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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CDC36 it is the complementary color #E323C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CDC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CDC36 shade: #21DC31, #32EE44, #43FF57, #54FF6A and #65FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CDC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CDC36 shade: #1CDC36, #0BCA23, #00B810, #00A600 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CDC36 shade: #1DDD37, #37DD1D, #6ADD1D, #9EDD1D and #D2DD1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CDC36 shade: #1DDD37, #1DDD6B, #1DDD9F, #1DDDD2 and #1DB4DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CDC36 shade matches the following richer shades: #1DDD37 and #09F128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CDC36 shade: #1DDD37, #31C946, #45B554, #59A163 and #6E8C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CDC36 shade: #6ADD1D, #36DD1D, #1DDD36, #1DDD6A and #1DDD9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CDC36 shade: #139425, #18B92E, #1DDD37, #3DE654 and #62EB74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CDC36 shade: #1CDC36, #1D9DDD and #DD1D50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CDC36 shade: #1CDC36, #361DDD and #DD361D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CDC36 shade: #1CDC36, #1D9DDD, #DD1DC4 and #DD5D1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CDC36 shade: #1CDC36, #1D63DD, #DD1DC4 and #DD971D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

Complementary color

CMYK 0 / 85 / 11 / 11

HEX #E323C9

RGB 227 35 201

HSL 308.13, 0.77%, 0.51%

LAB 53.76, 82.61, -41.1

 

CMYK 85 / 0 / 78 / 14

HEX #21DC31

RGB 33 220 49

HSL 125.13, 0.74%, 0.5%

LAB 77.12, -73.61, 66.07

 

CMYK 79 / 0 / 71 / 7

HEX #32EE44

RGB 50 238 68

HSL 125.74, 0.85%, 0.56%

LAB 83.04, -75.73, 65.78

 

CMYK 74 / 0 / 66 / 0

HEX #43FF57

RGB 67 255 87

HSL 126.38, 1%, 0.63%

LAB 88.64, -76.98, 64.7

 

CMYK 67 / 0 / 58 / 0

HEX #54FF6A

RGB 84 255 106

HSL 127.72, 1%, 0.66%

LAB 89.13, -72.27, 57.52

 

CMYK 60 / 0 / 51 / 0

HEX #65FF7D

RGB 101 255 125

HSL 129.35, 1%, 0.7%

LAB 89.75, -66.62, 49.82

 

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

CMYK 95 / 0 / 83 / 21

HEX #0BCA23

RGB 11 202 35

HSL 127.54, 0.9%, 0.42%

LAB 71.17, -70.78, 64.33

 

CMYK 100 / 0 / 91 / 28

HEX #00B810

RGB 0 184 16

HSL 125.22, 1%, 0.36%

LAB 65.21, -67.06, 63.06

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 87 / 0 / 75 / 13

HEX #1DDD37

RGB 29 221 55

HSL 128.13, 0.77%, 0.49%

LAB 77.43, -73.82, 64.47

 

CMYK 75 / 0 / 87 / 13

HEX #37DD1D

RGB 55 221 29

HSL 111.88, 0.77%, 0.49%

LAB 77.65, -72.33, 71.65

 

CMYK 52 / 0 / 87 / 13

HEX #6ADD1D

RGB 106 221 29

HSL 95.94, 0.77%, 0.49%

LAB 78.96, -61.41, 73.3

 

CMYK 29 / 0 / 87 / 13

HEX #9EDD1D

RGB 158 221 29

HSL 79.69, 0.77%, 0.49%

LAB 81.33, -44.28, 76.25

 

CMYK 5 / 0 / 87 / 13

HEX #D2DD1D

RGB 210 221 29

HSL 63.44, 0.77%, 0.49%

LAB 84.74, -23.58, 80.46

 

CMYK 87 / 0 / 75 / 13

HEX #1DDD37

RGB 29 221 55

HSL 128.13, 0.77%, 0.49%

LAB 77.43, -73.82, 64.47

 

CMYK 87 / 0 / 52 / 13

HEX #1DDD6B

RGB 29 221 107

HSL 144.38, 0.77%, 0.49%

LAB 77.9, -68.05, 43.44

 

CMYK 87 / 0 / 28 / 13

HEX #1DDD9F

RGB 29 221 159

HSL 160.63, 0.77%, 0.49%

LAB 78.74, -58.29, 18.22

 

CMYK 87 / 0 / 5 / 13

HEX #1DDDD2

RGB 29 221 210

HSL 176.56, 0.77%, 0.49%

LAB 79.97, -45.33, -7.07

 

CMYK 87 / 19 / 0 / 13

HEX #1DB4DD

RGB 29 180 221

HSL 192.81, 0.77%, 0.49%

LAB 68.11, -22.58, -30.97

 

CMYK 87 / 0 / 75 / 13

HEX #1DDD37

RGB 29 221 55

HSL 128.13, 0.77%, 0.49%

LAB 77.43, -73.82, 64.47

 

CMYK 96 / 0 / 83 / 5

HEX #09F128

RGB 9 241 40

HSL 128.02, 0.93%, 0.49%

LAB 83.51, -81.25, 74.34

 

