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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CDD4D it is the complementary color #E322B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CDD4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CDD4D shade: #21DD48, #32EF5B, #43FF6E, #54FF81 and #65FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CDD4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CDD4D shade: #1CDD4D, #0BCB3A, #00B927, #00A714 and #009501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CDD4D shade: #1BDE4D, #1FDE1B, #53DE1B, #88DE1B and #BCDE1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CDD4D shade: #1BDE4D, #1BDE82, #1BDEB6, #1BD2DE and #1B9EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CDD4D shade matches the following richer shades: #1BDE4D and #07F343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CDD4D shade: #1BDE4D, #30CA57, #44B661, #58A26B and #6C8E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CDD4D shade: #53DE1B, #1FDE1B, #1BDE4C, #1BDE80 and #1BDEB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CDD4D shade: #129534, #17BA40, #1BDE4D, #3CE768 and #61EB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CDD4D shade: #1CDD4D, #1B87DE and #DE1B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CDD4D shade: #1CDD4D, #4C1BDE and #DE4C1B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CDD4D shade: #1CDD4D, #1B87DE, #DE1BAE and #DE731B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CDD4D shade: #1CDD4D, #1B4CDE, #DE1BAE and #DEAE1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

Complementary color

CMYK 0 / 85 / 22 / 11

HEX #E322B2

RGB 227 34 178

HSL 315.23, 0.78%, 0.51%

LAB 52.61, 79.86, -29.56

 

CMYK 85 / 0 / 67 / 13

HEX #21DD48

RGB 33 221 72

HSL 132.45, 0.74%, 0.5%

LAB 77.58, -72.05, 58.5

 

CMYK 79 / 0 / 62 / 6

HEX #32EF5B

RGB 50 239 91

HSL 133.02, 0.86%, 0.57%

LAB 83.53, -73.83, 57.36

 

CMYK 74 / 0 / 57 / 0

HEX #43FF6E

RGB 67 255 110

HSL 133.72, 1%, 0.63%

LAB 88.85, -74.47, 55.35

 

CMYK 67 / 0 / 49 / 0

HEX #54FF81

RGB 84 255 129

HSL 135.79, 1%, 0.66%

LAB 89.39, -69.3, 47.42

 

CMYK 60 / 0 / 42 / 0

HEX #65FF94

RGB 101 255 148

HSL 138.31, 1%, 0.7%

LAB 90.06, -63.24, 39.24

 

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

CMYK 95 / 0 / 71 / 20

HEX #0BCB3A

RGB 11 203 58

HSL 134.69, 0.9%, 0.42%

LAB 71.62, -69.46, 57.5

 

CMYK 100 / 0 / 79 / 27

HEX #00B927

RGB 0 185 39

HSL 132.65, 1%, 0.36%

LAB 65.63, -66.23, 57.99

 

CMYK 100 / 0 / 88 / 35

HEX #00A714

RGB 0 167 20

HSL 127.19, 1%, 0.33%

LAB 59.61, -62.17, 57.46

 

CMYK 100 / 0 / 99 / 42

HEX #009501

RGB 0 149 1

HSL 120.4, 1%, 0.29%

LAB 53.49, -57.7, 55.55

 

CMYK 88 / 0 / 65 / 13

HEX #1BDE4D

RGB 27 222 77

HSL 135.38, 0.78%, 0.49%

LAB 77.88, -72.32, 56.81

 

CMYK 86 / 0 / 88 / 13

HEX #1FDE1B

RGB 31 222 27

HSL 118.77, 0.78%, 0.49%

LAB 77.65, -75.43, 71.9

 

CMYK 63 / 0 / 88 / 13

HEX #53DE1B

RGB 83 222 27

HSL 102.77, 0.78%, 0.49%

LAB 78.56, -67.56, 73.05

 

CMYK 39 / 0 / 88 / 13

HEX #88DE1B

RGB 136 222 27

HSL 86.46, 0.78%, 0.49%

LAB 80.49, -52.57, 75.46

 

CMYK 15 / 0 / 88 / 13

HEX #BCDE1B

RGB 188 222 27

HSL 70.46, 0.78%, 0.49%

LAB 83.45, -33.11, 79.11

 

CMYK 88 / 0 / 65 / 13

HEX #1BDE4D

RGB 27 222 77

HSL 135.38, 0.78%, 0.49%

LAB 77.88, -72.32, 56.81

 

CMYK 88 / 0 / 41 / 13

HEX #1BDE82

RGB 27 222 130

HSL 151.69, 0.78%, 0.49%

LAB 78.51, -64.69, 32.89

 

CMYK 88 / 0 / 18 / 13

HEX #1BDEB6

RGB 27 222 182

HSL 167.69, 0.78%, 0.49%

LAB 79.53, -53.33, 7.19

 

CMYK 88 / 5 / 0 / 13

HEX #1BD2DE

RGB 27 210 222

HSL 183.69, 0.78%, 0.49%

LAB 77.04, -37, -17.87

 

CMYK 88 / 29 / 0 / 13

HEX #1B9EDE

RGB 27 158 222

HSL 199.69, 0.78%, 0.49%

LAB 61.62, -10.56, -41.64

 

CMYK 88 / 0 / 65 / 13

HEX #1BDE4D

RGB 27 222 77

HSL 135.38, 0.78%, 0.49%

LAB 77.88, -72.32, 56.81

 

