 / 88 / 0 / 13

HEX #591BDE

RGB 89 27 222

HSL 259.08, 0.78%, 0.49%

LAB 34.36, 68.45, -85.59

 

CMYK 0 / 60 / 88 / 13

HEX #DE591B

RGB 222 89 27

HSL 19.08, 0.78%, 0.49%

LAB 54.82, 49.32, 57.66

 

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

CMYK 88 / 45 / 0 / 13

HEX #1B7ADE

RGB 27 122 222

HSL 210.77, 0.78%, 0.49%

LAB 51.18, 10.74, -58.23

 

CMYK 0 / 88 / 27 / 13

HEX #DE1BA1

RGB 222 27 161

HSL 318.77, 0.78%, 0.49%

LAB 50.55, 78.04, -22.8

 

CMYK 0 / 42 / 88 / 13

HEX #DE801B

RGB 222 128 27

HSL 31.08, 0.78%, 0.49%

LAB 62.55, 29.91, 63.69

 

CMYK 88 / 0 / 58 / 12

HEX #1CE05D

RGB 28 224 93

HSL 139.9, 0.78%, 0.49%

LAB 78.66, -71, 50.84

 

CMYK 88 / 72 / 0 / 13

HEX #1B3FDE

RGB 27 63 222

HSL 228.92, 0.78%, 0.49%

LAB 36.1, 48.08, -82.82

 

CMYK 0 / 88 / 27 / 13

HEX #DE1BA1

RGB 222 27 161

HSL 318.77, 0.78%, 0.49%

LAB 50.55, 78.04, -22.8

 

CMYK 0 / 16 / 88 / 13

HEX #DEBB1B

RGB 222 187 27

HSL 49.23, 0.78%, 0.49%

LAB 76.77, -1.44, 74.89

 

Description

Color code: HEX #1CE05D | qconv.com Color code: HEX #1CE05D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 224 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 224 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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