CMYK 87 / 0 / 75 / 13

HEX #1DDD37

RGB 29 221 55

HSL 128.13, 0.77%, 0.49%

LAB 77.43, -73.82, 64.47

 

CMYK 76 / 0 / 65 / 21

HEX #31C946

RGB 49 201 70

HSL 128.29, 0.61%, 0.49%

LAB 71.47, -64.27, 52.72

 

CMYK 62 / 0 / 54 / 29

HEX #45B554

RGB 69 181 84

HSL 128.04, 0.45%, 0.49%

LAB 65.71, -51.97, 39.82

 

CMYK 45 / 0 / 39 / 37

HEX #59A163

RGB 89 161 99

HSL 128.33, 0.29%, 0.49%

LAB 60.35, -36.15, 25.44

 

CMYK 21 / 0 / 19 / 45

HEX #6E8C72

RGB 110 140 114

HSL 128, 0.12%, 0.49%

LAB 55.37, -16.05, 10.46

 

CMYK 52 / 0 / 87 / 13

HEX #6ADD1D

RGB 106 221 29

HSL 95.94, 0.77%, 0.49%

LAB 78.96, -61.41, 73.3

 

CMYK 76 / 0 / 87 / 13

HEX #36DD1D

RGB 54 221 29

HSL 112.19, 0.77%, 0.49%

LAB 77.63, -72.48, 71.63

 

CMYK 87 / 0 / 76 / 13

HEX #1DDD36

RGB 29 221 54

HSL 127.81, 0.77%, 0.49%

LAB 77.42, -73.89, 64.79

 

CMYK 87 / 0 / 52 / 13

HEX #1DDD6A

RGB 29 221 106

HSL 144.06, 0.77%, 0.49%

LAB 77.88, -68.2, 43.9

 

CMYK 87 / 0 / 29 / 13

HEX #1DDD9D

RGB 29 221 157

HSL 160, 0.77%, 0.49%

LAB 78.7, -58.73, 19.22

 

CMYK 87 / 0 / 75 / 42

HEX #139425

RGB 19 148 37

HSL 128.37, 0.77%, 0.33%

LAB 53.44, -54.24, 46.7

 

CMYK 87 / 0 / 75 / 27

HEX #18B92E

RGB 24 185 46

HSL 128.2, 0.77%, 0.41%

LAB 65.82, -64.37, 55.93

 

CMYK 87 / 0 / 75 / 13

HEX #1DDD37

RGB 29 221 55

HSL 128.13, 0.77%, 0.49%

LAB 77.43, -73.82, 64.47

 

CMYK 73 / 0 / 63 / 10

HEX #3DE654

RGB 61 230 84

HSL 128.17, 0.77%, 0.57%

LAB 80.86, -70.33, 57.34

 

CMYK 58 / 0 / 51 / 8

HEX #62EB74

RGB 98 235 116

HSL 127.88, 0.77%, 0.65%

LAB 83.59, -61.24, 46.46

 

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

CMYK 87 / 29 / 0 / 13

HEX #1D9DDD

RGB 29 157 221

HSL 200, 0.77%, 0.49%

LAB 61.3, -10.24, -41.58

 

CMYK 0 / 87 / 64 / 13

HEX #DD1D50

RGB 221 29 80

HSL 344.06, 0.77%, 0.49%

LAB 48.05, 70.71, 22.77

 

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

CMYK 76 / 87 / 0 / 13

HEX #361DDD

RGB 54 29 221

HSL 247.81, 0.77%, 0.49%

LAB 31.54, 65.36, -89.78

 

CMYK 0 / 76 / 87 / 13

HEX #DD361D

RGB 221 54 29

HSL 7.81, 0.77%, 0.49%

LAB 49.62, 62.67, 52.7

 

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

CMYK 87 / 29 / 0 / 13

HEX #1D9DDD

RGB 29 157 221

HSL 200, 0.77%, 0.49%

LAB 61.3, -10.24, -41.58

 

CMYK 0 / 87 / 11 / 13

HEX #DD1DC4

RGB 221 29 196

HSL 307.81, 0.77%, 0.49%

LAB 52.1, 81.84, -40.9

 

CMYK 0 / 58 / 87 / 13

HEX #DD5D1D

RGB 221 93 29

HSL 20, 0.77%, 0.49%

LAB 55.37, 47.15, 57.3

 

CMYK 87 / 0 / 75 / 14

HEX #1CDC36

RGB 28 220 54

HSL 128.13, 0.77%, 0.49%

LAB 77.1, -73.68, 64.47

 

CMYK 87 / 55 / 0 / 13

HEX #1D63DD

RGB 29 99 221

HSL 218.13, 0.77%, 0.49%

LAB 44.81, 25.13, -67.97

 

CMYK 0 / 87 / 11 / 13

HEX #DD1DC4

RGB 221 29 196

HSL 307.81, 0.77%, 0.49%

LAB 52.1, 81.84, -40.9

 

CMYK 0 / 32 / 87 / 13

HEX #DD971D

RGB 221 151 29

HSL 38.13, 0.77%, 0.49%

LAB 67.72, 17.26, 67.19

 

Description

Color code: HEX #1CDC36 | qconv.com Color code: HEX #1CDC36 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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