CMYK 97 / 0 / 72 / 5

HEX #07F343

RGB 7 243 67

HSL 135.25, 0.94%, 0.49%

LAB 84.25, -80.16, 67.26

 

CMYK 88 / 0 / 65 / 13

HEX #1BDE4D

RGB 27 222 77

HSL 135.38, 0.78%, 0.49%

LAB 77.88, -72.32, 56.81

 

CMYK 76 / 0 / 57 / 21

HEX #30CA57

RGB 48 202 87

HSL 135.19, 0.62%, 0.49%

LAB 71.93, -62.72, 45.72

 

CMYK 63 / 0 / 47 / 29

HEX #44B661

RGB 68 182 97

HSL 135.26, 0.46%, 0.49%

LAB 66.17, -50.64, 33.88

 

CMYK 46 / 0 / 34 / 36

HEX #58A26B

RGB 88 162 107

HSL 135.41, 0.3%, 0.49%

LAB 60.76, -35.47, 21.63

 

CMYK 24 / 0 / 18 / 44

HEX #6C8E75

RGB 108 142 117

HSL 135.88, 0.14%, 0.49%

LAB 55.91, -17.23, 9.49

 

CMYK 63 / 0 / 88 / 13

HEX #53DE1B

RGB 83 222 27

HSL 102.77, 0.78%, 0.49%

LAB 78.56, -67.56, 73.05

 

CMYK 86 / 0 / 88 / 13

HEX #1FDE1B

RGB 31 222 27

HSL 118.77, 0.78%, 0.49%

LAB 77.65, -75.43, 71.9

 

CMYK 88 / 0 / 66 / 13

HEX #1BDE4C

RGB 27 222 76

HSL 135.08, 0.78%, 0.49%

LAB 77.87, -72.42, 57.2

 

CMYK 88 / 0 / 42 / 13

HEX #1BDE80

RGB 27 222 128

HSL 151.08, 0.78%, 0.49%

LAB 78.48, -65.05, 33.86

 

CMYK 88 / 0 / 19 / 13

HEX #1BDEB4

RGB 27 222 180

HSL 167.08, 0.78%, 0.49%

LAB 79.48, -53.83, 8.19

 

CMYK 88 / 0 / 65 / 42

HEX #129534

RGB 18 149 52

HSL 135.57, 0.78%, 0.33%

LAB 53.89, -53.12, 40.93

 

CMYK 88 / 0 / 66 / 27

HEX #17BA40

RGB 23 186 64

HSL 135.09, 0.78%, 0.41%

LAB 66.27, -63.08, 49.42

 

CMYK 88 / 0 / 65 / 13

HEX #1BDE4D

RGB 27 222 77

HSL 135.38, 0.78%, 0.49%

LAB 77.88, -72.32, 56.81

 

CMYK 74 / 0 / 55 / 9

HEX #3CE768

RGB 60 231 104

HSL 135.44, 0.78%, 0.57%

LAB 81.35, -68.42, 49.14

 

CMYK 59 / 0 / 44 / 8

HEX #61EB84

RGB 97 235 132

HSL 135.22, 0.78%, 0.65%

LAB 83.77, -59.12, 38.95

 

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

CMYK 88 / 39 / 0 / 13

HEX #1B87DE

RGB 27 135 222

HSL 206.77, 0.78%, 0.49%

LAB 54.9, 2.78, -52.27

 

CMYK 0 / 88 / 74 / 13

HEX #DE1B39

RGB 222 27 57

HSL 350.77, 0.78%, 0.49%

LAB 47.76, 70.27, 36.32

 

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

CMYK 66 / 88 / 0 / 13

HEX #4C1BDE

RGB 76 27 222

HSL 255.08, 0.78%, 0.49%

LAB 33.12, 67.51, -87.67

 

CMYK 0 / 66 / 88 / 13

HEX #DE4C1B

RGB 222 76 27

HSL 15.08, 0.78%, 0.49%

LAB 52.71, 54.95, 56.02

 

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

CMYK 88 / 39 / 0 / 13

HEX #1B87DE

RGB 27 135 222

HSL 206.77, 0.78%, 0.49%

LAB 54.9, 2.78, -52.27

 

CMYK 0 / 88 / 22 / 13

HEX #DE1BAE

RGB 222 27 174

HSL 314.77, 0.78%, 0.49%

LAB 51.12, 79.55, -29.61

 

CMYK 0 / 48 / 88 / 13

HEX #DE731B

RGB 222 115 27

HSL 27.08, 0.78%, 0.49%

LAB 59.77, 36.67, 61.52

 

CMYK 87 / 0 / 65 / 13

HEX #1CDD4D

RGB 28 221 77

HSL 135.23, 0.78%, 0.49%

LAB 77.58, -71.95, 56.47

 

CMYK 88 / 66 / 0 / 13

HEX #1B4CDE

RGB 27 76 222

HSL 224.92, 0.78%, 0.49%

LAB 39.03, 40.15, -77.99

 

CMYK 0 / 88 / 22 / 13

HEX #DE1BAE

RGB 222 27 174

HSL 314.77, 0.78%, 0.49%

LAB 51.12, 79.55, -29.61

 

CMYK 0 / 22 / 88 / 13

HEX #DEAE1B

RGB 222 174 27

HSL 45.23, 0.78%, 0.49%

LAB 73.47, 5.38, 72.28

 

Description

Color code: HEX #1CDD4D | qconv.com Color code: HEX #1CDD4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 221 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 221 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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